*****When The Fight To Turn The World Upside Down Was In Full Flower- With The Doors The Unknown Soldier In Mind

*****When The Fight To Turn The World Upside Down Was In Full Flower- With The Doors The Unknown Soldier In Mind 

 

Wait until the war is over
And we're both a little older
The unknown soldier

Breakfast where the news is read
Television children fed
Unborn living, living, dead
Bullet strikes the helmet's head
And it's all over
For the unknown soldier
It's all over
For the unknown soldier
Hut, hut, hut ho hee up
Hut, hut, hut ho hee up
Hut, hut, hut ho hee up
Comp'nee, halt
Present, arms
Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier
Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head
And, it's all over
The war is over
It's all over
War is over

Well, all over, baby
All over, baby
Oh, over, yeah
All over, baby

Ooh, ha, ha, all over
All over, baby
Oh, woah, yeah, all over
All over, heh


Songwriters
Robbie Krieger;John Densmore;Jim Morrison;Ray Manzarek

From The Pen of Zack James

There was no seamless thread that wrapped the counter-cultural dominated 1960s up tightly, wrapped it up neatly in a pretty bow all set for posterity except for the media types who lived day by day in those merciful times for scraps to feed the teletype hot wires and by on-the-make politicians who to this day attempt to make capital making sport of what in the final analysis was a half-thought out desire to create the “newer world” that some old-time English poet was harping about. That seamless thread business had been distracting Frank Jackman’s attention of late now that a new generation of media-types are at hand who want to refight that social battle and the politicians are whipping   up the raw meat good old boys and girls and the staid as well to provide the troops for that new battle against some phantom in their heads. Despite all the rhetoric, despite all the books written disclaiming any responsibility by those who led the march, despite all those who have now “seen the light” and have hopped back into the fold in academia and the professions (in fact that march back to what everybody used to call bourgeois society started the day after the whole movement ebbed or the day they got their doctorates or professional degrees) there was some question even in Franks’ own mind about whether “the movement” for all its high gloss publicity and whirlwind effect dominated the play as much as he and his kindred had thought then or can lay claim to these forty plus years later.

Place plenty of weight on Frank’s observation, maybe not to take to the bank but to have some knowledge about the limits to what a whole generation in all its diversity can claim as its own mark on society and history. Place plenty of weight for the very simple reason that he went through the whole thing in almost all of its contradictions. Had been raised under the star of parents who slogged through the Great Depression although that was a close thing, a very close thing for some like Frank’s parents who were desperately poor. His poor besotted mother having to leave home and head west looking, looking for whatever there was out there before coming back home with three dollars in hand, and maybe her virtue how can you ask that question of your mother when you wouldn’t think to look at her when young, later too, that she was capable of sex, not the sex you had at your pleasure with some sweet Maryjane. His father out of the Southern winds, out of tar-roof shack of a cabin, half naked, down in the coal-rich hills and hollows of Appalachia, the poorest of the poor, leaving that desperate place to seek something, some small fame that always eluded him. They together, collectively, slogged through the war, World War II, his father through Pacific fight, the most savage kind, had his fill of that damn island hopping and his mother waiting, fretfully waiting for the other shoe to drop, to hear her man had laid his head down for his country in some salted coral reef or atoll whatever they were. Get this though, gladly, gladly would lay that head down and she if it came right down to it would survive knowing he had laid that precious head down. That was the salts they were made of, the stuff this country was able to produce even if it had very little hand in forming such faithful servants so no one would, no one could deny their simple patriotism, or doubt that they would pass that feeling on to their progeny.

Made that progeny respect their music too, their misty, moody I’ll see you tomorrow, until we meet again, I’ll get by, if I didn’t care music, music fought and won with great purpose. But Frank balked, balked young as he was, with as little understanding as he had, the minute he heard some serious rhythm back-beat absent from that sugary palp his parents wanted to lay on him and he would, young as he was, stand up in his three brother shared room (when they were not around of course for they older “dug” Patti Page and Rosemary Clooney, stuff like that) and dance some phantom dance based on that beat he kept hearing in his head, and wondered whether anybody else heard what he heard (of course later when it was show and tell time in the 1960s that beat would be the thing that glued those who were kindred together, funny they were legion). Caught the tail end of the “beat” thing that those older brothers dismissed out of hand as faggy, as guys “light on their feet” and gals who seemed black-hearted blank and neurotic. But that was prelude, that, what did somebody in some sociology class call it, the predicate.                      

