Showing posts with label the dubs. Show all posts
Showing posts with label the dubs. Show all posts

Saturday, January 12, 2019

***Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night- With The Dubs Could This Be Magic In Mind- Jenny Dolan Speaks Her Mind, Circa 1962

***Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night- With The Dubs Could This Be Magic In Mind- Jenny Dolan Speaks Her Mind, Circa 1962

By Si Lannon

[Some of the stories from the old Acre working-class neighborhood in deathless North Adamsville by some of the original “present at the creation” older writers which former site manager Allan Jackson (a former Acre denizen himself) let them do as they pleased seem worthy of an additional presentation. What Allan called an encore presentation when he did a re-run of a rock and roll series based on these same Acre corner boy experiences. With this proviso that I do some introductions and some updating if necessary.

I should point out that I am not of that Acre corner older boy generation which came of age in the 1960s (I came of age with guys like writers here Zack James and Lance Lawrence about a decade later although Zack’s oldest brother Alex had spoon-fed Zack on stories of the old days in their Acre neighborhood). Thus on some occasions when I reviewed these stories they set my teeth on edge since I came up in a fairly rich family in New York and had never brushed shoulders with poverty, with what that meant and never either had anything but a storybook knowledge of corner boy life except I steered very clear of the town toughs in Croton-on-Hudson where I grew up).

That said some stories are eternal like the one here where anybody, certainly any young woman, any high school young woman could relate to Jenny Dolan’s longings for some boy who seemingly didn’t know she existed-or so she thought. I personally never had a girl that was all that determined to get my attention, but I sure wish I had. When I asked Seth Garth what he knew about the Jenny Dolan-John O’Connor romance which sparked this remembrance he froze, froze in his tracks at the name. When he defrosted, he told me that he had had a crush, a very 1960s word from what I can gather on that same Jenny Nolan and even fifty years later he wished she had given him the looks she saved for her John. So Jenny’s story has the ring of truth to it although in my neighborhood no self-respecting guy, certainly no football player would expose himself to comradely ridicule by letting a girl sit on his lap and dare him to put her off.     

One of the things that I am interested in is what happened to the parties involved in these stories, if that is known. In this case, strangely, according to Si Lannon who wrote the original story after seeing Jenny at the 50th anniversary class reunion and she gave him the details of the tryst she had with Johnny that Chrissie McNamara who was supposedly Jenny’s friend stole Johnny away from Jenny in senior year. The strange part is that Johnny and Chrissie, Mr. and Mrs. Toyota of Eastern Massachusetts to let you know their fates, are still married while Jenny, has been married four times and confided in Si that she never got over that “theft” of Johnny by Chrissie although she held no animosities. What she did say was that she thought he multiple marriages were a fruitless search for another Johnny or failure to keep Johnny, take your choice. Such is life. Greg Green]      




YouTube film clip of The Dubs performing the classic, Could This Be Magic.

THE DUBS


"Could This Be Magic"

Could this be magic
My dear
My heart's all aglow
Could this be magic
Loving you so

Could this be magic
My dear
Having your love
My prayers were answered
So far from above

I thought it would be
Just a memory
To linger my heart in pain
But too much pride
I opened up my eyes
And I'm with you dear once again

Could this be magic
My dear
Having your love
If this is magic
Then magic is mine
Could this be magic
Then magic is mine

Jenny Dolan speaks from out of the 1960s night:

