Showing posts with label working class neighborhoods in the 1950's. Show all posts
Showing posts with label working class neighborhoods in the 1950's. Show all posts

Sunday, July 10, 2016

*Once Again, On The Time Of The Teenage Musical “Counterrevolution-Old Style





A YouTube's Film Clip Of The Shirelles's Doing "Will You Still Love Me Tomorrow?"



CD Review

Rock ‘n’ Roll All #1 Hits: Volume One, various artists, Original Sound Entertainment, 1988




I have spilled much ink, some might say too much ink, describing the teenage musical “counterrevolution” of the late 1950’s-early 1960’s, the time between the decline of classic rock’n’roll of Elvis, Jerry Lee Lewis Bo Didderly, Chuck Berry and the like and the fresh breeze of the Beatles, The Rolling Stones and the other denizens of the British invasion. So be it. I confess that I, like millions of American teens, suffered through the music of Sandra Dee, Bobby Vee, Fabian, Leslie Gore and others of that ilk. Without much overt complain, if also without great enthusiasm I might add. However, in fairness, not every tune of the period was unalloyed brass. A few jumped then, and some fifty years later still stand up. That is what this ‘greatest hits’ compilation is all about.

Needless to say we are not dealing here with the broader social issues of the time that got a full airing by Bob Dylan, Joan Baez and later those Beatles and Stones. What we have here is songs that reflected the concerns of teenagers then (and now, as well) about love, thwarted love, longings for love, two-timing boyfriends or girlfriends, flirts, what to do on Friday night, what to do on Saturday night and how to get through the rest of the week to get to those nights. And if that were not enough whether we were “cool”, “hot”, “in” or out”. Nobody said being a teen then (or now) was easy.

So what is good here? If somebody asked me to list some of the songs that remain in my head from this teenage period (giving a little thought and prompting to the effort) several of these songs would make the list. Certainly The Chiffons “He’s So Fine” with their great harmony would make any list. Dion’s finger-snapping “Runaround Sue” (the dread of every “red-blooded” male teen of the time) the same. Del Shannon’s “Runaway” for sure. The Shirelles’ ode to teenage sexual temptation “Will You Still Love Me Tomorrow” absolutely. Nor can one leave out “Duke of Earl”. However, if you have only one to pick it must be The Dixie Cups’ “Chapel Of Love”. That song says it all about the ends of teenage love- getting hitched and living happily ever after. Naturally, right? You don’t believe me about this song. In the mid-1990’s The Dixie Cups performed this song at the Newport Folk Festival, of all places. This audience, for the most part, was composed of older, wiser survivors of love’s trial and tribulations. The place went crazy when the group did this number. Enough said.


"Runaround Sue"-Dion

Here's my story, its sad but true
It's about a girl that I once knew
She took my love then ran around
With every single guy in town

Ah, I should have known it from the very start
This girl will leave me with a broken heart
Now listen people what I'm telling you
A-keep away from-a Runaround Sue

I miss her lips and the smile on her face
The touch of her hair and this girl's warm embrace
So if you don't wanna cry like I do
A-keep away from-a Runaround Sue

Ah, she likes to travel around
She'll love you but she'll put you down
Now people let me put you wise
Sue goes out with other guys
Here's the moral and the story from the guy who knows
I fell in love and my love still grows
Ask any fool that she ever knew, they'll say
Keep away from-a Runaround Sue

She likes to travel around
She'll love you but she'll put you down
Now people let me put you wise
Sue goes out with other guys
Here's the moral and the story from the guy who knows
I fell in love and my love still grows
Ask any fool that she ever knew, they'll say
Keep away from-a Runaround Sue


Dixie Cups - Chapel of Love Lyrics

Goin' to the chapel
And we're gonna get ma-a-arried
Goin' to the chapel
And we're gonna get ma-a-arried
Gee, I really love you
And we're gonna get ma-a-arried
Goin' to the chapel of love

Spring is here, th-e-e sky is blue, whoa-oh-oh
Birds all sing as if they knew
Today's the day we'll say "I do"
And we'll never be lonely anymore because we're

Goin' to the chapel
And we're gonna get ma-a-arried
Goin' to the chapel
And we're gonna get ma-a-arried
Gee, I really love you
And we're gonna get ma-a-arried
Goin' to the chapel of love

Bells will ring, the-e-e sun will shine, whoa-oh-oh
I'll be his and he'll be mine
We'll love until the end of time
And we'll never be lonely anymore because we're

Goin' to the chapel
And we're gonna get ma-a-arried
Goin' to the chapel
And we're gonna get ma-a-arried
Gee, I really love you
And we're gonna get ma-a-arried
Goin' to the chapel of love

Yeah, yeah, yeah, yeah
Goin' to the chapel of love
Yeah, yeah, yeah, yeah
FADE
Goin' to

Tuesday, May 31, 2016

*Norman Mailer's Search for the Great American Novel-"The Deer Park"

Click on the headline to link to a "The New York Times" obituary for American writer Norman Mailer article, dated November 10, 2007.

BOOK REVIEW

The Deer Park, Norman Mailer, Abacus, 1988


At one time, as with Ernest Hemingway, I tried to get my hands on everything that Norman Mailer wrote. In his prime he held out promise to match Hemingway as the pre-eminent male American prose writer. Mailer certainly had the ambition, ego and skill to do so. In his inevitable search to write the great American novel, at least for his generation, I do not believe, that he was successful. The Deer Park is an early attempt to tackle that goal and while there are flashes of brilliance there is far too much self-consciousness on making a great American novel. That most dramatically got reflected in the tinniness of his characters, male and female, and reduced the book to a fairly ordinary look at a slice of the American pie.

