***Daydream Visions Of Adamsville Beach, Circa 1964-In Honor Of Elsa Alva (nee Daley), Class Of 1964

***Daydream Visions Of Adamsville Beach, Circa 1964-In Honor Of  Elsa Alva (nee Daley), Class Of 1964

Alex James , North Adamsville Class Of 1964, comment:


I have been dedicating some of my sketches to various people. When I first wrote this one in 2008 I had not one in particular in mind but when I recently rewrote it I did have Elsa in mind. I did not know her well at North Adamsville, and do not know her now much better now, but I felt her presence very strongly when I was rewriting this thing. So here it is.>
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Taffrail Road, Yardarm Lane, Captain's Walk, Quarterdeck Road, Sextant Circle, and the Adamsville Old Sailor’s Home (and cemetery about a quarter of a mile away, closed now but the final resting place for many a sea-faring man, known and unknown). Yes, those names and places from the old housing project down in South Adamsville where I came of age surely evoke imagines of the sea, of long ago sailing ships, and of desperate, high stakes battles fought off shrouded, mist-covered coasts by those hearty enough to seek fame and fortune. And agile enough to keep it. Almost from my first wobbly, halting first baby steps down at “the projects” I have been physically drawn to the sea, a seductive, foam-flecked siren call that has never left me. Moreover, ever since this writer was a toddler his imagination has been driven by the sea as well. Not so much of pirates and prizes but of the power of nature, for good or evil.

Of course, anyone with even a passing attachment to Adamsville has to have an almost instinctual love of the sea; and a fear of its furies when old Mother Nature turns her back on us. Yes, the endless sea, our homeland the sea, the mother we never knew, the sea... But enough of those imaginings. If being determines consciousness, and if you love the ocean, then it does not hurt to have been brought up in Adamsville with its ready access to the bay and water on three sides. That said, the focal point for any experience with the ocean in Adamsville centers, naturally, around its longest stretch of beach, aptly, if not ingeniously, named Adamsville Beach.

For those of us of a certain age, including this writer, one cannot discuss Adamsville Beach properly without reference to such spots such as Howard Johnson's famous landmark ice cream stand (now a woe-begotten clam shack of no repute). For those who are clueless as to what I speak of, or have only heard about it in mythological terms from older relatives, or worst, have written it off as just another ice cream joint I have provided a link to a Wikipedia entry for the establishment. That should impress you of the younger set, I am sure. Know this: many a hot, muggy, sultry, sweaty summer evening was spent in line impatiently, and perhaps, on occasion, beyond impatience, waiting for one of those 27 (or was it 28?) flavors to cool off with. In those days the prize went to cherry vanilla in a sugar cone (backup: frozen pudding). I will not bore the reader with superlative terms and the “they don’t make them like they use to” riff, especially for those who only know “HoJo’s” from the later, pale imitation franchise days out on some forsaken great American West-searching highway, but at that moment I was in very heaven.

Nor can one forget those stumbling, fumbling, fierce childish efforts, bare-footed against all motherly caution about the dreaded jellyfish, pail and shovel in hand, to dig for seemingly non-existent clams down toward the Merrymount end of the beach at the, in those days, just slightly oil-slicked, sulfuric low tide. Or the smell of charcoal-flavored hot dogs on those occasional family barbecues (when one in a series of old jalopies that my father drove worked well enough to get us there) at the then just recently constructed old barren old Treasure Island (now named after some fallen Marine, and fully-forested, such is time) that were some of the too few times when my family acted as a family. Or the memory of roasted, really burnt, sticky marshmallows sticking to the roof of my mouth. Ouch!

But those thoughts and smells are not the only ones that interest me today. No trip down memory lane would be complete without at least a passing reference to high school Adamsville Beach. The sea brings out many emotions: humankind's struggle against nature, some Zen notions of oneness with the universe, the calming effect of the thundering waves, thoughts of immortality, and so on. But it also brings out the primordial longings for companionship. And no one longs for companionship more than teenagers. So the draw of the ocean is not just in its cosmic appeal but hormonal, as well. Mind you, however, we are not discussing here the nighttime Adamsville Beach, the time of "parking" and the "submarine races." [For the heathens, or those from Kansas or some such place, going to watch the submarine races was a localism meaning going, via car, down to the beach at night, hopefully on a very dark night, with a, for a guy, girl and, well, start groping each other, and usually more, a lot more, if you were lucky and the girl was hot, while occasionally coming up for air and looking for that mythical submarine race. Many guys (and gals) had there first encounter with oral sex that way, if the Monday morning before school boys’ lav talk, and maybe girls’ lav talk too, was anything but hot air.] Our thoughts are now pure as the driven snow. We will save that discussion for another time when kids and grand-kids are not around. Here we will confine ourselves to the day-time beach.

Virtually from the day school we got out of school for summer vacation I headed for the beach. And not just any section of that beach but the section directly between the Squaw Rock and Adamsville Heights Yacht Clubs. Now was situating myself in that spot done so that I could watch all the fine boats at anchor? Or was this the best swimming location on the beach? Hell no, this is where we heard (and here I include my old running pal and classmate, Bill Bailey) all the "babes" were. We were, apparently, under the influence of Beach Blanket Bingo or some such early 1960s Frankie Avalon-Annette Funicillo (sic) teenage beach film. (For those who are again clueless this was a “boy meets girl” saga like Avatar, except on the beach...and on Earth.)

Well, for those who expected a movie-like happy ending to this piece, you know, where I meet a youthful "Ms. Right" to the strains of Sea of Love, forget it. (That is the original Sea of Love, by the way, not the one used in the movie of the same name sung by Tom Waits at the end, and an incredible cover that you should listen to on YouTube.) I will keep the gory details short, though. As fate would have it there may have been "babes" aplenty down there but not for this lad. I don't know about you but I was just too socially awkward (read: tongue-tied) to get up the nerve to talk to girls (female readers substitute boys here). And on reflection, if the truth were to be known, I would not have known what to do about it in any case. No job, no money and, most importantly, no car for a date to watch one of those legendary "submarine races" that we have all agreed that we will not discuss here. But we can hardly fault the sea for that, right?
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The above piece came about as a result of a response to some correspondence, via, a manically hard-working and determined North Adamsville High School class reunion committee member who shall remain nameless (except for gender, she) concerning old-time memories of Adamsville Beach which formed one of the backdrops to our high school experiences. In the wake of my commentary everybody and their brother (or sister) who ever came within fifty miles of smelling the sulfuric-flecked sea air at that beach has felt some kind of ‘civic duty’ to bring out his or her own salt-encrusted memories of the place. Below, mainly unedited (who could edit someone’s civic duty), is the traffic in response to the above piece. No one is required to wade through all the blather but to make a New York Times-like offical record seems appropriate under the circumstances.
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Betty Gilroy 1985 (view profile)
Posted: Jul 22 2008 11:00pm PST
In reply to Peter Paul Markin 1964

I grew up close to Adamsville Beach...I used to ride my bike there, runaway there... was a great bike path, I loved it as a kid. I used to hang out with friends from school, had some great jelly fish fights there. Ahhh, my friend and her boy fell asleep on the beach divider {Markin: sea-wall]with his hand on her stomach. How was she going to explain that one to mom and dad? (And, no, you dirty old man, they were not having oral sex or anything like that, although I learned later from my own experience that this was a “hot” spot for such things being so secluded and all. She, maybe they, didn’t know anything about sex then according to her, although later she told me about a couple of things, nasty-sounding things then but nice now, to do with guys. I am blushing now, and getting a little funny-feeling too, when I think about it now but the sound of the ocean in the background was a great place to do those things, those so-called nasty things. I know it got me going.)

I lived in Adamsville Central in the ‘70s to the early 80s and then moved to North Adamsville. I love the views, and the clam shack, the ice cream, all the clam diggers... the pond on the way from Marlboro Street, jumping the fence trying to catch the bull frogs going to the swamp cemetery swinging from the willow tree I think... I live in California and have a son that’s 7 (I hope he doesn't read what I wrote above, about that sex stuff I mean, but the ocean did turn me on, a lot) around the age that I would ride my bike the freedom, the safeness I had skate boarding around losing track of time, I haven't been back since my 10 year reunion I miss it, my friends, but then again I'm older with responsibilities maybe some day again I will take my son and show him Adamsville Beach and throw a few jelly fish his way??

