Hats Off To 50 for The North Adamsville Class Of ’61- Ouch!-With The Catholic Workers’ Dorothy Day In Mind

Click on the headline to link to a YouTube film clip of Mark Dinning performing his teen tear-jerker, Teen Angel to set the mood for this post.

Peter Paul Markin, North Adamsville Class Of 1964, comment:

Recently I have been getting a stream of “guestbook” and “add to friends” visits from members of the North Adamsville Class of 1961 at my profile page here. I am not altogether sure why this is so since the members of this class would have been preparing to go out the door and entering the “New Frontier” (although that word was not widely in usage at the time even though we all were, at least those of us who had a strain of Kennedy Irish Catholic brethren in us and they were legion in this old suburban Boston working-class stronghold, charter members) while I was entering the sophomore class at North from Adamsville Central Junior High (now Middle School). The only thing that I can think of, off-hand, which connects us, is that those members and I are marking the same year anniversaries, their 50th anniversary graduation from North and my 50th from one of the feeder junior high schools.

Moreover I am befuddled by the get on my bandwagon response from those lofty and fear-inducing now senior seniors since back in day, back in the real light of day back in the day, those of us who entered North in 1961 were seen as, used as, or forgotten as mere sophomores and therefore subject to the whims of any upperclassmen (or women) who needed a convenient mat to wipe their shoes on, literally at times. Now I am not one to harbor a grudge, not a fifty years later grudge anyway, but here are a few things that make me wonder if maybe those now senior seniors are not a bit, well, forgetful.

On Day One, at freshman/sophomore orientation (some students had entered North in 1960 from another junior high school that only had room for seventh and eighth-graders and then pushed them out in the hard, cruel high school social world, “the bigs,” before their time, their knowing what was what real world time), it was made very clear to us freshmen/sophomores by said seniors who “guided” us around the school that we were only, boys or girls as the case may have been, to use certain “designated” lavatories under penalties of extreme harassment, abuse, and possible physical duress. Needless to say the second floor boys’ lav, the one that was out back, had several huge windows to release the smoke from quick between classes cigarettes, and was the repository of local folklore about who was “hot,” who was not, and, most importantly, importantly to the seniors anyway, who was “doing it,” or could be coaxed into “doing it.” Of course that meant the subject was girls in all those categories of hotness and doing-ness and no freshmen/sophomore wimp boys need apply.

This I do know. I will never forget the time one Homer Bigelow, by mistake no question, because Homer was just stupid enough to do this, walked into the second floor boys’ lav on some dismal Monday morning before school when the talk was heated about who "did," or did not do what, or some other lies or half-lies over the weekend, just to “take a leak.” Two minutes later, maybe less, one Homer Bigelow, Class of 1964, was “escorted” by Jack Winn and Bill Callahan, Class of 1961, minus his pants (in other words, in his underwear) through the second floor corridor, down the back stairway and out in the frosty November day for his troubles. Of course, when some twerp named Joe Reilly, Class of 1967, tried that same stunt, tried using the second floor boys’ lav stunt that is, a few years later one Francis X. Riley and one Peter Paul Markin, both members in good standing of the Class of 1964, “escorted" said victim minus his pants (in other words, in his underwear) out that same second floor corridor and down that same back stairway and out into the not so cold April morning (see we were more “humane” than those savage ‘61ers).

And, christ, the senior girls were worst. See, the tradition, meaning that the practice went on so far back nobody remembered when it started, was that they, junior and senior girls, had their own special “lounge” to “make their faces,” or whatever the term was in use then to look school day schoolgirl beautiful and get the guys so tongue-tied and “hopped-up” that, of course, the guys would jump at the chance to take them out on weekend dates and spend dough (allowance dough, or hard shoulder-to-the-wheel working part-time dough, it did not matter as long as it was there to be spent). Of course, just like the guys the place was useful for a quick “puff” (strictly tobacco cigarettes in those days, I think) out those huge back hall windows, and, most importantly, on Monday mornings for who was “cute” (read: sexy), who was not, who tried every trick in the book to get who to “do it,” who did or didn’t, and other assorted lies and half-lies.

Naturally, in a school with a few hundred students, some girl, some non-junior or senior girl, in this case Penny Smith, by mistake I am sure because Penny was nothing but a whiz at Math and English, walked in one morning (I don’t remember the day of the week and that is not important here because, as I found out later, the girls talked every morning before school about who was cute, and who was not, not just on Monday morning) because she desperately needed to use the bathroom. No problem, Penny. Except that poor Penny, Class of 1964 Math and English whiz or not, was locked into a bathroom stall for most of the day before someone took pity on her and let her out. No guy would ever do anything so cruel. Needless to say when Penny’s day came and some unsuspecting underclass woman, Bessie Kiley, made a similar “error” Penny became the “high sheriff" of the bathroom stalls and locked her in. I think, and someone can refresh my memory on this, Bessie was in that stall all day and only got out when the janitress was cleaning up at the end of the day.

I won’t even go into the details of the other “off-limits” first floor boys’ lav where the “bikies, bad-ass corner boys, and their slutty “mamas” hung out across from the woodworking shop (christ, let’s call it a mens’ lav-some of those guys were maybe twenty-somethings, or maybe were getting ready to go on Social Security or something like that). The hoary story there was even regular-guy second floor corner boy seniors and flinty girls’ lounge girls didn’t go near that place, period. The legend was that once, in the dead-of-nights early 1950s some square boy, or anyway no be-bop boy, tried to go in, again to “take a leak” and for his efforts got thrown through one of those wood-working shop windows for his troubles.

But rigid class segregation on the bathroom question was maybe the least of it. At every school dance, whether you were cute or not for a boy, schoolgirl beautiful or not for a girl, we did all the leg work to get the place in order for the big Saturday night school dance and then were not invited. Well not invited until junior year when, of course, every thing was different. Or at the Thanksgiving rally we were used as the "platform” on which the football team stood, literally. (There was a sophomore exception here for exceptional sophomore football players a couple of them who, as we later found out with a couple of winning seasons, could “eat” most of the senior boys for lunch, maybe even a couple of those bad-ass corner boys down in wood-working).

Ya, I could spill the beans on plenty of injustices, including when a couple of guys, maybe non-Irish Protestant guys for all I know, but definitely 1961 seniors, waylaid me and threw me in the showers in the boys’ gym locker room just because they heard that I had gone to a nuclear disarmament demonstration (a small one, by the way) on Boston Common sponsored by the Catholic Worker movement (you know, Dorothy Day and the social gospel message that appealed to me then and that I have written about elsewhere). They called me a Bolshevik and they damn well knew I wasn’t one, then. They said Coach Doyle (the football coach) sent them.But see, that was then and now we are all together under the big Raider red tent oneness. At least long enough to wish the North Adamsville Class of 1961 well, except maybe those crazy guys who threw me in the showers.

....and a trip down memory lane.

MARK DINNING lyrics - Teen Angel

(Jean Surrey & Red Surrey)

Teen angel, teen angel, teen angel, ooh, ooh

That fateful night the car was stalled
upon the railroad track
I pulled you out and we were safe
but you went running back

Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love

What was it you were looking for
that took your life that night
They said they found my high school ring
clutched in your fingers tight

Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love

Just sweet sixteen, and now you're gone
They've taken you away.
I'll never kiss your lips again
They buried you today

Teen angel, can you hear me
Teen angel, can you see me
Are you somewhere up above
And I am still your own true love
Teen angel, teen angel, answer me, please

*Coming Of Age In The 1950s, Period-Oldies But Goodies-An Encore

Click on the headline to link to a "YouTube" film clip of Billy Ward and His Dominoes performing Sixty Minute Man. Whoa!

CD Review

Oldies But Goodies, Volume Five, Original Sound Record Co., 1986





I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question that those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes and rhymey Tin Pan Alley pieces hit the radio airwaves. (If you do not know what a radio is then ask your parents or, ouch, grandparents, please.) And, most importantly, we were there when the music moved away from any and all music that your parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.

Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that fear, the fear of fears that haunted many a teenage dream then, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.

So what still sounds good on this CD compilation to a current AARPer and, and perhaps some of his fellows who comprise the demographic that such a 1950s compilation “speak” to. Of course, Rockin’ Robin, the salacious Sixty Minute Man, and Mama Said. But what about the now inevitable end of the night high school dance song that seems to be included in each CD compilation? The event that you, maybe, waited around all night for. Here the classic Since I Don’t Have You fills the bill. Yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world for no other reason that to “impress” that certain she (or he for she) mentioned above. I did, didn’t you?

**************

Billy Ward & His Dominoes - Sixty Minute Man lyrics

Sixty-minute man, sixty-minute man

Look a here girls I'm telling you now
They call me "Lovin' Dan"
I rock 'em, roll 'em all night long
I'm a sixty-minute man

If you don't believe I'mm all that I say
Come up and take my hand
When I let you go you'll cry "Oh yes,"
"He's a sixty-minute man

There'll be 15 minutes of kissing
Then you'll holler "please don't stop"
There'll be 15 minutes of teasing
And 15 minutes of squeezing
And 15 minutes of blowing my top

If your man ain't treating you right
Come up and see ol' Dan
I rock 'em, roll 'em all night long
I'm a sixty-minute man

Sixty-minute man
They call me Lovin' Dan
I rock 'em, roll 'em all night long
I'm a sixty-minute man

Sixty-minute man
They call me Lovin' Dan
I rock 'em, roll 'em all night long
I'm a sixty-minute man

There'll be 15 minutes of kissing
Then you'll holler "please don't stop"
There'll be 15 minutes of teasing
And 15 minutes of squeezing
And 15 minutes of blowing my top

If your man ain't treating you right
Come up and see ol' Dan
I rock 'em, roll 'em all night long
I'm a sixty-minute man, oh yeah
SIXTY-MINUTE MAN

“The Next Girl Who Throws Sand In My Face Is…” Johnny Silver’s Sad Be-Bop 1950s Beach Blanket Saga.