Certainly the subject matter of the novel is an almost surefire way to get attention. Put Hollywood-types in 'exile' in the desert, add wayward movie stars, starlets and wannabes, and a male lead character who is not sure what he wants to be but is sure that the stars shine for him somewhere and you have the makings of a great American novel. Throw in, almost obligatory for a `fifties' novel and for a self-described leftist like Mailer , the tensions surrounding the `red scare', Hollywood- style, and the cultural clamp down that imposed on American society and one should be onto something. But, strangely, Mailer gets bogged down in the sexual escapades of the main characters and never gets to the heart of the real question that the novel poses- How the hell does one safeguard his or her creative expression without selling out to every conceivable pressure that comes along? It did not work, but nice try Norman.

Saturday, October 02, 2010

Fragments Of Working Class Culture- On the Question Of Working Class War-Time Social-Patriotism

Markin comment:

Private First Class, United States Army, James O’Brien would have been sixty-seven, or perhaps, sixty-eight years old this fall. You do not see the point of bringing up this unknown private soldier’s name? Well, here is another clue. Jimmy O., who was a few years older than I, was the first kid from my growing-up working class neighborhood to see service in Vietnam. Still not enough? Then take a little trip down to Washington, D.C. and you will find his “fame” listed on that surreal and serenely beautiful black stone work dedicated to the fallen of that war. Yes, I thought that might get your attention. This is Jimmy O’s story, but is also my story around the edges, and come to think of it, yours too, if you want end these damn imperial military adventures that the American state insists on dragging its youth into, and in disproportionate numbers its working class and minority youth.

My first dozen years, or so, were spend in a public housing project, a place where the desperately poor of the day (that day and this one as well), or the otherwise displaced and forgotten of the go-go American economy of the 1950s were shunted off to. So you can say I knew Jimmy O’Briens all my life, really, although I did not physically meet him until we moved across town to my coming-of-age working class neighborhood, a neighborhood whose ethos was in no way superior to “the projects” except that the tiny ill-thought out and benighted houses were, for the most part, single dwellings on minuscule plots. And I really only knew the real Jimmy through my older brother which is to say not very well at all as I was, okay, just a wet-behind-the-ears kid. And Jimmy, well Jimmy was the king hellion of the neighborhood and dragged my brother, and the brothers of others, in tow. Jimmy’s name brought terror to some, consternation to others and the plague to the rest. So this ain’t going to be a story of moral uplift, heroic sacrifice for great principles, or larger than life battles against great odds, for sure.

See Jimmy, when he was around the old neighborhood, was the very large target, that is to say the number one target, of the “shawlies”. Shawlies? In our mainly Irish working class neighborhood, although I confess I only heard it used by more recent or older immigrants, it signified that circle, council if you will, unofficial of course, of mothers, young and old, who set the moral tone, at least the public moral tone of the place. In short, the gossips, old hags, and rumor-mongers (I am being polite here) who had their own devious grapevine, and more importantly, were a constant source of information about you to your own mother. Usually nothing good either.

And what conduct of Jimmy’s would bring him to the notice of that august body, other than the obvious one of corrupting the morals of the youth that I alluded to before? Hey, as you will see this guy was no Socrates. Jimmy, it seems, or it seems to me now, was spoon-fed on old-time gangster movies. No, not the George Raft-Jimmy Cagney-Edward G. Robinson vehicles of the 1930s in which the bad guy pepper-sprayed every one with his trusty machine gun. Everyone, everyone except dear old Ma (whom he would not touch a hair of the head of, and you better not either if you know what’s good for you). No, Jimmy was into being a proto-typical wild one a la Marlon Brando or the bad guys in James Dean’s Rebel Without A Cause. Without putting too fine a spin on it, some kind of existential anti-hero.

So who was this Jimmy? Not a bad looking guy with slicked-back black hair, long sideburns (even after they were fashion-faded), engineer boots, dungarees (before they were fashionista), tied together by a thick leather belt (which did service for other purposes as well), tee shirt in season (and out, with jacket, although not a leather one). Always smoking a cigarette (or getting ready too), always carrying himself with a little swagger and lot of attitude. Oh ya, he was a tenth grade high school drop-out (not really that unusual in those days in that neighborhood, including my own brother as well). And here is the draw, the final draw that drew slightly younger guys to him (and the older girls, as well) he always had wheels, great wheels, wheels to die for, and kept them up to the nth degree. Always cherry Chevy’s (as my brother put it). Employment: unknown (or, maybe, better, don’t want to know).

That last point is really the start of this story about how the ethos of the working poor operates right at that point where it meets the lumpen-proletariat (the dregs, the criminal element that feeds off the working poor first, and then, maybe seeks “greener” pastures elsewhere) and links up with the demands of the American military, almost automatically. Jimmy (and his associates, including my drop-out brother) was constantly the subject of local police attention. Every known bad–ass offense, real or made-up, wound up at his doorstep. Some of it rightly so, as it turns out. I might add that the irate shawlies had plenty to do with this police activity. And also had plenty to do with setting up Jimmy as the prime example of what not to emulate to us younger kids. Well, as anyone devoted to a life of crime, including me in my own very small and short-lived early teen criminal career, can testify to when you tempt the fates enough those damn sisters will come and get you. The long and short of it is that eventually Jimmy’s luck ran out. The year that his luck ran out was 1963, not a good year to have your luck run out if there ever is one.

Nowadays we talk, and rightly so, about an “economic draft” that forces many working class and minority youth to sign up for “voluntary” military service, even in such guaranteed ill-fated war time, because they are up against the wall in their personal lives and the military offers some security. I want to talk about this notion of an “economic draft” in a different sense, a class sense, a sense that I am familiar with from those 1960s times, although I know that the same thing probably still goes on today. Jimmy, moreover, was a prima facie case of what I am talking about. When Jimmy’s luck ran out he faced several serious counts of armed robbery, and other assorted minor crimes. When he went to court he thus faced many years (I don’t remember his total, my brother’s was nine, I think). The judge, in his infinite mercy, offered this deal- Cedar Junction (not the name then, but the state prison’s name now) or the Army. He, fatefully, opted for the Army (as did my brother, with less fateful results).

