The Centennial Of Pete Seeger’s Birthday (1919-2014)- *In Pete Seeger's House- "Rainbow Quest"-Reverend Gary Davis Performing "Children Of Zion"

Click on title to link to YouTube's film clip of Pete Seeger's now famous 1960s (black and white, that's the give-away)"Rainbow Quest" for the performer in this entry's headline.

Markin comment:

This series, featuring Pete Seeger and virtually most of the key performers in the 1960s folk scene is a worthy entry into the folk archival traditions for future revivalists to seek out. There were thirty plus episodes (some contained more than one performer of note, as well as Pete solo performances). I have placed the YouTube film clips here one spot over four days, November 10-13, 2009 for the reader's convenience.

*The Centennial Of Pete Seeger’s Birthday (1919-2014)- Pete Seeger's "Rainbow Quest" Series- A Summary From "Wikipedia"

Click on title to link to Wikipedia's entry for Pete Seeger's 1960s television series "Rainbow Quest". Twelve of those episodes (two per DVD I have reviewed in this space today,August 1, 2009). Many of the rest can be viewed individually on YouTube. "Wikipedia" is sometimes a suspect source, especially for "hot" political topics, given its collective editorial policy but on for providing details on this subject-kudos.


RAINBOW QUEST TELEVISION SERIES (1967)

Shanachie has released selected episodes of Rainbow Quest on DVD, two episodes per DVD:
Johnny Cash and June Carter / Roscoe Holcomb with Jean Redpath
The Clancy Brothers and Tommy Makem / The Mamou String Band
The Stanley Brothers with Cousin Emmy / Doc Watson with Clint Howard and Fred Price
The New Lost City Ramblers / The Greenbriar Boys
Judy Collins / Elizabeth Cotten
Sonny Terry and Brownie McGhee / Mississippi John Hurt


The series is no longer available on VHS. Norman Ross, who made the videos available through his companies Clearwater Publishing, Norman Ross Publishing, and Academic Microfilms, over a twenty year period, no longer produces the VHS tapes. The only current source for the series, other than the DVD's listed above, would be used copies. For historical purposes, here is a complete list of the series:


1.Tom Paxton, The Clancy Brothers and Tommy Makem
The Clancy Brothers and Tommy Makem from Ireland sing traditional and contemporary Irish songs, including "Butcher's Boy." Seeger joins Tom Paxton, a singer/songwriter, on his song "Ramblin' Boy."

2."Leadbelly"
This is a solo performance by Seeger in which he sings some of the songs composed by the famous black folksinger Huddie Ledbetter. He also performs his well-known allegorical story about the power of music, "Abiyoyo." Rare films of Leadbelly are included.

3.Elizabeth Cotton, Rosa Valentin and Rafael Martinez
Seeger and Elizabeth Cotton sing her famous song, "Freight Train" and she demonstrates her left-handed guitar playing. Rosa and Rafael sing songs from their native Puerto Rico, including "Las Popules de la Tierra" (The Poor People of the World).

4.Ruth Rubin
Ruth Rubin is America's foremost collector of Yiddish folk music and the translator of countless Yiddish songs. Here she performs several well-known Yiddish songs including "Chanuke O Chanuke" and "Tumbalalayka."

5.Jean Ritchie and Bernice Reagon
Jean Ritchie, long-time collector of Cumberland Mountain songs, sings from her extensive repertoire and plays the dulcimer. She also displays several folk toys. Bernice Reagon sings gospel and freedom songs a cappella.

6.Malvina Reynolds and Jack Elliott
Malvina Reynolds, who made up songs almost daily from stories she read in the newspapers, sings her famous "Little Boxes" among others. Jack Elliott, a protege of Woody Guthrie, sings some of Guthrie's songs including "Talking Dust Bowl" and "Talking Sailor Blues."

7.Bessie Jones and Children from the Downtown Community School
Bessie Jones and the children sing and dance a number of children's play-party songs such as "Thread & Needle" and "Drawing a Bucket of Water." Seeger sings Bob Dylan's "A Hard Rain's A-Gonna Fall" and several children's songs.

8.New Lost City Ramblers
The group includes Pete Seeger's brother Mike, his brother-in-law John Cohen, and Tracy Schwartz. Among them they play fiddle, guitar, banjo, mandolin and autoharp on such songs as "Maid of Constant Sorrow," "Cuckoo Bird" and "Arkansas Sheik." Mike shows films of a Japanese fiddle band.

9.The Beers Family
Robert Beers, his wife and daughter, sing in a hauntingly beautiful style including their own "Dumbarton's Drums." Mr. Beers plays the Psaltry, an ancient instrument that is plucked with feathers.

