Showing posts with label working class alienation. Show all posts
Showing posts with label working class alienation. Show all posts

Monday, April 29, 2019

Upon The 50th Anniversary Of The Death Of "King Of The Beats" Jack Kerouac-*Notes From The Old Home Town- From A Far Bridge

Click on the title to link to a "Wikipedia" entry for the 1950s that gives some background to the entry below.

Markin comment:


Not all the entries in this space are connected to politics, although surely most of them can be boiled down into some political essence, if you try hard enough. The following is one of those instances where trying to gain any “political traction”, or as I am fond of saying drawing any “lessons” would be foolhardy. I should also note that this entry is part of a continuing, if sporadic, series of “trips down memory lane” provoked by a fellow high school classmate who has been charged with keeping tabs on old classmates and their doings, even those of old-line communists like this writer. Go figure?


The Old "Beat" Town, Circa 2010-A Fragment Of A Thought

Crossing the Riverside bridge from the Boston side ain’t like it used to be, what with that new, higher, ever pot-holed, unevenly paved, unfriendly, ugly slab concrete bridge that routes traffic, hither and yon, to the beach down Shore Drive or to Main Street up pass the high school and beyond to the Downs, and then to the downtown Center. It’s silly to get misty-eyed over it but I miss the old drawbridge of my youth with its gates to stop traffic and the lonely tower (and its poor, bored keeper, or tender or whatever you call that guy, and it was always some old guy who looked like he could swap stories, buddy to buddy, with King Neptune) to let the bigger boats make their way to dock or, better, I hope, to get clearance to the open sea, and more adventure than I could even dream of.

And now it has that parallel “Red Line” subway extension crossing that used to be part of the Old Colony railroad that used to scare me silly as a kid when the whistle blew at the old Atlantic station near my grandmother’s house on Welcome Street. That river bridge though was always, to me, back in the days, more than a mere stone or concrete barrier separating the world of Boston and beyond that to Cambridge and all their charms, real or imagined. Some of those were real enough and some turned out to be just imagined enough, as well. Coming in over that bridge anytime, and I mean anytime, always meant the end of some trouble-filled adventure, or more likely, the need to brace myself to take ‘guff’ from Ma about one thing or another that I did, or didn’t, do, or later when I got older more often than not just heading back the other way when things got too crazy to think about. Or do much about, for that matter. Too bad Ma wasn’t more easy going like Dad, who knew how to roll with the punches a little, as much as it cost his self-esteem. Damn, that man was righteous, even if it only took me about fifty years to figure that out so I never adequately got the chance to acknowledge that little gem of wisdom.

Ya, that bridge was more like some latter day rite of passage and I crossed its grated drawbridge, cars whizzing by making different-sounding, fearful noises different from regular pavement noises like that old bridge was going crack open and I would be swallowed by the waters below. Maybe, that was the start, or a part anyway of my love/hate thing with the waters of the world. Or maybe I was just scared: of the too many times that I went back the other way too soon when things went bad at the house as I tried desperately to get away from home, from teenage problems, from myself. A far bridge, indeed.

Sunday, February 28, 2016

*From The "HistoMat" Blog- The Latest On ......Lady Gaga

Click on the headline to link to an "HistoMat" blog entry concerning the emergence of a multi-pronged analysis on the doings, or non-doings of one Lady Gaga.


Markin comment:

Never let it be said that this blog does not entertain many seemingly contrary or even non-political scraps of information. This guest blog entry is prima facie evidence for that. I WANT to know what is up with Lady because... well because. Moreover, we communists are always interested in the popular culture scene where workers, especially young workers, and others might be found. And to finish up, the Lady may wear a little thin for my tastes but, in the final analysis, musical and other cultural tastes are very personal. And will be true in in our bright communist future as well. I'll put up my Lady Day (Billie Holiday) against Lady G. anytime though.


P.S. I find myself linking to this "HistoMat" site more and more for off-beat entries because it provides space for just these kind of sidebar cultural activities that my blog does not get a chance to address. Keep up the good work.

Thursday, July 23, 2015

*In The Time Of Motorcycle Boy- S.E. Hinton’s "Rumblefish"- A Film Review

Click on the title to link to YouTube's film clip of a segment from "Rumblefish"

DVD Review

Rumblefish, starring Matt Dillon, Mickey Rourke, Dennis Hopper with Tom Waits, 1983


“The Wild Ones”, “Easy Rider” those are movies that come readily to mind when one thinks about the freedom of the road- riding high on a motorcycle, and raising hell with the 'squares' come what may. Those were films of desperate alienation and the search for meaning in an earlier, seemingly, simpler America. The truth of that last comment will not hold up under closer examination but at least in the realm of motorcycle movies that appears to be true, as least as compared with the angst of the film version of S.E. Hinton’s classic tale of teenage alienation, “Rumblefish”.

Here Rusty James (Matt Dillon) is trouble personified, he just rolls into it like magic as he tries to make his way in a world that he did not create and that he barely tolerates. Needless to say this "up yours" attitude doesn’t stop as the story unfolds even when big brother, Motorcycle Boy (Mickey Rourke) comes back to town. From beginning to end Rusty is adrift and it is not at all clear whether he will “learn his lessons” about life, limits and staying the hell out of trouble. It is Hinton’s super-realism that drives the plot but it is director Coppola whose tight shots (using virtually all black and white, a nice touch), and seemingly surreal footage makes this thing visually interesting as well.

In the interest of full disclosure when I was a kid, a somewhat troubled kid to boot, for a minute, I was very, very interested in being a bad motorcycle boy. However, as I have written elsewhere, it seemed to me to take too much effort to truly affect that stance. Reading books was easier for a runt like me. However, during that minute of interest I ran into more than one Rusty James and more than one who, one way or another did not make it. That point is driven home in this film.

Note: For those who are interested in seeing the early work of the likes of Nick Cage, Diane Lane, Vincent Spano and others this film is packed with budding stars. Oh, and for the old fogies, motorcycle movies actor personified- Dennis Hopper- is present and accounted for.

Monday, October 11, 2010

*Out In The Be-Bop Night- Fragments On The Ethos Of Working Class Culture- The Old "Beat" Town, Circa 2010-For Barbara, Class Of 1964

Click on the headline to link to an American Left History blog entry, Fragments On The Ethos Of Working Class Culture–Frankie’s Big Summer’s Day Walk, Circa 1960, dated Friday, August 13, 2010, the first entry in this series, to read the introduction to the series.

Markin comment:

Crossing the Neponset River Bridge from the Boston side these days, walking-sore-footed, ankle-ached, worn-out, scuffed leather shoes, rounded-heel shoes, soles thinned-out shoes walking-just as was almost always my mode of transportation, and maybe yours, in the old days, and sometimes for me in the not so old days-ain’t like it used to be. That new (1970s new, anyway), higher-standing , pot-holed patched, unevenly asphalt-paved even on good days, uninviting, if not just plain dangerous, walk-way, ugly slab-concreted, built by the lowest bidder, bridge that routes traffic, hither and yon, is not like the old one, “ walking to think things over friendly."

Not today, anyway, as I brace myself for a serious look see at our beat-up, beat-down, beaten-back, back-seat-taking, smudged-up, blood and sweat-stained, bitter-teared (very bitter-teared), life-drained, seen better days (although I do not, personally, remember having seen those better days, but people keep saying, even now, there was a such a time so let’s leave it at that), almost genetically memory embedded , character-building (yes, that old chestnut, as well), beautiful (yes, beautiful too, oddly, eerily beautiful, or as mad, shamanic poet Yeats, he of that that fine Anglo-Irish word edge, would put it, "terrible beauty a-borning" beautiful ), old working class home town.

It’s silly, I know, to get misty-eyed over it but I miss the old archaic pre-1970s drawbridge bridge with its ghastly-green gates to stop car traffic (how else could you describe that institutional color that no artist would have on his or her palette, and no serious professional business painter would stoop to brush on anything much less a gate) and the lonely stony-eyed concrete medieval fortress of a tower (and its poor, bored, had to be bored, keeper, or tender or whatever you call that “look out for the big boats coming and going” guy, and it was always some old guy who looked like he could swap stories, buddy to buddy, with King Neptune, and probably did) to let the bigger boats, courtesy of the law of the seas, make their way to dock.

Or, better, I hope, I fervently hope, for the boats to get clearance from that old codger, old Neptune’s brother, to race, to crawl, to put-put, to hoist sail or whatever such boats do to get to the open sea, the wide open blue-grey, swirling, mad, rushing, whirling dervish of a sea, out to beyond the breakwaters, out to beyond the harbor islands, to the land becoming mere speck, and then mere vanish, and more adventure than I could even dream of, or think of dreaming of. At least I hope those oil-stained, diesel-fuelled (including those awful faint-producing fumes), powerfully-engined, deep-drafted, fully–stocked boats that drove river traffic and stopped car traffic came back or went out in search of those adventures away from the placid wooden-lumbered doldrums docks up along the Quincy side of the river.

But, one thing is for sure, whatever happened to the boats, or on them, that old bridge, that old green-gate painted monster of a drawbridge, gave you a chance to pause mid-bridge, fright-free, not-having-to-watch-your-back-for-fast-cars-caroming-by free even, to look up and down midstream; to dream, perhaps, of tidal drifts and fair winds to the far reaches of this good, green planet, as far as you could carry yourself and your backpacked, bed-rolled belongings, or as long as the money held out; to bestir yourself afresh to think of oneness with the seventy-eight trillion life forms (hey, I didn’t count them, alright, this is just an estimate, a very rough estimate) that flow in the murky, and on some days very murky, depths right before your eyes down to our homeland, the sea; to dream vista dreams of far away picture postcard cooling ports-of-call in the sweaty, sultry summer day airs or churn madly with the flow of wild summer night airs that led from the old home town west, north, south, somewhere, anywhere; to dream the dream of dreams of misspent (no way, no way misspent), suggestive, very suggestive, radio-blared Lets Spend The Night Together or The Night Time Is The Right Time, whiskey-bottle in hand (or, maybe, beer-canned if dough was tight, or way back when and you were underage if your wino buyer didn't show that night), best-gal swinging (quaint, okay, but we are all adults and you know what I mean) Saturday nights; and, to think that one thought, that one midstream on the bridge-driven thought that would spring you from the woes of woe begotten, troubled-filled (for me, and, maybe, you) dear, (now dear, anyway) beat, ancient-ached, old timey, presidential graveyard of a growing-up home town.