Betty
North Adamsville High 85
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Memories Of Adamsville Beach

Peter Paul Markin, 1964
Posted: Jul 26 2008 05:31am PST
In reply to Betty Gilroy, 1985

Betty- Thanks for the reply. The glint of silver off the Treasure Island Bridge when the sun hit it at a certain time. The early morning winter sun coming up over the horizon on the bay. The Boston skyline at dusk (pre-Marina Bay times when there was an unimpeded view). Well, we could go on and on with our memories but the one thing that caught my eye in your reply was the word “escape.” In one sense I was using Adamsville Beach as a metaphor for that idea in my story. I do not know about you and your family but, to be kind, I had a very rocky time growing up and certainly by the time I got to high school I was in desperate need of a sanctuary. It is no accident that I (and my old running mate, Bill Bailey) spent a fair amount of time there.

I went back to Adamsville last year (2007) while they were doing some reconstruction and cleaning the place up. I wrote about that in a sketch entitled Do You Know Adamsville Beach? that I posted here but then deleted. My original idea was to draw a comparison between the old hazy, happy memories of Adamsville in our youth and looking at it with today's older eyes. Somehow it just didn't fit right as a discussion item with the things I was trying to write then. If you would kindly reply to this message I will place it as a reply to some of what you have mentioned in your message about 'coming home.' By the way the jellyfish are still there in all their glory and please, take mother's advice, do not step on them, they might be poisonous.

Finally, I will not let you off the hook. I won’t comment on the "dirty old man" remark as I will take it as just a cute “fresh,” maybe flirty remark on your part. Yes, and I know as well as you that this is a family-friendly site but how did your friend explain away her 'sleeping' on the old wall to mom and dad? That bit about how she (they) didn’t know anything about sex, oral or otherwise, just doesn’t wash. Everybody “knew,” including parents who probably invented the spot, you only went to that particular spot with one thing in mind. You can send me a private e-mail with the real details if you like and then you can see if I am really a dirty old man or not. Regards, Peter Paul Markin

[Markin: Betty, by the way did send me an e-mail, several in fact, and I am still blushing, blushing profusely over some of her information old and ‘mature’ as I am. Let's put it this way my temperature was rising not a little. Frankly, some of the stuff (various sexual positions) she spoke of have to defy the laws of nature, but so be it. We were young and flexible (in more that one way) then. Forward.]
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Craig Wallace, North Adamsville High,1957 (view profile)
Posted: Jul 23 2008 10:34am PST
In reply to Peter Paul Markin,1964

Peter Paul: I heard from a younger friend, a woman friend (of my ex-wife’s actually) who knew you back in the day Professor Joan Murphy from over at MIT, who used to call you P.P., and that you liked it. [Markin: Tolerated it from her only because she was Frankie Riley’s ever-loving girlfriend. You remember the Riley family, the one with all the great North Adamsville raider red football players, Frankie was my corner boy chieftain up in front of Salducci’s Pizza Parlor. And she was, well, let's leave it as Frankie's ever-loving girlfriend.]

I don't have an awful lot to say about the beach, since I lived in a few other places while growing up. I do remember walking along the old sea wall and jumping across the openings trying to grab the rail to avoid falling. I once caught the rail, but hit the edge of the concrete wall with my shin. It hurt, but I didn't think it was broken.

Once a friend ran into a guy at the beach, and for some reason began to "exchange words." They were about to go at each other, but the lifeguard told them to take their dispute elsewhere. They went across the street to the grass in front of a stand where clams and other goodies were sold. The friend proceeded to tear the other guy apart. It didn't last that long. The friend was 5'-7" tall and the other guy 6'-3". I heard that some years later they ran into each other again and had a big laugh about the whole thing. Kids do grow up.

When I visited Massachusetts with my wife and two kids in 1983, my brother took us through some of the "old haunts," and we roamed the beach a bit. They got a kick out of a pair of horseshoe crabs skittering along the edge of the low tide line. I also went back there in 2007 and took a few walks along the beach. I did miss the old candle pin bowling alley, which appears to have been replaced by condos as was the old Adamsville Grammar School where I went through 1st grade (Miss Gray) and most of 2nd grade (Miss Lindberg).

Oh, yeah. I believe the Adamsville East Elementary School on Huckins Avenue is still in operation. I read that there's a boundary somewhere in North Adamsville and that kids who live east of the line go to Adamsville East School and those west of that line go to Parker Elementary on Billings Road. What is now North Adamsville High School included grades 7 through 12 till 1958 or 1959. So, even though I lived in 3 or 4 places, I was able to attend all 6 years at the same school.

Overall, most memories of Adamsville Beach are pretty good.

Craig S. Warren, 1957
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Peter Paul Markin reply:

Craig

Nobody has to stay on the subject at hand, all information about the old times in North Adamsville is welcome, but did you ever go to the beach? From the way you described it I thought maybe you knew about it from some picture postcard, of any beach, anywhere. Were you one of those, and there were not a few if I recall, who "rode," hot-rod rode the Adamsville Shore Boulevard and never touched down on the sand, or caught a fresh sea breeze on a hot summer day. Just kept cruising, eyes forward or left honed in on the ice cream, bowling alley, clam shack side, looking for the be-bop night, girls, or something. Like old Adamsville was Kansas or some sod town.

Peter Paul Markin,1964
Posted: Jul 23 2008 12:51pm PST
In reply to Craig Wallace, 1957

This entry started as a short sketch in this space but I deleted it because it did not fit in with what I was trying to evoke in these pages then. Now the sketch does serve as a decent reply though for Betty Gilroy's,(1985) and Craig Wallace's (1957) comments above. I, moreover, actually am writing about the old-time beach here and not everything else under the sun like hot sex spots and Adamsville school locations. Christ. Peter Paul Markin

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Okay, in the sketch above(Daydream Visions Of Adamsville Beach, Circa 1964) this writer got all misty-eyed about the old days at Adamsville Beach. I went on and on about things like the various flavors of ice cream at HoJo's, the local king-of-the-hill ice cream stand, the vagaries of clam-digging in the oil-soaked flats and about the smell of charcoal- broiled hot dogs at Treasure Island. And I did not fail to mention the obligatory teenage longings for companionship and romantic adventure associated with the sea. But enough of magical realism. Today, as we are older and wiser, we will junk that memory lane business and take a look at old Adamsville in the clear bright light of day.

Last year, as part of the trip down the memory lane that I have been endlessly writing about in this space, I walked the length of Adamsville Beach from the Squaw Rock Causeway to the bridge at Adamsville Shore. At that time the beach area was in the last stages of some reconstruction work. You know, repave the road, redo the sidewalks, and put in some new streetlights. Fair enough-even the edges of Mother Nature can use a make-over once in a while. The long and short of this little trip though was to make me wonder why I was so enthralled by the lure of Adamsville Beach in my youth.

Oh sure, most of the natural landmarks are still there, as well as some of the structural ones. Those poor, weather-beaten yacht clubs that I spend many a summer gazing on in my fruitless search for teenage companionship (read: girls). And, of course, the tattered Beachcomber gin mill in much the same condition is still there as are the inevitable clam shacks with their cholesterol-laden goods. That is not what I mean-what I noticed were things like the odd smell of low-tide when the sea is calm, the tepidness of the water as it splashed, barely, to the shore-when a man craved the roar of the ocean-and the annoying gear-grinding noise caused by the constant vehicular traffic on the near-by boulevard. Things that I was, frankly, oblivious to back in the days.

There is thus something of a disconnect between the dreaminess and careless abandon of youthful Adamsville Beach and the Adamsville of purposeful old age-the different between eyes and ears observing when the world was young and there were things to conquer and now. The lesson to be learned- beware the perils of memory lane. But don't blame the sea for that, please.

.....and the tin can bended, and the story ended (title from the late folksinger/folk historian Dave Van Ronk's last album). That seems about right.
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On Our 'Code Of Honor'

Peter Paul Markin, 1964
Posted: Jul 26 2008 05:42am PST
In reply to Craig Wallace, 1957

Craig- I am very interested in having you fill out this story about the fight between your friend and the other guy down at Adamsville Beach that you mentioned before (see above). I do not need to know the gory details nor what happened years later. What I am looking for is your take on what the whole incident meant at the time. This was hardly an unusual event at then(or now for that matter), right?

I am trying to put together an entry based on our working class “code of honor”- male version- at the time before women's liberation and other social phenomena helped us to expand our sense of the world and how we should act in it. Even “loner” types like me would not back down on certain 'turf' issues (girls, giving way while walking on the street, who you "hung" with, where your locker was, which “lav” you used, etc.) and took a beating rather than concede the point. Enough for now but give this some thought.

Regards, Peter Paul
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Fight . . . ?

Craig Wallace,1957 (view profile)
Posted: Jul 28 2008 09:09am PST
In reply to Peter Paul Markin,1964

Peter Paul (I won’t call you P.P., okay). [Markin: Watch it old man. The days of the bogus 'code of honor' may be long gone but every working-class corner boy still has a slight edge on, even fifty years later, okay.]