10.Herbert Manana
South African singer, dancer, songwriter Herbert Manana sings and dances several African songs including "Zula", "Wimoweh" and "Tinasizsw" (We Africans).

11.Martha Schlamme
German-born Martha Schlamme, accompanied by Abraham Stockman on piano, sings several songs in German including the Brecht/Weill songs "Bilboa Moon" and "Pirate Jenny." She also sings several songs in Yiddish and Spanish and joins Pete in the World War II concentration camp song "Peat Bog Soldiers."

12.Doc Watson, Clint Howard and Fred Price
Three legendary figures of country folk music join Seeger with their guitars and fiddle in a long list of traditional songs, including "Old Dan Tucker" and "My Mother Chose My Husband."

13.Norman Studer and Grant Rogers
Scholar Norman Studer talks about the folklore of upstate New York and introduces composer-fiddler-guitarist-quarry worker Grant Rogers. Rogers and Seeger trade songs, including "Down by the Glenside," "Bessie the Heifer" and "My Dirty Stream," one of Seeger's recent songs about the Hudson River.

14.Pete Seeger: Solo
With his songs and a display of cartoons and unusual documents, Seeger traces the history of political satire from the early days of the U.S. He sings such songs as "John Brown's Body,", "Casey Jones," "We Shall Overcome" and his own anti-Vietnam War song "King Henry."

15.Lino Manocchia, Ralph Marino and Federico Picciano
Italian folk music is the subject of the program, including a film of a group sing in an Italian village. His guests, with two of their friends, accompanying themselves on guitars and accordion, sing songs from both northern and southern Italy, including "Eh Volla Volla" and "Manuela." Seeger sings "D-Day Dodgers," a song about the Italian campaign in World War II.

16.Mimi and Richard Farina
This program was taped a short time before Richard Farina's death in an auto accident on April 30, 1966, and contains many of the songs he wrote including "Celebration for a Grey Day," "Bold Marauder" and "Pack Up Your Sorrows." Richard plays harmonica and dulcimer (in a style all his own) and Mimi plays guitar.

17.Roscoe Holcomb and Jean Redpath
Seeger and Roscoe trade traditional American songs including "John Hardy" and "Birdie, Pretty Birdie." Jean Redpath sings several songs from her native Scotland: "The Beggar Laddie," "The Sky Fisher's Song," I Lost Ma Love" and "The Branca's Gotten Loose and Etten all the Corn."

18.Clinch Mountain Boys and Cousin Emmy
The Clinch Mountain Boys, which includes the well-known Stanley Brothers, sing a number of old-time favorites, including "Worried Man Blues," "The Clinch Mountain Backstep" and "I'm Thinking Tonight of My True Love."

19.Sonia Malkine
Ms. Malkine specializes in songs from France, especially those from the Auvergne, a mountainous area in southern France whose songs are well-known in America. She sings "Baylero", a shepherd's song, accompanying herself on an unusual 6-string lute (with a simultaneous translation in subtitles on the screen). She also provides a French rendition of Seeger's "Where Have All the Flowers Gone?" and Seeger counters with a German translation.

20."Woody Guthrie"
This is a solo performance by Seeger, in which he sings some of the hundreds of songs composed by Woody, including "Philadelphia Lawyer," "Roll on Columbia" and "Put Your Finger in the Air," the popular children's song. Rare film footage and photos of Woody are included.

21.Pat Sky and the Pennywhistlers
A combination of recent and traditional songs, including Pat Sky's well-known "Separation Blues" and Seeger's "Where Have All the Flowers Gone?" The Pennywhistlers perform songs from Bulgaria, Russia and South Africa in the original languages, including the original Russian song on which Seeger's "Where Have All the Flowers Gone?" is based.

22.Len Chandler
Seeger and Chandler trade songs they have written, including Chandler's "Keep on Keeping On," "Beans in My Ears" and "Move on Over" and Seeger's "Walking Down Death Row," Seeger also sings such traditional songs as "Mrs. McGrath" (Irish) and "Die Gedanken Sind Frei" (Thoughts are Free) in German.

23.Donovan and Rev. Gary Davis
Donovan, the British recording star, sings a number of songs, accompanied on the sitar by Shawn Phillips, who also demonstrates the Indian instrument in detail. Rev. Gary Davis plays his guitar and sings some gospel songs including "I'm Feeling More Like Shouting" and "Oh Glory, How Happy I Am."

24.Alexander Zelkin
A young Russian emigré living in Canada, Alexander Zelkin trades songs from all over the world with Seeger. Sometimes they sing two songs to the same melody in two different languages. Seeger discusses the use of the tune to "Twinkle Twinkle Little Star" in different cultures. Zelkin sings "Sylvestrik," a French song, and "Oy Tumani," and Seeger sings his song "Bells of Rhymney," which is based on a Welsh poem.