Click on the headline to link to a YouTube film clip of the Falcons performing You're So Fine.

DVD Review

The Heart Of Rock ‘N’ Roll: The Late 50s, various artist, Time-Life Records, 1997

Markin comment:

No question that my corner boy comrades from the old Frankie Riley-led Salducci’s Pizza Parlor hang-out and me from the day high school got out for the summer drew a bee-line straight to the old-time Adamsville Beach of blessed memory. Did we go to said beach to be “one” with our homeland, the sea? No. Did we go to admire the boats and other things floating by? No. Did we go to get a little breeze across our sun-burned and battered bodies on a hot and sultry August summer day. No. Well, maybe a little. But come on now we are talking about sixteen, maybe seventeen, year old guys. We were there, of course, because there were shapely teeny-weeny bikini-clad girls (young women, okay, let’s not get technical about that pre-woman’s liberation time) sunning themselves like peacocks for all the world, all the male teenage North Adamsville world, the only world that mattered to guys and gals alike., to see.

And they were sunning themselves and otherwise looking very desirable and, well, fetching, in not just any old spot wherever they could place a blanket but strictly, as tradition dictated, tradition seemingly going back before memory, between the North Adamsville and Adamsville Yacht Clubs. So, naturally, every testosterone-driven teenage lad who owned a bathing suit, and some who didn’t were hanging off the floating dock right in front of said yacht clubs showing off, well, showing off their prowess to the flower of North Adamsville maidenhood. And said show-offs included, of course, Frankie Riley (when he was not working at the old A&P Supermarket), his faithful scribe, Peter Paul Markin, and other including the, then anyway, “runt of the litter,” Johnny Silver. It is Johnny’s sad beach blanket bingo tale that gets a hearing today. If it all sounds kind of familiar, even to the younger set, it is because, with the exception of the musical selections, it is.

*********

“The next girl who throws sand in my face is going get it,” yelled Johnny Silver to no one in particular as he came back the Salducci’s Pizza Parlor corner boy beach front acreage just in front of the seawall facing, squarely facing, midpoint between the North Adamsville and Adamsville Yacht Clubs. As the sounds of Elvis Presley’s Loving You came over Frankie Riley’s transistor radio and wafted down to the sea, almost like a siren call to teenage love, one of those no one in particulars, Peter Paul Markin replied, “What did you expect, Johnny? That Katy Larkin is too tall, too pretty and just flat-out too foxy for a runt like you. I am surprised you are still in one piece. And I would mention, as well, that her brother, “Jimmy Jukes,” does not like guys, especially runt guys with no muscles bothering his sister.” Johnny came back quickly with the usual, “Hey, I am not that small and I am growing, growing fast so Jimmy Jukes can eat my… “But Johnny halted just in time as one Jimmy Jukes, James Allen Larkin, halfback hero of many a North Adamsville fall football game came perilously close to Johnny and then veered off like Johnny was nothing, nada, no thing. And after Jimmy Jukes was safely out of sight, and Frankie flipped the volume dial on his radio louder as the Falcons’ You’re So Fine came on heralding Frankie’s attempt by osmosis to lure a certain Betty Ann McCarthy his way, another standard brand fox in the teenage girl be-bop night, Johnny poured out his sad saga.

Seems that Katy Larkin was in one of Johnny’s classes, biology he said, and one day, one late spring day Katy, out of the blue, asked him what he thought about Buddy Holly who had passed away in crash several years before, well before he reached his potential as the new king of the be-bop rock night. Johnny answered that Buddy was “boss,” especially his Everyday, and that got them talking, but only talking, almost every day until the end of school. Of course, Johnny, runt Johnny, didn’t have the nerve, not nearly enough nerve to ask a serious fox like Katy out, big brother or not. Not until this very day when he got up the nerve to go over to her blanket, a blanket that also had Sara Bigelow and Tammy Kelly on board, and as a starter asked her if she liked Elvis’ That’s When The Heartache Begins. She answered quickly and rather curtly (although Johnny did not pick up on that signal) that it was “dreamy.” Then Johnny’s big moment came and he blurted out, “Do you want to go to the Surf Dance Hall with me Saturday night? Crazy Lazy is the DJ and the Rockin’ Ramrods are playing. And as the reader knows, or should be presumed to know, Johnny’s answer was a face full of sand. And that sad, sad beach saga is the end of another teen angst moment. So the to the strains of Robert and Johnny’s We Belong Together we will move along.

Well, not quite. It also seems that Katy Larkin, tall (too tall for Johnny, really), shapely (no question of really about that), and don’t forget foxy, Katy Larkin had a “crush” on one John Raymond Silver if you can believe that. She was miffed, apparently more than somewhat, that Johnny had not asked her out before school got out for the summer. That more than somewhat entailed throwing sand in Johnny’s face when he did get up the nerve to ask. So on the first day of school, while Johnny was turning his radio off and putting it in his locker just before school started, after having just listened to the Platters One In a Million for the umpteenth time, Katy Larkin “cornered” (Johnny’s term) Johnny and said in a clear, if excited voice, “I’m sorry about that day at the beach last summer.” And then in the teenage girl imperative, hell maybe all woman imperative, “You are taking me to the Fall All-Class Mixer and I will not take no for an answer.” Well, what is a guy to do when that teenage girl imperative, hell maybe all women imperative, voice commands. So Johnny is now re-evaluating his attitude toward beach sand and maybe, after all, it was just a girl being playful. In any case, Johnny grew quite a bit that summer and now Katy Larkin is not too tall, not too tall at all, for Johnny Silver to take to the mixer, or anywhere else she decides she wants to go.

In Honor Of Miss (Ms.) Lenora Sonos, Clintondale High School English Department, Circa 1961

Click on the headline to link to a YouTube film clip of Ellen Terry reciting Portia's mercy speech from The Merchant of Venice. Fitting right?

"The quality of mercy is not strained. It droppeth as the gentle rain from heaven, Upon the place beneath" lines from Portia's speech to the court in William Shakespeare's Merchant of Venice

As Jimmy came across these above lines in the epilogue of a book that he was innocently, very innocently, reading about the sources of old time English playwright William Shakespeare’s sources for his various works he suddenly developed a 50th anniversary case of the nerves. And the source of those nerves was easily traceable, very easily traceable, to time spent in Miss Lenora Sonos’ classroom memorizing those very lines of the Bard.

Miss Lenora Sonos, Jimmy’s senior year English teacher made many people nervous. Who was he kidding, she made James Cullen, Jimmy, Class of 1961, and king hell king of the intramural bowling league (boys’ division) at old Clintondale High, nervous. Others can, on their own hook, come forth with their own benighted and heart-rendering testimony but she made him nervous before her class, nervous while in her class, nervous after leaving her class, and nervous in that occasional dark hour just before the dawn when he woke up, woke up with the sweats, became that book report due Monday morning bright and early was not coming together the way he wanted. Come on, again, who was Jimmy kidding, waking up with the sweats kidding, the way that she wanted it. The no rush, no night before it was due , well-thought out and drafted, concise, with some kind of original twist to it paper, and written like some come down from the mountain patriarchal tablet screed, or really an endlessly re-written version of that self-same screed.

And worst, worst than not being concise, worst than not having an original twist idea, was that you had to publicly defend your ideas in front of the whole class. But, once again who was Jimmy kidding, the class was child’s play, putty in his hands once he started throwing his obscure, arcane, in-your-face two thousand facts at them, and they retreated, or better, surrendered, white flags in hand. No, it was her, Miss Sonos, that he had to impress with his obscure, arcane, in-your-face knowledge but here was the rub, she had no surrender, or white flag, in her because she was privy to those two thousand facts, had in fact taught him a bunch of them, and had a few thousand additional ones in her own storehouse just waiting for Jimmy to make that one wrong move, the one wrong move that was inevitably to come from a young, still unformed, mind.

And worst, worst than public Sonos humiliation, worst than being at a lost for that original idea was to not be with her, to be with her one hundred percent, when she spoke, almost in a hushed whisper, of some piece of literature the virtues of which she endlessly drilled into the class, but really had her eyes set on him when doing so, or so he thought. (He found out later that that feeling was shared by every at least half-awake student in the class, the others were just ducking behind some book hoping not to be noticed.) As he thought of those books just now, he remembered the time, trying to be one hundred with her, when he blurred out that Holden Caulfield from The Catcher In The Rye “spoke” to him, spoke to him about his own teen alienation, spoke about what can a kid do when the cards are stacked against him in this cruel old world, a world he didn’t put together, spoke of teen angst in trying to find his place in the sun when everybody was pushing him in about six different ways and he was pushing himself in about seven.