As the 1960s caught Frank by his throat, caught him in its maw as he liked to call it to swishy-dishy literary effect he got “religion” in about six different ways. Got grabbed  when the folk minute held sway, when guys like Bob Dylan and Dave Von Ronk and gals like Joan Baez preached “protest” to the hinterlands, reaching down to places like Frank’s Carver, nothing but a working poor town dependent on the ups and downs of the cranberry business. At one time the town was the cranberry capital of the world or close to it. That up and down business depending too on whether people were working and could afford to throw in cranberry sauce with their turkeys come Thanksgiving and Christmas or would be reduced to the eternal fallback beans and franks. But see Carver was close enough, thirty or forty miles south of Boston to Beacon Hill and Harvard Square to be splashed by that new sound and new way of going on dates too, going to coffeehouses or if times were tough just hang around the Harvard Square’s Hayes-Bickford watching with fascination the drunks, hipsters, dipsters, grifters, winos, hoboes, maybe  an odd whore drinking a cup of joe after some John split on her, but also guys and gals perfecting their acts as folk-singers, poets, artists and writers.

Grabbed on the basis of that protest music to the civil rights movement down South, putting Frank at odds with parents, neighbors and his corner boys around Jack Slack’s bowling alleys. Grabbed too the dope, the hope and every girl he could get his hands on, or get this to tell you about the times since he was at best an okay looking guy, they could get their hands on him, on those bedroom blue eyes of his they called it more times than not, that came with the great summers of love from about 1965 on.

Here’s where the contradictions started get all mixed up with things he had no control over, which he was defenseless against. So grabbed too that draft notice from his friends and neighbors at the Carver Draft Board and wound up a dog soldier in Vietnam for his efforts. Wound up on cheap street for a while when he came back unable to deal with the “real” world for a while. That failure to relate to the “real” world cost him his marriage, a conventional marriage to a young woman with conventional white picket fence, a little lawn, kids, and dogs dreams which only had happened because he was afraid that he would not come back from “Nam in one piece, would never get to marriage for what it was worth. Grabbed the streets for a while before he met a woman, a Quaker woman, who saved him, for a while until he went west with some of his corner boys who had also been washed by the great push. Did the whole on the road hitchhike trip, dope, did communes, did zodiacs of love, did lots of things until the hammer came down and the tide ebbed around the middle of the 1970s. So yeah Frank was almost like a bell-weather, no, a poster child for all that ailed society then, and for what needed to be fixed.      

That decade or so from about 1964 to about 1974 Frank decided as he got trapped in old time thoughts and as he related to his old friend Jack Callahan one night at his apartment in Cambridge as they passed a “joint” between them (some things die hard, or don’t die) was nevertheless beginning to look like a watershed time not just for the first wave immediate post-World War II baby-boomers like him, Jack, Frankie Riley, the late Peter Markin, Sam Lowell and a lot of other guys he passed the corner boy night with (the ones like him born immediately after the war as the troops came home, came off the transports, and guys and gals were all hopped up to start families, figure out how to finance that first white picket fence house and use the GI bill to get a little bit ahead in the world, at least get ahead of their parents’ dead-end great depression woes) who came of social and political age then washed clean by the new dispensation but for the country as a whole. More so since those of the so-called generation of ’68, so called by some wag who decided that the bookends of the rage of the American Democratic Convention in Chicago that year and the defeat of the revolutionary possibilities in France in May of that year signaled the beginning of the ebb tide for the whole thing, for those who are still up for a fight against the military monster who is still with us are continuing to fight a rearguard action to keep what little is left of accomplishments and the spirit of those time alive.