This new one, this new bridge, as I stand mid-bridge and peek back to my left routes, if you can even call it that, traffic via a Daytona race track-worthy, curvy-swurvy ramp to the beach, Wollaston Beach, down the now, in places anyway, three lane-wide, freshly-paved and white-lined Quincy Shore Drive. That’s our old Wollaston Boulevard, down by shore everything’s alright, of sacred ashy memory. And as I watch the traffic flow, the car traffic I think not of vanilla, too bright, too light, too slight day time beach, for now, because I am flooded with visions of the “real” beach of my manic dreams- “the night time is the right time" beach. Enough of daytime, kiddish, bucket and shovel whines and childish butterfly daydreams, enough. Alright?

I just now, and you can follow along too, float dream of teenaged Saturday nights, or maybe even Friday nights, or both, cruising, nowhere, somewhere, anywhere, to the pink- blue, cloud-swollen, sun-devouring, Western nightdream skies, always just beyond our reach. Of you riding "shotgun" in your buddy’s car, a be-bop car, or, I hope, at least bop, late 1950s, and pray hard for a ’57 Chevy or something “cool” like that, borrowed from his old man, stopped at close by high school (remember), Merit gas station and filled, two-dollars-worth-of-gas-check the oil-please-filled. Or his own car, your buddy's, the old man's, leavings, given gratis, when that self-same old man stepped up to a new, bigger-finned, power-steered, rumble-engined, airplane of a car, a new sign that he had “made it” in hard dollar America. Of stolen sickly-sweet wines or breathe-soured whiskeys to ward off the night-forebodings, made sweeter or more sour by the stealing from that same old man’s, or maybe your old man's, liquor cabinet, if they had such an upscale thing, or else just from some dusty high cupboard shelf so the kids can’t get at it place. And, and, oh boy, visions of those moon-beamy, dreamy, seamy, steamy Saturday night beach parking, car-fogged, car-wrestled, “submarine races” watchings that were the subject of Monday morning boys’ rest room (okay, “lav”) roll call, recital and retailing (or, hell, probably in the girls’ room too, I bet, but the now women can tell their own tales). Whoa!

Beatified night-dreamed beach Quincy Shore Drive also routes, now that my blood pressure has returned to normal, to daydream summer sunbathing, or maybe even before summer sunbathing for early tans to drive away the fierce, ghost-like New England winter pales, in the real sun daytime down by the weather-beaten yacht clubs (tumbleweedy, seedy, paint-needy Wollaston and Squantum). Away, well a little away, from the early encountered mephitic sea grass marshes near the Causeway (you know where, right?-the old First National supermarket, now CVS drugs-for all occasions-store location), away from the deadened, fetid, scattered sea grasses and the muck, and in plain kid talk, away from the “stinks”, away from the tepid waves apologetically splashing on the ocean smooth-stoned dunes, away too from the jelly-fish (are they poisonous, or not?) spawning and spattered along the edges of the low tide line, and, most fervently, away, away from the oil-slicked mud flats of childish shovel and pail clam-digging adventures, clams squirting and screaming from their sand hovels that need not detain us here, that story has been told elsewhere by me, and often.

Once you have passed the fetid swamps, the mephitic marshes…, but wait a minute, who knows such un-childlike, or un-teenager-like, for that matter, words like fetid and mephitic and where, as a child, even if you knew the words, would you connect those words with pail and shovel digging to China, or some faraway place, beach; with tide-melting, furtive but fevered, sand castle-making, beach; with coolly and focused looking for treasure, somebody’s leavings, some body’s rich leavings so you think, beach; with learning about the fury of Mother Nature and the pull and push of tides first hand when old Mother (like womb mother) turns her fury on, beach; with later finger (or stick) sand-tracing of your name defying the tides to erase your brand as you fight, and fight hard, for your place in the sun (and maybe linking up your sweetie’s name, just for good measure, in that struggle with eternity), beach; with fellaheen digging for clams for fun or profit (or food for table, who knows) down at the Merrymount end, beach; with family barbecue outings, hot dogs and hamburgers, extra ketchup, please, beach. With, well, beach, beach. No, fetid and mephitic will not do, I like my dreams, my child remembrance dreams, cloud puffy and silky.

This bridge, this too far bridge, this man-standing memory bridge, or however you named it, or whatever you thought of it, or wherever you were heading, destiny-heading, heading to your growing-up-like-a-weed town, heading just like a-lemming-to-the-sea town pushes the brain in a couple of directions. Heading south anyway, shore drive south, south to the rivieras, south to the old time kid’s Paragon Park. Rickety, always needed, desperately needed, fresh paint coat, landlocked, off-limits showboat bar-entranced (gay place, before gay word existed as a social category, but what did we know then, or care, just quarters for skeets, please, ah, please), ocean-aired, between-the toes-sanded, sun glass-visioned against the furious midday sun Paragon Park. Roller coaster Paragon Park (hey, maybe sick, before you got the hang of it, right), wild mouse (kid's stuff, ya I know) Paragon Park, cheap, colorful skeet ball points trinket prize, sugar high, lips smacked cotton-candy, stuck to the roof of your mouth, roof of the world, salt water taffy-twisted, hot-dogged (hold the mustard, no onions), pin ball wizard’d, take your baby to the carnival feel the tunnel of love, Paragon Park.(Or later, coming of another age, the Surf, and a whole other memory bridge of dreams, not for now though.) Or south of that south to some old time, unnamed, misty adventure, some ancient Pilgrim-etched mayflower rocky shored adventure, some ancient forebear's praise Jehovah plainsong heard whistling through some weed-filled granite slate graveyards, not mine; mine is of shanty Irish "famine" ships and old kicked out of England convict labor, hell-hole, "hillbilly" Appalachia work the coal mines, boats. Down along that old slow as molasses, take your time, wait at every just barely red stoplight, watch out for side-glanced cop cars, two-laned, white stripped, no passing (hardly), ocean-touched (in places) road. Memory-washed, memory-etched, memory south youth road, ah.

Yes, that cotton-candy dream is enough to stir even a hardened soul, but as I shift, stiffly shift, weight on my tired old high-soled, age-qualified, age-necessary, bop-bop shoes(no more of "young" fashionista statement, skinny-soled, fire engine red Chuck Taylor’s, now of sturdy, new age, aero-flow, aero-glow, aero-know, aero-whatever, for this heavy work, this airy memory work, bop-bop shoes), I stand straight up in mid-bridge balance and veer my head to the right. That move makes me focus my mind’s eye to the heart, the soul, the guts of the old growing-up town via a narrow, straight and narrow, slit in the road, a road constructed in such a way as if to say no cuts-ups, fops (quaint, again), or oddballs wanted here, as it swerves to the edgings, the bare edgings, amidst the gathering flotsam and jetsam as it piles up on riverside old Hancock Street and as it meanders along like some far-removed river of its own, river of its own sorrows, river of its own pent-up angers, toward the Square.

But more than sorrows, ancient sorrows, more than angers, angers of whatever age, I am attacked, and not just in my mind’s eye either, by the myriad mirror-glassed buildings, mostly office buildings, maybe some apartments or condos but I hope not, that reflect off each other in some secret Bauhaus bright light, dead of night pact, post-post-modern architecture I am sure, functional I am sure, although when future, future generations dig up the artifacts I am also sure they will be as puzzled by the idea of such forms of shelter and commerce as I am. And beyond those future subjects of artifact a picture, a picture to feed the hungry buildings, of tactless, thoughtless pizza shop, take-out or eat-in, of whatever name, donut shop, take-out or eat-in, of whatever name, hamburger shop, take-out or eat-in, of whatever name, Applebee’s family-friendly food named, now you-name-it-for-me, please, fast-food shop, mini-mart shop, fill-up gas-station of many names, Hess named, that dot, no, deluge strip mall-heavy Hancock Street up pass our sanctified raider red-bled high school. And beyond to dowdy, drowsy, dusty–windowed (really, I actually touched one once, not a white glove inspection but it, the window that is, didn’t pass muster even by my liberal standards), how do they stay in business against the pull of the major chains (or their chains), small-stored, small-dreamed business ownership, Norfolk Downs.

Norfolk Downs, the good old “Downs” (although we just called it plain, old, ordinary, vanilla-flavored, one-horse Norfolk Downs back in the day) anchored still by named pizza shop, Balducci’s. Balducci’s of after school pizza slices or after nightime across the street hang-around underground bowling alley hungers. Plain, please, no one hundred and one choice toppings, thank you, and coke (bluish-green bottled Coca-Cola, okay, for the evil-minded): of nickels and dimes dropped in one-armed-bandit jukebox to hear the latest Stones (or Beatles) tune, or whatever struck a chord in those jumping-jack times, maybe some mopey thing if girl desire was high; yes, but also of weary, so weary, lonely, so lonely night time standings up against the front door wall, waiting, waiting for...(and, maybe, someone, some guy, some long side-burned, engineer-booted guy, cigarette pack, unfiltered, rolled in tee-shirt guy, some time machine guy, is still waiting, still holding up that wall today. Nobody told him the world, the world that counts, the teen world, had moved to the malls). And beyond Norfolk Downs, up that asphalt river, on to the fate of a million small city centers, ghost-towned, derelict, seen better days, for sure, no question, no question, Quincy Center.