And there Jimmy was, proud as a peacock, feeling like a junior-sized literary critic and then she, Miss Sonos in high dudgeon, lowered the hammer and dismissed the book, and the author, as so much hot air and New Yorker-style cheapjack kids’ short story, barely pabulum. And that was the end of it, for once Miss Sonos pronounced someone a mere short story writer, oblivion beckoned. She much preferred that her Jimmys tackle James T. Farrell, John Dos Passos, Ernest Hemingway, F. Scott Fitzgerald, Henry James, Flannery O’Connor, and Edith Wharton who although they too wrote short stories wrote novels, great novels, and therefore were not assigned to hellish depths. And you know in a funny way Jimmy had to admit that she was right, right in the sense that these other guys had a lot to say and that one should no put all their “literary light” eggs in one basket, although she was still wrong, wrong big time, about J.D. Salinger. Wrong that is if she is not now nearby, nearby this side of the grave.

But the worst time, the worst time of all, for Jimmy who was trying to hold his head up in that dark early 1960s Cold War working poor teen angst night was when she made him write a paper as a proponent of the then front line, flame-burning civil rights movement down South after he had written a short piece, a short diary-like piece, for her eyes only, one time. Not only that but he was going to be forced to argue his case against the editor of the school newspaper, a hot shot who had real literary ambitions and a father who was a professor, or something, over at the university. Now Jimmy, as he noted in his short piece, was in sympathy, secret sympathy, with the struggle of black people down South, and had linked that struggle with his own sense of what white working poor people needed to. Not all that deeply thought out then, but that was the gist of it. But see, the secret part was necessary because the best word, the absolutely best word that he ever heard anybody in Clintondale, young or old, call black people was “nigra,” like the neighborhood, the predominantly Irish and Italian Catholic neighborhood that he lived in, and breathed in, was down South itself.

And the most vitriolic voice around the neighborhood was that of his father, and his kindred, who resided nightly at the Old Gaelic Pub, egging on vicariously, while watching the barroom television news, the Bull Connors of the world. Jimmy tried, tried hard, to explain this all to Miss Sonos but she, unlike in other things, dismissed his pleas out of hand. Well, he gave that presentation, and if he didn’t win the debate points, the precious debate points, that he thought he was fighting for he made it clear that the he was on the other side of the road between the those who lived, thought and acted “nigra” and those who said 1960s “negro.” So there she was right again, although many bridges were burned that day.

As Jimmy nervously finished up musing over the exploits, the maybe un-heroic exploits, of Miss Lenora Sonos, he though about those lines from Portia’s speech to the court in Shakespeare’s The Merchant Of Venice, lines that she made the class memorize, although that memorizing business was not her style in general. And Jimmy chuckled to himself that did not, after all, have to look those sentences in that speech up, although if he was in court he would have to confess that he did look up to see if there was one or two p's in droppeth. He knew those lines and more from the master by heart. And that fact, that fact of remembrance, served to bring up something, something heroic about Miss Sonos. About what she said, said endlessly. Literature matters. Words matter. Jimmy had, on more occasions than he cared to remember, honored those ideas more in the breech than the observance but he tried to be guided by them. But they, no question, were planted there by Miss Sonos.

Thinking on it now though Jimmy realized that he not close to Ms. Sonos, certainly not her "pet". Perhaps she did not even really know who he was, although that bout over the civil rights paper may have turned the tables a little away from the truth of that notion. He did not know about today but back then the classes were very large and there were many minds to feed. So it was possible. Perhaps she did not even “like” him. That too was possible. Jimmy did not display his better side, the "better angel of his nature", in those days, on most days. However, Jimmy did know two things about her-literature matters, words matter. That more than balanced things out, Jimmy thought. And then he said in whisper, “Miss (Ms.) Lenora Sonos, wherever you are-thanks.”

*An Archaeological Dig? Remembrances Of Things Past-The Yearbook-For Carol C., Class Of 1964

Click on the headline to link to a Wikipedia entry for the Dead Sea Scrolls a minor discovery compared to the one discussed below.

Markin, Class Of 1964, comment:

Quick, where is your North Adamsville High School yearbook, the Magnet? Ya, I knew I would catch some of you off-guard with that one. For some of you though it is merely a fast jump over from your easy chair to the bookshelf, a little dusting off of that treasure with a conveniently placed rag, and you are ready for duty, nostalgia duty. Or shuffle, creakily shuffle by the way if I am any judge of conditions these days, up to the old cobwebby attic, cursing the day (or night, for that matter) about how hard it is to get around and how it's not like it use to be, wondering, thoughtfully wondering, where in hell the box that you put that valued heirloom in is. Ya, I know that drill. Then, finally, finding the precious cargo under layers of later photo albums, albums showing your life’s work, your family outings, and your other righteous keepsake memories. And, yes, taking out the rag to wipe a half century’s dust off, although not memories. Or trudging out to the garage/storage area/dump the final resting place for all ephemera, exotica and just plain don’t know what to do with items (except, well, of course not, throw the damn stuff away since you have not used those gee-gaws since about 1972). Ya, I know that drill too. In all cases though, ready, as if you were waiting, waiting patiently, for someone, some old reprobate classmate on the Internet in the year 2011 to ask you that very question. Well, okay we all have our little quirks.

Others though will have to answer AWOL (absent without leave, for those who did not do that military service of unblessed memory) and confess that item got tossed out, mistakenly or not, long ago on some vagabond move, or some other now long forgotten excursion. It wasn’t like you didn’t treasure the thing, really, but times moved on, you moved on and maybe the euphoria of high school high pictures, of maybe five hundred plus people that you barely knew, or remembered, clubs you did not belong to, or sports that you did not participate in had passed by. Or, it wasn’t like you did not intent to keep the holy of holies but on those long ago hitchhike roads, those hitchhike roads west to start anew, maybe, just maybe, you had to leave it behind in some desolate motel room, or some godforsaken high mountain campsite. I understand your dilemma, believe me.

Or it was sold to the highest bidder at some flea market yard sale to pay off some untidy debt, some untidy small debt, I assume. The list of possibilities is endless, but at least those irresponsible renegade raider reds that simply lost or left theirs in some undisclosed place had enough spunk to leave the dust of high school traumas, dramas and bad karmas behind in some also now long forgotten way station.

As for myself, for those dying to know, or even those who are not because I have no story to tell otherwise, I know exactly where my previously uncoveted copy is, or at least where I threw it. Soon, very soon after graduation, in a fit of hubris, teen alienation, teen angst, teen rage against the dark I threw it, threw it unceremoniously into the Neponset River not far from the old school, and my family’s house. Beyond that I take no responsible for where it landed, although I hope that it landed in some far off island where they have never heard of yearbooks, photographs, and pictures of people doing strange activities and would be clueless on such questions as why guys are running around in white shorts, why boys and girls are on separate bowling teams, why certain Greek vestigial Tri-Hi-Y girls take the three purities vows, and why guys were wearing non-fashionista white socks when posing for group activities. Things frankly that I wonder at now, wonder at intensely, myself. And maybe, just maybe, that Magnet is now an item of veneration, high holy veneration by some cargo cult-worshipping peoples who had no other use for the thing.

But that is more a fit task for an anthropologist’s analysis. Today I wish to speak of, as the headline indicates, archeology, of the search for ancient treasures, not of their meaning, well, not seriously of their meaning. And along that line I have a question, no, I have 1000 questions. I have just been on a “treasure hunt.” Was it in search of the Dead Sea Scrolls? No, that's kid's stuff. Did I venture to the cradle of civilization, Mesopotamia, to dig up ancient sculptures? Boring, for my purposes here. Did I go on an Indiana Jones-style adventure in search of the lost Ark of the Covenant? Mere child’s play. No, I bravely went to the wilds of Winchester, Massachusetts to the lovely home of Frankie Riley, Francis Xavier Riley, the king hell king corner boy of the North Adamsville schoolboy be-bop night, from our class. And what treasure did I dig out? A rather pristine copy of the Magnet for the Class of 1964. This, my friends, is the find of the age.

Okay, now I have you exactly where I want you. Forget Botox and Hair Club for Men, from now on, guys and gals, no more trying to pass for fifty-something just because sixty is the new fifty. That include you Chrissie McNamara (maiden name). I have proof of age. In black and white glossies. And I do believe that I could find a good enough lawyer to have it hold up in court. Frankie, though, is already talking about hiring “hit men” to do me in if I so much as harm a hair on any classmate's head. You know Frankie; he was always one for the wild talk.

But enough of that wild noise for now. A couple of comments are in order, after an initial quick run through, before I do a more thorough scientific examination of this artifact. First, in the interest of scientific veracity I must confess an error. At one time or another when talking about “back in the days” I told one and all that Frankie and I spent (or misspent) many a summer evening on the front steps of North Adamsville High discussing our dreams, mainly small dreams and other getting through the day things, not big, cosmic mortality dreams like we would now. In describing the steps I mentioned that there were either stone lions or gargoyles that flanked either side of the steps. Well, in many pictures in the yearbook, especially of group activities, the front steps frame the shot. The items on the side of the steps were actually stone columns and globes. I was close though, right? That error is definitely either a result of the "mist of time" misting up big time or creeping senility. Your choice.