25.The Cajun Band
Descendants of the Acadians who moved to Louisiana when the British made the French leave Nova Scotia, the Cajun Band shares its traditions and music. They sing a number of songs in their native language including (titles are translated) "I Passed Your Door and Didn't See Any Light" and "While Your Mother's Not Here Let's Dance Real Close." Seeger demonstrates his style of banjo playing and sings several "play-party" songs, including "Skip to My Lou," "Big Mammoo" and "Colinda."

26.Frank Warner
Seeger and his guest Frank Warner sing songs of the Adirondack Mountains and reminisce about Yankee John and Frank Proffit. Proffit is seen in a film as he performed at the Newport Folk Festival. Included in the show are Frank Proffit's most famous song, "Tom Dooley," as well as "Little Men," "Little Phoebe" and "Hudson River Steamboat."

27.Paul Draper
Paul Draper, the famous dancer, improvises to music played by his accompanist Coleridge Perkinson and to several songs and rhythms played by Seeger. Illustrating the importance of dance to a country's musical life, Seeger shows films of schoolchildren in Samoa, Indonesia and an East African Village.

28.Penny and Sonya Cohen
The subject of this show is work songs and lullabies, the latter occasionally being the former, as when sung by a babysitter. We hear and see films of men singing as they work: boatmen in Ghana and woodsmen at Texas State Prison. Seeger welcomes to the show his sister Penny and her infant daughter Sonya, and mother and uncle sing a medley of lullabies, including "Hush Little Baby," "By and By" and "All the Pretty Little Horses." After the prisoners in the film sing "Long Gone," "Jody" and "Down by the Riverside," Seeger himself reprises "Down by the Riverside."

29.Theodore Bikel and Rashid Hussain
Israeli and Arabic music and poetry are presented in their original language and in translation. Seeger demonstrates how to make a shepherd's flute out of bamboo. Seeger on banjo and Bikel on guitar join together on the Israeli song popularized in this country by the Weavers, "Tzena,
Tzena."

30.Steve Addiss and Bill Crofut with Phan Duy
Addiss and Crofut, American folksingers who have traveled extensively in the Far East singing under U.S. Department of State auspices, together with Phan Duy, "the Woody Guthrie of Vietnam," explore the Vietnamese musical traditions. With Seeger joining in they sing several of the 350 songs Duy has written. They also sing the well-known American song "Clementine" in Vietnamese.

31.The Greenbriar Boys
The fiddle and banjo are featured instruments in the Greenbriar Boys' repertoire of Blue Grass Music. Seeger joins in with his 12- string guitar and they sing "Wabash Cannonball," "The Midnight Special," "Danville Girl," "Dink's Song," and the Mexican song "La Feria Das Flores" (The Flower Fair).

32.Judy Collins
Seeger relates three parables and then trades songs with the popular singer Judy Collins. Together they sing "Daddy You've Been on My Mind," Bob Dylan's "Fare Thee Well," "Wild Mountain Thyme," "Tim Evans" and Seeger's "Turn! Turn! Turn!" Photos made during Seeger's visit to a guitar-maker in Mexico are shown.

33.Jim and Hazel Garland
The Garlands tell about life in Kentucky in the days when the mineworkers' union was struggling to be a force in the mines. Jim Garland, a former mineworker himself, sings his "I Don't Want Your Millions Mister." Jim plays the jews harp to Seeger's banjo on "Turkey in the Straw." Seeger sings the union song "Which Side are You on?"

34.Sonny Terry and Brownie McGhee
Sonny Terry, the blind harmonica player, and Brownie McGhee, on guitar, trade songs with Seeger, including "Rock Island Line," "I'm a Burnt Child," "Down by the Riverside" and many more.

35.Bessie Jones and Children from the Downtown Community School
In this return visit, Ms. Jones and the children sing and dance with Seeger playing "Skip to My Lou," "Beans in my Ear," "Cumberland Mountain Bear Chase" and "This Land is Your Land."

36.Paul Cadwell and Mississippi John Hurt
Paul Cadwell plays several banjo solos including a cakewalk, "Georgia Camp Meeting." Mississippi John Hurt, a singer who had faded from public view, was rediscovered in his eighties and began a whole new career, sings "Lonesome Valley," "John Henry" and "Goodnight Irene."

37.Herbert Levy, K.L. Wong and Hi-Landers Steel Band
Playing their steel drums, the Hi-Landers sing songs of their native Trinidad, mostly in the Calypso tradition. Songs include "Mary Ann," "Love, Love Alone," "Yellow Bird," "Walk Around" and "When the Saints Go Marching In." Seeger shows a film on the making of steel drums from large oil
containers.