Here is the part that is important to understand though. Jimmy (and to a lesser extent, my brother), the minute that he opted for military service went from being “bum-of-the-month” in shawlie circles to a fine, if misunderstood and slightly errant, boy. Even the oldest hags and character assassins had twinkles in their eyes for old Jimmy then. Of course, his mother also came in for higher esteem for raising such a fine boy committed to serve his country (and his god, don’t forget that part). Once in uniform, an airborne ranger’s uniform, and more importantly, once Jimmy had orders for Vietnam, then an exotic if dangerous place and a name little understood in the neighborhood other than the United States was committed to its defense against the atheistic communists, his stock rose even further. I was not around the old neighborhood regularly when the news of his death was announced in 1965 but my parents told me later than his funeral was treated as something like a solemn state function. The shawlies, in any case, were out in force and heaped the flowers and Mass cards for the dead to the high heavens.

*********

Postscript:

As we all know, or have heard, later in that 1960s decade all hell broke loose over the seemingly endless and purposeless continuation of that damn war. In the old neighborhood, as was related to me my parents and others, there were the beginnings of rumblings against the war as more and more boys didn’t come back, or came back grievously wounded, or became part of the lost legions who ended up in the VA hospitals, the half-way houses and flophouses of this country. Yes, but hear me out on this, those rumblings, real enough, never transcended that social-patriotic belief that the sacrifices, the sacrifices of their sons (and daughters, indirectly) were right and held that belief through to the bitter end. And, moreover, those rumblings seldom got beyond person murmurs of despair, certainly never to the level of hitting the streets to express their opposition. And, most certainly, never to condone the opposition to the war by those in uniform while they were in uniform like one neighborhood boy, Private Markin.

And know this, ex-Private Markin cries out, and cry out to the high heavens in the name of Private First Class James O’Brien (and the legion of others from the old neighborhood)- Down With Obama’s Afghan And Iraq Wars!-Troops Out Now!-Join Me!

Friday, August 13, 2010

*Out In The Be-Bop Night- Fragments On The Ethos Of Working Class Culture – Frankie’s Big Summer’s Day Walk, Circa 1960

Click on the headline to link to a YouTube film clip of the Capris performing their doo-wop classic, There's A Moon Out Tonight. This is sent out by request to Frankie, from the old neighborhood.

Markin comment:

No, this will not be a revival of the controversy in the Bolshevik Party in the post- Civil War Soviet Union of the 1920s. That controversy pitted those who championed a “proletarian culture” bias by the workers state in the cultural field and those who, like Leon Trotsky, argued for a policy of “let one hundred flowers bloom and contend” (although not in those words, and with the proviso that the tendency was not engaged in counter-revolutionary activity) against each other. (See chapters six and seven of Trotsky’s 1924 Literature and Revolution at the Leon Trotsky Internet Archives for further information on that dispute.) This is merely a tip of the hat to a small segment of the working class, and its ethos, in a small section of America in the 1950s and 1960s (now dubbed the “golden age” of the American working class).

*********

This space, as any even casual reader can readily see, is driven by politics, and occasionally, by comment on culture and other ephemera. While I have, liberally, sprinkled my own experiences, political, cultural and personal, in entries throughout the years I have done so mainly in order to round out a “cautionary tale”, or some other devilish thing. On some very rare occasions I have just let the personal story drive the commentary, and force the reader to figure out what the heck was driving the thing, mainly hubris I think. Okay, I will dress that last remark up some to be “politically correct”, mainly “revolutionary” hubris. Egad!

Those occasions of personal reflection, in any case, were most in evidence a couple of years ago when I got caught up in doing some work, Jimmy Higgins work as its turned out, for my high school reunion committee (and, particularly, its hard-driving, relentless, merciless, hubristic, I am being kind , chairperson). That exercise, which churned up lots of evidences of the reasons for my continuing adherence to my working class roots and that also help explain my continuing fight for the historic interest of the class, made me think that once in a while I should, for a change of pace, do some additional pieces. Politics is in command in this space, as the Maoists in the 1960s used to be fond of saying (endlessly) during the period of the “Great Proletarian Cultural Revolution”, but today I am posting the first of these off-the cuff entries.

As the first such entry will make clear I am approaching this series in a little different manner from the previously straight expository format. The more I thought about it the more I was struck by the pervasive working class ethos of my growing-up home town, even imbibed in by those who qualified for genuine professional middle class status, or other such statuses. That ethos drove, seemingly from cradle to grave, a whole way of life from attitudes toward the various childhood and teenage rites of passage: of gaudy spectacles like the Fourth Of July, where kids would run the gauntlet like the “running of the bulls” at Pamplona for cheapjack sodas and ice cream; of over-the-top Christmas house light displays although in many a house, and, perhaps, especially in those houses, the late hip-hop artist Biggie Smalls’ line “Christmas kinda missed us” had full force; of cheap carnival rides on rickety Ferris wheels, cotton candy sugar-smacked, fried dough mouth’d, three-chance-for a quarters, and other shell games to support local charities and youth programs; and, of those first awkward basement cellar long-faced, off-handedly dressed boys on one side, fresh-scrubbed, shoulder-showing, perky, sun-dressed girls on the other, giggling, suddenly lights out “petting” kid parties, somewhat chaperoned (wink).

And later on, of the hazings and harassments of entering new schools as one got older, graduating from elementary “punk” to middle school “crazy” to high school, well maybe we will survive and “learn a trade” or go with pa on his job; of block parties where the subtle “shanty” and “lace curtain” shadings and their meanings were faithfully observed by babe child and long-toothed grandpa alike: of that bloody, long-abandoned railroad track that literally divided the “right” from the “wrong” side of the tracks (and still does) between the respectable working class and the benighted working poor (my working poor); of cars, and who did and did not have a “boss” one, a ’57 Chevy one at that, kid and dad alike, and what that meant; and, of course, the endless, endless, endless high school struggle, no, not what you think, over the “high theory” issue of girls; of high school dances and of the yeses and noes embedded in the etiquette of such existence, and of Saturday night (Saturday end of night, last dance) that was built for such existences, whatever the etiquette; of the kinds of consumer products one chose, if affordable, from shoes to cars, and what was said about them and you. Whoa!