And now for some observations (and a posing of some those 1000 questions) on a first run through of the class pictures, individually and collectively. For most of the guys I would not want to meet you in a dark alley, even now. Unless I was heavily armed, or had the 82nd Airborne at my back. Actually make that the 82nd Airborne and at least one regiment from the 101st Airborne. Especially looking at those football players. I won't even speak of basketball and baseball players because they were mainly football after the season was over anyway. Were they on steroids in those days? Or some less exotic tobacco-like drug down in the locker room after the coaches called it a day? Is that why all the girls gathered round? I thought it was athletic prowess, but now I wonder. And wonder also what they look like now, now after all those years of youthful punishment on those hips, knees, and ankles. Come to think of it I don't think I will need that extra 101st regiment after all.

While we are on the subject of girls, the eternal subject then (and let's face it now too) and who they were  and were not hanging around with, it is totally understandable that they would flock to the gridiron goliaths who carried our hopes and dreams on their broad shoulders on those brisk, yellow-leafed, gathering ice grey clouds autumn afternoons. Fair is fair. What is not fair, after looking at the picture of the billiards team, is why all the girls flocked to them. Many an afternoon I would drift (nice word use, right?) over casually to Joe's Billiard Parlor (although everybody knew it was nothing but a glorified pool hall, and Joe was nothing but a "connected", connected meaning you know connected do I have to spell it out) bookie using the place as a front) to check out the girls, the very lively, interesting girls, that seemed to be hanging off the rafters watching the boys (and it was always boys in those days) "shoot pools." Fifty years later and I am still burned up about it. Christ those guys were nothing but rough-hewed corner boys (although that may have been the attraction for those bouncy, tight sweater-wearing frails).

And continuing on with the sports teams, the track guys, christ, they look like they just came out of the wheat fields of Kansas with those uniforms that were issued in about 1926. And those squinty eyes like this was the first time they had seen a camera. One guy definitely looked like he was posing to be some jut-jawed Old West guy, cowboy guy, that made me think of a poor man's version of the actor/playwright Sam Shepard. Maybe my cargo cult reference above applies here too, except for cameras not yearbooks. Although I don’t know much about what goes on in Kansas, except don’t bury me there. No wonder people honked horns, caroomed their cars close to them, and yelled profanities as they passed when those guys ran in the road, the mad-hatter running road.

The tennis guys and gymnasts looked okay, normal as far as I could see, no dopey look in their eyes, mercifully. I swear though thta I didn't know we had a tennis team but there it is in black and white so we must have. I know this for sure though some of those golf guys have that shifty look, you know, that look like they know the ball moved and they didn't take a penalty in that last match against Adamsville High. That's okay guys, it was only Adamsville. I won’t even speak about the treachery oozing out of the eyes of guys on the boys’ bowling team (or the girls’ for that matter). I thought bowling was a genteel sport. Why does everyone, male or female, look like, maybe, they cheated when adding up their scores. Strange, strange indeed.

And moving away from sports and clubs did we (guys) really wear our hair that way (and wear it that short, with those pseudo-sideburns)? And did we really wear those dweeby sports jackets with those white socks (with loafers it looks like) that seem to be sticking out endlessly of every sports team photograph?

For most of the gals, and call me a "dirty old man" but please, please do not tell my "significant other" I would not mind meeting you in the dark. No armed escorts necessary. Especially those gals on pages 78, 100, 106, 126, and 130. Ya, you know who you are. And I know you haven’t changed a bit since 1964, right?

Here is what I don’t get though. Well, maybe I better start off with what I do get. The cheerleaders did their cheer-leading thing and I swear no football game would have been the same without their rah, rah, rahs on those previously mentioned brisk, granite grey autumn days. The majorettes, well, the majorettes did their twirling, and especially one twirler that caught my eye, knew how to flip that thing. Be still my heart. And the band members played their tubas, trombones, and trumpets to perfection, although I heard some disturbing, if unsubstantiated, information about what went on in the band practice room, or really during the after practice hours. But I do not get this, and am desperately seeking enlightenment. Why did perfectly normal (at least from their photos they appear normal, 1960s beehive hair, cashmere sweater, whimsical smile normal) girls (a.k.a. young women, now) submit to the ridiculous three purities required, no demanded, for entry into Tri-Hi-Y. Something very unsettling was underfoot there, especially as we were on the threshold of the sexual revolution. I will investigate that matter further. Count on it.

*Out In The Be-Bop 1960s Night- A Fragment Of Working Class Culture-When Frankie Roamed The Teenage Dance Clubs

Markin comment:

In a recent series of entries that I did in the form of scenes, scenes from the hitchhike road in search of the great American West night in the late 1960s, a time later than the time of Frankie’s early 1960s old working class neighborhood kingly time, I noted that I had about a thousand truck stop diner stories left over from those hitchhike road days. On reflection though, I realized that I really had about three diner stories with many variations. Not so with Frankie, Frankie from the old neighborhood, stories. I have got a thousand of them, or so it seems, all different. Hey, you already, if you have been attentive to this space, know a few Frankie, Frankie from the old neighborhood, stories (okay, I will stop, or try to stop, using that full designation and just call him plain, old, ordinary, vanilla Frankie just like everybody else alright).

Ya, you already know the Frankie (see I told you I could do it) story about how he lazily spent a hot late August 1960 summer before entering high school day working his way up the streets of the old neighborhood to get some potato salad (and other stuff too) for his family’s Labor Day picnic. And he got a cameo appearance in the tear jerk heart-rendering saga of my first day of high school in that same year where I, vicariously, attempted to overthrow his lordship with the nubiles (girls, for those not from the old neighborhood, although there were plenty of other terms of art to designate the fair sex then, most of them getting their start in local teenage social usage from Frankie’s mouth). That effort, that attempt at copping his “style” like many things associated with one-of-a-kind Frankie proved unsuccessful as it turned out.

But as this story will demonstrate old Frankie, Frankie from (oops, I forgot I ‘m not doing that anymore) was not only the king of the old neighborhood but roamed, or tried to roam far afield, especially if the word "girls" was involved. So this will be another Frankie and the girls story, at least part way. The milieu though will be somewhat different for those who only know Frankie in his usual haunts; the pizza parlor, the drugstore, or hanging around the corner of one of several mom and pop variety stores. This time, in a way, Frankie goes “uptown.”

One of the other places where Frankie tried to extend his kingdom was the local teen night club (although we did not call it that then but that was the idea). You know a place where kids, late teenage kids, could dance to live music from some cover band and drink…sodas. Ya, the idea was to keep kids off the streets, out of the cars, and under a watchful eye on Friday and Saturday night so they didn’t drink booze and get all crazy and messed up. Of course, anyone with half a wit, if they wanted to get booze, had no real problem as long as there was some desperate wino to make your purchase for you. But, at least, the idea was no booze on the premises and that was pretty much the case.

Now this club, this teen dance club, that Frankie has his eye on, was the primo such place around. Sure, there were other smaller venues, but that was kids stuff, young teen stuff, no account, no matter stuff. If you had dreams of kingship then the Sea ‘n’ Surf Club was the place to place your throne. But, see, this club was several miles away from the old neighborhood, and that meant several miles of other guys who were kings of their neighborhoods, but also several miles of all kinds of different girls that Frankie (and I, as well) had no clue about. And the beauty of this, the real beauty for Frankie was that it was doable. Why? Old ball and chain girlfriend forever, girlfriend, main squeeze, Joanne was not allowed by her parents to go to teen dance clubs, period. And period meant period, to old Frankie’s smiles.

This club had the added advantage, as its name gives away, of being by the sea, by the ocean so that if the dancing got too hot, or it was too crowded, or if you got lucky then there you were handy to a ready-made romantic venue. Now American Great Plains prairie guys and dolls may not appreciate this convenience (although I am sure you had your own local lovers’ lane "hot spots") but to have the sea as a companion in the great boy meets girl struggle was pure magic. See, and everybody knew this or found out about it fast enough, if a girl wanted to catch some "fresh air" and agreed to go with you then you were “in like flint” for the night. That also meant though that, when intermission ended, or when the steamed-up couple came up for air that nobody else was suppose to cut in on their scene. This may all sound complicated but, come on now, you were all teens once, and you figured it out easily enough, right? This in any case is what Frankie wanted to be king of. The scene that is.

This club, by the way, this hallowed memory club, could not stand the light of day, although at night it was like the enchanted castle. By day it looked just like another faux Coney Island low-rent carnival, bad trip place ready for the demolition ball ballroom. But the night, oh, the night was all we cared about. And for weeks before Frankie was ready to make his big move the conquest of this place thing, the imagining of it, took on something like the quest for a holy grail.

Finally, Friday finally, summertime Friday night finally, came (he had a date with his ever lovin’ big flame Joanne for Saturday that week) and he was ready to make his move. Let me outline the plan as he told it to me. The idea, if Tommy 40 Winks (I did not make that name up; I don’t have that kind of imagination. That was his nickname, hell, mine, was, for a while, Boyo, go figure), showed up was to make the scene with whatever girl he was dancing with, at least that was the idea. 40 Winks, for lack of a better term was the “king” of the club, although by default because no one had messed with him, or his crowd before. And also he was the “boss” dancer of the universe and the girls were all kind of swoony, or at least, semi-swoony over his moves, especially when he got his Elvis thing going. Ya, now that I think about it he did seem to make the girls sweat. Sure, 40 Winks was going to be there. See Frankie was going to upset that fresh air “rule” and since nobody, not even me, ever accused Frankie of not being in love with himself, his “projects”, or his “style” he figured it was a cinch. Now, forty or fifty years later I can see where there was a certain flaw in the plan.