But I find myself , just now, as a stream of cooling air, finally, finally crosses my bridge-stuck, bridge-dreamed path, not in thoughts of jumbled mist of time high school-hood Saturdays nights (nor Friday nights either) in Norfolk Downs pizza parlors or bowling alleys, but of whirling past anciently walked, shoe leather-beaten (always leather-beaten, crooked-heeled, thinning-soled shoes that could be the subject of their own separate bridge-like dream thoughts), oceaned-breezed (just like the breeze crossing over me now , ‘cause that is where it is coming from, it has to be), sharp-angled memories: some of hurt, some of high-hatted hurt, worse, a few, too few, of funny kiddish, ding-dong dumb done things (ever when too old to hide under that womb-like kiddish umbrella), the memories that is, of Atlantic streets, of breezing Quincy bays, of oceans-abutted streets etched deep, almost DNA deep.

Name names. Okay. Well-trodden Appleton Street sidewalks, drawn like a moth to flame to some now-forgotten she, by flickering, heart-quickening, unrequited, just barely teenage, but self-consciously teenage anyhow, romantic trance longings, doggedly working up non-courage, yes non-courage a very common thing in those days, to speak, or better, to write that one word, that one word still now not easily come by, that would spark interest (her interest), as I turned from boy to the buddings of manhood; of the close-quartered, no space, no space for anything but small pinched, tightly pinched, dreams , no room to breathe, no room to breathe anything but small breathe, hacked up, asphalted-up, lawn-free yards to quench driveway car thirsting, two and three-decked Atlantic Street houses passed on quick high school cross country practice runs; of family relative-burdened, just getting-started in adult life, small, cramped five room and tiny bath apartment dotted Walker and Webster Streets; of the closely-cornered, well-kept small manicured-lawn’d, busily repair-worked, no beach parking on the street in summertime, working class cottage-mansions of Bayfield Road (I always forget which is North and which is South, but no matter the description fits both as they feed to the endless sea stopped by that infernal stop light that keeps you waiting, waiting beyond impatience, to cross to the much repaired and replaced seawall and view of seaward homeland.); of Atlantic Junior High School’d (ya, I know, Middle School) teen angst (under either junior or middle school names), mad, hormonally mad, teen-brokered years, world wised-up with some twists, but also world sorry, straight-up, Hollis Avenue; and on and on, through to the beach-drained, tree-named streets. Sanctified beyond name streets all; beat, beatified streets all; mist-filled dream streets all; memory-soaked streets all; be-bop, then real gone daddy, now hip-hop, big old pie-in-the-sky looking for the universe somewhere, streets all.

But enough of old dog-eared memories let me get moving, after all with this bridge, this “new” bridge, one has to cross with purpose, serious purpose, and maybe a wing and a pray that one can get back to the old home town in one piece or, at least, be able to think that one precious thought that drove me, lemming-like, here in the first place. I walk down the broken hand-railed, dirt-piled , drift winds-sent littered steps to get off the bridge and immediately stretched before me ; one million water-logged, stubbed cigarette-butts; one thousand stray, crushed, empty, cellophaned cigarette-packages blown around seeking their rightful owners; one hundred infinite brand-named (ice cold something pictured Bud Lite seems like the winner), crushed (or at least dented) beer cans; assorted, unnumbered, brown whiskey(or were they gin) bottles, mainly cheap from the look of them, a drunkard’s feast at one time; high gloss advertisement mailings(endless CVS drugs to take your world’s pain away, Shaw’s food to curb that incurable hunger that gnaws away at your stomach, Wal-Mart back-to-school trinkets, gadgets and throw-aways when the kids find out, and find out fast, that this crap is not “cool”, K-Mart holiday bargains, three for a dollar); yellowing, dated, newspapers (local this-and-that news, distant war drum news, more war drum news from some other earth corner, bad news badder, and celebrity relief news, Lady GaGa, or some such doings, that’s the ticket for our times) strewn every which way, discarded fast food packages of all descriptions that I have no time to describe. On to the street I step, the hard-scrabble growing up street. Home.

Friday, August 13, 2010

*Out In The Be-Bop Night- Fragments On The Ethos Of Working Class Culture – Frankie’s Big Summer’s Day Walk, Circa 1960

Click on the headline to link to a YouTube film clip of the Capris performing their doo-wop classic, There's A Moon Out Tonight. This is sent out by request to Frankie, from the old neighborhood.

Markin comment:

No, this will not be a revival of the controversy in the Bolshevik Party in the post- Civil War Soviet Union of the 1920s. That controversy pitted those who championed a “proletarian culture” bias by the workers state in the cultural field and those who, like Leon Trotsky, argued for a policy of “let one hundred flowers bloom and contend” (although not in those words, and with the proviso that the tendency was not engaged in counter-revolutionary activity) against each other. (See chapters six and seven of Trotsky’s 1924 Literature and Revolution at the Leon Trotsky Internet Archives for further information on that dispute.) This is merely a tip of the hat to a small segment of the working class, and its ethos, in a small section of America in the 1950s and 1960s (now dubbed the “golden age” of the American working class).

*********

This space, as any even casual reader can readily see, is driven by politics, and occasionally, by comment on culture and other ephemera. While I have, liberally, sprinkled my own experiences, political, cultural and personal, in entries throughout the years I have done so mainly in order to round out a “cautionary tale”, or some other devilish thing. On some very rare occasions I have just let the personal story drive the commentary, and force the reader to figure out what the heck was driving the thing, mainly hubris I think. Okay, I will dress that last remark up some to be “politically correct”, mainly “revolutionary” hubris. Egad!

Those occasions of personal reflection, in any case, were most in evidence a couple of years ago when I got caught up in doing some work, Jimmy Higgins work as its turned out, for my high school reunion committee (and, particularly, its hard-driving, relentless, merciless, hubristic, I am being kind , chairperson). That exercise, which churned up lots of evidences of the reasons for my continuing adherence to my working class roots and that also help explain my continuing fight for the historic interest of the class, made me think that once in a while I should, for a change of pace, do some additional pieces. Politics is in command in this space, as the Maoists in the 1960s used to be fond of saying (endlessly) during the period of the “Great Proletarian Cultural Revolution”, but today I am posting the first of these off-the cuff entries.

As the first such entry will make clear I am approaching this series in a little different manner from the previously straight expository format. The more I thought about it the more I was struck by the pervasive working class ethos of my growing-up home town, even imbibed in by those who qualified for genuine professional middle class status, or other such statuses. That ethos drove, seemingly from cradle to grave, a whole way of life from attitudes toward the various childhood and teenage rites of passage: of gaudy spectacles like the Fourth Of July, where kids would run the gauntlet like the “running of the bulls” at Pamplona for cheapjack sodas and ice cream; of over-the-top Christmas house light displays although in many a house, and, perhaps, especially in those houses, the late hip-hop artist Biggie Smalls’ line “Christmas kinda missed us” had full force; of cheap carnival rides on rickety Ferris wheels, cotton candy sugar-smacked, fried dough mouth’d, three-chance-for a quarters, and other shell games to support local charities and youth programs; and, of those first awkward basement cellar long-faced, off-handedly dressed boys on one side, fresh-scrubbed, shoulder-showing, perky, sun-dressed girls on the other, giggling, suddenly lights out “petting” kid parties, somewhat chaperoned (wink).

And later on, of the hazings and harassments of entering new schools as one got older, graduating from elementary “punk” to middle school “crazy” to high school, well maybe we will survive and “learn a trade” or go with pa on his job; of block parties where the subtle “shanty” and “lace curtain” shadings and their meanings were faithfully observed by babe child and long-toothed grandpa alike: of that bloody, long-abandoned railroad track that literally divided the “right” from the “wrong” side of the tracks (and still does) between the respectable working class and the benighted working poor (my working poor); of cars, and who did and did not have a “boss” one, a ’57 Chevy one at that, kid and dad alike, and what that meant; and, of course, the endless, endless, endless high school struggle, no, not what you think, over the “high theory” issue of girls; of high school dances and of the yeses and noes embedded in the etiquette of such existence, and of Saturday night (Saturday end of night, last dance) that was built for such existences, whatever the etiquette; of the kinds of consumer products one chose, if affordable, from shoes to cars, and what was said about them and you. Whoa!

And on and on, of attitudes toward women, some of them pretty raw and still prevalent even now let us not kid each other, toward the big social issues, toward sorrows, envies and angers, and a whole range of other quirky things that make an ethos, and that are better described in story form than as an academic exercise. But above all about dreams, about the size and scope of dreams in a post-World War II environment where theoretically “the sky was the limit.” It is that dream part, that littleness dream part that is the axis of what I want to highlight. And as I said before, politics is in command, so another idea is to show how changing the society from one where the many are only permitted small dreams, like back in the old home town, to that projected in our communist future where “the red dream sky is the limit” will really be the limit.

Some short comments on Frank, the central character this sketch. Frank and I were bosom buddies all through junior high school. I had changed junior high schools in the seventh grade and, as most of you well know, such a transfer from a familar to an “alien” school is “the kiss of death” at that age. The turf, its parameters and etiquettes, are already etched in stone. The “ins” and “outs”, just vaguely named in elementary school, are now eternally, granitically confirmed. Frank, mad man, mad monk man (seriously considered at the time,the monk part), proto-beatnik that he was got me through those hard times. After some searching I recently found Frank, who already had been informed of what I was up to by that self-same class chairperson and in turn wanted me, no ordered me under maximum penalty, undefined, to write this little story. His way.

Frank’s path and mine diverged long ago. He is now a very high-priced and high-powered lawyer whose idea of pro bono work is to “donate” his time “saving the earth” by acting as an unpaid legal consultant to various Democratic Party political committees, state and national. Well, such is life, the political life any way. But remember this last little fact when you read old Frank's whiny little saga.

An Atlantic Summer's Day, Circa 1960-For Frank, Class Of 1964

This is the way Frank told me the story, mainly, so it’s really a Frank story that I want to tell you about but around the edges it could be my story, or your story for that matter:

Frank, long, winter-weight black-panted, long sleeve plaid flannel-shirted, thick-soled work boot-shod, de rigueur pseudo-beatnik posing attire, summer or winter, that he thought made him “cool”, at least for the be-bop, look-at-me-I'm-a-real-gone daddy, bear-baiting of the public (and not just the public) that he relished anguished over the job ahead the details of which will concern us later, not now. Melted by the late August sun like some Woolworth’s grilled cheese sandwich, he stood almost immobile, on the Sagamore Street side, looking toward the early morning vacant Welcome Young Field in front of him, as he slowly and methodically pulled out, for about the eighteenth time, or maybe about the eighteen thousandth, a now sweat-soaked, salt-stained, red railroad man’s handkerchief (also de rigueur) to wipe off the new wave of venial sin-producing (at least), swear-to-the-high-heavens-inducing sweat that had formed on his brow.