The scuffle between a friend of mine and a much bigger guy at Adamsville Beach was not really "earth shaking." It started a couple days before when the friend and I were walking along one of the streets leading to the beach, Bayfield Road, perhaps. The "other guy" passed by in a car with some of his friends, including a couple girls. That guy yelled some insult at my friend in reference to his "eye-wear." He probably was trying to impress the girls by showing them he could insult anyone and all could get a good laugh out of it. Of course, my friend yelled something equally offensive at those in the passing car, which kept going. The "incident" appeared to have terminated.

A few days later the friend and I crossed the road to the beach near one of the yacht clubs and there was the guy who had yelled the insulting remarks. Apparently, he thought he could continue the verbal abuse without suffering the consequences, because he yelled something similar again. My friend went after the kid, but was informed by the lifeguard that they better take their "dispute" elsewhere. They went across the road to a grassy area and, encouraged by a small crowd that was gathering around them, proceeded to "get it on." My friend was usually a fairly pacific person, but when "pushed," he was like a cornered wolverine that would take on anybody or anything. The scuffle didn't last long, and the bigger kid got the worst of it. That time was the end of the dispute. Apparently nobody was seriously hurt, but maybe some had a bit more respect for the smaller kids after that. Some years later the two met, and remembering the incident, shared a good laugh over the whole thing.

Then, as now, I saw no esoteric meaning to the "battle." It didn't seem like the medieval days when one would "defend his honor" or that of a "damsel in distress." It was just an exchange of words that developed into a short round of what may be referred to these days as "ultimate fighting" where no rules are observed. I had a couple scuffles in elementary school and my son did in middle school, but we more-or-less outgrew such things. Sadly, nowadays those "scuffles" can become more deadly and end with somebody paying the "ultimate price." Are we reverting to the "Dark Ages." I hope not.

Anyway, enough said of a "juvenile incident."

Craig, 1957
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The "Code of Honor"

Peter Paul Markin, 1964
Posted: Aug 03 2008 11:31am PST
In reply to Craig Wallace, 1957

Craig, thanks for story. It gives me an angle for a story that I will write about on our youthful sense of “honor.” This story that you related, especially the part about impressing the girls, etc. really says something about that code.

Regards, Peter Paul
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Day and Night At Adamsville Beach

Peter Paul Markin, 1964
Posted: Aug 02 2008 06:21am PST
In reply to Betty Gilroy, 1985

I mentioned in my original story that all of us would talk about daytime Adamsville Beach (although once the kids are out of sight-the nighttime is the right time- can come into play). I hope that at some point Betty Gilroy will expand on her comment about her girlfriend down at the day time beach and the incident alluded in her comment about her falling asleep. Ms. Gilroy is more than capable of telling her own version of the story. [Markin: She did via e-mail, private e-mail, and it would take a civil war to get the information out of me, or a few bucks. Let me put it this way. I was blushing for days, maybe now even, as I mentioned above]. The only point I want to make here is that some of these day time remembrances are as funny as what might have happened at night. Funny now, that is.

Regards, Peter Paul
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Anyone Remember Adamsville Beach?

Robina Moore, 1978 (view profile)
Posted: Aug 15 2008 04:35pm PST
In reply to Peter Paul Markin, 1964

Totally agree that growing up on Adamsville Beach was an experience. So natural at the time, but looking back I now see how fortunate I was. I don’t remember the HoJo’s but I do remember the 19 cent hotdogs sold on the beach that was a few blocks from my house. What a treat for the neighborhood kids to get together and go get a dog.

As far the beach was concerned as kids, we followed the tides. Some parent would parade a group us kids and watch over us. Generally for two hours before high tide, and two hours after, and they always had snacks and drinks in tow…just gotta love the moms for that! Swim, dig in the sand, play catch in the water and when finally tired, lay on a towel and listen to WRKO or WMEX on the transistor radio.

Once I hit teenage years, I choose not to venture near the beach. I think my parents knew about the cosmic and hormonal appeal as well as primordial longings going on there. I was taught at a young age, the beach is not a good place at night. I totally thank them for instilling this and letting Adamsville Beach be filled with wonderful childhood memories. With that said, I am thrilled at the revitalization, and hope this generation of children will have a chance to create memories that they can cherished forever.
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Back In The Days

Peter Paul Markin, 1964
Posted: Aug 18 2008 02:49pm PST
In reply to Robina Moore, 1978

Robina-Very nicely told memories. That is the thing that I was trying to evoke in writing this particular commentary. A few points.

*The reason for the boxes in your entry [Markin:since deleted] is that when you transfer from a word processor to the message space here the apostrophes and quotation marks turn into some Serbo-Croatian dialect in the process. It happens to me all the time. You have to change them in this space to avoid that.

* Do you, or anyone else, know when HoJo's left the Adamsville Beach site?

* Did you mean 19 dollars for a hot dog? You put 19 cents but that can't be right. Nothing ever cost 19 cents.

• You realize, of course, that this is a generic North Adamsville site and therefore members of generations X, Y or Z may not be familiar with the term “transistor radio.” For their benefit, that was a little battery-powered gizmo that allowed you to listen to music, the 'devil's music,' rock 'n' roll, without your parents going nuts. And no, sorry, you could not download whatever you wanted. Yes, I know, the Stone Age.

Regards, Peter Paul Markin
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The Nighttime Is The Right Time....

Peter Paul Markin, 1964
Posted: Aug 21 2008 08:08am PST
In reply to Robina Moore, 1978

...to be with the one you love. Yes, that classic Ray Charles tune (covered by many, including a steamy tribute version by The Rolling Stones in their 2005 Fenway Park concert) is a good lead in to what I want to mention here. Most of the comments on this entry have concerned day time Adamsville Beach but I have been thinking that it is time to open up to the night time episodes. Here are my reasons:

• Hey, it is entirely possible that some of our fellow alumni never went to Adamsville Beach during the day. They might have a legitimate grip against us for that. Remember we are using this cyberspace so that everyone has their "15 minutes of fame."

• The heck with protecting the kids and grandkids. They know this stuff already. Let's face it, as well, no self-respecting member of the hip-hop/iPod/Sidekick/texting generations (or younger) would dream of reading this far down into the entry. Ugh!

• Frankly, there is only so far we can go with the day-time Adamsville Beach. While there have been some nice comments there is only so far you can go with jellyfish, 19 cent hot dogs, teenage romantic longings and getting sand kicked in your face. We need to spice this up. In short, sex, or the hint of it, sells.

These are all good and sufficient reasons but, as usual, my real reason for arguing inclusion here is personal curiosity. I have been waiting some forty-four years to ask this simple question. Why, while we were driving down Adamsville Shore Boulevard on those cold October nights, let's say, were most of the cars all fogged up? What, were their defrosters not working? Come on, please, tell me.

The 50th Anniversary Of The Summer Of Love -Out In The Be-Bop 1960s Night- When The Music’s Over, Really Over

The 50th Anniversary Of The Summer Of Love -Out In The Be-Bop 1960s Night- When The Music’s Over, Really Over

Classic Rock: 1968: various artists, Time-Life Music, 1987


Scene: Brought to mind by a the cover art on this CD of a Stepphenwolf-like mushroom-headed band getting ready to belt out some serious rock in the heat of the “Generation of ‘68” night once the "high" wears off, a little.

"That Mustang Sally is a real piece of work," the Prince of Love (a. k. a . Josh Breslin from out of Olde Saco, Maine) thought to himself as he sat in the back of the bus, the magical mystery tour, merry prankster, yellow brick road bus that he had been “on” since the summer of love, last summer, the summer of 1967, the summer of his high school graduation, as the bus headed to their spring encampment down at Big Sur. Yes, Sally, (a. k. a. Susan Sharpe, Michigan Class of 1959, and a couple of other degrees to boot) sure had Captain Crunch (a. k. a. Robert Hutchins, Columbia, Class of 1958), the “owner” and all-around mentor of one and all, except to Sally, of course, over a barrel. See, Captain was the wizard king of the “on the bus” scene but he was nuts about Sally and went blind every time she took a new lover. Sally, in her way, was true to the Captain too, except that she liked to “play the field” a little. Yes, she had the Captain over a barrel alright, and she made him like it.

Sally’s specialty was befriending younger, usually younger, guys although she never thought to give me a tumble but that may have been out of respect for Butterfly Swirl who was my first "bus" love and who had flown the coop last fall to go back to Carlsbad High and her golden-haired surfer boy. And inside that specialty Sally was really friendly toward young rock and rock musicians. Right now she was “dating” Jimmy Jakes, the drummer from the new rage band at the Fillmore West, the Magic Mushrooms. And making the Captain like it. Ya, she is some piece of work.