And on and on, of attitudes toward women, some of them pretty raw and still prevalent even now let us not kid each other, toward the big social issues, toward sorrows, envies and angers, and a whole range of other quirky things that make an ethos, and that are better described in story form than as an academic exercise. But above all about dreams, about the size and scope of dreams in a post-World War II environment where theoretically “the sky was the limit.” It is that dream part, that littleness dream part that is the axis of what I want to highlight. And as I said before, politics is in command, so another idea is to show how changing the society from one where the many are only permitted small dreams, like back in the old home town, to that projected in our communist future where “the red dream sky is the limit” will really be the limit.

Some short comments on Frank, the central character this sketch. Frank and I were bosom buddies all through junior high school. I had changed junior high schools in the seventh grade and, as most of you well know, such a transfer from a familar to an “alien” school is “the kiss of death” at that age. The turf, its parameters and etiquettes, are already etched in stone. The “ins” and “outs”, just vaguely named in elementary school, are now eternally, granitically confirmed. Frank, mad man, mad monk man (seriously considered at the time,the monk part), proto-beatnik that he was got me through those hard times. After some searching I recently found Frank, who already had been informed of what I was up to by that self-same class chairperson and in turn wanted me, no ordered me under maximum penalty, undefined, to write this little story. His way.

Frank’s path and mine diverged long ago. He is now a very high-priced and high-powered lawyer whose idea of pro bono work is to “donate” his time “saving the earth” by acting as an unpaid legal consultant to various Democratic Party political committees, state and national. Well, such is life, the political life any way. But remember this last little fact when you read old Frank's whiny little saga.

An Atlantic Summer's Day, Circa 1960-For Frank, Class Of 1964

This is the way Frank told me the story, mainly, so it’s really a Frank story that I want to tell you about but around the edges it could be my story, or your story for that matter:

Frank, long, winter-weight black-panted, long sleeve plaid flannel-shirted, thick-soled work boot-shod, de rigueur pseudo-beatnik posing attire, summer or winter, that he thought made him “cool”, at least for the be-bop, look-at-me-I'm-a-real-gone daddy, bear-baiting of the public (and not just the public) that he relished anguished over the job ahead the details of which will concern us later, not now. Melted by the late August sun like some Woolworth’s grilled cheese sandwich, he stood almost immobile, on the Sagamore Street side, looking toward the early morning vacant Welcome Young Field in front of him, as he slowly and methodically pulled out, for about the eighteenth time, or maybe about the eighteen thousandth, a now sweat-soaked, salt-stained, red railroad man’s handkerchief (also de rigueur) to wipe off the new wave of venial sin-producing (at least), swear-to-the-high-heavens-inducing sweat that had formed on his brow.

Frank had, after leaving his own house, already crossed the long-abandoned, rusty-steeled, wooden-tie worn Old Colony railroad tracks that separated the almost sociologically proverbial well-worn, well-trodden “good” from “bad” side of our town, his the “bad”, and mind too (that track, now used as part of the Red Line subway extension system, still stands guardian to that dividing line). He faced, and he knew he faced, even this early in the morning, another day in hell, Frank-ish hell, or so it seemed to him like that was where the day was heading, no question. Another one of those endless, furnace-blasting, dirt-kicking, hard-breathing, nerve-fraying, gates of hell, “dogs days”, August days. Worst, worst for old weather-beaten, you might as well say world-beaten Frank, a fiendish, fierce, frantic, frenzied 1960 teenage August day.

And, like I said, it was not just the weather either, although that was bad enough for anybody whose body metabolism cried out, and cried out loud and clear, for temperate climates, for low humidities, or just the cool, sweet hum of an ocean breeze now and again. But also, plain truth, it was just being a befuddled, beleaguered, bewildered, benighted, be-jesused kid that gummed up the works as well. Frank had it bad. I want to say, if memory does not fail me, that there aren’t double “dog days” like that now, heat-driven, sweltering, suffocating, got-to-break-out-or-bust teenage days, not August days anyway.

But, no, now that I think about it, that’s just not right, not at least if you believe, and you should, all the information about climate change and the rip-roaring way we, meaning you and me, and Frank too, have torn up old Mother Earth without thinking twice about it. Or even once, if you really look around. And about the 21st century angst-filled Franks that you see on those heat-swept streets now, except now the Franks are buried beneath some techno-gadgetry or other, and are not worrying about being be-bop, or real gone daddies, or being “beat”, or about bear-baiting the public or anything like that. But that’s a screed for another day; at least I want to put it off until then. Even writing about this day, this Frank-ish day, right now makes me reach for my own sweaty, dampish handkerchief. Let’s just call it a hot, dusty, uncomfortable, and dirty day and leave it at that.

What’s not “not right” though is that, Frank, a by now finely-tuned, professional quality sullen and also an award-worthy, very finely-tuned sulky teenage boy, usually, waited this kind of day out, impatiently, in his book-strewn, airless, sunless room, or what passed for his room if you don’t count his shared room brother’s stuff. And, maybe, the way Frank told it to me, he might have been beyond waiting impatiently, for he was ready, more than ready, for school to go back into session if for no other reason than, almost automatically come the “dog days”, to get cooled-out from this blazing, never-ending inferno of a heat wave that never failed to drain him of any human juices, creative or not.