Frank had, after leaving his own house, already crossed the long-abandoned, rusty-steeled, wooden-tie worn Old Colony railroad tracks that separated the almost sociologically proverbial well-worn, well-trodden “good” from “bad” side of our town, his the “bad”, and mind too (that track, now used as part of the Red Line subway extension system, still stands guardian to that dividing line). He faced, and he knew he faced, even this early in the morning, another day in hell, Frank-ish hell, or so it seemed to him like that was where the day was heading, no question. Another one of those endless, furnace-blasting, dirt-kicking, hard-breathing, nerve-fraying, gates of hell, “dogs days”, August days. Worst, worst for old weather-beaten, you might as well say world-beaten Frank, a fiendish, fierce, frantic, frenzied 1960 teenage August day.

And, like I said, it was not just the weather either, although that was bad enough for anybody whose body metabolism cried out, and cried out loud and clear, for temperate climates, for low humidities, or just the cool, sweet hum of an ocean breeze now and again. But also, plain truth, it was just being a befuddled, beleaguered, bewildered, benighted, be-jesused kid that gummed up the works as well. Frank had it bad. I want to say, if memory does not fail me, that there aren’t double “dog days” like that now, heat-driven, sweltering, suffocating, got-to-break-out-or-bust teenage days, not August days anyway.

But, no, now that I think about it, that’s just not right, not at least if you believe, and you should, all the information about climate change and the rip-roaring way we, meaning you and me, and Frank too, have torn up old Mother Earth without thinking twice about it. Or even once, if you really look around. And about the 21st century angst-filled Franks that you see on those heat-swept streets now, except now the Franks are buried beneath some techno-gadgetry or other, and are not worrying about being be-bop, or real gone daddies, or being “beat”, or about bear-baiting the public or anything like that. But that’s a screed for another day; at least I want to put it off until then. Even writing about this day, this Frank-ish day, right now makes me reach for my own sweaty, dampish handkerchief. Let’s just call it a hot, dusty, uncomfortable, and dirty day and leave it at that.

What’s not “not right” though is that, Frank, a by now finely-tuned, professional quality sullen and also an award-worthy, very finely-tuned sulky teenage boy, usually, waited this kind of day out, impatiently, in his book-strewn, airless, sunless room, or what passed for his room if you don’t count his shared room brother’s stuff. And, maybe, the way Frank told it to me, he might have been beyond waiting impatiently, for he was ready, more than ready, for school to go back into session if for no other reason than, almost automatically come the “dog days”, to get cooled-out from this blazing, never-ending inferno of a heat wave that never failed to drain him of any human juices, creative or not.

And nothing, nothing, in this good, green world, seemingly, could get this black chino-panted, plaid flannel-shirted, salty sweat-dabbled, humidity-destroyed teenage boy out of his funk. Or it would, and I think you would have to agree, have to be something real good, almost a miracle, to break such a devilishly-imposed spell. In any case, as we catch up to him, he is not in his stuffy old bookcase of a room now but there he is walking, in defiance of all good, cool, common sense, long-panted, long-shirted, and long-faced, as I said was his fashionista statement to this wicked old world in those days, across Welcome Young Field on to Hancock Street. On a mission, no less. That is as good a place, the field that is, as any to start this saga.

Now come late August this quirky, almost primitively home-made-like softball field (with adjoining, little used asphalt tennis courts, little used in those days, anyway) was a ghost town during the day. The city provided and funded kids recreation programs were over, the balls and bats, paddles and playground things are now put away for another season, probably also, like Frank, just waiting for that first ring of the school bell come merciful September. The dust this day is thick and unsettled, forming atomic bomb-like powder puffs in the air at the slightest disturbance, like when an odd kid or two makes a short-cut across the field leaving a trail of such baby atomic bomb blasts behind them.

At this early hour the usually game-time firm white lines of the base paths are now broken, hither and yon, to hell from last night's combat, the battle for bragging rights at the old Red Feather gin mill, or something. They await some precious manicure from the Parks Department employees, if those public servants can fight their own lassitude in this heat. And while they are at it they should put some time, some serious patchwork time, fixing the ever-sagging, splintered, termited, or so it seemed on close inspection, but in any case rotted out wooden bleachers that served to corral a crowd on a hot summer’s night. Good luck, men. And if the work is not done, not to worry, the guys who play their damned, loud-noised, argue, argue loudly, over every play with the ever blind umpire, softball under the artificial night lights, if I know them and I do just like Frank does, know the grooves and ridges of the surfaces of the base paths like the backs of their hands, so don’t fret about them.

This field, this Welcome Young Field, by the way, is not just any field, but a field overflowing, torrentially overflowing, with all kinds of August memories, and June and July memories too. Maybe other months as well but those months come readily to mind, hot, sticky, sultry summer mind. Need I remind anyone, at least any Atlantic denizen of a certain age, of the annual Fourth of July celebrations that took place center stage there as far back as misty memory recalled. The mad, frenetic, survival-of-the-fittest dashes for ice cream, the crushed-up lines (boys and girls, separately ) for tonic (aka soda, with names like Nehi, grape and orange, and Hires Root Beer for good measure, for those too young to remember that New Englandism and those brand names), the foot races won by the swift and sure-footed (Frank said he almost won one once but “ran out of gas” just before the finish), the baby carriage parade, and the tired old, but much anticipated, ride on a real pony, and other foolery and frolic as we paid homage to those who fought, and bled, for the Republic. Maybe, maybe paid homage that is. A lot of that part gets mixed up with the ice cream and tonic. (Remember: that’s soda, you can look it up, but I’m telling you all the truth.).

Hell, even that little-used, like I said before little-used in those days, usually glass-strewn but now Parks Department cleaned up asphalt-floored tennis court got a workout as a dance/talent show venue, jerrybuilt stage platform and all. Every 1960 local American Idol wanna-be, misty Rosemary Clooney/McGuire Sisters-like 1940s Come On To My House, Paper Dolls torch singer jumped, literally, on stage to grab the mike and "fifteen minutes (or less)of fame." Needless to say every smoky-voiced male crooner who could make that jump got up there as well, fighting, fighting like a demon for that five dollar first prize, or whatever the payoff was. Later as it got dark, tunes, misty tunes of course, some of them already heard from those "rising stars" like some ill-fated encore, wafted in the night time air from some local band when the Fourth of July turned to adult desires come sundown after we kids had gorged, completely gorged, and feverishly exhausted, ourselves. That story, the dark night, stars are out, moony-faced, he looking for she, she looking for he, and the rest of it, (I don’t have to draw you a diagram, do I?), awaits its own chronicler. I’m just here to tell Frank’s story and that ain’t part of it.

This next thing is part of the story, though. In this field, this bedlam field, as Frank just reminded me, later, after Fourth Of July celebrations became just kids stuff for us, and kind of lame kids stuff at that, we had our first, not so serious, crushes on those glamorous-seeming, fresh-faced, shapely-figured, sweetly-smiling and icily-remote college girls, or at least older girls, who were employed by the Parks Department to teach us kids crafts and stuff in those summer programs that I mentioned before. Or had our first serious crushes on the so serious, so very serious, girls, our school classmates no less, determined to show Frank, Frank of all people, up in the craft-creating (spiffy gimp wrist band-making, pot-holder-for-Ma-making, copper-etching, etc.) department when everyone knew, or should have known, Frank was just letting them win for his own “evil” designs. (And maybe me, maybe I let them "win" too, although I will plead amnesia on this one.) Now that I think of it I might have tried that ruse on the girls myself, there was nothing to it then.

But enough of old, old time flights of fancies. I have to get moving, and moving a little more quickly, if I am ever going to accomplish “my mission”, or ever get Frank out of that blessed, memory-blessed, sanctified, dusty old ball field, sweaty flaming red railroad man’s handkerchief and all. I‘ll let you know about the mission, Frank's mission that is, as I go along like I told you I would before but it means, in the first place, that Frank has to go on this “dog day” August day to Norfolk Downs, or the “Downs” as I heard someone call it once and I didn’t know what they were talking about. We always called it just plain, ordinary, vanilla-tinged, one-horse Norfolk Downs. And Frank had to walk. He, hot as he was and as hot as it was, was certainly not going to wait for an eternity, or more, for that never-coming Eastern Mass. bus from Fields Corner to meander up Hancock Street. Not that Frank was any stranger to that mode of transportation, to that walking. Frank, as I know for certain and have no need to plead amnesia on, had worn down many a pair of heel-broken, sole-thinned shoes (and maybe sneakers too)on the pavements and pathways of this old planet walking out of some forlorn place (or, for that matter, walking into such places). Just take my word for that, okay.

You can take my word for this too. Frank is now officially (my officially) out of the softball field and walking, walking slowly as befits the day, past the now also long gone little bus shelter hut as you get up onto Hancock Street. You know that old grey, shingled, always needed painting, smelly from some old wino's bottle or something, beat-up, beat-down thing that was suppose to protect you against the weathers while you waited for that never-coming Eastern Mass. bus. He, Frank that is, insists that his observation of that hut be put in here despite the fact that he had no intention of taking the bus as I already told you. He is not even going to step into its shade for a minute to cool off. But get this. We have to go through this hut business because, if you can believe this, that lean-to has "symbolic" meaning. Apparently every time this know-it-all pseudo-“beatnik”, long pants, heavy shirt and all, had a beef with his mother (and, you know, let’s not kid each other, when the deal went down, the beef was ALWAYS with Ma in those pre-“parenting-sharing” days) he sought shelter against life’s storms there, before caving into whatever non-negotiable demands Ma insisted on. Sound familiar? But enough, already.