But the Captain, if you can believe this, is just a little less mad at this Jimmy affair than Sally thinks because Jimmy’s Mushrooms not only make the room jump for the “acid freaks” that every San Francisco night group has to cater to but have a political message too. A hard political message about youth waking up and learning about how those who came to America in the old days just raped the land, raped anything they could get their hands on and then moved on, and that their progeny were still doing. Their best song, which the Captain loved enough to keep playing over and over on the bus’s amped up stereo system, Mickey Mouse Monster, was deep into that message. The Captain, when he wasn’t stoned, angry at Sally, or just cynical that day started this whole bus thing just to search for a ‘new world” and he was still searching.

Funny that the Captain would grant “absolution” to Sally for Jimmy over a simple song but Jimmy, in addition, actually talked politics, real world politics to the Captain. Stuff like how music could be the driving force of the revolution, and that John Lennon should be the head of it, and everybody should go back to the land for a while, all kinds of wild ideas like that. Ideas that for “acid” rock guys were too profound, especially when the high wore off. But the Captain listened, sometimes attentively and sometimes with a smirk. Except when that smirk turned to a big-time frown, when the Captain noticed that Sally was now hovering around a guy playing an electric flute. Ya, Sally had the Captain over a barrel, no question.

Patsy Cline, Brenda Lee And The Battle Of The Sexes-Round 235

Click on the headline to link to a YouTube film clip of Brenda Lee performing "I Want To Be Wanted."

Brenda Lee: Anthology 1956-1980, Brenda Lee, MCA Records, 1991

Sometimes one cannot win. A few years ago, after some serious prodding bordering on violations of the Genera Conventions against torture, I was asked by the chairperson of my North Adamsville High School Class 1964 (ouch!) Reunion Committee to answer certain questions about my likes and dislikes back in the day. The purpose of this exercise (other than to see if we were still youthfully sharp) was to compile a survey /sketch of class life in the long ago misty 1960s. There was a certain method to her madness as she probed by stages starting off with easy stuff like favorite sports, teachers, school lunch (none of the above) and worked her way into more intimate stuff like personal tastes in music. Obviously as she reeled us in, such a profound question required answers, especially those of us wedded to rock and roll like some precious child.

But there was even more devilishness behind her CIA-like probes. She posed the questions very specifically and asked what she probably thought was an innocuous question: in your youth did you prefer The Rolling Stones or the Beatles? Innocent, right? Pick one or the other. I did and went on and on about how the Stones lit my flamed-out youth on fire, how I came to the blues via their cover of Howlin’ Wolf’s (really Willie Dixon’s) Little Red Rooster (banned in Boston, moreover, that made it just that much more appealing) etc. ,etc.

Are you with me so far? Then she asked about this combination- the Brenda Lee versus Patsy Cline shoot-out. What, are you kidding? I cavalierly dismissed the notion of either singer have the slightest influence on my budding manly rock persona and refused, purposefully refused to answer (okay, okay I put N/A). No big deal this is America after all and N/A is part of the democratic tradition if frowned upon by partisans. End of story.

Not though when my "significant other" (known in the old days, in polite society, as my paramour and in impolite society as...oh, well you can fill in the blank) finished reading my response (I had off-handedly shown it to her for some laughs). The gist of her indignant argument centered on my alleged testosterone-driven choices of male Rock 'n' Roll bands like the Stones to the exclusion of kinder, gentler music-in short, choices that women might prefer. Okay, I took the point and then made my selection. Naturally, I need to make a little comment to motivate my choice.

Frankly, like I said, I really do not remember being a fan of either Brenda Lee or Patsy Cline in my youth. Both names are associated in those high school memories with dreamy school dances or other types of romantic endeavor. It was not until several years ago that I came to appreciate Patsy Cline's work. I have always been a sucker for female torch- singers like Billie Holiday and the young Peggy Lee in her Benny Goodman period but Patsy only recently became part of my musical interests as a country "torch" singer. So there you have my choice. Then. Since that time though, and the review of this Brenda Lee CD will bear this out, Ms. Lee (Brenda that is) has been making some strides. Of course this two CD set has most of the great stuff but why, why for a while now does the tune “I Want To Be Wanted “ reverberate in my head. And truth. It did back in some mystic Saturday night high school dance time when I was looking toward having the last dance with a certain she. A case for Freud, no question.

One last word. My last word. Let me get back to that controversy with my "significant other" (I prefer "soul-mate" but I will let that pass here). I mentioned in that hard-nosed class reunion questionnaire that in the summer of 2005 I attended a Rolling Stones concert at Fenway Park. Now who do you think was standing beside me shaking, as the kids say, her "booty" for all she was worth? So much that testosterone theory. Moreover, who imprisoned me in Fenway Park practically at gunpoint, until I bought her a sassy little Stones T-shirt as a memento of the occasion? Enough said.

***********

Here Are Some Lyrics For Brenda and Patsy So You Can Make An Informed Decision On These Burning Questions Of The Day.

Brenda Lee - I'm Sorry lyrics


Lyrics to I'm Sorry :

I'm sorry, so sorry
That I was such a fool
I didn't know
Love could be so cruel
Oh, oh, oh, oh
Uh, oh
Oh, yes

You tell me mistakes
Are part of being young
But that don't right
The wrong that's been done

Spoken:
(I'm sorry) I'm sorry
(So sorry) So sorry
Please accept my apology
But love is blind
And I was to blind to see
Oh, oh, oh, oh
Uh, oh
Oh, yes

You tell me mistakes
Are part of being young
But that don't right
The wrong that's been done
Oh, oh, oh, oh
Uh, oh
Oh, yes

I'm sorry, so sorry
Please accept my apology
But love was blind
And I was too blind to see
(Sorry)

She's Got You Lyrics

Artist: Patsy Cline

I've got your picture that you gave to me
And it's signed with love just like it used to be
The only thing different, the only thing new
I've got your picture, she's got you

I've got the records that we used to share
And they still sound the same as when you were here
The only thing different, the only thing new
I've got the records, she's got you

I've got your memory, or, has it got me?
I really don't know but I know it won't let me be

I've got your class ring that proved you cared
And it still looks the same as when you gave it, dear
The only thing different, the only thing new
I've got these little things, she's got you

I've got your memory, or, has it got me?
I really don't know but I know it won't let me be

I've got your class ring that proved you cared
And it still looks the same as when you gave it, dear
The only thing different, the only thing new
I've got these little things, she's-got-you

***Out In The Be-Bop 1960s High School Dance Night-Save The Last Dance For Me- A Tip Of The Hat To "American Bandstand's" Dick Clark

Click on the headline to link to a YouTube film clip of The Drifters performing their classic Save The Last Dance For Me. Please, pretty please.

Markin comment:

I was, like probably every other non-goof member of the "Generation of '68," just as anxious to get out of school each weekday afternoon in order not to miss a minute of American Bandstand as anybody else. And while the newness wore off pretty quickly for me that's the facts, jack. Below is a sketch/review that says what I mean better than any further commentary. Adieu Dick Clark.
************
CD Review

The Rock ‘N’ Roll Era: The ‘50s: Last Dance, Time-Life Music, 1990

Hey, I have spent tons of time and reams of cyberspace “paper” reviewing many aspects of 1950s American teenage culture (and maybe it spread to Europe too. Think about the Beatles and Rolling Stones and what they were listening to), especially that inevitable school dance and its also inevitable last dance. John and Mick had to ask too, remember. A last dance, by the way, that I have been at great pains to describe elsewhere as the last chance for glory for shy boys like me (or girls, for that matter, but they can speak for themselves). That seminal event also ritualistically involved setting off the wallflowers from the “in” crowd in the school social pecking order. And from there by some mysterious process that pecking order was set in stone through three or four long serf-like years of high school. Or, perhaps, for you and your crowd, your guy crowd, it acted as a test to prove that you that something, some moxie to ask that certain she for the last one.

Of course, the critical question, the world historic question, was whether the last one was to be a slow one that meant that you had to dance close and pray to high heaven that you did not ruin your partner’s feet or shoes in the process. And that the hair cream (Wildroot, a little dab will do ya, of course)had kept your cowlick in place, that using your Gillette steel-edged razor hadn't caused terminal blood lost bit only a tissue sop wound, that the deodorant that was suppose to get you through the night did not wear off although you seem to be sweating, excuse me, perspiring through your tee-shirt, and that that surefire kiss mouthwash that tasted, well, tasted like mouthwash held up as well. Or would it be, with hosanna relief, a fast one, that you could kind of fake that you knew how to dance to, but was not as bound up with the ending of your rising social status like those slow ones. And no worry about hold-your nose mouthwash, hair cream, shaving cream or Right Guard.