I suppose everybody in America knows, knows by heart now, that John O’Connor and I, Jenny Dolan, are an “item.” The poster boy and girl sweethearts of North Adamsville High according to one piece of gossip that I heard, or overheard, Joanne Doyle saying sarcastically in the girls’ lav at school one Monday morning when she was giving her weekend round-up report to all who would listen. What I couldn’t spread around about her and her lover boy, Frankie, but that was old Jenny, old miserable Jennie, before I got my John, and got him good. Of course, Joanne only retells what the pizza pie in your eye corner boy king, so-called, Frankie, Frankie Riley if you are one of the about three people in the Class of 1964 who doesn’t know him, has already started spreading around. The gist of tale is that he has lost his ace-in-the-hole (really just his bodyguard for when he makes the wrong move, Joanne Doyle not around wrong move, on some real tough guy's girl), Jumping John O’Connor (although I am putting a stop to calling him that name, and fast) to a frill (that’s me, or that’s me when Frankie does his 28 flavors of disrespect to girls thing, except to no-nonsense mistress Joanne, by calling them frills, molls, frails and everything else that he has picked up from watching too many 1930s gangster films, and reading too many Raymond Chandler crime novels). See John and Frankie go back to first grade together over at North Adamsville Elementary and somehow Frankie thought that was enough to keep the “twists” (girls again) at a distance so John could be his full-time “body-guard.”

And if Frankie hasn’t spread the news around about John and me then Peter Paul Markin, clueless Peter Paul when it comes to knowing anything about girls (and girls and guys who get together for more fun, Saturday night fun, than just some silly reading books at the library, or going to a debate about whether Red China should, or shouldn’t be admitted to the United Nations, or stuff like that) will, once Frankie unleashes him to spread it around. Now everybody respects Peter Paul for his knowledge, for his devotion to learning more about stuff, and for sticking up for the, as he calls them, the “fellow down-trodden” of the earth but he has been strictly blind-sided by Frankie ever since he came to North Adamsville. When I was lonely (lonely for my John, if you want to know) I went out with Peter Paul, once, but no thanks. So between Joanne (really Frankie), Frankie (really Joanne) and Peter Paul (really Frankie, and maybe Joanne) you’ve probably got the story all wrong. Like the why behind why John and I did not get together until just now, although we were made for each other and that’s the truth and has been the truth for a long time.

Let me tell the story, my side, and see if it is anything like you heard from Frankie, or Peter Paul. Although now that I think about it if you got it from Peter Paul then you haven’t finished reading the treatise on the subject of John O’Connor and Jennifer Dolan yet and I can save you some time and save your eyes too. See back in sixth grade when I was just starting to get a little shape but was still really just a “stick” I went to Chrissie McNamara’s twelfth birthday party. Now Chrissie and I had been friends for ages so I expected to be at the party but what really got my girl temperature up was that John was going to be there.

Now John was good-looking even then, kind of quiet, a good all-around athlete (a great football player-in-the-making even then, even then in little Pop Warner League), and, I think, shy around girls but I had eyes for him. Big eyes, and not just twelve- year old big eyes, but going way back to first communion at Sacred Heart where we were boy white suit and girl white dress paired together to walk down to the communion rail and I had to calm him down because he was scared of the idea of eating the wafer, the body and blood of Christ. No, I was not every day in every way crushed up on him but crushed up somewhere deep inside since then. In sixth grade time though when I started getting my shape a little, you know, I couldn’t keep from thinking of him. So at Chrissie’s party I was flying high in expectation. I had my best dress on, had taken a long soapy bath, and worn some of my mother’s perfume (don’t tell her, okay). And I wasn’t disappointed because he asked me to dance, dance close, dance airless close. I almost kissed him then, but I waited until the lights went out that signaled the time for some “petting” games to start and then ran over to the sofa and planted the biggest, hardest kiss I could on him. Boy, did I have my signals crossed because he pushed me aside (not hard but definitely aside) and ran out of the house. That’s how he got the name Jumping John O’Connor once Frankie got the story out. He hated the name, and I did too.

After that I didn’t run into him enough to get nervous because at school we were in different classes and, obviously, I wasn’t hanging around shabby, two-bit, greasy pizza parlors wasting my good time and energy listening to Frankie (and his lap dog, Peter Paul) play his lordship and chamberlain. Besides Joanne, Joanne Doyle, Frankie’s plain jane, so-called girlfriend, and I never got along ever since I told her that Frankie was calling me up on the telephone anytime they had a “misunderstanding.” She flat-out didn’t believe me but ask Peter Paul, he knows, he knows everything about Frankie Riley and his “love” life.