Well, if you get, or rather, if back then if you got on to Hancock Street, (and you actually made it past that historic Eastern Mass. hut, oops, "symbolic" hut) down at the far end of the Welcome Young Field and were heading for Norfolk Downs you have to pass the old high school just a few blocks up on your journey. Just past the old Merit gas station, remember. That gas station had been the scene of memories, Frank memories and mine too. But those are later gas-fumed, oil-drenched, tire-changed, under-the hood-fixated, car-crazy dreams; looking out at the (hopefully) starless be-bop ocean night; looking out for the highway of no return to the same old, same old mean streets of beat town; looking for some "high white note" heart of Saturday night or, better, the dreams accumulated from such a night; and, looking, and looking hard, desperately hard for the cloudless, sun-dried, sun-moaning under the weight of the day, low-slung blue pink Western-driven be-bop, bop-bop, sun-devouring sky and need not detain us here.


Don’t be scared by the thought of approaching the old school though, we all did it and most of us survived, I guess. Frank included. What makes this particular journey on this particular day past the old beige-bricked building “special” is that Frank (and I) had, just a couple of months before, graduated from Atlantic Junior High School (now Atlantic Middle School, as everyone who wants to show how smart and up-to-date they are keeps telling me) and so along with the sweat on his brow from the heat a little bit of anxiety is starting to form in Frank’s head about being a “little fish in a big pond” freshman come September as he passed by. Especially, a pseudo-beatnik “little fish”. See, he had cultivated a certain, well, let’s call it "style" over there at Atlantic. That “style” involved a total disdain for everything, everything except trying to impress girls with his long-panted, flannel-shirted, work boot-shod, thick book-carrying knowledge of every arcane fact known to humankind. Like that really is the way to impress teenage girls, then or now. In any case he was worried, worried sick at times, that in such a big school his “style” needed upgrading. Let’s not even get into that story now, or maybe, ever. Like I said we survived.

Frank nevertheless pulled himself together enough to push on until he came to the old medieval-inspired Sacred Heart Catholic Church further up Hancock Street, the church he went to, his church (and mine) in sunnier times. Frank need have no fear this day as he passed the church quickly, looking furtively to the other side of the street. Whatever demons were to be pushed away that day, or in his life, were looking the other way as well. The boy is on a mission after all, a trusted mission from his grandmother. Fearing some god, fearing some forgotten confession non-confessed venial sin like disobeying your parents, was child’s play compared to facing Gramma’s wrath when things weren’t done, and done right, on the very infrequent special occasions in his clan’s existence. I knew Frank's grandmother and I knew, and everyone else did too, that she was a “saint” but on these matters even god obeyed, or else. This special occasion, by the way, the reason Frank felt compelled to tell me this story, and to have me write it, or else, was the family Labor Day picnic to take place down at Treasure Island. (That’s what we called it in those days; today it is named after a fallen Marine, Cady Park, or something like that.) This occasion required a food order; make that a special food order, from Kennedy’s Deli.

And there it is as Frank makes the turn from Hancock Street to Billings Road. You knew Kennedy’s, right? The one right next to the big A&P grocery store back in those days. As Frank turned on Billings, went down a couple of storefronts and entered that store he had to, literally, walk in through the piled sawdust and occasional peanut shell husks on the gnarled hardwood floor. At once his senses were attacked by the smells of freshly ground coffee, a faint whiff of peanut butter being ground up, and of strong cheeses aging. He noticed a couple of other customers ahead of him and that he will have to wait, impatiently.

He also noticed that the single employee, a friendly clerk, was weighing a tub of butter for a matronly housewife, while a young mother, a couple of kids in tow, was trying, desperately, to keep them away from the cracker barrel or the massive dill pickle jar. The butter weighed and packaged the matronly women spoke out the rest of her order; half pound of cheese, thinly sliced, a pound of bologna, not too thin; a third of a pound of precious ham, very thinly sliced; and, the thing that made our boy pay attention, a pound of the famous house homemade potato salad, Kennedy's potato salad.

Frank winced, hoping that there will be enough of that manna left so that he could fill his order. That, above all else, is why he is a man on a mission on this day. Something about the almost paper thin-sliced, crunchy potatoes, the added vinegar or whatever elixir was put in the mix that made any picnic for him, whatever other treats might surface. Hey, I was crazy over it too. Who do you think got Frank "hip" to it, anyway? Not to worry though, there was plenty left and our boy carried his bundled order triumphantly out of the door, noticing the bigger crowds going in and out of the A&P with their plastic sheathed, pre-packaged deli meats, their tinny-tasting canned goods, their sullen potato salad, probably yesterday’s, and their expressionless fast exit faces. Obviously they had not been on any mission, not any special mission anyway, just another shopping trip. No, thank you, not today to all of that. Today Frank’s got real stuff.

“Wait a minute,” I can hear patient readers, impatiently moaning. This madman of a Frank story-teller has taken us, hither and yon, on some seemingly cryptic mission on behalf of an old friend, under threat or otherwise, through the sweat-drenched heat of summer, through the really best forgotten miseries of teenage-hood, and through the timeless dust and grime of vacant ball fields. He has regaled us with talk of ancient misty Fourth of July celebrations, the sexual longings of male teenagers, the anxieties of fitting in at a new school, and some off-hand remarks about religion. And for what, just to give us some twisted Proustian culinary odyssey about getting a pound of potato salad, famous or not, for grandmother. Well, yes. But hear me out. You don’t know the end. I swear Frank said this to me, shaking off the heat of the day on which he told me the story with a clean white handkerchief from the breast pocket of his light-weight suit jacket. After the purposeful journey the heat of that day didn’t seem so bad after all. That, my friends, made it all worth the telling, right?

*********

Theres A Moon Out Tonight-The Cparis Lyrics

There's a (moon out tonight) whoa-oh-oh ooh
Let's go strollin'
There's a (girl in my heart) whoa-oh-oh ooh
Whose heart I've stolen
There's a moon out tonight (whoa-oh-oh ooh)
Let's go strollin' through the park (ooh-ooh-ooh-ooh)

There's a (glow in my heart) whoa-oh-oh ooh
I never felt before
There's a (girl at my side) whoa-oh-oh ooh
That I adore
There's a glow in my heart I never felt before (ooh-ooh-ooh-ooh)

Oh darlin'
Where have you been?
I've been longin' for you all my life

Whoa-uh-oh baby I never felt this way before
I guess it's because there's a moon out tonight

There's a (glow in my heart) whoa-oh-oh ooh
I never felt before
There's a (girl at my side) whoa-oh-oh ooh
That I adore
There's glow in my heart
I guess it's because

There's a moon out tonight
Moon out tonight
Moon out tonight
Moon out tonight
There's a moon out tonight

Sunday, August 08, 2010

*Songs To While Away The Class Struggle By- The Dropkick Murphys' "World Full Of Hate"

Click on the title to link a YouTube film clip of the Dropkick Murphys performing World Full Of Hate.

In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here. Markin.

***********

"World Full Of Hate"

A feeling inside
In the back of my head
Like a song I still know
From so long ago
And I wouldn't change a thing
Like a car driving by
Triggers something in my mind
Am I retreiving my direction?
Or just charging forward blind?

Am I everything that you wanted me to be?
Have I lost that conditional connection I couldn't see?
To the end
Like a friend
Stands by you again
And I wouldn't change a thing
Toe-to toe
Friend or foe?
It's all that I know
And I wouldn't change a thing

As the years pass us by
Will I still make the grade?
Can I really offer anything?
And will my soul be saved?
Can you cleanse me up?
Drive out the swine?
Am I only falling farther?
Can you keep me safe from harm?

The memories you build
In the house on the hill
Would you really change a thing?
Correcting mistakes in a world full of hate
Never changes anything

Till the end
Like a friend
Stands by you again
Toe-to-toe
Friend or foe?
It's all that I know

Till the end
Like a friend
Stands by you again
And I wouldn't change a thing
Toe-to-toe
Friend or foe?
It's all that I know
And I wouldn't change a thing

*Songs To While Away The Class Struggle By-The Dropkick Murphys' "Never Alone"

Click on the title to link a YouTube film clip of the Dropkick Murphys performing Never Alone.

In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here. Markin.

***********

"Never Alone"

You say its becasue we�re boisterous
You hate us cause we got our dignity
We stand together proud and strong
This is a place where we belong
We got loyal friends we keep our heads held high,
We�ll stick together you and I
Don�t need no guns or drugs on our streets
just a place to go and the boots on our feet

Chorus: Never alone. . .
The city streets are where we roam
Never alone. . .
This is Boston its our home
Never alone. . .
The city streets are where we roam
Never alone. . .
This is Boston its our home

Young skinhead they call you hooligan
Just because you don�t make any sense to them
But the blood that runs right down your wrist
Dont come from a knife, but the cuts on your fist�
Your torn up knuckles and faded blue jeans
Are the colors you wear and the life that you�ve seen
You tell the truth look people in the eye
Don�t live you life in no baggy disguise

chorus:

Dont need no gang to watch my ass
Just loyal friendship and a pint of Bass
We�ll sweat in the ring and bleed in the streets
But our will and spirit can not be beat
You can shoot and you can kick but together we�ll stick
Through thick and thin not stick or stone
Can break the bond that has here grown
Arm and Arm We Fight As One

*Songs To While Away The Class Struggle By-The Dropkick Murphys' "Worker's Song"

Click on the title to link a YouTube film clip of the Dropkick Murphys performing Worker's Song.

In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here. Markin.

***********
"Worker's Song"

Yeh, this one's for the workers who toil night and day
By hand and by brain to earn your pay
Who for centuries long past for no more than your bread
Have bled for your countries and counted your dead

In the factories and mills, in the shipyards and mines
We've often been told to keep up with the times
For our skills are not needed, they've streamlined the job
And with sliderule and stopwatch our pride they have robbed

[Chorus:]
We're the first ones to starve, we're the first ones to die
The first ones in line for that pie-in-the-sky
And we're always the last when the cream is shared out
For the worker is working when the fat cat's about

And when the sky darkens and the prospect is war
Who's given a gun and then pushed to the fore
And expected to die for the land of our birth
Though we've never owned one lousy handful of earth?