As this compilation will let you have memory either as both types of songs are included so you can get “nostalgic” for what did, or did not, transpire in the old days. Or for the younger set to giggle over what your parents or grandparents got all heated up about and thank somebody that you came along in the days of hip-hop nation and avoided all that. Whee!

Standouts here include: Chuck Berry’s Back In The U.S.A. (fast and great doo-woppy back singing parts so you could sing along while you are not paying attention to your partner just in case things didn't work out); Tommy Edwards’ It’s All In The Game (slow, swoony, ouch, I am thinking about that razor-induced neck wound); the legendary late Bo Diddley’s Who Do You Love? (fast and sassy, sassy 'cause girls who liked Bo, well, they "did' it, didn't they, and you know what "did it: means, with all that Afro-Carib beat); and, the Flamingos I’ll Be Home (slow, and only if that certain she turned you down and you had to dance with your sister's best girlfriend, or something like that). How is that for deejaying even-handedness?

***Busted Visions Of Adamsville Beach- For Diana N., Class Of 1964

Click on the title to link to a Wikipedia entry for Wollaston Beach, called Adamsville Beach in the sketch, including a picture for those who have moved away from the area. Damn, thanks Internet technology on this one.

Peter Paul Markin, North Adamsville Class Of 1964, comment:

Okay, okay in an earlier sketch entitled "Daydream Visions Of Adamsville Beach," this writer got all misty-eyed, some may say even teary-eyed, about the old days at North Adamsville Beach. I went on and on about things like impatiently waiting to check out the various flavors of ice cream at the now long-departed HoJo's Ice Cream stand across the street from the beach; the vagaries of clam-digging in the jellyfish-infested and slimy oil-drenched mud flats, for young and old, down at the Merrymount end of the beach; and, about the smell of charcoal- broiled hot dogs and other delights at what we then called Treasure Island (and now Cady Park, I think) at that same end.

Furthermore, all be-bop blushing aside I, heroically, allowed us to suffer once against by describing the obligatory teenage longings for companionship and romantic adventure associated with the sea. With the sound of the high tide waves roaring against the sand splashed shore. That last bit, my friends, is shorthand for the "parking" ritual and "submarine races," a localism for activities, automobile activities, going on in the deep night, the deep teen hormonal night that we are sworn to secrecy about while the kids or grand kids are around.

But now I say enough of the "magical realism" that I invoked in that sketch. Today, as we are older and wiser, we will junk that "memory lane" business and take a look at old Adamsville Beach in the clear bright light of day, warts and all. We all must or should respect Mother Nature, or she will beat us, mercilessly beat us down, but let’s at least not mumble gibberish in old age like some star-struck teeny-boppers.

Last year , as part of the ill-advised trip down the memory lane trip that I have been endlessly writing about with these sketches I walked, hard sneaker-driven walked, intrepid observer that I am, the length of Adamsville Beach from the Squaw Rock Causeway (near the ubiquitous "Dunkin Donuts" for the modern reader, I don’t know what frame of reference site would do for the older reader, maybe the old Squaw Rock Elementary School or the long-abandoned Naval Air Base entrance) to the bridge at Adamsville Shore Drive (and the entrance to, the dividing line which should have been etched in high gloss granite stone native to the area stone that separated we pure at heart raider red diehards from the dreaded Adamsville High heathen warriors). At that time the beach area was in the last stages of some reconstruction work. You know, repave the road, re-do the sidewalks, and put in some new streetlights. Fair enough-even the edges of Mother Nature can use a make-over once in a while. The long and short of this little trip though was to make me wonder why I was so enthralled by the lure of Adamsville Beach in my youth.

Oh sure, most of the natural landmarks and outcroppings are still there, as well as some of the structural ones. Those poor, weather-beaten Squaw Rock and Adamsville Heights Yacht Clubs that I spend many a summer gazing on in my fruitless search for teenage companionship (read: girls). And, of course, the tattered "Beachcomber" local beach gin mill drunken throw-up night horrors in much the same condition and with that same rutted unpaved parking lot is still there, just like when we first tried to get into at whatever non-legal age we tried, as are the inevitable non-descript clam shacks with their cholesterol-laden goods. That is not what I mean.

What I noticed were things like the odd sulfuric smell of low-tide when the sea is calm. The tepidness of the water as it splashed almost apologetically to the shore; when a man, no stranger to the sound of crashing waves in almost every conceivable locale on this continent, craved the roar of the ocean. And the annoying gear-grinding noise and fuming smoke caused by the constant vehicular traffic, especially those blasting-engine motorcycles, those Harley hog things and their mad men drivers. Things that, frankly, I was oblivious to back in the days.

There is thus something of a disconnect between the dreaminess and careless abandon of youthful Adamsville as describe in "Visions" and the Adamsville of purposeful old age-the different between eyes and ears observing when the world was young and there were vistas to conquer, and at times we were in, as the poet Wordsworth wrote "very heaven" and now when those sights have been transformed by too many other pictures of a wild and wicked world. The lesson to be learned: beware the perils of "memory lane". But don't ever blame the sea for that, please.

.....and the tin can bended, and the story ended (title from the late folksinger/folk historian Dave Van Ronk's last album in 2001). That seems about right.

In The Time Of The Be-Bop Baby Boom Jail Break-Out- In The Time Of The “Boss”Car

I

I had several months ago been on a tear in reviewing individual CDs in an extensive classic rock ‘n’ roll series (now classic, then just our music). A lot of those reviews had been driven by the artwork which graced the covers of each item, both to stir ancient memories and reflect that precise moment in time, the youth time of the now very, very mature (nice sliding over the age issue, right?) baby-boomer generation who lived and died by the music. And who fit in, or did not fit in as the case may, to the themes expressed in those artwork scenes. Here we have the latter, the not fit in part, for this reviewer anyway. The latter is the case here although the cover art was simplicity itself- the rear view of an aerodynamically-contoured rear fin (yes, fin) of a “boss” (yes, boss) 1950s automobile of unknown provenance (but we can guess, right?)

Yes, and that slight description is all that is needed for those of us who came of age in the “golden age of the automobile”in the speed and thrills-craving aftermath of World War II when restless Americans, young and old, more young as it turned out, went into spasms over the latest “boss” (yes, boss) vehicle coming out of Detroit, the motor capital of the world then. Of course the cars kind of sorted themselves out- you wouldn’t, if you were young, dream of driving something that your father drove. So if you got his hand-me-down after he decided that he needed, just absolutely needed, that much more power in his automobile in order to keep up with the Joneses, you would move might and main in order to transform that old clunky dad car into a respectable tool. A rocket-like tool to fit the age, to ride and to ride with some sweet honey at your side, on those hot sticky, sultry summer nights down by the seaside, or at the drive-in, movie or for food, your choice.

Yes, and this is why even a mainly a not fit in no car boy like me, from a mainly no car family, could (and maybe still could) stare his eyes out over some boss of the bosses ’57 Chevy charging down the be-bop night boulevard, or a lanky turbo-driven long-line Lincoln, or a rebuilt Cadillac or a tear-up Thunderbird. Relics from a high cubic volume engine age when your twenty-nine cents a gallon gas took you about three feet per gallon. But still, come on now, they looked, well, boss.

Oh, yes, and of course you needed to amp up that boss wagon car radio, previously set exclusively to some father business news station (jesus), booming out the latest rock and roll hits about cars, especially West Coast car legends and their chicken runs, girls (east coast or west coast, hell, even the Mid-West), girls and boys in trouble, in love, out of love (ditto on that geography thing), chasing that sunset ocean-flecked dream. But mainly, when the dust settled, you had to worry about how and who was going to front that dough to get that new back chrome fender you just needed, absolutely needed, needed like crazy to keep up with the Jones’ son.

But on that boss car radio you were likely, very likely, to be cruising to (even if only riding shotgun in some buddy’s boss car cruising that boulevard looking for, what else, girls who just that moment might be in need of some seaside company, or wanted to go the drive-in, their choice) many of the tunes reviewed in that series. Stick-outs on this fin tail art beauty included: For Your Love, Ed Townsend; Silhouettes, The Diamonds; Somethin’ Else, Eddie Cochran (totally underrated in the classic rock scheme of things after he died in a car accident, naturally, especially his classic Summertime Blues that was a rite of passage each summer vacation); and, as always when you talk 1950s rock, the serious stuff, the serious riffing guitar stuff from the place where rock met the blues, Chuck Berry on Almost Grown, not his number one, A-list material but good in this company.