38.Buffy Sainte-Marie
Composer, singer, guitarist Buffy Sainte-Marie, through song and conversation expresses the American Indians' mixed feelings of love of country and bitterness at the unfair treatment they have received. Buffy demonstrates the mouth-bow and sings some of her own songs, "My Country 'Tis of Thy People You're Dying" and "Little Wheel Spin and Spin."

An Encore –Singing The Blues For His Lord- The Reverend Gary Davis Is On Stage

Click On Title To Link To YouTube's Film Clip Of Reverend Gary Davis Performing On Pete Seeger's "Rainbow Quest".

CD Review

Reverend Gary Davis: At Home:1964-1966, Shanachie Records, 2000

I have mentioned many of the old time black male country blues singers in this space, for example, Son House, Bukka White and Skip James. I have also mentioned the close connection between this rural music, the routine of life on the farm (mainly the Mississippi Delta plantations or sharecropping) and simple religious expression in their works. The blues singer under review meets all of those criteria and more. The Reverend Gary Davis, although not as well known in the country blues pantheon, has had many of his songs covered by the denizens of the folk revival of the 1960's and some rock groups, like The Grateful Dead, looking for a connection with their roots. Thus, by one of the ironies of fate his tradition lives on in popular music. I would also mention here that his work was prominently displayed in one of Stefan Grossman’s Masters Of The Blues documentaries that I have reviewed in this space. That placement is insurance that that the Reverend's musical virtuosity is of the highest order. As an instrumentalist he steals the show in that film. Enough said.

Stick out songs here which have a decidedly more religious bent than a previously reviewed “Twelve Keys To The City” CD are “I Am The True Vine", "Soon My Work Will Be Done" , "I Want To Be Saved,” the gospelly "Blow Gabriel" and “Tired, My Soul Needs Resting”

Some Biographical Information From the Back Cover

Durham, North Carolina in the 1930's was a moderate sized town whose economy was driven by tobacco farming. The tobacco crop acted somewhat as a buffer against the worst ravages of the Depression. During the fall harvest, with its attendant tobacco auctions, there was a bit more money around, and that, naturally, attracted musicians. Performers would drift in from the countryside and frequently took up residence and stayed on. Two master musicians who made Durham their home, whose careers extended decades until they become literally world famous, were Reverend Gary Davis and Sonny Terry.

REV. GARY DAVIS

Reverend Gary Davis was one of the greatest traditional guitarists of the century. He could play fluently in all major keys and improvise continually without repetition. His finger picking style was remarkably free, executing a rapid treble run with his thumb as easily as with his index finger and he had great command of many different styles, representing most aspects of black music he heard as a young man at the beginning of the century. Beyond his blues-gospel guitar, Davis was equally adept at ragtime, marches, breakdowns, vaudeville songs, and much more. Born in Lawrence County, South Carolina in 1895, Davis was raised by his grandmother, who made his first guitar for him. Learning from relatives and itinerant musicians, he also took up banjo and harmonica. His blindness was probably due to a congenital condition. By the time he was a young man he was considered among the elite musicians in his area of South Carolina where, as in most Southern coastal states, clean and fancy finger picking with emphasis on the melody was the favored style. Sometime in the early 1950's, Davis started a ministry and repudiated blues. In 1935, he recorded twelve gospel songs that rank among the masterpieces of the genre. In 1944, he moved to New York where he continued his church work, and sometimes did some street singing in Harlem. By the early 1960's, with the re-emergence of interest in traditional black music, Davis finally received the recognition and prominences he so richly deserved.
*******
Blow, Gabriel, Blow Lyrics


[RENO]
Brothers and sisters, we are here tonight to fight the devil...
Do you hear that playin'?

[COMPANY]
Yes, we hear that playin'!

[RENO]
Do you know who's playin'?

[COMPANY]
No, who is that playin'?

[RENO]
Well, it's Gabriel, Gabriel playin'!
Gabriel, Gabriel sayin'
"Will you be ready to go
When I blow my horn?"

Oh, blow, Gabriel, blow,
Go on and blow, Gabriel, blow!
I've been a sinner, I've been a scamp,
But now I'm willin' to trim my lamp,
So blow, Gabriel, blow!

Oh, I was low, Gabriel, low,
Mighty low, Gabriel, low.
But now since I have seen the light,
I'm good by day and I'm good by night,
So blow, Gabriel, blow!

Once I was headed for hell,
Once I was headed for hell;
But when I got to Satan's door
I heard you blowin' on your horn once more,
So I said, "Satan, farewell!"