And nothing, nothing, in this good, green world, seemingly, could get this black chino-panted, plaid flannel-shirted, salty sweat-dabbled, humidity-destroyed teenage boy out of his funk. Or it would, and I think you would have to agree, have to be something real good, almost a miracle, to break such a devilishly-imposed spell. In any case, as we catch up to him, he is not in his stuffy old bookcase of a room now but there he is walking, in defiance of all good, cool, common sense, long-panted, long-shirted, and long-faced, as I said was his fashionista statement to this wicked old world in those days, across Welcome Young Field on to Hancock Street. On a mission, no less. That is as good a place, the field that is, as any to start this saga.

Now come late August this quirky, almost primitively home-made-like softball field (with adjoining, little used asphalt tennis courts, little used in those days, anyway) was a ghost town during the day. The city provided and funded kids recreation programs were over, the balls and bats, paddles and playground things are now put away for another season, probably also, like Frank, just waiting for that first ring of the school bell come merciful September. The dust this day is thick and unsettled, forming atomic bomb-like powder puffs in the air at the slightest disturbance, like when an odd kid or two makes a short-cut across the field leaving a trail of such baby atomic bomb blasts behind them.

At this early hour the usually game-time firm white lines of the base paths are now broken, hither and yon, to hell from last night's combat, the battle for bragging rights at the old Red Feather gin mill, or something. They await some precious manicure from the Parks Department employees, if those public servants can fight their own lassitude in this heat. And while they are at it they should put some time, some serious patchwork time, fixing the ever-sagging, splintered, termited, or so it seemed on close inspection, but in any case rotted out wooden bleachers that served to corral a crowd on a hot summer’s night. Good luck, men. And if the work is not done, not to worry, the guys who play their damned, loud-noised, argue, argue loudly, over every play with the ever blind umpire, softball under the artificial night lights, if I know them and I do just like Frank does, know the grooves and ridges of the surfaces of the base paths like the backs of their hands, so don’t fret about them.

This field, this Welcome Young Field, by the way, is not just any field, but a field overflowing, torrentially overflowing, with all kinds of August memories, and June and July memories too. Maybe other months as well but those months come readily to mind, hot, sticky, sultry summer mind. Need I remind anyone, at least any Atlantic denizen of a certain age, of the annual Fourth of July celebrations that took place center stage there as far back as misty memory recalled. The mad, frenetic, survival-of-the-fittest dashes for ice cream, the crushed-up lines (boys and girls, separately ) for tonic (aka soda, with names like Nehi, grape and orange, and Hires Root Beer for good measure, for those too young to remember that New Englandism and those brand names), the foot races won by the swift and sure-footed (Frank said he almost won one once but “ran out of gas” just before the finish), the baby carriage parade, and the tired old, but much anticipated, ride on a real pony, and other foolery and frolic as we paid homage to those who fought, and bled, for the Republic. Maybe, maybe paid homage that is. A lot of that part gets mixed up with the ice cream and tonic. (Remember: that’s soda, you can look it up, but I’m telling you all the truth.).

Hell, even that little-used, like I said before little-used in those days, usually glass-strewn but now Parks Department cleaned up asphalt-floored tennis court got a workout as a dance/talent show venue, jerrybuilt stage platform and all. Every 1960 local American Idol wanna-be, misty Rosemary Clooney/McGuire Sisters-like 1940s Come On To My House, Paper Dolls torch singer jumped, literally, on stage to grab the mike and "fifteen minutes (or less)of fame." Needless to say every smoky-voiced male crooner who could make that jump got up there as well, fighting, fighting like a demon for that five dollar first prize, or whatever the payoff was. Later as it got dark, tunes, misty tunes of course, some of them already heard from those "rising stars" like some ill-fated encore, wafted in the night time air from some local band when the Fourth of July turned to adult desires come sundown after we kids had gorged, completely gorged, and feverishly exhausted, ourselves. That story, the dark night, stars are out, moony-faced, he looking for she, she looking for he, and the rest of it, (I don’t have to draw you a diagram, do I?), awaits its own chronicler. I’m just here to tell Frank’s story and that ain’t part of it.

This next thing is part of the story, though. In this field, this bedlam field, as Frank just reminded me, later, after Fourth Of July celebrations became just kids stuff for us, and kind of lame kids stuff at that, we had our first, not so serious, crushes on those glamorous-seeming, fresh-faced, shapely-figured, sweetly-smiling and icily-remote college girls, or at least older girls, who were employed by the Parks Department to teach us kids crafts and stuff in those summer programs that I mentioned before. Or had our first serious crushes on the so serious, so very serious, girls, our school classmates no less, determined to show Frank, Frank of all people, up in the craft-creating (spiffy gimp wrist band-making, pot-holder-for-Ma-making, copper-etching, etc.) department when everyone knew, or should have known, Frank was just letting them win for his own “evil” designs. (And maybe me, maybe I let them "win" too, although I will plead amnesia on this one.) Now that I think of it I might have tried that ruse on the girls myself, there was nothing to it then.

But enough of old, old time flights of fancies. I have to get moving, and moving a little more quickly, if I am ever going to accomplish “my mission”, or ever get Frank out of that blessed, memory-blessed, sanctified, dusty old ball field, sweaty flaming red railroad man’s handkerchief and all. I‘ll let you know about the mission, Frank's mission that is, as I go along like I told you I would before but it means, in the first place, that Frank has to go on this “dog day” August day to Norfolk Downs, or the “Downs” as I heard someone call it once and I didn’t know what they were talking about. We always called it just plain, ordinary, vanilla-tinged, one-horse Norfolk Downs. And Frank had to walk. He, hot as he was and as hot as it was, was certainly not going to wait for an eternity, or more, for that never-coming Eastern Mass. bus from Fields Corner to meander up Hancock Street. Not that Frank was any stranger to that mode of transportation, to that walking. Frank, as I know for certain and have no need to plead amnesia on, had worn down many a pair of heel-broken, sole-thinned shoes (and maybe sneakers too)on the pavements and pathways of this old planet walking out of some forlorn place (or, for that matter, walking into such places). Just take my word for that, okay.