From The Pen OfJoshua Lawrence Breslin-Watching The Submarine Races, Circa 1960

Click on the headline to link to a YouTube film clip of The Cookies performing Chains.

CD Review

The Rock and Roll Era: The ‘60s: Rave On, various artists, Time-Life Music, 1990

Chains-Carol King

Chains, my baby's got me locked up in chains
And they ain't the kind that you can see
Woh these chains of love got a hold on me yeah

Chains, well I can't break away from these chains
Can't run around 'cause I'm not free
Woh these chains of love won't let me be

Now believe me when I tell you
I think you're fine, I'd like to hold you
But I can't break away from all of these chains

My baby's got me locked up in chains
And they ain't the kind that you can see
Woh these chains of love got a hold on me yeah

I wanna tell you pretty baby
Your lips look sweet, I'd like to kiss them
But I can't break away from all these chains

My baby's got me locked up in chains
And they ain't the kind that you can see
Woh these chains of love got a hold on me yeah

My baby's got me locked up in chains
And they ain't the kind that you can see
Woh these chains of love got a hold on me yeah

Chains
Chains of love
Chains of love
Oh these chains of love gotta hold on me
************
“No Jimmy, no I can’t go out with you tonight, I have to study for tomorrow’s biology exam ,“ protested Lorraine, Lorraine Dubois, Jimmy LaCroix’s , one and only, his ball and chain, his, well, sweetie, the one that he gave his everlovin’ class ring to. Jimmy in turn protested that he had not seen Lorraine for five whole days since he had been ill and therefore indisposed. Jimmy tried every trick in the book, including the old dodge of studying together but nothing worked, nothing that night. Or for that matter the next several nights. Jimmy was beside himself.

See before Lorraine Jimmy was strictly what his corner boys called a “love ‘em and leave “em kind of guy. (Said corner boys holding forth over at Mama’s Pizza Parlor, the one on Main Street with the jukebox and kind of reserved after school and on weekends for Olde Saco teen-agers. Others could go there at their peril during those hours and were kindly advised to go to Mama’s on Atlantic Avenue that was kind of set aside for families and others in no particular need of jukeboxes, lively girl and boy watching, or stuff that might other cause too much excitement contrary to doctor’s orders.)

Such guys, such callow youth, existed even in the very attached by sixteen (and therefore theoretically for life), married by eighteen, two bratty kids by twenty world of the old French–Canadian quarters in Olde Saco up in Maine (the local F-Cs called it the Acre, as in God’s Little Acre, the actual residents, at least some called its Hell’s Acre). Jimmy, having seen that unchanging cycle in his downhill parents, his older brother Jean, his older sister Lara, and about twelve hundred other Acre families wanted none of that. No way. No for him.

Until Lorraine. Until not so sweet Lorraine that is. She threw Jimmy for a loop and had him running through hoops from the first time he eyed her in tenth grade homeroom over at Olde Saco High. So Jimmy surrendered, surrendered without a fight, because after all what is a guy going to do when a frill (local Acre guy talk for a girl, woman in those days) has a guy all balled up and calling her every night just to hear the sound of her voice. So every one of those nights after Lorraine gave Jimmy her nightly excuse for the day Jimmy went to his room, threw his younger brother, Raymond out, closed and locked the door and played Chains by The Cookies a few times and fell asleep. Raymond knew enough not to knock and so he spent more than one night sleeping on the downstairs sofa.

P.S. Jimmy and Lorraine were married, married over at Saint Brigitte’s (just like their parents and grandparents) at eighteen, had two so-so bratty kids by twenty and the last I heard were still “chained” together. Go figure.

Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night- The Shirelles “Will You Still Love Me Tomorrow?”- Billie’s, Billie The Pope Of “The Projects” Night, View

Click on the headline to link to aYouTube film clip of The Shirelles performing the classic Will You Still Love Me Tomorrow?.

Markin comment:

This is another tongue-in-cheek commentary, the back story if you like, in the occasional entries under this headline going back to the primordial youth time of the mid to late 1950s with its bags full of classic rock songs for the ages. Of course, any such efforts have to include the views of one Billie, William James Bradley, the schoolboy mad-hatter of the 1950s rock jailbreak out in our “the projects” neighborhood. Yah, in those days, unlike during his later fateful wrong turn trajectory days, every kid, including best friend Markin, me, lived to hear what he had to say about any song that came trumpeting over the radio, at least every one that we would recognize as our own.

Note: Billie and I spent many, many hours mainly up in his tiny bedroom, his rock heaven bedroom, walls plastered with posters of Elvis, Bo Diddley and Chuck Berry and of every new teen heartthrob singer, heartthrob to the girls that is, around, every new record Billie could get his hands on, by hook or by crook, and neatly folded piles of clothing, also gathered by that same hook or by crook, appropriate to the king hell king of the schoolboy rock scene, the elementary school rock scene between about 1956 to 1960. Much of that time was spent discussing the “meaning” of various songs, especially their sexual implications, ah, their mystery of girls-finding-out-about worthiness.

Although in early 1959 my family was beginning to start the process of moving out of the projects, and, more importantly, I had begun to move away from Billie’s orbit, his new found orbit as king hell gangster wannabe, I would still wander back to the old neighborhood until mid-1960 just to hear his take on whatever music was interesting him at the time. These commentaries, these Billie commentaries, are my recollections of his and my conversations on the song lyrics in this series. But I am not relying on memory alone. During this period we would use my father’s tape recorder, by today’s standard his big old reel to reel monstrosity of a tape recorder, to record Billie’s covers of the then current hit songs (for those who have not read previously of Billie’s “heroics” he was a pretty good budding rock singer at the time) and our conversations of those song meanings that we fretted about for hours. I have, painstakingly, had those reels transcribed so that many of these commentaries will be the actual words (somewhat edited, of course) that appear in this space. That said, Billie, king hell rock and roll king of the old neighborhood, knew how to call a lyric, and make us laugh to boot. Wherever you are Billie I’m still pulling for you. Got it.
********

Will You Still Love Me Tomorrow? Lyrics

Carole King

Will You Still Love Me Tomorrow

Tonight you're mine completely,

You give your love so sweetly,

Tonight the light of love is in your eyes,

But will you love me tomorrow?



Is this a lasting treasure,

Or just a moment's pleasure,

Can I believe the magic of your sighs,

Will you still love me tomorrow?



Tonight with words unspoken,

You said that I'm the only one,

But will my heart be broken,

When the night (When the night)

Meets the morning sun.



I'd like to know that your love,

Is love I can be sure of,

So tell me now and I won't ask again,

Will you still love me tomorrow?

Will you still love me tomorrow?

**********
Billie back again, William James Bradley, if you didn’t know. Markin’s pal, Peter Paul Markin’s pal, from over the Adamsville Elementary School and the pope of rock lyrics down here in “the projects.” The Adamsville projects, if you don’t know. Markin, who I hadn’t seen for a while since he moved “uptown” to North Adamsville, came by the other day to breathe in the fresh air of the old neighborhood and we got to talking about this latest record, Will You Still Love Me Tomorrow? by the Shirelles. They are hot.

Fair’s fair right, so I’ll give you Markin’s, Peter Paul’s, take on the lyrics, so I can come crashing down on his silly pipe dream ideas. By the way if you don’t know, and he will tell you this himself if he is honest, he was behind, way behind, in figuring out girls, and their girlish charms. I had to practically tell him everything he knows.

Where did I learn it? Hell like everybody else from the older kids, the older guys, and my older sisters too if you can believe that. So I know a lot, or at least enough to keep old Peter Paul from being a total goofball. Still, see, he thinks the main thing is that the girl in the song here is worried about her reputation because she has just given in, in a moment of passion, to her boyfriend, it’s way too late to turn back and yet she is having second thoughts, second thought regrets, about it, and about what he will think of her and whether it will get around that she “does it.”

Yah, she does it, now officially certified a woman, or at least acting like a woman can act, that is what my sister Donna says, and from the feel of the song, probably in some back seat of some “boss”convertible, a Chevy I hope. Her guy, some under-the-hood day and night guy making that baby, his real baby, hum against the in-stock store-bought standards of his father’s car, his old fogy father’s car. She was breathless weeks ago when her Chevy guy came up gunning that beast behind her walking home from school and said “Hop in.” And she did, now she's the queen bee of the high school Adventure Car-Hop night. All the other girls, friend or foe, frantic at her fortune and ready to leap, girls’ “lav” leap, all over her come Monday morning finely-tuned grapevine gossip time. So tonight was paying back time, car- hop queen bee paying back time. No turning back.

