From The Occupy Boston Woman’s Caucus March And Celebration-December 4, 2011

Josh Breslin comment:

“Hey, what time is the Women’s Caucus March starting?, asked, asked softly and politely, a young, maybe mixed spanishblackwhiteindian, woman dressed in what I would describe as modern young women casual elegant, student division, but what do I know of such North Face fashion trends, as I approached the tent full gravel walkway entrance that leads into the Occupy Boston encampment on the kitchen tent side. I answered softly and politely not out of instinct, or mannered effect, but from hoarsed-out chanting-“Whatever we wear, Wherever we go, Yes means Yes, No means No!” – “Consent in the sheets, Dissent in the streets!” – “We are unstoppable, another world is possible!,” words that rang in the streets that Sunday afternoon as the Women’s Caucus and their allies, including me, marched through Boston. A little change of pace from the generic national anthem-like “Banks got bailed out, we got sold out” slogans of late, but necessary to show, show manly show, solidarity with the women of this encampment who have led the struggle against male chauvinism and sexual harassment in general-and, disturbingly, in the camp.

“Sorry, you just missed it, we are just finishing up,” I told her. She responded that she thought the thing started at two (another of those snafus that are intrinsic to makeshift social movements, even movements hard-drive driven by modern computer technology), it said so in the Occupy Daily Calendar and she had rushed over here to make it in time. “That is when the music and poetry was listed to start. In fact they are underway down at the main stage now. I’ll walk you down” “Oh, I hope I didn’t miss Letta Neely reading her poetry, that is really why I came. She speaks to me, speaks to me a lot.” I replied that I was not familiar with this woman’s work. “Oh she is a sistah, a black beautiful lesbian sistah, who writes about stuff I feel, feel deeply, being a mixed-race, mixed-up, bi-sexual woman.” I gulped, and smiled, smiled inside, not at what she said but at what infinite number of words would have to go into righteously describing this young woman with that new information added, and of her search for space. I gave up as we approached the main stage and listened to a woman who described herself as PuertoDom ( I hope I am spelling this right, Puerto Rican and Dominican, okay) reading her poetry. Very sharp, witty, and politically to the point poetry. Then Letta Neely came on. Check this out:

From Juba:poetry/by Letta Neely, Wildheart Press, copyright 1998

juba

for renita

u be a gospel song
some a dat
ole time religion
where the tambourine git goin
and the holy ghost sneak up
inside people's bones and
everybody dancin and shoutin
screamin and cryin
oh jesus, oh jesus
and the people start to clappin
and reachin back to african rhythms
pulled through the wombs of
the middle passage
and women's hats start flying
while the dance,
the dance they do gets hotter and holier
and just the music has brought cause for celebration
yeah, u be a gospel song, girl
like some a dat ole back in the woods, mississippi river kinda
gospel
and i feel the holy ghost when you is
inside me
and the tambourines keep goin
and folks is stampin they feet
and oh no,
it's the neighbor knocking on the door
askin is we alright
say we was screamin
oh jesus, oh jesus
and i heard us but i
didn't hear cuz
i was being washed in the gorgeous wetness of
your pussy
being baptized w/ole time religion
the oldest religion there
is
2 women inside the groove
of each other
we come here
we come
we come here
to be
saved

Or feast on this beauty:

Connections

There are connections between us
between the lines we've needed or been forced to draw with our
blood
across
time space words wounds
On these new york streets i've seen cracks in the sidewalk and
grass spurting through like revolution holding fast
to one creed only: "keep going, keep going baby, keep going."
The crabgrass makes me think about where we, you and i
are going
it's a hard day when i realize i don't know any of my enemies
personally
It's my friends i'm speaking to
somehow we keep fighting the same battles over and over again
and arguing over
who's got it worse who's on the bottom of the totem pole
and i don't mean to
proselytize
but we're killing each other
and
the totem pole is still standing
and
we're still using it
not knowing it's an ethnic slur
Me, i feel trapped in the middle of all this whirlpool
i feel like i'm on top of three mountains
shooting
at myself
I went to the march on Washington and saw a lot of white men
together
talking about we will no longer sit on the back of the bus and
somebody had the nerve to say:
"there are a million rosa parks' here"
and i thought
it's not about white guilt or even gay pride
but make sure the
truth
is being told
Cuz the rosas couldn't make it to the march and
as for the back of the bus
whoever thought it up probably
flew
first class
So, i'm not talking bout not aligning with the struggles of my Blk peoples cuz i understand the connections all too well just remember to take Emmit Till, Atlanta child murders, Smallpox blankets, Stonewall, the treatment of Chinese railroaders, and Apple pie all together
Every day in harlem i face a different kind a fear other Blk peoples screaming at me with their eyes cuz i'm in love with way a womon is
One time a man said to my friend, he stood next to her and said,
"I love you
cuz you Blk and you my sistah, but I think all faggots and dykes
should die."
One time a "friend" said to my sister in the presence of enemies,
"You're not natural"
and then wanted to know
why she felt
unsafe
I want to know does anyone fully comprehend this tapestry
does anyone know how to sew all this together without mixing
histories or
trading truth for slogans.
We are not all hanging from trees
standing in welfare lines neck deep in sand getting our heads kicked off into the sunset
(these things are being done as we speak) We are not all getting beat down at Stonewall We are not all being dragged from our homes by our hair being raped by husbands or friends or lovers
We are not all dying the same way. But we are all fighting to breathe
fighting to breathe

I, an old white man who spend his 1960s drug-drenched be-bop nights summers of love chasing women (young girls really, as I was a young boy) and running away from my old working-class Olde Saco, Maine oceanside white bread roots, am probably separated by entire gulfs of time, of age, of politics, of means streets, hell, of opposite sexual preference, and who knows, loves, hates, desires, and foods liked, but know this, my new-found young mixed and matched -up woman friend was right. Letta Neely is a sistah.

*Not Ready For Prime Time Class Struggle- Chloe- A Film Review

Click on the headline to link to a YouTube film clip of a movie trailer for Chloe.

DVD Review

Chloe, Liam Neelson, Julianne Moore, Amanda Seyfied, 2009

No, I am not reviewing this film, Chloe, based on the story line of this rather mundane (and theme done before) psychological thriller (maybe) about an upper class American family (slightly dysfunctional, of course) who when doctor mom gets “signals” that professor dad is cheating on her in his (and her) old age (40-50 something, okay) who gets catch up in the thrall of what is euphemistically called a high end escort (a.k.a. “hooker”, call girl, etc.). That’s enough detail about the plot.

What really interests me about this film is the sub-theme, the inter-generation lesbian theme that is rather graphic in its depiction. Here escort Chloe, through a series of machinations, beds doctor mom. And old lady doctor mom (and Chloe) likes it. Now the only reason that that theme resonates with me right now is that I have recently read Lillian Hellman’s play The Children’s Hour and seen the film (the 1961 version under that same name). That play and film with a very different plot line nevertheless deals rather more obliquely with lesbianism, almost as if it dare not speak its name (and it doesn’t in the first film version of Hellman’s play, These Three). So what makes Chloe of interest is as an example of how far, at least cinematically, we have come from the days when such topics, especially the “hot button” one of inter-generation sex, hetero, lesbian or otherwise, were relegated to underground movie houses or private viewings.