Thinking back a bit to that time, Frank as the dope kicked in, a thousand things, or it seemed like a thousand things, some things new in the social, economic, political or cultural forest came popping up out of nowhere in many cases, came together in pretty rapid succession to draw down in flames the dread red scare Cold War freezes of their  childhoods (that time always absurdly symbolically topped off by the sight of elementary school kids, them , crouched under some rickety old desk arms over their heads some air-raid drill practice time as if, as the residents of Hiroshima and Nagasaki who are still alive from that time can attest to, that would do the slightest bit of good if the “big one,” the nuclear bombs hit.

Yeah, the Cold War time too when what did they know except to keep their obedient heads down under their desks or face down on the floor when the periodic air-raid shelter tests were performed at school to see if they were ready to face the bleak future if they survived some ill-meant commie atomic blast. (Personally Frank remembered telling somebody then that he would, having seen newsreel footage of the bomb tests at Bikini, just as soon take his  chances above desk, thank you, for all the good the other maneuver would do them.)

For a while anyway Frank and the angel-saints were able to beat back that Cold War mentality, that cold-hearted angst, and calculated playing with the good green world, the world even if they had no say, zero, in creating what went on. Not so strangely, although maybe that is why people drifted away in droves once the old bourgeois order reasserted itself and pulled down the hammer, none of those who were caught up in the whirl thought it would be for only a while or at least thought it would fade so fast just as they thought, young and healthy as they were, that they would live forever. But if you, anybody when you really think about the matter, took a step back you could trace things a little, could make your own “live free” categories of the events that chipped away the ice of those dark nights.

Start in with the mid-1950s if you like, which is where Frank liked to start dating his own sense of the new breeze coming through although being a pre-teenager then he told Jack he would not have had sense enough to call it that, with the heat of the black struggle for some semblance of civil liberties down South in the fight for voter rights and the famous desegregation of buses in Montgomery and the painful desegregation of the schools in Little Rock (and some sense of greater  equality up North too as organizations like the NAACP and Urban League pushed an agenda for better education and housing). Also at that same time, and in gathering anecdotal evidence Frank had found that these too are a common lynchpin, the first break-out of music with the crowning of rock and roll as the wave of the future (black rhythm and blues, scat, rockabilly music all mixed up and all stirred up), and the “discovery” of teen alienation and angst exemplified by sullen movie star  James Dean, who lived fast, and died fast a metaphor that would work its way through youth culture over the next generation. (And throw in surly “wild one” movie star Marlon Brando in The Wild One and a brooding Montgomery Cliff in almost anything during those days, take The Misfits for one, to the mix of what they could relate to as icons of alienation and angst .)   

An odd-ball mix right there. Throw in, as well, although this was only at the end and only in very commercial form, the influence of the “beats,” the guys (and very few gals since that Jack Kerouac-Neal Cassady-William Burroughs-Allen Ginsberg mix was strictly a male bonding thing) who listened to the guys who blew the cool be-bop jazz and wrote up a storm based on that sound, declared a new sound, that you would hear around cafés even if you did not understand it unlike rock and roll, the guys who hitchhiked across the American landscape creating a wanderlust in all who had heard about their exploits, and, of course, the bingo bongo poetry that threw the old modernists like T.S. Eliot and Ezra Pound out with a bang.

Then start to throw in the struggles against the old authority in places like Frisco town where they practically ran the red-baiters in the HUAC out of town (what Frank, and some of his friends although not the Carver corner boys except Markin, would learn to call “bourgeois authority working hand in hand with the capitalists”), the old certitudes that had calmed their parents’ lives, made them reach out with both hands for the plenty in the “golden age of plenty.”

Of course the biggest event that opened the doors for liberals, radicals, hell, even thoughtful conservatives was the sweet breeze coming down the road from Boston with the election of Jack Kennedy. Ike, the harmless uncle, the kindly grandfather, was for parents Frank wanted guys who set the buzz going, let them think about getting some kicks out of life, that maybe with some thought they would survive, and if they didn’t at least we had the kicks.