I hope, I really hope, they “did the deed”down by the seashore, big old moon out, big old laughing moon, waves splashing against the rocks and against the sounds of the night, the sounds of the be-bop moaning and groaning night. Call me a romantic but at least I hope that is where she gave it up. Or, maybe, away from coastal shoreline possibilities it was at some secluded lovers’ lane mountain top, tree-lined, dirt road, away from the city noise, some be-bop music playing on the car radio, just to keep those mountain fears away, motor humming against the autumn chill and the creaking sun ready to devour that last mountain top and face the day, and to face the music.

But see that’s where Markin has got it all wrong, all wrong on two counts, because Chevy guy two-timing her, or spreading the “news” about his conquest, or even that hellish girls’ lav whirlwind inferno is not really what’s bothering her. Markin has got this starry-eyed thing, and I think it is from hanging around, or being around, all those straight lace no-go Catholic girls, who do actually worry about their reputations, at least for public consumption. That is why high Catholic that I am, just like old Markin, I don’t go within twenty yards of those, well, teasers. Yah, teasers but that’s a story for another time, because right now we have only time for women, or girls who act like women.

What’s bothering moonstruck girl, number one, is that she likes it, she liked doing it with Chevy guy, and is worried that she’ll go crazy every time a boy gets within an arm’s length of her. She“heard” that once a girl starts doing it they can’t help themselves and are marks, easy marks, for every guy who gives them the eye. Jesus, where did she ever get that idea. Must have been out in the streets, although I personally never heard such an idea when I was asking around. This is what I heard, well, not from the street but from my sister Donna, she said it was okay, natural even, for girls to like sex. If the moment was right, and maybe the guy too. It wasn’t some Propagation of the Faith, do-your-sex-duty to multiply thing we heard in church. Hell, Donna said she liked it too, and believe me, old Donna doesn’t like much if you listen to her long enough. So moonstruck girl don’t worry.

But number two you do have to worry about, although I don’t know what you can do about it now. I never did ask Donna about that part. Pregnant. Yah, the dreaded word for girls and guys alike when you were just trying to have a little fun, just liking it. Now everything your mother told you about “bad” girls, about leaving school, about shot-gun weddings, or about having to go to “Aunt Bessie’s” for a few months, flood memories and as the sun comes up there is momentary panic. Like I say I don’t know what you can do. I don’t know the medical part of the thing. But Peter Paul, leave it to Peter Paul, who knows diddley about sex (except what I tell him) says do you know about “rubbers.” And he got all in a lather telling me that there is some new pill coming out, and coming out soon, so you don’t have to worry. This from a guy was practically missed the first time he kissed a girl. But if he is right, and I ain’t saying he is, then check it out and then you can still like “doing it.” And not worry.

Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night- The Shirelles “Will You Still Love Me Tomorrow?"

 

Click on the headline to link to aYouTube film clip of The Shirelles performing the classic Will You Still Love Me Tomorrow?

Joshua Lawrence Breslin comment:

This is another tongue-in-cheek commentary, the back story if you like, in the occasional entries under this headline going back to the primordial youth time of the 1950s with its bags full of classic rock songs for the ages. Now many music and social critics have done yeomen’s service giving us the meaning of various folk songs, folk protest songs in particular, from around this period. You know they have essentially beaten us over the head with stuff like the meaning of Bob Dylan’s Blowin’ In The Wind as a clarion call for now aging baby-boomers back then and a warning (not heeded) that a new world was a-bornin’, or trying to be. Or better, The Times They Are A-Changin’with plaintive plea for those in charge to get hip, or stand aside. (They did neither.) And we have been fighting about a forty year rearguard action to this very day trying to live down those experiences, and trying to get new generations to blow their own wind, change their own times, and sing their own plainsong in a similar way.

Like I said the critics have had a field day (and long and prosperous academic and journalistic careers as well) with that kind stuff, fluff stuff really. The hard stuff, the really hard stuff that fell below their collective radars, was the non-folk, non-protest, non-deep meaning (so they thought) stuff, the daily fare of popular radio back in the day. A song like today’s selection, Will You Still Love Me Tomorrow? A song that had every red-blooded American (and who knows maybe world teen) wondering their own wondering about the fate of the song’s narrator. About what happened that night (and the next morning) that caused her to pose the question in that particular way. Yes, that is the hard stuff of social commentary, the stuff of popular dreams, and the stuff that is being tackled head on in this series- Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night. Read on.


Will You Still Love Me Tomorrow? Lyrics

Artist: Carole King

Will You Still Love Me Tomorrow

Tonight you're mine completely,

You give your love so sweetly,

Tonight the light of love is in your eyes,

But will you love me tomorrow?



Is this a lasting treasure,

Or just a moment's pleasure,

Can I believe the magic of your sighs,

Will you still love me tomorrow?



Tonight with words unspoken,

You said that I'm the only one,

But will my heart be broken,

When the night (When the night)

Meets the morning sun.



I'd like to know that your love,

Is love I can be sure of,

So tell me now and I won't ask again,

Will you still love me tomorrow?

Will you still love me tomorrow?

*****

Christ, finally a teen-oriented set of lyrics that you can sink your teeth into. A teen angst, teen alienation, and teen love question that was uppermost in all our minds, one way or the other, sex. Yah, I don’t know about you but I was getting kind of tired, and Billie, William James Bradley, my old schoolboy friend, elementary schoolboy friend from the Olde Saco projects days (that was public housing up in Olde Saco, Maine) was fed up was too, of these outlandish side issue things being asked in the teen-oriented lyrics of the day. Like the whereabouts of Eddie, his intentions, his financial condition, his ability to write and so on in The Teen Queens’ Eddie My Love. Betty, or whatever your name is, you made a mistake, you gave into Eddie with his big, fast two-toned Chevy down at the beach that summer night way to fast and now you are in trouble, he is long gone John, and you had better forget about him ever coming back, ever writing, or ever being within one hundred miles of your town any time soon. Sorry, but move on with your life. On this one Billie and I are in full agreement.

Or how about this one. The dumb cluck bimbo, as old Billie called her, in Mark Dinning’s Teen Angel who didn’t have enough sense to know that Mr. Right, Mr. High School Right, had given her some cheapjack class ring (which, moreover, had made the rounds on the fingers of a couple of other girls shortly before, when she went running back to the car, a car stuck, by the way, on some lonesome railroad track, with the train bearing down as far as we know in the story looking for the gimcrack. Needless to say said bimbo did not make it. Or how about the forlorn lover, almost like in some Greek mythical tragedy, in Jody Reynolds’ Endless Sleep who after some spat (probably drive-in movie or bowling and she wanted bowling) decided that life was not worth living and went down to the sea, our homeland the sea, and was ready to desecrate that space by ending it all and then giving a siren call to her lover boy to join her. A joint suicide pact. Even Billie, uncharacteristically sympathetic as he was to her plight, had to balk at that one.

No today we are in pure teen angst territory, straight up with no goofing around, and rightly so. Back in those days (and apparently today too from the headlines) what we did not know, most of us anyway, about sex, about the “birds and the bees,” about babies and where they came from, and how to protect against having them in unwanted situation, would have filled volumes. Still, we were crazy, most of us anyway, to know more about sex, and do something about it. Whatever that something was. Come on now, it was natural, natural as hell to think about it, to want to do it, and if the stars were aligned right to “do it.” Of course as the lyrics here indicate there was a price to be paid. See kids, meaning about anyone from thirteen to eighteen (maybe older even) were NOT supposed to “do it,” “do the do” I mean, and I guess if you listened to parents, teachers or preachers, not even to think about it. But here is the dilemma in this story. Teens did it, and were anxious about that fact, for lots of reasons.

Obviously the most pressing question in 1960, the time of this song and the time just before the news of “the pill” got out (what “the pill” was you know, or should know, so I won’t go on about that) was getting pregnant, girls getting pregnant. So the disinformation, no information, no talk to your parents about it because they are afraid to talk it about information, getting what you know on the streets information, really disinformation all over, was part of it. But, and I think this is what the lyrics really speak to, it was as much about reputation, a girl’s reputation, about a girl’s good name, and about whether a girl was “easy.” See guys could be stud-of-the-week and, maybe mother, his mother, wouldn’t like it but everybody under eighteen saw you as cool. But gals were either virgins, known far and wide as such and don’t even bother messing with them, or willing but not wanting to be seen as “easy” held themselves back. And, while I do not know about other neighborhoods although I suspect the same was true, our mainly Irish and French-Canadian Roman Catholic mill worker working-class neighborhood, made a very big issue out of the two, at least parents and gossip held forth that way.