And now I'm all ready to fly,
Yes, to fly higher and higher!
'Cause I've gone through brimstone
And I've been through the fire,
And I purged my soul
And my heart too,
So climb up the mountaintop
And start to blow, Gabriel, blow

[ALL]
Come on and blow, Gabriel, blow!

[RENO]
I want to join your happy band
And play all day in the Promised Land.
So blow, Gabriel, blow!
Come on you scamps, get up you sinners!
You're all too full of expensive dinners.
Stand up on your lazy feet and sing!

[ALL]
Blow, Gabriel, blow, (Blow, Gabriel!)
Go on and blow, Gabriel, blow. (Blow, Gabriel!)
I've been a sinner, I've been a scamp,
But now I'm willin' to trim my lamp,
So blow, Gabriel, blow.

I was low, Gabriel, low, (Low, Gabriel!)
Mighty low, Gabriel, low.
But now since that I have seen the light
I'm good by day and I'm good by night
So blow, Gabriel, blow.

[RENO]
Once I was headed for hell,
Once I was headed for hell;
But when I got to Satan's door
I heard you blowin' on your horn once more,
So I said, "Satan, farewell!"

And now I'm all ready to fly,
Yes, to fly higher and higher!
'Cause I've gone through brimstone
And I've been through the fire,
And I purged my soul
And my heart too,
So climb up the mountaintop
And start to blow, Gabriel, blow

[ALL]
Go on and blow, Gabriel, blow!

[RENO]
I want to join your happy band
And play all day in the Promised Land.
So blow, Gabriel!

[ALL]
Go on and...
Blow, Gabriel, blow
Blow, Gabriel, blow
Blow, Gabriel, blow
I wanna join your happy band
And play all day in the Promised Land,
So blow, Gabriel, blow, Gabriel, blow, Gabriel, blow!

Singing The Blues For His Lord- The Reverend Gary Davis Is On Stage

Click On Title To Link To YouTube's Film Clip Of Reverend Gary Davis Performing On Pete Seeger's "Rainbow Quest".

CD Review

Twelve Gates To The City: Reverend Gary Davis: In Concert 1962-1966, Shanachie Records, 2000

I have mentioned many of the old time black male country blues singers in this space, for example, Son House, Bukka White and Skip James. I have also mentioned the close connection between this rural music, the routine of life on the farm (mainly the Mississippi Delta plantations or sharecropping) and simple religious expression in their works. The blues singer under review meets all of those criteria and more. The Reverend Gary Davis, although not as well known in the country blues pantheon, has had many of his songs covered by the denizens of the folk revival of the 1960's and some rock groups, like The Grateful Dead, looking for a connection with their roots. Thus, by one of the ironies of fate his tradition lives on in popular music. I would also mention here that his work was prominently displayed in one of Stefan Grossman’s Masters Of The Blues documentaries that I have reviewed in this space. That placement is insurance that that the Reverend's musical virtuosity is of the highest order. As an instrumentalist he steals the show in that film. Enough said.

Stick out songs here are the much-covered "Samson and Delilah", "Cocaine Blues" (from when it was legal, of course, although still sinful, naturally), "Twelve Keys To The City" and the gospelly "Blow Gabriel" and “Who Shall Deliver Poor Me”

Some Biographical Information From the Back Cover

Durham, North Carolina in the 1930's was a moderate sized town whose economy was driven by tobacco farming. The tobacco crop acted somewhat as a buffer against the worst ravages of the Depression. During the fall harvest, with its attendant tobacco auctions, there was a bit more money around, and that, naturally, attracted musicians. Performers would drift in from the countryside and frequently took up residence and stayed on. Two master musicians who made Durham their home, whose careers extended decades until they become literally world famous, were Reverend Gary Davis and Sonny Terry.

REV. GARY DAVIS

Reverend Gary Davis was one of the greatest traditional guitarists of the century. He could play fluently in all major keys and improvise continually without repetition. His finger picking style was remarkably free, executing a rapid treble run with his thumb as easily as with his index finger and he had great command of many different styles, representing most aspects of black music he heard as a young man at the beginning of the century. Beyond his blues-gospel guitar, Davis was equally adept at ragtime, marches, breakdowns, vaudeville songs, and much more. Born in Lawrence County, South Carolina in 1895, Davis was raised by his grandmother, who made his first guitar for him. Learning from relatives and itinerant musicians, he also took up banjo and harmonica. His blindness was probably due to a congenital condition. By the time he was a young man he was considered among the elite musicians in his area of South Carolina where, as in most Southern coastal states, clean and fancy finger picking with emphasis on the melody was the favored style. Sometime in the early 1950's, Davis started a ministry and repudiated blues. In 1935, he recorded twelve gospel songs that rank among the masterpieces of the genre. In 1944, he moved to New York where he continued his church work, and sometimes did some street singing in Harlem. By the early 1960's, with the re-emergence of interest in traditional black music, Davis finally received the recognition and prominences he so richly deserved.
*******
Blow, Gabriel, Blow Lyrics


[RENO]
Brothers and sisters, we are here tonight to fight the devil...
Do you hear that playin'?