That event opened up a new psyche, that it was okay to question authority, whatever the limitations and shortness of the Camelot times with the struggles against some hoary things like segregation, the death penalty, nuclear proliferation, the unevenness of social life which would get propelled later in the decade with fight for women’s liberation, gay liberation, and the fight against the draft, the damn war in Vietnam that drove a nail into the heart of Frank’s generation. A river of ideas, and a river of tears, have been, and can be, shed over that damn war, what it did to young people, those who fought, maybe especially those who fought as Frank got older and heard more stories about the guys who like him didn’t make it back to the “real” world after “Nam, didn’t have a sweet mother Quaker lady like Frank to save them, those guys you see downtown in front of the VA hospitals, and those who refused to, that lingers on behind the scenes even today.

There were more things, things like the “Pill” (and Frank would always kid Jack who was pretty shy talking about sex despite the fact that he and Chrissie, his high school sweetheart, had had four kids when he asked what pill if you need to know what pill and its purpose where have you been) that opened up a whole can of worms about what everyone was incessantly curious about and hormonally interested in doing something about, sex, sex beyond the missionary position of timeless legends, something very different if the dramatic increase in sales of the Kama Sutra meant anything, a newer sensibility in music with the arrival of the protest folk songs for a new generation which pushed the struggle and the organizing forward.

Cultural things too like the experimenting with about seven different kinds of dope previously the hidden preserve of “cool cat” blacks and white hipsters (stuff that they only knew negatively about, about staying away from, thru reefer madness propaganda, thru the banning of some drugs that were previously legal like sweet sister cocaine and taunt Nelson Algren hard life down at the base of society in films like The Man With The Golden Arm), the outbreak of name changes with everybody seemingly trying to reinvent themselves in name (Frank’s moniker at one time was Be-Bop Benny draw what you will out of that the idea being like among some hipster blacks, although with less reason, they wanted to get rid of their  slave names)  fashion (the old college plaid look fading in the face of World War II army surplus, feverish colors, and consciously mismatched outfits and affectation (“cool, man, cool” and “right on’ said it all). More social experiments gathering in the “nation” through rock concerts, now acid-etched, new living arrangements with the arrival of the urban and rural communes (including sleeping on more than one floor in more than one church or mission when on the road, or later on the bum). They all, if not all widespread, and not all successful as new lifestyles all got a fair workout during this period as well.     

Plenty of Frank’s kindred in retrospective would weigh the various combinations of events differently in figuring out how the uprising started just as plenty of them had their specific dates for when the tide began to ebb, when the mean-spirited and authoritarian began their successful counter-offensive that they still lived with for not taking the omens more seriously. (Frank’s ebb tide, as he had  described to Frankie Riley one time, was the events around May Day 1971 when they seriously tried, or thought they were seriously trying, to shut down the government in D.C. if it would no shut down the war and got nothing but billy-clubs, tear gas, beatings and mass arrests for their efforts. After those days Frank, and others, figured out the other side was more serious about preserving the old order than they were about creating the new and that they had better rethink how to slay the monster they were up against and act accordingly.)

Then Frank passed Jack a photograph that he had taken from a calendar put out by the New England Folk Song Society that his wife, Sarah, who worked to put the item out to raise funds for folk music preservation (see above) that acted as another catalyst for this his short screed, and which pictorially encapsulated a lot of what went then, a lot about “which side were you on” when the deal went down. This photograph Frank pointed out to Jack was almost impossible to imagine without some combination of that hell broth anti-war, anti-establishment, pro-“newer world” mix stirred up in the 1960s.

Three self-assured women (the “girls” of photograph a telltale sign of what society, even hip, progressive society thought about women in those slightly pre-women’s liberation time but they would learn the difference) comfortable with the loose and individualistic fashion statements of the day from floppy hats to granny dresses to bare legs, bare legs, Jesus, that alone would have shocked their girdled, silk stocking mothers, especially if those bare legs included wearing a mini-skirt (and mother dread thoughts about whether daughter knew about the pill, and heaven forbid if she was sexually active, a subject not for polite society, not for mother-daughter conversation, then she damn better well know, or else).