Why? Well, let me cut to the chase here, a little anyway. When we showed up at the club everything was fine. Everybody kind of conceded that this was “neutral” ground, at least inside, and the management of the place had employed more college football player-types than one could shake a stick at to enforce the peace. So any “turf” wars will have to be fought out on the dance floor, or elsewhere. Tonight the music, live music from a local cover band that is trying to move up in the pecking order is “hot”. They get the joint, 40 Winks, and old Frankie fired up right away with a big sound version of Good Rockin’ Tonight. Now 40 Winks eyes this one sneeze (girl, blame Frankie) from our school, although none of us, including Frankie, had even come with fifty paces of her, here or in school. Her name was Anna, but let’s just call her a Grace Kelley-wannabe, or could-be or something, and be done with it. In any case when she had finished dancing that Good Rockin’ Tonight with some goof (meaning non-Frankie friend or associate) the temperature in the place went up a collective bunch of degrees. Even I was thinking of getting closer than 50 paces from her. Okay this is going to be the prize, boys

40 Winks and Frankie both approach Ms. Wonderful for the next dance (and, hopefully, for the full dance card), a slow one it seems from the way the band is tuning up. Ya, it is, The Platters, Stand By Me. 40 Winks gets the nod. Oh, boy. First round 40 Winks. They start dancing and other couples are giving them some room because they are putting on something of a show now. I don’t tell Frankie this but he, his plans, and his crown are doomed. His look kind of says the same thing. But here is where you can never tell about Frankie. After that dance he goes back for another ask. Again, no go. And no go all the way to intermission.

Christ, Francis Xavier Riley, purebred Irish man is red, red as a Dublin rose. He is done for, especially as this national treasure of a girl takes the air, the fresh air with 40 Winks. And makes a big deal out of it in front of half the couples attending, and more importantly, in front of Frankie. Frankie, Frankie from the old neighborhood but not of the wide teen kingdom. For one of the few times in our middle school and high school careers together I saw Frankie throw in the towel. It wasn’t pretty. He didn’t show up at that club for a long time afterward, and I don’t blame him.

But here is where life, teenage life is funny sometimes. My brother, my home’s, my be-bop buddy Frankie was set up, and set up bad. How? Well, Anna, old sweet Grace Kelley wannabe Anna (and now that I think about could be), actually was smitten, or whatever you want to call it, by Frankie from seeing him around school. Yes, Frankie. But, and this is the way Frankie told me the story some time later after the event, Anna and firebrand Joanne, sweet Frankie girlfriend Joanne, had classes together and, moreover, were related to each other distantly like a lot of kids were related to each other in the old neighborhood. Anna knew that Frankie was Joanne’s honey so they talked it out and Anna passed on old Frankie. But, see, Joanne got wind of Frankie’s no Joanne teen dance club scheme and she and Anna patched this deal up to keep Frankie out of harm’s way. Women!

Out In The Be-Bop 1960s Night- When Frankie, Frankie From The Old Neighborhood, Was King

Markin comment:

In a recent series of entries that I did in the form of scenes, scenes from the hitchhike road in search of the great American West night in the late 1960s, later than the time of Frankie’s early 1960s old working class neighborhood kingly time, I noted that I had about a thousand truck stop diner stories left over from those hitchhike road days. On reflection though, I realized that I really had about three diner stories with many variations. Not so with Frankie, Frankie from the old neighborhood, stories. I have got a thousand of them, or so it seems, all different. Hey, you already, if you have been attentive to this space, know a few Frankie, Frankie from the old neighborhood, stories (okay, I will stop, or try to, stop using that full designation and just call him plain, old, ordinary, vanilla Frankie just like everybody else alright).

Ya, you already know the Frankie (see I told you I could do it) story about how he lazily spent a hot late August 1960 summer before entering high school day working his way up the streets of the old neighborhood to get some potato salad (and other stuff too) for his family’s Labor Day picnic. And he got a cameo appearance in the tear-jerk, heart-rendering saga of my first day of high school in that same year where I, vicariously, attempted to overthrow his lordship with the nubiles (girls, for those not from the old neighborhood, although there were plenty of other terms of art to designate the fair sex then, most of them getting their start in local teenage social usage from Frankie’s mouth). That effort, that attempt at coping his “style”, like many things associated with one-of-a-kind Frankie proved unsuccessful as it turned out.

More recently I took you in a roundabout way to a Frankie story in a review of a 1985 Roy Orbison concert documentary, Black and White Nights. That story centered around my grinding my teeth whenever I heard Roy’s Running Scared because one of Frankie’s twists (see nubiles above) played the song endlessly to taint the love smitten but extremely jealous Frankie on the old jukebox at the pizza parlor, old Salducci's Pizza Shop, we used to hang around in during our high school days. It’s that story, that drugstore soda fountain story, that brought forth a bunch of memories about those pizza parlor days and how Frankie, for most of his high school career, was king of the hill at that locale. And king, king arbiter, of the social doings of those around him as well.

And who was Frankie? Frankie of a thousand stories, Frankie of a thousand treacheries, Frankie of a thousand kindnesses, and, oh ya, Frankie, my bosom friend in high school. Well let me just steal some sentences from that old August summer walk story and that first day of school saga because really Frankie and I went back to perilous middle school days (a.k.a. junior high days for old-timers) when he saved my bacon more than one time, especially from making a fatal mistake with the frails (see nubiles and twists above). He was, maybe, just a prince there working his way up to kingship. But even he, as he endlessly told me that summer before high school, August humidity doldrums or not, was along with the sweat on his brow from the heat a little bit anxious about being “little fish in a big pond” freshmen come that 1960 September.

Especially, a pseudo-beatnik “little fish”. See, he had cultivated a certain, well, let’s call it "style" over there at the middle school. That “style” involved a total disdain for everything, everything except trying to impress girls with his long-panted, flannel-shirted, work boot-shod, thick book-carrying knowledge of every arcane fact known to humankind. Like that really was the way to impress teenage girls, then or now. Well, as it turned out, yes it was. Frankie right. In any case he was worried, worried sick at times, that in such a big school his “style” needed upgrading. Let’s not even get into that story, the Frankie part of it now, or maybe, ever. We survived high school, okay.

But see, that is why, the Frankie why, the why of my push for the throne, the kingship throne, when I entered high school that old Frankie was grooming himself for like it was his by divine right. When the deal went down and I knew I was going to the “bigs” (high school) I spent that summer, reading, big time booked-devoured reading. Hey, I'll say I did, The Communist Manifesto, that one just because old Willie Westhaven over at the middle school (junior high, okay) called me a Bolshevik when I answered one of his foolish math questions in a surly manner. I told you before that was my pose, my Frankie-engineered pose, what do you want, I just wanted to see what he, old Willie, was talking about when he used that word. How about Democracy in America (by a French guy), The Age of Jackson (by a Harvard professor who knew idol Jack Kennedy, personally, and was crazy for old-time guys like Jackson), and Catcher In The Rye (Holden was me, me to a tee). Okay, okay I won’t keep going on but that was just the reading on the hot days when I didn’t want to go out. There was more.

Here's what was behind the why. I intended, and I swear I intended to even on the first nothing doing day of that new school year in that new school in that new decade (1960) to beat old Frankie, old book-toting, mad monk, girl-chasing Frankie, who knew every arcane fact that mankind had produced and had told it to every girl who would listen for two minutes (maybe less) in that eternal struggle, the boy meets girl struggle, at his own game. Yes, Frankie, my buddy of buddies, prince among men (well, boys, anyhow) who kindly navigated me through the tough, murderous parts of junior high, mercifully concluded, finished and done with, praise be, and didn’t think twice about it. He, you see, despite, everything I said a minute ago he was “in.”; that arcane knowledge stuff worked with the “ins” who counted, worked, at least a little, and I got dragged in his wake. I always got dragged in his wake, including as lord chamberlain in his pizza parlor kingdom. What I didn’t know then, wet behind the ears about what was what in life's power struggles, was if you were going to overthrow the king you’d better do it all the way.  But, see if I had done that, if I had overthrown him, I wouldn’t have had any Frankie stories to tell you, or help with the frills in the treacherous world of high school social life (see nubiles, frails and twists above. Why don’t we just leave it like this. If you see the name Frankie and a slangy word when you think I am talking about girls that's girls. Okay?)

As I told you in that Roy Orbison review, when Roy was big, big in our beat down around the edges, some days it seemed beat six ways to Sunday working class neighborhood in the early 1960s, we all used to hang around the town pizza parlor, or one of them anyway, that was also conveniently near our high school as well. Maybe this place was not the best one to sit down and have a family-sized pizza with salad and all the fixings in, complete with family, or if you were fussy about décor but the best tasting pizza, especially if you let it cool for a while and no eat it when it was piping hot right out of the oven.

Moreover, this was the one place where the teen-friendly owner, a big old balding Italian guy, Tonio Salducci, at least he said he was Italian and there were plenty of Italians in our town in those days so I believed him but he really looked Greek or Armenian to me, let us stay in the booths if it wasn’t busy, and we behaved like, well, like respectable teenagers. And this guy, this old Italian guy, blessed Leonardo-like master Tonio, could make us all laugh, even me, when he started to prepare a new pizza and he flour-powdered and rolled the dough out and flipped that sucker in the air about twelve times and about fifteen different ways to stretch it out. Some times people would just stand outside in front of the doubled-framed big picture window and watch his handiwork in utter fascination.