[Chorus x3]

And all of these things the worker has done
From tilling the fields to carrying the gun
We've been yoked to the plough since time first began
And always expected to carry the can

*Songs To While Away The Class Struggle By-The Dropkick Murphys' "Finnegan's Wake"- Via James Joyce

Click on the title to link a "YouTube" film clip of the Dropkick Murphys performing "Johnny, I Hardly Knew Ya."

In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here. Markin.

*******

"Finnegan's Wake"

- Trad', arranged by the Dropkick Murphy's -


Tim Finnegan lived in Watling Street, A gentle Irishman - Mighty Odd - He'd a beautiful brogue So rich and sweet, to rise in the world He carried a hod, You see He'd sort of a Trippling way: with love for a liquor Poor Tim was born, to help him on with His work each day, He'd a drop of the Craythor every morn'

One morning Tim was rather full, his head felt Heavy, which made him shake, fell from the Ladder and broke his skull, so they carried Him home, his corpse to wake, rolled Him up in a nice clean sheet, and laided Him upon the bed, A bottle of Whiskey At his feet, and a gallon of Porter At his head

chorus: And whack Fol-De-Dah now dance to your Partner, welt the floor, your trotters shake Wasn't it the truth I told Ye Lots of fun at Finnegan's Wake

His friends assembled at his wake And Missus Finnegan called for lunch First they brought in tea and cake Then pipes, tobacco and Whiskey Punch Biddy OBrien begged to cry, such a Nice clean corpse did you see Arrah hold your gob see Paddy Magee

chorus:

Then O Connor took up the job "Arrah!" Biddy says she Ye're wrong I'm Sure, Biddy then gave her a belt on The gob and left her sprawling on the Floor, there the war did soon engage Woman to Woman and Man to Man Shillelah-law was all the rage, an A Row and a Ruction soon began Mickey Maloney raised his head when a bottle Of Whiskey flew at him, it missed him falling on The Bed, the liquor scattered over Tim, Tim Revives, see how he rises, Timothy rising from the bed Whirl your Whisky around like blazes Tonamondeal, do ye think I'm dead

Wednesday, July 21, 2010

*Films to While Away The Class Struggle By-"Strike"- A Polish Film

Click on the title to link to a Wikipedia entry for the Polish film, Strike.

Recently I have begun to post entries under the headline- Songs To While Away The Class Struggle By-that will include progressive and labor-oriented songs that might be of general interest to the radical public. I have decided to do the same for some films that may perk that same interest under the title in this entry’s headline. In the future I expect to do the same for books under a similar heading.-Markin


DVD Review


I have posted the information from Netflix's description on this one. I will make a couple of comments below.

Strike(Strajk: Die Heldin von Danzig) 2006 NR 104 minutes


Cast:Katharina Thalbach, Maria Maj, Andrzej Chyra, Andrzej Grabowski, Dominique Horwitz, Joanna Bogacka

Director:Volker Schlondorff

"Inspired by a true story, this powerful drama tells the tale of an ordinary woman who helps spark a revolution in Poland. Single mother Agnieszka (Katharina Thalbach) works as a shipyard welder. Concerned about dangerous working conditions, she speaks up -- to no avail. But after an accident kills several employees, and their families are denied pension benefits, she steps up her activities, laying the foundation for the Solidarity movement."

********

Markin comment:

The great Russian revolutionary Leon Trotsky noted back in the early days of the Communist International in the 1920s that the German Communist Party was the biggest (outside of the Russian Bolsheviks) in that organization, but the Polish party was the best. That party, after all, was the party of Rosa Luxemburg (and Leo Jogiches), and of the three W’s. Some things, some very terrible Stalinist-driven (Moscow and Warsaw versions) things went wrong from the time of that statement to the time of the end of this film in the early 1980s and the solidification of Solidarity to drive the bulk of the historically pro-socialist Polish working class into the waiting arms of the Polish bourgeoisie, the Roman Catholic Church, and their international imperialist allies.

And in its, perhaps, unconscious, unintentional, oddball, eccentric, slice-of-life way this story of a single woman worker at the historic Lenin shipyard in Gdansk (a composite of a couple of real women at that site) this film, Strike, reveals many of the problems that, in the end the Stalinists refused to deal with, or were incapable of dealing with except with the police baton (or total capitulation to the pro-capitalist forces that emerged in the Polish labor movement and elsewhere in Polish society). To, I might add, the great loss of the international working class movement today as we try to come out from under the “death of communism” siege of the past two decades. And to the great loss of Polish workers now, for the most part the sons and daughters of those who renounced a socialist perspective (of some sort, as they understood it through the distorted prism of Stalinism), who find themselves in places like London, Paris, and Brussels providing those economies with low-wage, high-skilled labor for their troubles. But enough of that. This is a film to see, to ponder over, and to try to come to an understanding of the question of where the international left went wrong in its overwhelming support for Solidarity.

Note: Agnieszka Kowalska, the Lenin shipyard worker who is the central character of this film, from the start of the film holds, and holds firmly, to her village-derived Catholicism. Although we do not attack personal religious belief, per se, it is clear that the capitulation of the Stalinists to the Polish church was factor, and not an unimportant factor, in undermining the workers state. A “vanguard” worker, at least that was the way Agnieszka was presented in the film, should have been fought with politically on that religion question. Also, as is the case for the Soviet intervention in Afghanistan in defense of what, for Afghanistan, was a progressive government but which the international left overwhelmingly opposed isn’t it time, for those in the international left who supported Solidarity, to think through their support of that outfit. After all if we, as the old philosopher said, do not learn the lessons of history (and I would add reflect on them) we are condemned to relive it.

Monday, April 05, 2010

*Books To While Away The Class Struggle By-James T. Farrell’s “Studs Lonigan”-Ain’t Got Not Time For The Corner Boys

Click on the headline to link to the "Literary Encyclopedia" entry for Irish-the American writer, James T.Farrell.

Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By” and "Films To While Away The Class Struggle By"-that will include progressive and labor-oriented songs and films that might be of general interest to the radical public. I have decided to do the same for some books that may perk that same interest under the title in this entry’s headline. Markin

Book Review


The Young Manhood of Studs Lonigan, James T. Farrell, Random House, New York, 1934

Over the past several years, as part of re-evaluating the effect of my half-Irish diaspora heritage (on my mother's side) on the development of my leftist political consciousness I have read, and in some cases re-read, some of the major works of the Irish American experience. Of course, any such reading list includes tales from the pen of William Kennedy and his Albany sagas, most famously "Ironweed". And, naturally, as well the tales of that displaced Irishman, the recently departed Frank McCourt and his "Angela's Ashes", a story that is so close to the bone of my own "shanty" Irish diaspora upbringing that we are forever kindred spirits. That said, here to my mind is the "max daddy" of all the American disapora storytellers, James T. Farrell, and his now rightly famous trilogy, "Studs Lonigan" (hereafter, "Studs").

And in his storytelling of his people, the Chicago Irish, Farrell does not let us down. "Studs" is only marginally concerned with political issues, and then only of the bourgeois kind rampant amount the Irish in the early part of the 20th century when they were taking over local politics in a number of cities from their WASP guardians. However, he has hit so many "hot buttons" about "lace curtain" Irish sensibilities and the struggle against "shanty" Irishness that he, Kennedy, and McCourt could have easily compared notes for their respective works.

The story line for this second book of the trilogy is reflected in the headline to this entry, at least ironically. In the first book we leave our daydreaming, wise guy- affecting, just-hanging out with the guys "Studs" in his late teen years in the 1920s, a time when he is trying to figure out life's short-cut angles but, mainly, has, in fact, plenty of time for the corner boys. He works a little for old man Lonigan as a painter but, for the most part, he hangs around pool halls, speakeasies, and cat houses. Oh Studs dreams alright, or rather day dreams about being a great athlete, a war hero, a ladies' man, and the like but does not take step one to do anything about it. By the end of this second book it is clear that the struggle between his gentile "lace curtain" home life and his "shanty" ways that surfaced in the first book ("Young Lonigan") has tilted decisively toward the latter. "Studs" has, moreover, settled in as primarily a man of the neighborhood, the Irish neighborhood as it shifts in place in Southside Chicago with the migration of blacks, the hated 'n----rs', that appear as the main enemy to the narrow world view of the inhabitants of the Irish diaspora way of life then, and now. We'll pick up the story in the third book and see which ethos, in the end, wins the battle.

Note: Toward the end of the second book "Studs" and his cohorts attend a Catholic Church-sponsored mission. For those who have been through that process I need give no explanation but for those who have not this mission idea is to give one an extra chance to gain grace by attending meetings, ceremonies and the like over several days, usually conducted by an itinerant priest. Here the character is named Father Shannon and Farrell goes into great detail about the subject matter of his sermon at one night's session. That sermon exemplifies everything that the Roman Catholic Church stood for, and mainly still stands for: anti-abortion, anti-premarital sex; anti-marrying outside the religion; anti-raising the children outside of the religion; the necessity of avoiding about seven hundred sins, large and small; also alcohol, pool halls, rough talk, etc. Just about everything that "Studs" stands for in his young life. My point in making this note, however, is this: this sermon could have been delivered, and maybe was delivered, by some itinerant priest when I was young and went to such missions in the 1950s. Hey, they must go to school for that, right? If you can stand it, that sermon section alone is reason enough to read this book.

Sunday, February 28, 2010

*From The "Rise!Resist!Revolt!" Blog- A Budding Working Class Poet?

Click on the headline to link to a "Rise!Resist!Revolt!" blog entry that contains two poems.

Markin comment:

I am always, always, always a sucker for any kind of poetic expression coming from the working class quarters, or from their allies. Now I take Leon Trotsky's position on the weight of "proletarian culture" in the historic process but, for now, keep on putting your words together and sing your song out there.

Friday, January 29, 2010

*Songs To While Away The Class Struggle By-Tom Waits' "I Wish I Was In New Orleans"

Click on the title to link a "YouTube" film clip of Tom Waits performing "I Wish I Was In New Orleans"

In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.