You can take my word for this too. Frank is now officially (my officially) out of the softball field and walking, walking slowly as befits the day, past the now also long gone little bus shelter hut as you get up onto Hancock Street. You know that old grey, shingled, always needed painting, smelly from some old wino's bottle or something, beat-up, beat-down thing that was suppose to protect you against the weathers while you waited for that never-coming Eastern Mass. bus. He, Frank that is, insists that his observation of that hut be put in here despite the fact that he had no intention of taking the bus as I already told you. He is not even going to step into its shade for a minute to cool off. But get this. We have to go through this hut business because, if you can believe this, that lean-to has "symbolic" meaning. Apparently every time this know-it-all pseudo-“beatnik”, long pants, heavy shirt and all, had a beef with his mother (and, you know, let’s not kid each other, when the deal went down, the beef was ALWAYS with Ma in those pre-“parenting-sharing” days) he sought shelter against life’s storms there, before caving into whatever non-negotiable demands Ma insisted on. Sound familiar? But enough, already.

Well, if you get, or rather, if back then if you got on to Hancock Street, (and you actually made it past that historic Eastern Mass. hut, oops, "symbolic" hut) down at the far end of the Welcome Young Field and were heading for Norfolk Downs you have to pass the old high school just a few blocks up on your journey. Just past the old Merit gas station, remember. That gas station had been the scene of memories, Frank memories and mine too. But those are later gas-fumed, oil-drenched, tire-changed, under-the hood-fixated, car-crazy dreams; looking out at the (hopefully) starless be-bop ocean night; looking out for the highway of no return to the same old, same old mean streets of beat town; looking for some "high white note" heart of Saturday night or, better, the dreams accumulated from such a night; and, looking, and looking hard, desperately hard for the cloudless, sun-dried, sun-moaning under the weight of the day, low-slung blue pink Western-driven be-bop, bop-bop, sun-devouring sky and need not detain us here.


Don’t be scared by the thought of approaching the old school though, we all did it and most of us survived, I guess. Frank included. What makes this particular journey on this particular day past the old beige-bricked building “special” is that Frank (and I) had, just a couple of months before, graduated from Atlantic Junior High School (now Atlantic Middle School, as everyone who wants to show how smart and up-to-date they are keeps telling me) and so along with the sweat on his brow from the heat a little bit of anxiety is starting to form in Frank’s head about being a “little fish in a big pond” freshman come September as he passed by. Especially, a pseudo-beatnik “little fish”. See, he had cultivated a certain, well, let’s call it "style" over there at Atlantic. That “style” involved a total disdain for everything, everything except trying to impress girls with his long-panted, flannel-shirted, work boot-shod, thick book-carrying knowledge of every arcane fact known to humankind. Like that really is the way to impress teenage girls, then or now. In any case he was worried, worried sick at times, that in such a big school his “style” needed upgrading. Let’s not even get into that story now, or maybe, ever. Like I said we survived.

Frank nevertheless pulled himself together enough to push on until he came to the old medieval-inspired Sacred Heart Catholic Church further up Hancock Street, the church he went to, his church (and mine) in sunnier times. Frank need have no fear this day as he passed the church quickly, looking furtively to the other side of the street. Whatever demons were to be pushed away that day, or in his life, were looking the other way as well. The boy is on a mission after all, a trusted mission from his grandmother. Fearing some god, fearing some forgotten confession non-confessed venial sin like disobeying your parents, was child’s play compared to facing Gramma’s wrath when things weren’t done, and done right, on the very infrequent special occasions in his clan’s existence. I knew Frank's grandmother and I knew, and everyone else did too, that she was a “saint” but on these matters even god obeyed, or else. This special occasion, by the way, the reason Frank felt compelled to tell me this story, and to have me write it, or else, was the family Labor Day picnic to take place down at Treasure Island. (That’s what we called it in those days; today it is named after a fallen Marine, Cady Park, or something like that.) This occasion required a food order; make that a special food order, from Kennedy’s Deli.

And there it is as Frank makes the turn from Hancock Street to Billings Road. You knew Kennedy’s, right? The one right next to the big A&P grocery store back in those days. As Frank turned on Billings, went down a couple of storefronts and entered that store he had to, literally, walk in through the piled sawdust and occasional peanut shell husks on the gnarled hardwood floor. At once his senses were attacked by the smells of freshly ground coffee, a faint whiff of peanut butter being ground up, and of strong cheeses aging. He noticed a couple of other customers ahead of him and that he will have to wait, impatiently.

He also noticed that the single employee, a friendly clerk, was weighing a tub of butter for a matronly housewife, while a young mother, a couple of kids in tow, was trying, desperately, to keep them away from the cracker barrel or the massive dill pickle jar. The butter weighed and packaged the matronly women spoke out the rest of her order; half pound of cheese, thinly sliced, a pound of bologna, not too thin; a third of a pound of precious ham, very thinly sliced; and, the thing that made our boy pay attention, a pound of the famous house homemade potato salad, Kennedy's potato salad.

Frank winced, hoping that there will be enough of that manna left so that he could fill his order. That, above all else, is why he is a man on a mission on this day. Something about the almost paper thin-sliced, crunchy potatoes, the added vinegar or whatever elixir was put in the mix that made any picnic for him, whatever other treats might surface. Hey, I was crazy over it too. Who do you think got Frank "hip" to it, anyway? Not to worry though, there was plenty left and our boy carried his bundled order triumphantly out of the door, noticing the bigger crowds going in and out of the A&P with their plastic sheathed, pre-packaged deli meats, their tinny-tasting canned goods, their sullen potato salad, probably yesterday’s, and their expressionless fast exit faces. Obviously they had not been on any mission, not any special mission anyway, just another shopping trip. No, thank you, not today to all of that. Today Frank’s got real stuff.