[COMPANY]
Yes, we hear that playin'!

[RENO]
Do you know who's playin'?

[COMPANY]
No, who is that playin'?

[RENO]
Well, it's Gabriel, Gabriel playin'!
Gabriel, Gabriel sayin'
"Will you be ready to go
When I blow my horn?"

Oh, blow, Gabriel, blow,
Go on and blow, Gabriel, blow!
I've been a sinner, I've been a scamp,
But now I'm willin' to trim my lamp,
So blow, Gabriel, blow!

Oh, I was low, Gabriel, low,
Mighty low, Gabriel, low.
But now since I have seen the light,
I'm good by day and I'm good by night,
So blow, Gabriel, blow!

Once I was headed for hell,
Once I was headed for hell;
But when I got to Satan's door
I heard you blowin' on your horn once more,
So I said, "Satan, farewell!"

And now I'm all ready to fly,
Yes, to fly higher and higher!
'Cause I've gone through brimstone
And I've been through the fire,
And I purged my soul
And my heart too,
So climb up the mountaintop
And start to blow, Gabriel, blow

[ALL]
Come on and blow, Gabriel, blow!

[RENO]
I want to join your happy band
And play all day in the Promised Land.
So blow, Gabriel, blow!
Come on you scamps, get up you sinners!
You're all too full of expensive dinners.
Stand up on your lazy feet and sing!

[ALL]
Blow, Gabriel, blow, (Blow, Gabriel!)
Go on and blow, Gabriel, blow. (Blow, Gabriel!)
I've been a sinner, I've been a scamp,
But now I'm willin' to trim my lamp,
So blow, Gabriel, blow.

I was low, Gabriel, low, (Low, Gabriel!)
Mighty low, Gabriel, low.
But now since that I have seen the light
I'm good by day and I'm good by night
So blow, Gabriel, blow.

[RENO]
Once I was headed for hell,
Once I was headed for hell;
But when I got to Satan's door
I heard you blowin' on your horn once more,
So I said, "Satan, farewell!"

And now I'm all ready to fly,
Yes, to fly higher and higher!
'Cause I've gone through brimstone
And I've been through the fire,
And I purged my soul
And my heart too,
So climb up the mountaintop
And start to blow, Gabriel, blow

[ALL]
Go on and blow, Gabriel, blow!

[RENO]
I want to join your happy band
And play all day in the Promised Land.
So blow, Gabriel!

[ALL]
Go on and...
Blow, Gabriel, blow
Blow, Gabriel, blow
Blow, Gabriel, blow
I wanna join your happy band
And play all day in the Promised Land,
So blow, Gabriel, blow, Gabriel, blow, Gabriel, blow!

*Singing The Blues For His Lord- The Reverend Gary Davis Is On Stage

Click On Title To Link To YouTube's Film Clip Of Reverend Gary Davis Performing On Pete Seeger's "Rainbow Quest".

CD Review

Twelve Gates To The City: Reverend Gary Davis: In Concert 1962-1966, Shanachie Records, 2000

I have mentioned many of the old time black male country blues singers in this space, for example, Son House, Bukka White and Skip James. I have also mentioned the close connection between this rural music, the routine of life on the farm (mainly the Mississippi Delta plantations or sharecropping) and simple religious expression in their works. The blues singer under review meets all of those criteria and more. The Reverend Gary Davis, although not as well known in the country blues pantheon, has had many of his songs covered by the denizens of the folk revival of the 1960's and some rock groups, like The Grateful Dead, looking for a connection with their roots. Thus, by one of the ironies of fate his tradition lives on in popular music. I would also mention here that his work was prominently displayed in one of the Masters Of The Blues documentaries that I have reviewed in this space. That placement is insurance that that the Reverend's musical virtuosity is of the highest order. As an instrumentalist he steals the show in that film. Enough said.

Stick out songs here are the much-covered "Samson and Delilah", "Cocaine Blues" (from when it was legal, of course), "Twelve Keys To The City" and the gospelly "Blow Gabriel" and “Who Shall Deliver Poor Me”

Some Biographical Information From the Back Cover

Durham, North Carolina in the 1930's was a moderate sized town whose economy was driven by tobacco farming. The tobacco crop acted somewhat as a buffer against the worst ravages of the Depression. During the fall harvest, with its attendant tobacco auctions, there was a bit more money around, and that, naturally, attracted musicians. Performers would drift in from the countryside and frequently took up residence and stayed on. Two master musicians who made Durham their home, whose careers extended decades until they become literally world famous, were Reverend Gary Davis and Sonny Terry.