Jesus, Tonio could flip that thing. One time, and you know this is true because you probably have your own pizza dough on the ceiling stories, he flipped the sucker so high it stuck to the ceiling, right near the fan on the ceiling, and it might still be there for all I know (the place still is, although not him). But this is how he was cool; he just started up another without making a fuss. Let me tell you about him, Tonio, sometime but right now our business to get on with Frankie, alright.

So there is nothing unusual, and I don’t pretend there is, in just hanging out having a slice of pizza (no onions, please, in case I get might lucky tonight and that certain she comes in, the one that I have been eyeing in school all week until my eyes have become sore, that thin, long blondish-haired girl wearing those cashmere sweaters showing just the right shape,  please, please, James Brown, please come in that door), some soft drink (which we called tonic in New England in those days but which you call, uh, soda), usually a locally bottled root beer, and, incessantly (and that "incessantly" allowed us to stay since we were paying customers with all the rights and dignities that status entailed, unless, of course, they needed our seats), dropping nickels, dimes and quarters in the jukebox.

But here is where it all comes together, Frankie and Tonio the pizza guy, from day one, got along like crazy. Frankie, Francis Xavier Riley, map of Ireland, red-headed, fair-skinned, blue-eyed Frankie got along like crazy with Italian guy Tonio. That was remarkable in itself because, truth be told, there was more than one Irish/ Italian ethnic, let me be nice, dispute in those days. Usually over “turf”, like kids now, or some other foolish one minute thing or another. Moreover, and Frankie didn’t tell me this for a while, Frankie, my bosom buddy Frankie, like he was sworn to some Omerta oath, didn’t tell me that Tonio was “connected.” For those who have been in outer space, or led quiet lives, or don’t hang with the hoi polloi that means with the syndicate, the hard guys, the Mafia. If you don’t get it now go down and get The Godfather trilogy and learn a couple of things, anyway. This "connected" stemmed, innocently enough, from the jukebox concession which the hard guys controlled and was a lifeblood of Tonio's teenage-draped business, and not so innocently, from his role as master numbers man (pre-lottery days, okay) and "bookie" (nobody should have to be told what that is, but just in case, he took bets on horses, dogs, whatever, from the guys around town, including, big time, Frankie's
father, who went over the edge betting like some guys fathers' took to drink).

And what this “connected” also meant, this Frankie Tonio-connected meant, was that no Italian guys, no young black engineer-booted, no white rolled-up tee-shirted, no blue denim- dungareed, no wide black-belted, no switchblade-wielding, no-hot-breathed, garlicky young Italian studs were going to mess with one Francis Xavier Riley, his babes (you know what that means, right?), or his associates (that’s mainly me). Or else. Now, naturally, connected to the connected or not, not every young tough in any working class town, not having studied, and studied hard, the sociology of the town, is going to know that some young Irish punk, one kind of "beatnik' Irish punk with all that arcane knowledge in order to chase those skirts and a true vocation for the blarney is going to know that said pizza parlor owner and its “king”, king hell king, are tight. Especially at night, a weekend night, when the booze has flowed freely and that hard-bitten childhood abuse that turned those Italian guys (and Irish guys too) into toughs hits the fore. But they learn, and learn fast.

Okay, you don’t believe me. One night, one Saturday night, one Tonio-working Saturday night (he didn’t always work at night, not Saturday night anyway, because he had a honey, a very good-looking honey too, dark hair, dark laughing eyes, dark secrets she wouldn’t mind sharing as well it looked like to me but I might have been wrong on that) two young toughs came in, Italian toughs from the look of them. This town then , by the way, if you haven’t been made aware of it before is strictly white, mainly Irish and Italian, so any dark guys, are Italian period, not black, Hispanic, Indian, Asian or anything else. Hell, I don’t think those groups even passed through; at least I don’t remember seeing any, except an Arab, once.

So Frankie, your humble observer (although I prefer the more intimate umbrella term "associate" under these circumstances) and one of his squeezes (not his main squeeze, Joanne) were sitting at the king’s table (blue vinyl-seated, white formica table-topped, paper place-setting, condiment-ladened center booth of five, front of double glass window, best jukebox and sound position, no question) splitting a Saturday night whole pizza with all the fixings (its getting late, about ten o’clock, and I have given up on that certain long blondish-haired she who said she might meet me so onions anchovies, garlic for all I know don’t matter right now) when these two ruffians come forth and petition (ya, right) for our table. Our filled with pizza, drinks, condiments, odds and ends papery, and the king, his consort (of the evening, I swear I forget which one) and his lord chamberlain.

Since there were at least two other prime front window seats available Frankie denied the petition out of hand. Now in a righteous world this should have been the end of it. But what these hard guys, these guys who looked like they might have had shivs (ya, knives, shape knives, for the squeamish out there) and only see two geeky "beatnik" guys and some unremarkable signora do was to start to get loud and menacing (nice word, huh?) toward the king and his court. Menacing enough that Tonio, old pizza dough-to-the-ceiling throwing Tonio, took umbrage (another nice word, right?) and came over to the table very calmly. He called the two gentlemen aside, and talking lowly and almost into their ears, said some things that we could not hear. All we knew was that about a minute later these two behemoths, these two future candidates for jailbird-dom, were walking, I want to say walking gingerly, but anyway quickly, out the door into the hard face of Saturday night.

We thereafter proceeded to finish our kingly meal, safe in the knowledge that Frankie was indeed king of the pizza parlor night. And also that we knew, now knew in our hearts because Frankie and I talked about it later, that behind every king there was an unseen power. Christ, and I wanted to overthrow Frankie. I must have been crazy like a loon.

*Out In The 1960s Be-Bop Night- Thanksgiving Football Rally, 1963- For Jimmy, Class Of 1966

Click on the headline to link to a Wikipedia entry for American football on Thanksgiving. I knew when I Googled this search old Wikipedia would not let me down.

Markin, Class of 1964, comment:

Scene: Around and inside the old high school gym entrance on the Hunt street side the night before the big Thanksgiving Day football game against our cross town arch-rival in 1963. (Yes, that is the street with the Merit gas station, now Hess, on the corner.) And this is at a time before they built what is apparently an addition modeled on the office buildings across the street behind the MBTA stop and a tribute to “high” concrete construction, and lowest bidder imagination). But it could have been a scene from any one of a number of years in those days. And I am willing to bet six-two-and-even with cold hard cash gathered from my local ATM against all-takers that this story “speaks”, except the names, to 2010 as well:

Sure the air is cold, you can see your breath making curls before your eyes no problem, and the night feels cold, cold as one would expect from a late November New England night. It is also starless, as the weather report is projecting rain for the big game. Damn, not, damn, because I am worried about, or care about a little rain. I’ve seen and done many things in a late November New England winter rain, and December and January rains too, for that matter. No, this damn, is for the possibility that the muddy Veterans Stadium field will slow up our vaunted offensive attack. And good as it is a little rain, and a little mud, can be the great equalizer.

This after all is class struggle. No, not the kind that you might have heard old Karl Marx and his boys talk about, although now that I think of it there might be something to that here as well. I’ll have to check that out sometime but right now I am worried, worried to perdition about the battle of the titans on the gridiron, rain-soaked granite grey day or not. See, this particular class struggle is Class A Quincy against Class B North and we need every advantage against this bigger school. (Yes, I know for those younger readers that today’s Massachusetts high schools are gathered in a bewildering number of divisions and sub-divisions for some purpose that escapes me but when football was played for keeps and honor simpler designations worked just find.)

Do I have to describe the physical aspects of the gym? Come on now this thing is any high school gym, any pubic high school gym, anywhere. Fold-away bleachers, fold-away divider (to separate boys for girls in gym class, if you can believe that), waxed and polished floors made of sturdy wood, don’t ask me what kind (oak, maybe) with various sets of lines for its other uses as a basketball or volleyball court. But enough. The important thing is that guys and gals, old and young, students and alumni and just plan townies are milling about waiting for the annual gathering of the Red Raider clan, those who have bled, bleed or want to bleed Raider red and even those oddballs that don't. This one stirs the blood of even the most detached denizen of the old town.

This night of nights, moreover, every unattached red-blooded boy student, in addition, is looking around, and looking around frantically in some cases, to see if that certain she has come for the festivities, and every unattached red-blooded girl student for that certain he. Don’t tell you didn’t take a peek, or at least a stealthy glance. Among this throng are a couple of fervent quasi-jock male students, one of them who is writing this entry the other, great track man Bill C., who is busy getting in his glances in, both members of the Class of 1964, with a vested interest in seeing their football-playing fellow classmates pummel the cross town rival, and also, in the interest of full disclosure, in the hunt for those elusive shes. I do not see the certain she that I am looking for but, as was my style then, I have taken a couple of stealthy glances at some alternate prospects.

This is the final football game of our final football-watching season, as students anyway, as well so we have brought extra energy to the night’s performance. We are on the prowl and ready to do everything in our power to bring home victory. ....Well, almost everything except donning a football uniform to face the monstrous goliaths of the gridiron. We fancy ourselves built for more "refined" pursuits like those just mentioned stealthy glances, and the like.