“Wait a minute,” I can hear patient readers, impatiently moaning. This madman of a Frank story-teller has taken us, hither and yon, on some seemingly cryptic mission on behalf of an old friend, under threat or otherwise, through the sweat-drenched heat of summer, through the really best forgotten miseries of teenage-hood, and through the timeless dust and grime of vacant ball fields. He has regaled us with talk of ancient misty Fourth of July celebrations, the sexual longings of male teenagers, the anxieties of fitting in at a new school, and some off-hand remarks about religion. And for what, just to give us some twisted Proustian culinary odyssey about getting a pound of potato salad, famous or not, for grandmother. Well, yes. But hear me out. You don’t know the end. I swear Frank said this to me, shaking off the heat of the day on which he told me the story with a clean white handkerchief from the breast pocket of his light-weight suit jacket. After the purposeful journey the heat of that day didn’t seem so bad after all. That, my friends, made it all worth the telling, right?

*********

Theres A Moon Out Tonight-The Cparis Lyrics

There's a (moon out tonight) whoa-oh-oh ooh
Let's go strollin'
There's a (girl in my heart) whoa-oh-oh ooh
Whose heart I've stolen
There's a moon out tonight (whoa-oh-oh ooh)
Let's go strollin' through the park (ooh-ooh-ooh-ooh)

There's a (glow in my heart) whoa-oh-oh ooh
I never felt before
There's a (girl at my side) whoa-oh-oh ooh
That I adore
There's a glow in my heart I never felt before (ooh-ooh-ooh-ooh)

Oh darlin'
Where have you been?
I've been longin' for you all my life

Whoa-uh-oh baby I never felt this way before
I guess it's because there's a moon out tonight

There's a (glow in my heart) whoa-oh-oh ooh
I never felt before
There's a (girl at my side) whoa-oh-oh ooh
That I adore
There's glow in my heart
I guess it's because

There's a moon out tonight
Moon out tonight
Moon out tonight
Moon out tonight
There's a moon out tonight

Sunday, May 17, 2009

*Better Days Are Coming?-"Never Should Have Been No Too Early"-Playwright August Wilson's "Fences"

Click On Title to Link To August Wilson Home page.

Play/Book Review

Fences, August Wilson, New American Library, New York, 1986


The first couple of paragraphs of this review have been used as introduction to other August Wilson Century Cycle plays as well.

Okay, blame it on the recently departed Studs Terkel and his damn interview books. I had just been reading his "The Spectator", a compilation of some of his interviews of various authors, actors and other celebrities from his long-running Chicago radio program when I came across an interview that he had with the playwright under review here, August Wilson. Of course, that interview dealt with things near and dear to their hearts on the cultural front and mine as well. Our mutual love of the blues, our concerns about the history and fate of black people and the other oppressed of capitalist society and our need to express ourselves politically in the best way we can. For Studs it was the incessant interviews, for me it is incessant political activity and for the late August Wilson it was his incessant devotion to his century cycle of ten plays that covered a range of black experiences over the 20th century.

Strangely, although I was familiar with the name of the playwright August Wilson and was aware that he had produced a number of plays that were performed at a college-sponsored repertory theater here in Boston I had not seen or read his plays prior to reading the Terkel interview. Naturally when I read there that one of the plays being discussed was entitled "Ma Rainey's Black Bottom" about the legendary female blues singer from the 1920's I ran out to get a copy of the play. That play has been reviewed elsewhere in this space but as is my habit when I read an author who "speaks" to me I grab everything I can by him or her to see where they are going with the work. This is doubly true in the case of Brother Wilson as his work is purposefully structured as an integrated cycle, and as an intensive dramatic look at the black historical experience of the 20th century that has driven a lot of my own above-mentioned political activism.

The action of this play takes place in the mid-1950's in a black neighborhood in Pittsburgh (Wilson's home town) as do most of the plays in the cycle. This is the sixth play in the cycle and the first to reflect that notion that some profound changes were in the offing for black people, not all of them good and not all for the better. Both these facts are important in understanding the tensions of the play. Although Wilson's plays are almost exclusively centered in black life as it is lived in the neighborhood the various trials and tribulations of blacks elsewhere are woven into his story line. The white world, for the most part, except as represented by amorphous outside forces that have the access and control of the resources that blacks need to survive and break out of racial isolation are on the sidelines here. And that is as it should be in these plays on the black experience. Moreover, this truly reflects how it has been (and how it still is, notwithstanding the Obamaid) in that outer world.

I labelled this entry with the headline "Better Days Are Coming?" purposefully including the question mark. Surely, some progress toward the goal of racial equality, if not nearly enough, has been made over the last half century since the time period of this play. That is not the question. The real question is posed by the main character, Troy Maxton, who in his time was something of an exceptional baseball player, but who "came too early" to have it change the fortunes of his life. His reply: "ain't nothing should have ever been too early". Wilson hits the nail on the head here. After that remark nothing else really needs to be said.

Wilson's conceptual framework, as I have mentioned previously in a review of his "Ma Rainey's Black Bottom", is impeccable. Placing the scene in 1950's Pittsburgh permits him to give a bird's eye view of that great migration of blacks out of the South in the post-World War II period at a time when they are shaking off those old subservient southern roots. Wilson is also able to succinctly draw in the questions of white racism (obliquely here), black self-help (as in building that damn fence) , black hatred of whites, black self-hatred, black illusion (that the `lifting' of the white boats was going to end, for blacks, the seemingly permanent Great Depression), black pride (through the link with past black historical figures and with the then current hero, Jackie Robinson, although Troy has some cutting remarks on the status of that figure), the influence of the black church (good or bad), black folk wisdom (as portrayed by Jim Bono, who is more grounded in his memories of his southern roots than the others) and, in the end, the rage just below the surface of black existence (as portrayed here by Troy's mentally ill brother Gabriel, a character who epitomizes one of the tragic aspects of black male existence) resulting from a world that not was not made by the characters in this play but took no notice of their long suppressed rage that turned in on itself.