Lyrics to I Wish I Was In New Orleans (In The Ninth Ward) :

Well, I wish I was in New Orleans, I can see it in my dreams,
Arm-in-arm down Burgundy, a bottle and my friends and me

Hoist up a few tall cool ones, play some pool and listen
To that tenor saxophone calling me home
And I can hear the band begin "When the Saints Go Marching In",
And by the whiskers on my chin, New Orleans, I'll be there

I'll drink you under the table, be red-nosed, go for walks,
The old haunts what I wants is red beans and rice
And wear the dress I like so well, and meet me at the old saloon,
Make sure that there's a Dixie moon, New Orleans, I'll be there

And deal the cards roll the dice, if it ain't that old Chuck E. Weiss,
And Claiborne Avenue, me and you Sam Jones and all

And I wish I was in New Orleans, 'cause I can see it in my dreams,
Arm-in-arm down Burgundy, a bottle and my friends and me
New Orleans, I'll be there

*Songs To While Away The Class Struggle By-Tom Waits' "Small Change"

Click on the title to link a "YouTube" film clip of Tom Waits performing "Small Change".

In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.


Tom Waits Small Change lyrics

(Got Rained on with His Own .38)
Well small change got rained on with his own .38
and nobody flinched down by the arcade
and the marquise weren't weeping
they went stark-raving mad
and the cabbies were the only ones
that really had it made
and his cold trousers were twisted,
and the sirens high and shrill
and crumpled in his fist was a five-dollar bill
and the naked mannikins with their
cheshire grins
and the raconteurs
and roustabouts said buddy
come on in
cause the dreams ain't broken down here now
now ...they're walking with a limp
now that
small change got rained on with his own .38
and nobody flinched down by the arcade
and the burglar alarm's been disconnected
and the newsmen start to rattle
and the cops are tellin' jokes
about some whore house in Seattle
and the fire hydrants plead the 5th Amendment
and the furniture's bargains galore
but the blood is by the jukebox
on an old linoleum floor
and it's a hot rain on 42nd Street
and now the umbrellas ain't got a chance
And the newsboy's a lunatic
with stains on his pants cause
small change got rained on with his own .38
and no one's gone over to close his eyes
and there's a racing form in his pocket
circled Blue Boots in the 3rd
and the cashier at the clothing store
he didn't say a word as the
siren tears the night in half
and someone lost his wallet
well it's surveillance of assailants
if that's whatchawannacallit
and the whores hike up their skirts
and fish for drug-store prophylactics*
with their mouths cut just like
razor blades and their eyes are like stilettos
and her radiator's steaming
and her teeth are in a wreck
now she won't let you kiss her
but what the hell do you expect
and the Gypsies are tragic and if you
wanna to buy perfume, well
they'll bark you down like
carneys... sell you Christmas cards in June
but...
small change got rained on with his own .38
and his headstone's
a gumball machine
no more chewing gum
or baseball cards or
overcoats or dreams and
someone is hosing down the sidewalk
and he's only in his teens
small change got rained on with his own .38
and a fistful of dollars can't change that
and someone copped his watch fob
and someone got his ring
and the newsboy got his porkpie Stetson hat
and the tuberculosis old men
at the Nelson wheeze and cough
and someone will head south
until this whole thing cools off cause
small change got rained on with his own .38
yea small change got rained on with his own .38

*Songs To While Away The Class Struggle By-Tom Waits' "Tom Traubert's Blues"

Click on the title to link a "YouTube" film clip of Tom Waits performing "Tom Traubert's Blues".

In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.

Tom Traubert's Blues
(Tom Waits 1976)


Wasted and wounded, it ain't what the moon did
Got what I paid for now
See ya tomorrow, hey Frank can I borrow
A couple of bucks from you?
To go waltzing Matilda, waltzing Matilda
You'll go a waltzing Matilda with me

I'm an innocent victim of a blinded alley
And tired of all these soldiers here
No one speaks English and everything's broken
And my Stacys are soaking wet
To go waltzing Matilda, waltzing Matilda
You'll go a waltzing Matilda with me

Now the dogs are barking and the taxi cab's parking
A lot they can do for me
I begged you to stab me, you tore my shirt open
And I'm down on my knees tonight
Old Bushmill's I staggered, you buried the dagger
Your silhouette window light
To go waltzing Matilda, waltzing Matilda
You'll go a waltzing Matilda with me

Now I lost my Saint Christopher now that I've kissed her
And the one-armed bandit knows
And the maverick Chinaman and the cold-blooded signs
And the girls down by the strip-tease shows
Go, waltzing Matilda, waltzing Matilda
You'll go a waltzing Matilda with me

No, I don't want your sympathy
The fugitives say that the streets aren't for dreaming now
Manslaughter dragnets and the ghosts that sell memories
They want a piece of the action anyhow
Go, waltzing Matilda, waltzing Matilda
You'll go a waltzing Matilda with me

And you can ask any sailor and the keys from the jailor
And the old men in wheelchairs know
That Matilda's the defendant, she killed about a hundred
And she follows wherever you may go
Waltzing Matilda, waltzing Matilda
You'll go a waltzing Matilda with me

And it's a battered old suitcase to a hotel someplace
And a wound that will never heal
No prima donna, the perfume is on
An old shirt that is stained with blood and whiskey
And goodnight to the street sweepers
The night watchman flame keepers and goodnight to Matilda too

*Songs To While Away The Class Struggle By-Tom Waits' "The Ghost Of Saturday Night"

Click on the title to link a "YouTube" film clip of Tom Waits performing "The Ghost Of Saturday Night".

In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.

"The Ghosts of Saturday Night"

(After Hours at Napoleone's Pizza House)


A cab combs the snake,
Tryin' to rake in that last night's fare,
And a solitary sailor
Who spends the facts of his life
like small change on strangers...

Paws his inside P-coat pocket
for a welcome twenty-five cents,
And the last bent butt from a package of Kents,
As he dreams of a waitress with Maxwell House eyes
And marmalade thighs with scrambled yellow hair.

Her rhinestone-studded moniker says, "Irene"
As she wipes the wisps of dishwater blonde from her eyes

And the Texaco beacon burns on,
The steel-belted attendant with a 'Ring and Valve Special'...
Cryin' "Fill'er up and check that oil"
"You know it could be a distributor and it could be a coil."

The early mornin' final edition's on the stands,
And that town cryer's cryin' there with nickels in his hands.
Pigs in a blanket sixty-nine cents,
Eggs - roll 'em over and a package of Kents,
Adam and Eve on a log, you can sink 'em damn straight,
Hash browns, hash browns, you know I can't be late.

And the early dawn cracks out a carpet of diamond
Across a cash crop car lot
filled with twilight Coupe Devilles,
Leaving the town in a-keeping
Of the one who is sweeping
Up the ghost of Saturday night...

*Songs To While Away The Class Struggle By-Tom Waits' "Diamonds On My Windshield"

Click on the title to link a "YouTube" film clip of Tom Waits performing "Diamonds On My Windshield".

In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.

Tom Waits Diamonds On My Windshield Lyrics

Diamonds on my windshield
Tears from heaven
Pulling into town on the Interstate
Pulling a steel train in the rain
The wind bites my cheek through the wing
Fast flying, freway driving
Always makes me sing

There's a Duster tryin' to change my tune
Pulling up fast on the right
Rolling restlessly, twenty-four hour moon

Wisconsin hiker with a cue-ball head
Wishing he was home in a Wiscosin bed
Fifteen feet of snow in the East
Colder then a welldigger's ass

Oceanside it ends the ride, San Clemente coming up
Sunday desperadoes slip by, gas station closed,
Cruise with a dry back
Orange drive-in the neon billin'
Theatre's fillin' to the brim
Slave girls and a hot spurn bucket full of sin

Metropolitan area with interchange and connections
Fly-by-nights from Riverside
Black and white plates, out of state,
Running a little bit late

Sailors jockey for the fast lane
101 don't miss it
Rolling hills and concrete fields
The broken line's on your mind

Eights go east and the fives go north
The merging nexus back and forth
You see your sign, cross the line,
Signalling with a blink

The radio's gone off the air
Gives you time to think
You ease it out and you creep across
Intersection light goes out
You hear the rumble
As you fumble for a cigarette
Blazing through this midnight jungle
Remember someone that you met
One more block; the engine talks
And whispers 'home at last'
It whispers, whispers, whispers
'home at last', home at last

*Songs To While Away The Class Struggle By-Tom Waits' "Big Joe And Phantom 309"

Click on the title to link a "YouTube" film clip of Red Sovine performing "Big Joe And Phantom 309".

In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.