They are also uncomfortable about the damn Vietnam war, no, outraged is a better way to put the matter, that was eating up boyfriends, brothers, just friends, guys they knew in college or on the street who were facing heavy decisions about the draft, Canada exile, prison or succumbing to the worst choice, Frank’s choice if you could call his induction a choice what else could he have done gone to Canada, no,  military induction, at a heavy rate and they unlike their mothers who came through World War II waiting patiently and patriotically for their military heroes to come home, come home in one piece, have a very different sense of the heroic. A sense of the heroic going back to ancient times, Greek times anyway, when one group of women like their stay-at-home-waiting-for-the-other-shoe-to-drop World War II mothers demanded that their men come home carried on their shields if they had to rather than speak of defeat. Others, the ones that count here, refusing their potential soldier boys any favors, read sexual favors, okay, if they went off to war, providing a distant echo, a foundation to make their request stand on some authority, for these three women pictured there.

Frank wondered how many guys would confess to the lure of that enticement if they had refused induction. His own wife, quickly married at the time was if anything more gung-ho about stopping the red menace than his parents. Frank did not refuse induction for a whole bunch of reasons but then he did not have any girlfriends like that sweet mother Quaker woman later, who made that demand, his girl- friends early on, and not just his wife if anyway were as likely to want him to come back carried on a shield as those warrior-proud ancient Greek women. Too bad. But Frank said to Jack as Jack got up ready to head home to Hingham and Chrissie that he liked to think that today they could expect more women to be like the sisters above. Yeah, more, many more of the latter, please as Frank and his comrades in Veterans for Peace continue to struggle against the night-takers in the nightmare world of endless war.

The 50th Anniversary Of The Summer Of Love, 1967-A Dream Fragment On Looking For A Few Good…Mystics -In The Matter Of Tom Wolfe’s “The Electric Kool-Aid Acid Test”

The 50th Anniversary Of The Summer Of Love, 1967-A Dream Fragment On Looking For A Few Good…Mystics -In The Matter Of Tom Wolfe’s “The Electric Kool-Aid Acid Test”

Zack James’ comment June, 2017:

You know it is in a way too bad that “Doctor Gonzo”-Hunter S Thompson, the late legendary journalist who broke the back, hell broke the neck, legs, arms of so-called objective journalism in a drug-blazed frenzy back in the 1970s when he “walked with the king”’ is not with us in these times. In the times of this 50^th anniversary commemoration of the Summer of Love, 1967 which he worked the edges of while he was doing research (live and in your face research by the way) on the notorious West Coast-based Hell’s Angels. His “hook” through Ken Kesey and the Merry Pranksters down in Kesey’s place in La Honda where many an “acid test” took place and where for a time the Angels, Hunter in tow, were welcomed. He had been there in the high tide, when it looked like we had the night-takers on the run and later as well when he saw the ebb tide of the 1960s coming a year or so later although that did not stop him from developing the quintessential “gonzo” journalism fine-tuned with plenty of dope for which he would become famous before the end, before he took his aging life and left Johnny Depp and company to fling his ashes over this good green planet. He would have “dug” the exhibition, maybe smoked a joint for old times’ sake (oh no, no that is not done in proper society) at the de Young Museum at the Golden Gate Park highlighting the events of the period showing until August 20^th of this year.   

Better yet he would have had this Trump thug bizarre weirdness wrapped up and bleeding from all pores just like he regaled us with the tales from the White House bunker back in the days when Trump’s kindred one Richard Milhous Nixon, President of the United States and common criminal was running the same low rent trip before he was run out of town by his own like some rabid rat. But perhaps the road to truth these days, in the days of “alternate facts” and assorted other bullshit    would have been bumpier than in those more “civilized” times when simple burglaries and silly tape-recorders ruled the roost. Hunter did not make the Nixon “hit list” (to his everlasting regret for which he could hardly hold his head up in public) but these days he surely would find himself in the top echelon. Maybe too though with these thugs he might have found himself in some back alley bleeding from all pores. Hunter Thompson wherever you are –help. Selah. Enough said-for now  