Unlike some of the earlier play, however, there is a little ray of hope in the character of Troy's son (by his wife Rose) Cory whose struggle for his own identity with his father and the world is a sub-theme here. As always, if you get a chance go see this play but, please, at least read it. Read the whole cycle.

Thursday, February 14, 2008

History and Class Consciousness- A Working Class Saga

Commentary

Despite the highly theoretical sounding title of this commentary this is really a part of the very prosaic working class story that I have written about in several earlier commentaries in this space. As I have mentioned previously, this space is usually devoted to ‘high’ politics and the personal is usually limited to some experience of mine that has a direct political point. Sometimes, however, a story is so compelling and makes the point in such a poignant manner that no political palaver is necessary. This is the third part of what now has turned into a trilogy of the fate of a working class family from my old neighborhood. Let me continue the tale.

In An Uncounted Casualty of War (hereafter, Uncounted), written last May, and The Working Class Buries One of Its Own (hereafter, Working Class), written in January, I mentioned that I had recently returned to the old working class neighborhood where I grew up after a very long absence. I wrote in Working Class that maybe it was age, maybe it was memory, maybe it was the need at this late date to gain a sense of roots but that return has haunted me ever since. I have gone back a few times since last May to hear more of what had happened to those in the old neighborhood from a woman who continues to live there and had related the above stories to me. Uncounted was about the fate of my childhood friend Kenny. Working Class recounted the fate of Kenny’s mother, Margaret, and here I present the story of Kenny’s father, James. (Check the archives for the previous two stories.)

As I related in Uncounted and reemphasized in Working Class my own family started life in the housing projects, at that time not the notorious hell holes of crime and deprivation that they later became but still a mark of being low, very low, on the social ladder at a time when others were heading to the Valhalla of the newly emerging suburbs. By clawing and scratching my parents saved enough money to buy an extremely modest single-family house. The house was in a neighborhood that was, and is, one of those old working class neighborhoods where the houses are small, cramped and seedy, the leavings of those who have moved on to bigger and better things. The neighborhood nevertheless reflected the desire of the working poor in the 1950’s, my parents and others including Kenny’s parents, to own their own homes and not be shunted off to decrepit apartments or dilapidated housing projects, the fate of those just below them on the social ladder. That is where I met Kenny and through him his family, including his mother Margaret and his father James. She seemed like a nice woman although I never got to know her well. His father is just a distant, vague memory.

I also mentioned in Uncounted that in my teens I had lost track of Kenny who as he reached maturity took the death of a friend who died in Vietnam very hard. The early details of his behavior changes are rather sketchy but they may have involved illegal drug use. The overt manifestations were acts of petty crime and then anti-social acts like pulling fire alarms and walking naked down the street. At some point Kenny was diagnosed as schizophrenic. Then came the inevitable institutionalizations. Apparently, with drugs and therapy, there were periods of calm but for over three decades poor Kenny struggled with his inner demons. In the end the demons won and he died a few years ago while in a mental hospital.

Needless to say Kenny’s problems were well beyond his mother and father’s ability to comprehend or control. His father, like mine, had a limited education, few marketable skills and meager work prospects. They were always, as many workingmen in the neighborhood were, on the edge-last hired, first fired when an economic downturn came. Thus, there were no private resources for Kenny and he and they were thus consigned to public institutionalization schemes. The shame of this, among other things, led to his father’s early death many, many years ago in the mid-1980’s. This is where James’s story comes into focus.

Kenny’s woes, as I found out this January, were only part of this sad story about the fate of Margaret and James's sons. Kenny had two older brothers, James, Jr. and Francis, whom I did not really know well because they were not around. Part of the reason for that was they were in and out of trouble or one sort or another and were not around the neighborhood much. My neighborhood historian mentioned in January that at some point both sons had dropped out of sight and had not been seen by their mother for over thirty years. They are presumed to be dead or that is the story Margaret told my historian. If I have time at some point I may try to track down what happened to them and then we will have a five-part story. At that point I will surely need the literary resources of someone like James T. Farrell in his Studs Lonigan trilogy for guidance.

For now, however, let me continue with James’s fate. My historian friend told me that James and my father when they were young married men were very, very close buddies, something that I was totally unaware of. Thick as thieves, as the old adage goes. Apparently they liked to go drinking together, when they could afford it. Nothing startling there. I do find it odd though that a South Boston-raised Irishman and a Kentucky-raised hillbilly hit it off. However, as James lost control over the behavior of his sons he became more morose and more introverted. At this point their long friendship faded away.

James, apparently, was like many an Irish father. His sons, good or bad, were his world. Hell, they were his sons and that was all that mattered. They were to be forgiven virtually anything except the bringing of shame on the household. I know the intricacies and absurditiies of that shame culture from my own Irish mother. The boys in their various ways nevertheless did bring shame to the household. Kenny we know about. It is hard to tell but from what my historian related to me for James, Jr. and Francis there were bouts of petty and latter grand thievery and other troubles with the law. She was vague in her recollections here although crimes, great and small, were not uncommon in the greater neighborhood. The old ironic saying in the neighborhood that a man’s son was destined to be either a thief or a priest ran truer here than one might have thought.

Well, the long and short of it is that James started to have severe physical problems, particularly heart problems and had trouble holding a steady job. In the end the shock of his sons' disappearances without a word literally broke his heart. Anything, but not abandonment. His end, as my historian related the details, was not pretty and he suffered greatly.

As I said in Working Class I am a working class politican. That is the great legacy that my parents left me, intentionally or not. As I have asked previously at this point in relating the other parts of the story -are there any great political lessons to be learned here? No, I do not think so but this family’s saga of turning in on itself in the absence of some greater purpose and solution goes a long way to explaining why down at the base of society we have never had as much as nibble of independent working class political consciousness expressed in this country. That, my friends, is why this saga can aptly be entitled history and class consciousness, but let us put them in small letters. As for Kenny, Margaret and James may they rest in peace.