This year though, sophomore year, John and I have our daily last period study class together and a couple weeks into the class I noticed that he kept looking (for a second anyway) in my direction. More than once. And I started looking in his direction (for a second anyway, and more than once). As we found out later everybody in the class, including the study class monitor, Miss Wilmot, the old dyke, knew we were “making eyes” at each other. Except, of course, maybe Peter Paul who was also in the study hall down front and reading. Still, naturally, that will not stop him from claiming in his treatise that he was the key to introducing John and me.

Believe me I didn’t know what to do at first. I was “gun-shy” from that sixth- grade fiasco party so I was afraid to think that he might be interested in me. But, and I admit it, I was miserable, and had been pretty miserable since John’s rebuff that Chrissie’s party night, even though I went out with lots of boys. Then one day I figured out (and talked to Chrissie about it, and she agreed) that John, shy, quiet John wasn’t going to do anything about me unless I started the ball rolling. And here is what I figured out to do (on my own, no Chrissie help). I was going to go into the lion’s den, the holy of holies, Salducci’s Pizza Parlor where Frankie and his boys, including John, hung out a lot and just flop myself in John’s lap and dare him, no double- dare him, to throw me off in a public place. And I was going to do it too, once I got my courage up, or was miserable enough to try anything.

Well, one Friday night, one October Friday night, a few weeks ago I got so miserable at home that I decided to go for broke. I walked up the Downs and entered Salducci’s, fearful, very fearful, but then I saw John sitting on the outside of the booth with the boys (Frankie, Peter Paul, Fingers Kelly, John and a couple of other denizens) and saw my chance. I quickly walked over and flopped myself on John lap. And you know what he said. “I’m sorry” as he gently, very gently, broke my fall with his strong arms. My heart went crazy with fear. I thought that I had once again misinterpreted his looks at me in study class just like at the party and started to get up. But as I started to get up John held me close, held me close like maybe it was going to take the whole football team, both offense and defense, and scrubs and water boys thrown in, to get me off his lap before he finished his red-faced say.

And this is what he said and said in a way that he had been thinking about it for a while. “I’m sorry, real sorry, that I pushed you away at Chrissie’s birthday party and ran out and never apologized. I just didn’t know what to do then.” And he added, “Will you forgive me?” Frankie and the boys were flabbergasted but John, red-faced and all, maybe more so after saying his piece, held his ground. I wanted to say all kinds of witty, smart things but all I could blurt out was, “yes.” I started to get up but he would not let me up (and truthfully I wasn’t trying very hard anyway) until he asked to walk me home. You know the answer so I will not be coy. As we walked and talked it seemed like an instant until we got to my house. The lights were out but John said he wanted to talk a little, and we did, boy and girl things that you don’t need to know about. And while we were talking, he reached out and held my hand. And I got all red-faced, especially when every once in a while, he would loosen up his grip and then gently squeeze my hand again like he was afraid to let go. And I was afraid to let him let it go. I will tell you that night, I swear, John could have done anything he wanted with me, anything, but we just held hands, tight hands. Okay, you have the story straight now.


Saturday, October 27, 2012

From Out In The Be-Bop 1950s Night- Could This Be Magic? –The Dubs-A CD Review


Click on the headline to link to a YouTube film clip of The Dubs performing the classic Could This Be Magic.

CD Review

The Best Of The Dubs, The Dubs, Rhinos Records, 1991

Sometimes, and less frequently than you might imagine, a song and a moment meet, meet in the mind’s memory even many years afterward. I am not, repeat, not referring to such 1960s seminal songs as Bob Dylan’s Blowin’ In The Wind or The Times They Are A-Changin’ which every ARRP-worthy baby-boomer commentator drags out when they want to cut up old torches about how they went mano y mano with the bad guys and gave up the best two years of their lives to the revolution back in the day before heading off to a life of dentistry or academia. No, enough of that. What I mean is those songs like The Dubs 1950s Could This Be Magic which formed the backdrop for more than one social setting, one teen social setting and that is all that counted, back in the day.