Book Review

The Electric Kool-Aid Acid Test, Tom Wolfe, Bantam Books, New York, 1968

The subject of “Gonzo journalism”, a journalistic literary trend started in the 1960s, and its most well-known practitioner, the late Doctor Hunter S. Thompson, has received much ink in this space over the past several years. The gist of this journalistic literary trend is that the writer gets “down and dirty” with whatever he or she is writing about and becomes an aspect of the story, one way or another. Now this notion set the traditionalists who worked under the so-called objectivist theory, “nothing but the facts, Jack” back on their heels. Of course, we all knew, and know, that this traditional approach was honored in the breech more than the observance and that old Hunter was merely rubbing everyone’s face in it. However, Hunter Thompson was not the only one trying to got to “edge city” in his writing in what now has become, academically translated, called the “new journalism”. The writer under review, Tom Wolfe, also tried in a less zany way to break out of the traditional mold as well.

While Thompson was more than happy to tweak “edge city” Brother Wolfe, by his whole social existence, and by something deep down in his training never really got all the way there. He never really pressed the issue of his own involvement in the story, nor would it perhaps have worked for him, but surely off of this early work he is on to something different from the run of the mill “straight” journalism of those days. Heck, even Hunter Thompson, argued, and argued strenuously, that most of his attempts at "gonzo” didn’t work either. Here some of Wolfe’s entries are brilliant, some much less so but that seems par for the course when one is experimenting with new forms. The most polished form of those attempts is the early, now classic, The Electric Kool-Aid Acid Test. Below is a sketch of that work from another entry in this space today that gives the highlights:


"And why does Brother Wolfe (or is it really Brother Wolf?) earn this blame? Well, frankly, merely by telling this acid-etched (literally) story about the late author Ken Kesey (most famous for One Flew Over The Cuckoo’s Nest and Sometimes A Great Notion), his California-gathered (naturally, right?) tribe of Merry Pranksters, their then rural California coastal communal arrangements (or non-arrangements, or dis-arrangements, as the case may be), and their antics, including a collectively produced and massively-filmed cross-country “bus” ride that cemented their collective experiences. No kidding- you were truly either on the “bus” or off the “bus” if you got entangled with this crowd.

Oh, did I mention, as well, their deep-end “edge city” drug experiences, especially the then little known acid (LSD) trips? Those drug experiments, important as they were to the story line of the book, are, however, not what have me up in arms though. Hey, experimenting with drugs, or experimenting with sometime (sex, the karma sutra, Zen, zen, sex, abstract primitivist painting, free-form verse, sex, hitchhiking the universe, sex, etc.) was de rigueur in those halcyon days. I wouldn’t waste my breathe, and your time, recounting those kinds of stories. Everybody did drugs back then, or was….unhip. And almost no one, hip, unhip, cloven-footed, or haloed angel wanted to be thought of as unhip.

The others, those who claim memory lose today on the subject, or some story along those lines, just lie. Or were cloistered somewhere, and such circumstances are better left untold. Or, and here is my favorite, didn’t inhale. The number of guys (and gals) who NOW say that they didn’t inhale exceeds the total youth tribe members of the 1960s. Unless, of course, my numbers are off, slightly. I, in any case, need not go through that scene again. Read Wolfe’s book or watch Dennis Hopper’s Easy Rider or ask your parents or…ouch, grandparents." Actually, read this book.

The 50th Anniversary Of The Summer Of Love, 1967-A Dream Fragment On Looking For A Few Good…Mystics -In The Matter Of Tom Wolfe’s “The Electric Kool-Aid Acid Test”

The 50th Anniversary Of The Summer Of Love, 1967-A Dream Fragment On Looking For A Few Good…Mystics -In The Matter Of Tom Wolfe’s “The Electric Kool-Aid Acid Test”

Zack James’ comment June, 2017:

You know it is in a way too bad that “Doctor Gonzo”-Hunter S Thompson, the late legendary journalist who broke the back, hell broke the neck, legs, arms of so-called objective journalism in a drug-blazed frenzy back in the 1970s when he “walked with the king”’ is not with us in these times. In the times of this 50^th anniversary commemoration of the Summer of Love, 1967 which he worked the edges of while he was doing research (live and in your face research by the way) on the notorious West Coast-based Hell’s Angels. His “hook” through Ken Kesey and the Merry Pranksters down in Kesey’s place in La Honda where many an “acid test” took place and where for a time the Angels, Hunter in tow, were welcomed. He had been there in the high tide, when it looked like we had the night-takers on the run and later as well when he saw the ebb tide of the 1960s coming a year or so later although that did not stop him from developing the quintessential “gonzo” journalism fine-tuned with plenty of dope for which he would become famous before the end, before he took his aging life and left Johnny Depp and company to fling his ashes over this good green planet. He would have “dug” the exhibition, maybe smoked a joint for old times’ sake (oh no, no that is not done in proper society) at the de Young Museum at the Golden Gate Park highlighting the events of the period showing until August 20^th of this year.   