Big Joe and Phantom 309 Lyrics

well you see I happened to be back on the east coast
a few years back tryin' to make me a buck
like everybody else, well you know
times get hard and well I got down on my luck
and I got tired of just roamin' and bummin'
around, so I started thumbin' my way
back to my old hometown
you know I made quite a few miles
in the first couple of days, and I
figured I'd be home in a week if my
luck held out this way
but you know it was the third night
I got stranded, it was out at a cold lonely
crossroads, and as the rain came
pouring down, I was hungry, tired
freezin', caught myself a chill, but
it was just about that time that
the lights of an old semi topped the hill
you should of seen me smile when I
heard them air brakes come on, and
I climbed up in that cab where I
knew it'd be warm at the wheel
well at the wheel sat a big man
I'd have to say he must of weighed 210
the way he stuck out a big hand and
said with a grin "Big Joe's the name
and this here rig's called Phantom 309"
well I asked him why he called his
rig such a name, but he just turned to me
and said "Why son don't you know this here
rig'll be puttin' 'em all to shame, why
there ain't a driver on this
or any other line for that matter
that's seen nothin' but the taillights of Big Joe
and Phantom 309"
So we rode and talked the better part of the night
and I told my stories and Joe told his and
I smoked up all his Viceroys as we rolled along
he pushed her ahead with 10 forward gears
man that dashboard was lit like the old
Madam La Rue pinball, a serious semi truck
until almost mysteriously, well it was the
lights of a truck stop that rolled into sight
Joe turned to me and said "I'm sorry son
but I'm afraid this is just as far as you go
You see I kinda gotta be makin' a turn
just up the road a piece," but I'll be
damned if he didn't throw me a dime as he
threw her in low and said "Go on in there
son, and get yourself a hot cup of coffee
on Big Joe"
and when Joe and his rig pulled off into
the night, man in nothing flat they was
clean outa sight
so I walked into the old stop and
ordered me up a cup of mud sayin'
"Big Joe's settin' this dude up" but
it got so deathly quiet in that
place, you could of heard a pin drop
as the waiter's face turned kinda
pale, I said "What's the matter did
I say somethin' wrong?" I kinda
said with 8a half way grin. He said
"No son, you see It'll happen every
now and then. You see every driver in
here knows Big Joe, but let me
tell you what happened just 10 years
ago, yea it was 10 years ago
out there at that cold lonely crossroads
where you flagged Joe down, and
there was a whole bus load of kids
and they were just comin' from school
and they were right in the middle when
Joe topped the hill, and could
have been slaughtered except
Joe turned his wheels, and
he jacknifed, and went
into a skid, and folks around here
say he gave his life to save that bunch
of kids, and out there at that cold
lonely crossroads, well they say it
was the end of the line for
Big Joe and Phantom 309, but it's
funny you know, cause every now and then
yea every now and then, when the
moon's holdin' water, they say old Joe
will stop and give you a ride, and
just like you, some hitchhiker will be
comin' by"
"So here son," he said to me, "get
yourself another cup of coffee, it's on the
house, you see I want you to hang on
to that dime, yea you hang on to that
dime as a kind of souvenir, a
souvenir of Big Joe and Phantom 309"

*Songs To While Away The Class Struggle By-Tom Waits' "Nighthawks At The Diner"

Click on the title to link a "YouTube" film clip of Tom Waits performing "Nighthawks Postcards (From Easy Street)".

In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.

Nighthawk Postcards (From Easy Street)
(Tom Waits 1975)


Goodness gracious...my bass player should be chained up somewhere
I wanna take you on a kind of inebriational travelogue here
Well, ain't got no spare, you ain't got no jack, you don't give a shit you ain't never coming back
Maybe your standing on the corner of 17th and Wazee Streets, yeah
Out in front of the Terminal bar there's a Thunderbird moving in muscatel sky
You've been drinking cleaning products all night
Open for suggestions
It's a kinda about eh...well it's kinda about going down to the corner and say
'Well I'm just going down to the corner to get a pack of cigarettes I'll be back in a minute'
Yeah, check out the street and it looks likes kinda of a...
kinda of a blur drizzle down the plateglass
And there's a neon swizzle stick stirring up the sultry night air
Looks like a yellow biscuit of a buttery cue ball moon
Rollin' maverick across an obsidian sky
As the busses go groanin' and wheezin',
Down on the corner I'm freezing
On a restless boulevard in a midnight road
I'm across town from EASY STREET
With the tight knots of moviegoers and out of towners on the stroll
The buildings towering high above
Lit like dominoes or black dice
Used car salesmen dressed up in Purina Checkerboard slacks
And Foster Grant wrap-around
Pacing in front of rainbow EARL SCHLEIB $39.95 merchandise
Like barkers at a shooting gallery
They throw out kind of a Texas Guinan routine
"Hello sucker, we like your money just as well as anybody else's here
Come on over here now
Let me put the cut back in your strut and the glid back in your slide
Now climb aboard a custom Oldmobile and let me take you for a ride"
Or they give you the P.T. Barnum bit
"There's a sucker born every minute
you just happened to be comin' along at the right time you know
come over here"
Well you know, all the harlequin sailors are on the stroll
In a search of "LIKE NEW," "NEW PAINT,"
And decent factory air and AM-FM dreams
And all the piss yellow gypsy cabs
That stack up in the taxi zones and the're waiting like pinball machines
To be ticking off a joy ride to a magical place
Like truckers welcome diners
With dirt lots full of Peterbilts and Kenworths and Jimmy's and the like
They're hiballin' with bankrupt brakes
Man, the're over driven and the're under paid
The're over fed and the're a day late and a dollar short
Christ I got my lips around a bottle and I got my foot on the throttle
And I'm standing on the corner
Standing on the corner like a "just in town" jasper
I'm on a street corner with a gasper
Looking for some kind of Cheshire billboard grin
Stroking a goateed chin, using parking meters as walking sticks On the inebriated stroll
With my eyelids propped open at half mast

But you know over at Chubb's Pool Hall and Snooker
Well it was a nickle after two, yea it was a nickle after two
And in the cobalt steel blue dream smoke
Why it was the radio that groaned out the hit parade
And the chalk squeaked and the floorboards creaked
And an Olympia sign winked through a torn yellow shade
Old Jack Chance himself leaning up against a Wurlitzer
And he was eyeballing out a 5 ball combination shot
Impossible you say? Hard to believe?
Perhaps out of the realm of possibility? Nah
Cause he'll be stretchin' out long tawny fingers
Out across a cool green felt in a provocative golden gate
He got a full table railshot that's no sweat
And I leaned up against my bannister
And wandered over to the Wurlitzer and I punched A-2
I was lookin' for maybe 'Wine, Wine, Wine' by the Night Caps
Starring Chuck E. Weiss or maybe...
Maybe a little something called 'High Blood Pressure'
By George 'cryin' in the streets' Perkins, no dice
"Cause that's life," that's what all the people say
Your riding high in April, seriously shot down in May
But I know I'm gonna change that tune
When I'm standing underneath a buttery moon That's all melted off to one side

It was just about that time that the sun came crawlin' yellow out of a manhole
At the foot of 23rd Street and a dracula moon in a black disguise
Was making its way back to its pre-paid room at the St. Moritz Hotel
(scat)
The El train tumbled across the trestles
And it sounded like the ghost of Gene Krupa
With an overhead cam and glasspacks
And the whispering brushes of wet radials on wet pavement
With a traffic jam session on Belmont tonight
And the rhapsody of the pending evening
I leaned up against my bannister
And I've been looking for some kind of an emotional investment
With romantic dividends, yeah kind of a physical negotiation is underway
Well, as I attempt to consolidate all my missed weekly rendezvous
Into one-low-monthly payment, through the nose, yeah
With romantic residuals and legs akimbo
But the chances are that more than likely
Standing underneath a moon holding water
I'll probably be held over for another smashed weekend

Tuesday, December 29, 2009

*Rumblings From The 1960's Heartland- S.E. Hinton's "The Outsider"- A Film Review

Click on the title to link to YouTube's film clip of Francis Ford Coppola's screen adaption of S.E. Hinton's classic tale of teenage alienation, "The Outsiders".

DVD Review

The Outsiders, Rob Lowe, Tom Cruise and every other rising young male star of the 1980s worth his salt, Dian Lane, directed by Francis Ford Coppola, Paramount Pictures, 1983


Recently I reviewed another film adaptation by the director Francis Ford of one of S.E. Hinton’s classic tales of American teenage working class alienation during the 1950s-1960s, “Rumblefish”. There the plot centered on the seemingly inescapable nihilism following the footsteps of a leader, and his ex-leader brother, of a by then passé white teenage gang. That film presented the anguish of youthful working class alienation in a very different and much less glamorous light than the teenage angst films of my youth, like Marlon Brando’s “The Wild Ones” and James Dean’s “Rebel Without A Cause”. I also mentioned in that review that I had been momentarily attracted, very attracted, to that ‘lifestyle’, coming as I did from that stratum of the working class that lived with few hopes and fewer dreams. It was a very near thing that shifted me away from that life, mainly the allure of books and less dangerous exploits.

I did not feel that same kind of identification here in this otherwise outstanding tale of youthful working class alienation out in the heartland in the hill of Oklahoma, “The Outsiders”. That, notwithstanding the fact that the main character and narrator, “Pony Boy”, is also very attracted to books (although “Gone With The Wind” and the poetry of Robert Frost seem odd choices to go ga-ga over). The difference. In “Rumblefish”, seemingly a much more experimental film on Coppola’s part and a more searing look at working class youth on Hinton’s part, the plot is is filled with examples of that unspoken danger, that unspoken destructive pathology and dead end nihilism that meant doom for at least some of the characters, and not just the easy to foresee one of early and untimely death that stalks those down at the edges of society.

Superficially, the plot of “The Outsiders” would have assumed that same fate for its characters. A small town out in the hill of Oklahoma where the class divisions are obvious has the working class “Greasers” lined up in combat against the middle class “Socs” with every cliché of the class struggle, except the political, thrown in for good measure. (Obviously portrayed, as well, note the sideburns long hair on the Greaser side and the chino pants on the frat guys side. You don’t need a scorecard on this one.) In summary: the two sides clash over nothing in particular except “turf”: hold grudges; seek revenge taking causalities, one fatally; and ending with a rumble where the Greasers have their momentary Pyrrhic victory.

Along the way there is plenty of time for youthful reflection by the narrator and his fellows about the ways of the class-ridden world, a few bouts heroism and a little off-hand (very off-hand) romance. As much as we know about the nature of modern class society this thing rings false. The moral here-even the most alienated Greaser, played to a tee by Matt Dillon, is really only searching for meaning to his life and a little society, only to get waylaid by that life in the end. Thus, this thing turns into something more like a cautionary tale than a slice of live down at the bottom edges of society. The more circumspect and existential “Rumblefish” gets my vote any day.

Note: Part of the problem with this film cinematically is that the leading male actors here, the likes of Rob Lowe, the late Patrick Swayze, Tom Cruise and Matt Dillon are all too ‘pretty’ to be Greasers. Although one can appreciate the talent pool that came out of this film I know from real life that, while the "greasers" of this world may have some raw sexually attractions they would hardly grace the pages of “Gentleman’s Quarterly”, or some such magazine. These guys could. That is what rings false here, as well as the assurances, hammered home to us throughout the story, that in democratic America even the down-trodden can lift themselves up and succeed. If they wash up a little.