Still when you, girl you here, went out on a date, a serious date, maybe to a dance, maybe to some party, maybe just down to the seashore and everything is all right to “pet,” or whatever, this question, this teen question of questions, always came up when the lights went down low. How many "no's" are there in the universe? And then some night some rainy night maybe, or maybe after that last dance and you held each other close, or maybe, you have a shot of booze, or, I don’t know, maybe you just felt like it because it was a warm spring evening and you were young, and life was just fine that day, or maybe your guy asked you to go steady, or some solid, teen solid thing like that, you said, “let’s see what it is all about.”

And your guy, your ever-loving’ guy, your ever-loving’ horny guy was more than willing to take you for the ride. But then, in the afterglow, you had your doubts, especially in the wee morning hours when you knew you were going to get hell for being out so late. And maybe that cold break of day got you to thinking about what the girls in the "lav" Monday morning before school would say, or what your guy will tell his friends, his snickering friends, and you get the nervous doubts about your course. Yah, this song speaks to that whole pre-sexual revolution generation, and maybe not so far off for teens today. Ms. King and friends certainly asked the right question, that’s for damn sure.

From The Pen Of Joshua Lawrence Breslin-The Be-Bop Beach Night, Circa 1960

“Josh called, Josh called, Josh called about seven times while you were out Betty,” Mrs. Becker yelled up to Betty rushing to her room in order to get ready for her big date with new romance Teddy. Teddy today freshly met, six hours and fifteen minutes ago freshly met, at the beach, the beautiful, beautiful Olde Saco Beach, formerly just a beach, a too stony to the Betty feet touch beach, fetid at low tide (it stunk, honestly) and on more than one occasion held to be a beach fit solely for lowlife by one Betty Becker. But now beautiful, beautiful since Teddy, Teddy Andrews, had noticed her, had traversed and graced his bare feet on that stony brine in order to introduce himself to her, her Betty Becker, soon to be a senior at Olde Saco High and then, then …fleeting moments of fantasy, Mrs. Teddy Andrews.

Now it was not merely happenstance that Betty Becker was on Olde Saco Beach this July 1960 afternoon, stationed there along with her bevy of summering Olde Saco High School girls (okay, okay three other girls just in case four does not make a bevy) in their sacred sanctified spot between the Seal Rock Yacht Club and the South Saco River Club. This spot had been a dedicated place for the pick (and not so pick) of the Olde Saco High soon to be senior girls since, well, since there was probably an Olde Saco Beach, or at least as far back as anyone, any soon to be senior girl could remember. Reason: reason number one and there was (is) no other reason worthy of mention was this was prime real estate, stony brine or not, to be noticed, noticed in summer swim suits or diaphanous sun dresses, by what passed for the Olde Saco Mayfair set, junior division. In short, future husband or lover material to take a step or two up in the world without much heavy lifting (or so most of these young unworldly women thought).

That reason was moreover of more recent origin, and datable as well, since Lydia LeClair, Olde Saco Class of 1944 and of humble MacAdams Textile Mills mill worker family had snagged Robert MacAdams, a grandson of the founder, and was even then comfortable ensconced in a small mansion over in Ocean City for all to see, and admire. So from that time not only was this spot sacred senior girl ground but the seat of dreams of getting out from under some small white picket fence cottage over on Atlantic Avenue and a pinched life fate like their parents. So daily in the summer, pretty girls, not so pretty girls, even just average girls could be found between those two boat clubs and nowhere else. And heaven help, no better, hell help any soon to be freshman, sophomore or junior girl (one not even need to mention junior high girls) found in that precinct before her time. Come to think of it most days anybody but that select company. (And any others would be well advised to avoid that place what with the preening, the giggles, and the incessant johnny angel, teen angel, fool in love, earth angel, angel baby, endless sleep, music roaring out of those collective transistor radios). But enough of beaches, enough of stones, enough of boat clubs, enough of blaring music back to Betty Becker and her palpable dream.

That afternoon Teddy (father a lawyer for the MacAdams Textile Mills and therefore worthy of local Mayfair swell-dom) had spied her, he said, from the deck of the Seal Rock Club and was compelled, compelled he said, to check out the foxy blonde-haired chick (boy term of art, circa 1960 and forward, for, girl, woman) in the red bikini. Betty smiled, smiled the of the knowing, knowing that she had turned more than one head this summer, older guys too with silly no-account leering looks, with that very revealing bathing suit. Unlike the others though, young and old, that she would have rebuffed if they had approached (some if they had come within a mile of her) Teddy had noticed, saw red, saw sex in big letters, walked over to the bevy of blankets (the other three of the so-called not exactly unbecoming but not blonde and red-bikini-ed and therefore this day not Teddy Andrews temperature raising) told her just that, told her how foxy she looked. And she practically swooned (although already practiced in coy-ship just smiled, obligatory smile responded). A few minutes of off-hand banter and they were dated up for the evening.

Dreamy Teddy, rich Teddy, of the father-bought new Pontiac Star Chief sitting in front of the Seal Rock Club for all the world, all the Olde Saco girl world to see, and that was what mattered, with plenty of zip and style (car and boy)that every girl in school was crazy to get in the front seat of, and with. Teddy of the now forget Josh, forget he ever existed Josh. Josh of the two years standing since the first day of freshman year as her beau, but more importantly, with "what is a girl to do big doings and a big hungry world," walking Josh of the no car fraternity. Blah. And before Betty could hear the faint ring of another Josh call she was out the door and planned to be off-limits, Teddy off-limits, to every Josh in school, including Josh, until somebody came by with a father-bought Cadillac and then maybe she would find herself in the front seat of that automobile. Maybe. Yes, a girl, a working-class girl with good looks, a good personality but a little light on the book smarts, and a lot light on the dough smarts had to look out for herself. Josh, eternally understanding Josh, would understand, wouldn’t he?

Meanwhile Josh, Josh of the infinite nickels, had stepped away from the telephone at Doc’s Drugstore over on Main Street after making that eighth call to one Betty Becker. See, Josh had two reasons for using the public telephone at Doc’s, first, he didn’t want snooping older brothers to harass him over his long Betty craze (they had her figured as, at best, a gold-digger and was just hanging on to Josh until the next best thing came along) and so he would not use a home phone to call her. And secondly, currently, the Breslin residence, due to an out of work father, had no phone with which to call Miss Betty in any case. So he was pushing shoe leather between the telephone booth and his stool at Doc’s where a forlorn Coke (cherry Coke) was waiting on the completion of his errand. He said to himself one more time was all and then he would head home. Doc’s motions made him realize that was his fate in any case as he was ready to close up shop for the evening. Ninth call, no soap, and he left saying a pitiful good night to Doc.

Out on Main Street he walked head down, lost in thought, when a big new Pontiac, two-toned (a couple of shades of green then stylish, uh, cool) passed him by, honking like crazy. He didn’t realize who it was until the car came back to him honking like crazy again. Then he saw Betty and her dreamy Teddy laughing, laughing like crazy at the “pedestrian.” The car stopped, Betty got out and gave Josh his class ring back saying that she was not walking any place anymore, thank you. And then, to add insult to injury, Teddy floored the gas pedal leaving dust all over Josh. He could faintly sense them laughing, laughing like crazy once again as they drove away. (Josh found out later through one of the Betty bevy that she was miffed at Teddy for that last act, although she never said anything to Josh about it then or ever since she avoided him like the plague thereafter.)

When Josh got home he went up into his tiny room (the fate of the youngest brother), closed the door behind him, locked it, and turned on his transistor radio. Rock and roll music calmed him down at times like these. Then he thought over the situation and while he was still hurt he could see that Betty had to take her chance, take her chance to get out from under the Olde Saco rock and while he didn’t forgive her he did understand. What he didn’t understand, and wouldn’t understand for many years, was why she acted that way that night on Main Street after they had just discussed the issue the not making fools of each other under any circumstances the previous week. That previous week Betty and he had laughed at that thought promising eternally that such would never be their fates.

[Betty MacAdams, nee Becker, did eventually find her Mayfair swell, for a while, marrying a great-grandson of the founder of the MacAdams textile fortune, moved over with the rest of the clan to Ocean City, had a couple of kids, was eventually divorced by that great-grandson when he went to live with his mistress, and was last heard from living quietly in Europe on her divorce settlement. For a while, until such things went out of fashion, public fashion anyway, Betty (Class of 1961) was held up as the Olde Saco High senior girl example of the possibilities of summering between those two old boat clubs waiting on the Mayfair swells, junior division.- JLB]