Finally, after much hubbub (and more coy and meaningful looks all around the place that one could reasonably shake a stick at) the rally begins, at first somewhat subdued due to the very recent trauma of the Kennedy assassination, the dastardly murder of one of our own, for the many green-tinged Irish partisans among the crowd, as well as the president. But everyone, seemingly, has tacitly agreed for this little window of time that the outside world and its horrors will not intrude. A few obligatory (and forgettable) speeches by somber and lackluster school administrators, headed by Principal Walsh, and their lackeys in student government and among the faculty stressing good sportsmanship and that old chestnut about it not mattering about victory but how you play the game drone away.

Of course, no self-respecting “true” Red Raider has anything but thoughts of mayhem and casting the cross-town rivals to the gates of hell in his or her heart so this speechifying is so much wasted wind. This “bummer”, obligatory or not, is followed with a little of this and that, mainly side show antics. People, amateurishly, twirling red and black things in the air, and the like. Boosters or Tri-Hi-Yi types for all I know. Certainly not the majorettes, who I will not hear a word against, and who certainly know how to twirl the right way. See, I am saving one of my sly, coy glances for one of them right now.

What every red-blooded senior boy, moreover, and probably others as well, is looking forward to is the cheer-leading to get things moving, led by the senior girls like the vivacious Roxanne G., the spunky Josie W., and the plucky Linda P.. They do not fail us with their flips, dips, and rah-rahs. Strangely, the band and its bevy of majorettes when it is their turn, with one exception, do not inspire that same kind of devotion, although no one can deny that some of those girls can twirl.

But all this spectacle is so much, too much, introduction. For what is wanted, what is demanded of the situation, up close and personal, is a view of the Goliaths that will run over the cross town arch-rival the next day. A chance to yell ourselves silly. The season has been excellent, marred only by a bitter lost to a bigger area team on their home field, and our team is highly regarded by lukewarm fans and sports nuts alike. Naturally, in the spirit, if not the letter of high school athletic ethos, the back-ups and non-seniors are introduced by Coach L.. Then come the drum roll of the senior starters, some of whom have been playing for an eternity it seems. Names like Tom K., Walt S., Lee M., Paul D., Joe Z., Don McN., Jim F., Charlie McD., Stevie C., "Woj" (Jesus, don’t forget him. I don't need that kind of madness coming down on my face, even now) and on and on.

Oh, yes and “Bullwinkle”, Bill C., a behemoth of a run-over fullback , even by today’s standards. Yes, let him loose on that arch-rival's defense. Whoa. But something is missing. A sullen collective pout fills the room. After the intros are over the restless crowd needs an oral reassurance from their warriors that the enemy is done for. And as he ambles up to the microphone and says just a couple of words we get just that reassurance from “Bullwinkle” himself. That is all we need. Boys and girls, this one is in the bag. And as we head for the exits to dream our second-hand dreams of glory the band plays the school fight song to the tune of On Wisconsin. Yes, those were the days when boys and girls, young and old, wise or ignorance bled Raider red in the old town. Do they still do so today? And do they still make those furtive glances? I hope so.

**Once Again-Out In The Be-Bop Night- The School Dance -Last Chance For Romance

Click on the headline to link to a YouTube film clip of The Angels performing Till.

CD Review

The Rock ‘N’ Roll Era: The ‘60s: Last Dance, Time-Life, 1991

As I have noted in reviewing The ‘50s: Last Dance of this Time-Life Roll ‘n’ Roll Era series I have spent tons of time and reams of cyberspace “paper” in this space reviewing the teenage culture of the 1950s, especially the inevitable school dance and the also equally inevitable trauma of the last dance. That event, the last dance that is, was the last chance for even shy boys like me to prove that we were not wallflowers, or worst. The last chance to rise (or fall) in the torrid and relentless pecking order of the social scene at school. And moreover to prove to that certain she that you were made of some sort of heroic stuff, the stuff of dreams, of her dreams, thank you very much. Moreover, to make use of that social capital you invested in by learning to dance, or the “shadow” of learning to dance.

Fair, enough, true enough, if only a rather short sketch of the preparations, the seemingly endless preparations for the ‘big night.’ A night that entailed getting into some serious grooming workouts, including procedures not usually a apart of the daily toilet. Plenty of deodorant, hair oil, and breathe fresheners. Moreover, endless energy used getting worked up about wardrobe, mode of transportation, and other factors that I have addressed elsewhere, and, additionally, factors contingent upon whether you were dated up or stag. All that need not be repeated here. What does stand some further inspection is something that has received scant notice in all this welter of detail, with the exception of that overblown coverage of the last dance. Nothing on the inner workings of the dance itself.

Actually, and I will only speak to the late fifties and early sixties but I am sure this observation will hold up for other times as well, there are two school dance sequels, that first tremulous middle school dance series, and the later even more significant high school dances. Age, more convoluted socials relationships, physical and sexual growth, changes in musical taste, attitudes toward life and toward the opposite sex (or nowadays same sex) all made them two distinct affairs, except the ubiquitous teacher chaperones to guard against all manner of murder and mayhem, or, more likely, someone sneaking out for butts, booze or off-hand nuzzling (or, have mercy, all three). I will keep strictly to the high school dance scene here since the compilation under review includes musical selections that were current in the of my high school time.

These musical selections "spoke" to that gnawing feeling in the back of your head, half hidden by massive teenage psychic overlay of the need to take a constant survey of what is going on in your little so-called world. A moment's glazed stare as you wait to get into the dance venue allows you to think through the litany of problems to be addressed as soon as you get a breather. Shall I give examples?

For example; being stood up for a date; or when that certain he or she did not call; or that certain he or she had another date; or that certain "unto death" friend of yours took that certain he or she away from you; or when that certain he or she said no, no for any number of things but you know the real “no”, right?; or, finally, that mournful, pitiful midnight crying time when sometime he or she, did or did not do, or did or did not say, or he or she forget to remember, and so on. But those issues will wait for another day because right now the doors are opening and you have more pressing issues in your heated little mind. Hope drives your every move from here on in.

I don’t have to spend much time on the physical and technical details of the dance, hell, you can describe them in your sleep. And if you can’t do so watch a film like 1973’s American Graffiti, the segment on the local high school dance, as I have noted previously, once you get indoors could have been 1962 anyplace U.S.A. (and I am willing to bet anytime U.S.A., as well. For this baby-boomer, that particular high school dance, could have taken place at my high school when I was a student in the early 1960s). From the throwaway crepe paper decorations that festooned the place placed around the gym by the ever helpful Girls Club or Tri-Hi-Y up to the ever-present foldaway gym bleachers to those evil-eyed chaperones to the platform the local band (a band that if it did not hit it big would go on to greater glory at our future weddings, birthday parties, and other important occasions) covering the top hits of the day performed on it was a perfect replica of my own experience.

Also perfect replica in that film were the classic boys’ attire for a casual dance, plaid or white sports shirt, chinos, stolid shoes, and short-trimmed hair (no beards, beads, bell-bottoms, it’s much too early in the decade for that) and for the girls blouses (or maybe sweaters, cashmere, if I recall being in fashion at the time, at least in the colder East), full swirling dresses, and, I think beehive hair-dos. Wow! Of course, perfect replica were the infinite variety of dances (frug, watusi, twist, stroll, etc) that blessed, no, twice blessed, rock and roll let us do in order to not to have to dance too waltz close. We all owe Chubby Checker and Gary U.S. Bonds a debt that can never be repaid. Mercy.

Damn, my going on and on about the physical descriptions is just so much eye wash. The thing could have been held in a airplane hangar for all we really cared. And everyone could have been dressed in paper bags. What mattered, and maybe will always matter, is the hes looking at those certain shes, and vis-a-versa. The endless small meaningful looks (if stag, of course, eyes straight forward if dated up, or else bloody hell). Except for those wallflowers who are permanently looking down at the ground, and pleased to be doing it. And that, my friends, is the real struggle that went on in those events, for the stags. The struggle against wallflower-dom. The struggle for at least some room in the social standing, even if near the bottom, rather than outcaste-dom. That struggle was as fierce as any class struggle old Karl Marx might have projected. The straight, upfront calculation (and not infrequently miscalculation)of those evil eyes, the maneuvering, the averting of eyes, the not averting of eyes, the reading of silence signals, the uncomphrehended "no", the gratuitous "yes." Need I go on? I don’t think so, except, if you had the energy, or even if you didn’t, then you dragged yourself to that last dance. And hoped, hoped to high heaven that it was a slow one. Ah, to be young was very heaven as old man Wordsworth had it in another context.

Stickouts here include: legendary blue artist Etta James’ Something’s Got A Hold On Me (fast); The Angels’ Till (slow, ouch); Bo Diddley’s Road Runner (fast); and Donnie Brooks’ classic (the one you prayed they would play) Mission Bell. How is that for dee-jay even-handedness?

********

'Till lyrics

Till the moon deserts the sky
Till the all the seas run dry
Till then I'll worship you

Till the tropic sun turns cold
Till this young world grows old
My darling, I'll adore you

You are my reason to live
All I own I would give
Just to have you adore me, oh, oh, oh

Till the rivers flow upstream
Till lovers cease to dream
Till then I'm yours, be mine

instrumental interlude

You are my reason to live
All I own I would give
Just to have you adore me

Till the rivers flow upstream
Till lovers cease to dream
Till then I'm yours, be mine

*Just When You Thought It Was Safe To…, Not Bop-Doo-Wop

Click on the headline to link to a YouTube film clip of the Harptones performing a cover of Life Is But A Dream.