REV. GARY DAVIS

Reverend Gary Davis was one of the greatest traditional guitarists of the century. He could play fluently in all major keys and improvise continually without repetition. His finger picking style was remarkably free, executing a rapid treble run with his thumb as easily as with his index finger and he had great command of many different styles, representing most aspects of black music he heard as a young man at he beginning of the century. Beyond his blues-gospel guitar, Davis was equally adept at ragtime, marches, breakdowns, vaudeville songs, and much more. Born in Lawrence County, South Carolina in 1895, Davis was raised by his grandmother, who made his first guitar for him. Learning from relatives and itinerant musicians, he also took up banjo and harmonica. His blindness was probably due to a congenital condition. By the time he was a young man he was considered among the elite musicians in his area of South Carolina where, as in most Southern coastal states, clean and fancy finger picking with emphasis on the melody was the favored style. Sometime in the early 1950's, Davis started a ministry and repudiated blues. In 1935, he recorded twelve gospel songs that rank among the masterpieces of the genre. In 1944, he moved to New York where he continued his church work, and sometimes did some street singing in Harlem. By the early 1960's, with the re-emergence of interest in traditional black music, Davis finally received the recognition and prominences he so richly deserved.

*******


- Blow, Gabriel, Blow Lyrics


[RENO]
Brothers and sisters, we are here tonight to fight the devil...
Do you hear that playin'?

[COMPANY]
Yes, we hear that playin'!

[RENO]
Do you know who's playin'?

[COMPANY]
No, who is that playin'?

[RENO]
Well, it's Gabriel, Gabriel playin'!
Gabriel, Gabriel sayin'
"Will you be ready to go
When I blow my horn?"

Oh, blow, Gabriel, blow,
Go on and blow, Gabriel, blow!
I've been a sinner, I've been a scamp,
But now I'm willin' to trim my lamp,
So blow, Gabriel, blow!

Oh, I was low, Gabriel, low,
Mighty low, Gabriel, low.
But now since I have seen the light,
I'm good by day and I'm good by night,
So blow, Gabriel, blow!

Once I was headed for hell,
Once I was headed for hell;
But when I got to Satan's door
I heard you blowin' on your horn once more,
So I said, "Satan, farewell!"

And now I'm all ready to fly,
Yes, to fly higher and higher!
'Cause I've gone through brimstone
And I've been through the fire,
And I purged my soul
And my heart too,
So climb up the mountaintop
And start to blow, Gabriel, blow

[ALL]
Come on and blow, Gabriel, blow!

[RENO]
I want to join your happy band
And play all day in the Promised Land.
So blow, Gabriel, blow!
Come on you scamps, get up you sinners!
You're all too full of expensive dinners.
Stand up on your lazy feet and sing!

[ALL]
Blow, Gabriel, blow, (Blow, Gabriel!)
Go on and blow, Gabriel, blow. (Blow, Gabriel!)
I've been a sinner, I've been a scamp,
But now I'm willin' to trim my lamp,
So blow, Gabriel, blow.

I was low, Gabriel, low, (Low, Gabriel!)
Mighty low, Gabriel, low.
But now since that I have seen the light
I'm good by day and I'm good by night
So blow, Gabriel, blow.

[RENO]
Once I was headed for hell,
Once I was headed for hell;
But when I got to Satan's door
I heard you blowin' on your horn once more,
So I said, "Satan, farewell!"

And now I'm all ready to fly,
Yes, to fly higher and higher!
'Cause I've gone through brimstone
And I've been through the fire,
And I purged my soul
And my heart too,
So climb up the mountaintop
And start to blow, Gabriel, blow

[ALL]
Go on and blow, Gabriel, blow!

[RENO]
I want to join your happy band
And play all day in the Promised Land.
So blow, Gabriel!

[ALL]
Go on and...
Blow, Gabriel, blow
Blow, Gabriel, blow
Blow, Gabriel, blow
I wanna join your happy band
And play all day in the Promised Land,
So blow, Gabriel, blow, Gabriel, blow, Gabriel, blow!