Now I do not know the fates of the individual members of The Dubs but the music business was, and is, a fast turnover place and so they may have just had their few moments of glory and then went back to the plumbing business, some office job, or wound up on some Skid Row, a not infrequent fate for many one-hit wonders. But for that one moment, for that one almost perfect expression of a song moment, from the opening drum roll to the crescendo-ing mix of voices to that final dramatic fade out, The Dubs captured our attention before we headed off to the plumbing business, some office job, or wound up on Skid Row, a not uncommon fate for those of that generation who fought and bled in Vietnam or got catch up in their own personal drug traumas. It was no accident that the director George Lucas when he put together the mood frame work of American Graffiti included Could This Be Magic as part of the soundtrack.

So that song formed the backdrop for fumbling, awkward Peter Paul Markin over in Adamsville, Massachusetts near the beach as he tried to figure out girls, figure them out in a hurry, figure them out in a very hurry since he had a date down at that very beach coming up in about two hours and after having dolled himself up enough (hair brushed, underarms coated, breathe freshened and re-freshened) he was fretting, fretting whether his arranged date (arranged by his corner boy Frankie Larkin, as usual) with Susie Murphy would product any sparks. Or another time, speaking of sparks, when he, riding “shotgun” in Frankie’s big old 1959 Dodge as they pulled, girl-less, into the Adventure Car-Hop Drive-In, looking to finish the busted evening out with burgers and shakes (and maybe a free look at Lannie, the hot new car-hop) and he spied her (name a secret , a secret unto death, just in case her descendants see this) a couple of cars over with her girls, boy-less, and she looked over and gave him the greatest come hither look of his uneventful young life. Or better yet, when he was at the freshman mixer, kind of new in town, kind of low man on the totem pole of the school etched- in- stone pecking order, he was feeling kind of blue (and, as usual, girl-less, school dance girl-less) holding up his end of a wallflower wall with head down, Luscious Lucy Lane (that is what she was called by one and all, including her parents) came over and ordered, ordered if you can believe this, him to dance that last dance school dance with her.

And the song came into play up in forlorn Olde Saco, Maine as well where Josh Breslin, poor, woe begotten Josh, new to the girl wars, was trying to beat the time of some foolish skee ball game down at the local arcade in order to win a rabbit’s foot for some misbegotten twelve year old girl who, off-handedly, called over from the Seal Rock sea wall that she thought Josh was cute. A couple of years later, veteran of the girl wars and decidedly more than cute according to local girl lore, Josh walking into Jimmy Jake’s Dinner (the one on Main Street set aside for teens not the one on Atlantic Avenue near the beach set aside for blue- haired ladies’ blue- plate specials and summer fast food-craving touristas) sits at his stool, his gathering stool, as Sandy Leclerc comes up, gives him a kiss on the cheek, and puts a quarter into the jukebox to play their song five times running. Later still, Josh and Debbie Dubois, sitting in the back seat of Jimmy Leblanc’s double-date 1961 Pontiac at the Olde Saco Drive-In Theater would “get in the mood” after putting the movie sound speaker back in its cradle and turning on all rock WMEX.

Finally Betty Becker down in Newport, Rhode Island, well before she met Josh Breslin out in the San Francisco summer of love 1967 night after he had blown in from dust-off Olde Saco in search of, well, just in search of, spun the platter on her record player up in her forlorn teen-age bedroom waiting for the phone to ring, waiting for, hell, what’s his name, to call. And, he, what’s his name, did. Later, when she had filled out, filled out nicely from all reports, especially filled out nicely in a bathing suit, and guys were waiting by the midnight phone for her call, she had new love Tommy Wordsworth III, ask the DJ to play it for them at the annual Newport Yacht Club Junior Dance. Then, then (before the summer of love 1967 turned things around in her head) when she had very good prospects of being asked the big question by Marvin Steele, the heir to the Hanson oil fortune, he had called and told her he had a big question ask her, well, you know what she had ready to play.

Could this be magic, indeed