CD Review

Old Town Doo Wop, Volume Three, Various artists, Ace Records

Confused by the headline? Don’t be, all it does is refer to a previous series of Oldies But Goodies (1950s-1960s oldies but goodies, just so you know) CD reviews in this space. That gargantuan task required shifting through ten, no, fifteen volumes of material that by the end left me limping, and crying uncle. See, as I explained in the last few reviews of the series, just when I thought I was done at Volume Ten I found that it was a fifteen, fifteen count ‘em, volume series. In any case I whipped off those last five reviews in one shot to be done with it.

The reason for such haste at that point seemed self-explanatory. After all how much can we rekindle, endlessly rekindle, memories, teen memories, teen high school memories mainly, from a relatively short, if important, part of our lives, even for those who lived and died by the songs (or some of the songs) in the reviewed compilations. How many times can one read about guys with two left feet, the social conventions of dancing close, wallflowers, the avoidance of wallflower-dom, meaningful sighs, meaningless sighs, the longings for certain obviously unattainable shes (or hes), the trials and tribulations associated with high school gymnasium crepe paper-adorned dances, moonlight-driven dream thoughts of after dance doings, and hanging around to the bitter end for that last dance of the night to prove... what. And there and then I threw in the towel, I thought.

Well now I have recovered enough to take a little different look at the music of this period- the doo wop sound that hovered in the background radio of every kid, every kid who had a radio, a transistor radio, to keep parental prying ears at arms length and who was moonstruck enough to have been searching, high and low, for a sound that was not just the same old, same old that his or her parents listened to. Early rock and rock, especially that early Sun Record stuff, and plenty of rhythm and blues met that need but so did, for a time, old doo wop-the silky sounds of lead singer-driven, lyrics-driven, vocal-meshing harmony that was the stuff of teenage “petting” parties and staid old hokey school dances, mainly, in my case, elementary school dances.

As I mentioned in the oldies but goodies reviews not all of the material put forth was good, nor was all of it destined to, or meant to be, playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability, slow danceabilty, to make any Jack or Jill start snapping fingers then, or now. As I asked in that previous series and is appropriate to ask here as well what about the now seeming mandatory question of the best song in the compilation? The one that stands out as the inevitable end of the night high school dance (or maybe even middle school) song? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, asked a girl to dance (women can relate their own experiences, probably similar).

Here The Harptone's Life Is But A Dream (also done by the Earls) fills the bill. And, yes, I know, this is one of those slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, as I have noted before, one learns a few social skills in this world if for no other reason that to “impress” that certain she (or he for shes, or nowadays, just mix and match your sexual preferences) mentioned above. I did, didn’t you?

***************
Life Is But A Dream- The Harptones

Will you take part in
My life, my love
That is my dream

Life is but a dream
It's what you make it
Always try to give
Don't ever take it
Life has it's music
Life has it's songs of love

Life is but a dream
And I dream of you
Strange as it seems
All night I see you
I'm trying to tell you
Just what you mean to me

I love you
With all my heart
Adore you
And all your charms
I want you
To do your part
Come here to my open arms

Life is but a dream
And we can live in
We can make our love
None to compare with

Will you take part in
My life, my love
That is my dream
Life is but a dream

*The Last Waltz- The Never-Ending Review Tour-Coming Of Age, Period- Oldies But Goodies-And Good Night All

Click on the headline to link to a YouTube film clip of The Shangri-las performing The Leader Of The Pack. Wow!

CD Review

Oldies But Goodies, Volume Fifteen, Original Sound Record Co., 1990

Note: The term “last waltz” used in the headline is used here as a simple expression of the truth. Just when I thought I had completed this “Oldies But Goodies” series at Volume Ten I now find that this is a fifteen, fifteen count ‘em, volume series. Therefore I am whipping off these last five in one day and be done with it. After all how much can we rekindle, endlessly rekindle, memories from a relatively short, if important, part of our lives, even for those who lived and died by the songs (or some of the songs) in these compilations. How many times can one read about wallflowers, sighs, certain shes (or hes), the moonlight of high school dances (if there was any) and hanging around to the bitter end for that last dance of the night to prove... what. Bastante! Enough!

******
I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question that those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes and rhymey Tin Pan Alley pieces hit the radio airwaves. (If you do not know what a radio is then ask your parents or, ouch, grandparents, please.) And, most importantly, we were there when the music moved away from any and all music that your parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.

Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that fear, the fear of fears that haunted many a teenage dream then, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.


But what about the now, seeming mandatory to ask, inevitable end of the night high school dance (or maybe even middle school) song that seems to be included in each CD compilation? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, asked a girl to dance (women can relate their own experiences, probably similar). Here the Dionne Warwick’s Walk On By fills the bill. Hey, I did like this one, especially the soulful, snappy timing and voice intonation. And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world if for no other reason that to “impress” that certain she (or he for shes, or nowadays, just mix and match your preferences) mentioned above. I did, didn’t you?

****************

Leader Of The Pack Lyrics

[Spoken:]
Is she really going out with him?
Well, there she is. Let's ask her.
Betty, is that Jimmy's ring you're wearing?
Mm-hmm
Gee, it must be great riding with him
Is he picking you up after school today?
Uh-uh
By the way, where'd you meet him?

I met him at the candy store
He turned around and smiled at me
You get the picture? (yes, we see)
That's when I fell for (the leader of the pack)

My folks were always putting him down (down, down)
They said he came from the wrong side of town
(whatcha mean when ya say that he came from the wrong side of town?)
They told me he was bad
But I knew he was sad
That's why I fell for (the leader of the pack)

One day my dad said, "Find someone new"
I had to tell my Jimmy we're through
(whatcha mean when ya say that ya better go find somebody new?)
He stood there and asked me why
But all I could do was cry
I'm sorry I hurt you (the leader of the pack)

[Spoken:]
He sort of smiled and kissed me goodbye
The tears were beginning to show
As he drove away on that rainy night
I begged him to go slow
But whether he heard, I'll never know

Look out! Look out! Look out! Look out!

I felt so helpless, what could I do?
Remembering all the things we'd been through
In school they all stop and stare
I can't hide the tears, but I don't care
I'll never forget him (the leader of the pack)

The leader of the pack - now he's gone
The leader of the pack - now he's gone
The leader of the pack - now he's gone
The leader of the pack - now he's gone
[Fade]

*The Last Waltz- The Never-Ending Review Tour-Coming Of Age, Period- Oldies But Goodies-Yet Again

Click on the headline to link to a YouTube film clip of Bill Haley and the Comets performing their classic Rock Around The Clock.

CD Review

Oldies But Goodies, Volume Fourteen, Original Sound Record Co., 1990

Note: The term “last waltz” used in the headline is used here as a simple expression of the truth. Just when I thought I had completed this “Oldies But Goodies” series at Volume Ten I now find that this is a fifteen, fifteen count ‘em, volume series. Therefore I am whipping off these last five in one day and be done with it. After all how much can we rekindle, endlessly rekindle, memories from a relatively short, if important, part of our lives, even for those who lived and died by the songs (or some of the songs) in these compilations. How many times can one read about wallflowers, sighs, certain shes (or hes), the moonlight of high school dances (if there was any) and hanging around to the bitter end for that last dance of the night to prove... what. Bastante! Enough!

******
I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question that those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes and rhymey Tin Pan Alley pieces hit the radio airwaves. (If you do not know what a radio is then ask your parents or, ouch, grandparents, please.) And, most importantly, we were there when the music moved away from any and all music that your parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.

Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that fear, the fear of fears that haunted many a teenage dream then, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.

But what about the now, seeming mandatory to ask, inevitable end of the night high school dance (or maybe even middle school) song that seems to be included in each CD compilation? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, asked a girl to dance (women can relate their own experiences, probably similar). Here the classic Brenda Lee weepy tune I’m Sorry fills the bill. Hey, I did like this one, especially the soulful timing. And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world if for no other reason that to “impress” that certain she (or he for shes, or nowadays, just mix and match your preferences) mentioned above. I did, didn’t you?

*******

Rock Around The Clock-Song Lyrics from Bill Haley

One, two, three o'clock, four o'clock, rock,
Five, six, seven o'clock, eight o'clock, rock,
Nine, ten, eleven o'clock, twelve o'clock, rock,
We're gonna rock around the clock tonight.

Put your glad rags on and join me, hon,
We'll have some fun when the clock strikes one,
We're gonna rock around the clock tonight,
We're gonna rock, rock, rock, 'til broad daylight.
We're gonna rock, gonna rock, around the clock tonight.

When the clock strikes two, three and four,
If the band slows down we'll yell for more,
We're gonna rock around the clock tonight,
We're gonna rock, rock, rock, 'til broad daylight.
We're gonna rock, gonna rock, around the clock tonight.

When the chimes ring five, six and seven,
We'll be right in seventh heaven.
We're gonna rock around the clock tonight,
We're gonna rock, rock, rock, 'til broad daylight.
We're gonna rock, gonna rock, around the clock tonight.

When it's eight, nine, ten, eleven too,
I'll be goin' strong and so will you.
We're gonna rock around the clock tonight,
We're gonna rock, rock, rock, 'til broad daylight.
We're gonna rock, gonna rock, around the clock tonight.

When the clock strikes twelve, we'll cool off then,
Start a rockin' round the clock again.
We're gonna rock around the clock tonight,
We're gonna rock, rock, rock, 'til broad daylight.
We're gonna rock, gonna rock, around the clock tonight.