*Going Up Country, Blues Country That Is- Reverend Gary Davis And Sonny Terry Are In The House

Click on title to link to YouTube's film clip of Reverend Gary Davis performing "Children of Zion" on Pete Seeger's 1960s television show "Rainbow Quest"

DVD Review

Masters of the Country Blues: Reverend Gary Davis & Sonny Terry, Reverend Gary Davis, Sonny Terry, Yazoo/Shanachie Productions, 2001

The names Reverend Gary Davis and Sonny Terry are no strangers in this space. Anytime one wants to speak “country blues” those names along with those of Son House, Bukka White and Sonny’s long time, if estranged, playing partner come easily to mind. I first heard the Reverend Gary Davis at one of the early Newport Folk Festivals. Now listen up. I didn’t like him that much them. Of course in those days it was Son House, Mississippi John Hurt and Skip James that got my attention. But Reverend Gary Davis grows on you, especially when he gets a righteous song to tear into for about ten minutes like “Twelve Gates Of The City” (actually performed by Sonny here in his segment). Here “If I Had My Way” (aka "Samson and Delilah"), although not that long fills the bill. As for Sonny, needless to say when he is hot on his harmonica, as he is here on “Hootin’ The Blues”- watch out. Hey, the producers who went back to the 1960s vaults in putting together this DVD knew these guys were the masters, Taj Mahal, a great bluesman in his own right, who introduces the segments, knew they were masters, I know they are the masters and now you will too? Enough said.


Reverend Gary Davis lyrics

Death Don't Have No Mercy

Death don't have no mercy in this land
Death don't have no mercy in this land
He'll come to your house and he won't stay long
You'll look in the bed and somebody will be gone
Death don't have no mercy in this land

Well Death will go in any family in this land
Well Death will go in every family in this land
Well he'll come to your house and he won't stay long
Well you'll look in the bed and one of your family will be gone
Death will go in any family in this land

Well he never takes a vacation in this land
Well old Death never takes a vacation in this land
Well he'll come to your house and he won't stay long
Well you'll look in the bed and your mother will be gone
Death never takes a vacation in this land

Talk
Great God
Yeah

Well he'll leave you standin' and cryin' in this land
Well Death will leave you standin' and cryin' in this land
Well he'll come to your house and he won't stay long
You'll look in the bed and somebody will be gone
Death will leave you standin' and cryin' in this land

Old Death always in a hurry in this land
Old Death always in a hurry in this land
Well he'll come to your house and he won't stay long
You'll look in the bed and your mother will be gone
Death always in a hurry in this land

Well he won't give you time to get ready in this land
Well he won't give you time to get ready in this land
Well he'll come to your house and he won't stay long
Well you'll look in the bed and somebody will be gone
Death won't give you time to get ready in this land

Make your last talk
Talk to me Death
Talk to me


transcribed by Cheryl Rhodes, who wrote, "from Blind Gary Davis/Harlem Street Songs recorded in Englewood Cliffs, NJ August 24, 1960 (according to the liner notes) and released on CD under the Prestige/Bluesville Records (Fantasy) label



Samson and Delilah

by Reverend Gary Davis
©Chandos Music

(From the album - Gospel, Blues and Street Songs)



If I had my way
If I had my way
If I had my way
I would tear this old building down

Well Delilah, she was a woman fine and fair
She had good looks, God knows and coal black hair
Delilah, she came to Samson's mind
The first he saw this woman that looked so fine
Delilah, she set down on Samson's knee
Said tell me where your strength lies if you please
She spoke so kind, God knows, she talked so fair
'til Samson said 'Delilah, you can cut off my hair
You can shave my head, clean as my hand
And my strength 'come as natural as any a man'

If I had my way
If I had my way
In this wicked world
If I had my way
I would tear this old building down

Talk, Yeah
Yeah, Talk to me
Yeah, Yeah, talk to me
Yeah, what happened then?

If I had my way
If I had my way
If I had my way
I would tear this old building down

Yeah you read about old Samson, told from his birth
He was the strongest man that ever had lived on Earth
So one day while Samson was-a-walkin' along
He looked on the ground and saw an old jawbone
He stretched out his arm, God knows, it broke like flint
When he got to movin' ten-thousand was dead, Mmm

If I had my way
If I had my way in this wicked world
If I had my way
I would tear this old building down

Well old Samson and the lion got attacked
Samson he jumped up on the lion's back
So you read about this lion had killed a man with his paws
But Samson got his hand in the lion's jaws
He rid that beast until he killed him dead
And the bees made honey in the lion's head

Good God!

If I had my way
If I had my way
If I had my way
I would tear this old building down

If I had my way
If I had my way in this wicked world
If I had my way
I would tear this old building down

Good God

Let Us Get Together

by Reverend Gary Davis
©Chandos Music


Let us get together
Right down here 4x

Let us walk together
Right down here 4x

Let us do our living
Right down here 4x

Let us have our heaven
Right down here 4x

break

Let us walk together
Right down here 4x

Let us do our rejoicing
Right down here 4x