Better yet he would have had this Trump thug bizarre weirdness wrapped up and bleeding from all pores just like he regaled us with the tales from the White House bunker back in the days when Trump’s kindred one Richard Milhous Nixon, President of the United States and common criminal was running the same low rent trip before he was run out of town by his own like some rabid rat. But perhaps the road to truth these days, in the days of “alternate facts” and assorted other bullshit    would have been bumpier than in those more “civilized” times when simple burglaries and silly tape-recorders ruled the roost. Hunter did not make the Nixon “hit list” (to his everlasting regret for which he could hardly hold his head up in public) but these days he surely would find himself in the top echelon. Maybe too though with these thugs he might have found himself in some back alley bleeding from all pores. Hunter Thompson wherever you are –help. Selah. Enough said-for now  

Markin comment:

Okay, blame this foam-flecked entry totally on old wanna-be “gonzo” journalist/novelist Tom Wolfe and his infernal 1960s classic countercultural expose The Electric Kool-Aid Acid Test. I’ll explain the ‘wanna-be’ part in some book review, or in some of other place where talking about and discussing the "new journalism (1960s-style, including the likes of Hunter Thompson and Joan Didion) is called for. But, at least for now, I want to explain the why of that ‘where the blame should be placed’.

And why does Brother Wolfe (or is it really Brother Wolf?) earn this blame? Well, frankly, merely by telling this acid-etched (literally) story about the late author Ken Kesey (most famous for One Flew Over The Cuckoo’s Nest and Sometimes A Great Notion), his California-gathered (naturally, right?) tribe of Merry Pranksters, their then rural California coastal communal arrangements (or non-arrangements, or dis-arrangements, as the case may be), and their antics, including a collectively produced and massively-filmed cross-country “bus” ride that cemented their zany experiences. No kidding- you were truly either on the “bus” or off the “bus” if you got entangled with this crowd.

Oh, did I mention, as well, their deep-end “edge city” drug experiences, especially the then little known acid (LSD) trips? Those drug experiments, important as they were to the story line of the book, are, however, not what have me up in arms though. Hey, experimenting with drugs, or experimenting with sometime (sex, the karma sutra, Zen, zen, sex, abstract primitivist painting, free-form verse, sex, hitchhiking the universe, sex, etc.) was de rigueur in those halcyon days. I wouldn’t waste my breathe, and your time, recounting those kinds of stories. Everybody did drugs back then, or was….unhip. And almost no one, hip, unhip, cloven-footed devil, or haloed angel wanted to be thought of as unhip.

The others, those who today claim memory loses on the subject, or some story along those lines, just lie. Or were cloistered somewhere, and such circumstances are better left untold. Or, and here is my favorite, didn’t inhale. The number of guys (and gals) who NOW say that they didn’t inhale exceeds the total youth tribe members of the 1960s. Unless, of course, my numbers are off, slightly. I, in any case, need not go through that scene again. Read Wolfe’s book or watch Dennis Hopper’s Easy Rider, or ask your parents or…ouch, grandparents.

Today, however, I am excised on another point. Wolfe mentioned, repeatedly, the quasi-religious, mystical nature of the Kesey-gathered Merry Prankster tribal experience. And central to that, as to all such mystical communal experiences, is the emergence of some kind of “messiah” figure, or at least a chief mystic who guides the group’s actions, including the inevitable breakout into the real wide world when that time comes. Then, the breakout time, is when the power struggle really begins as the increased number of acolytes gather round and begin the long process of the selection of the “ins” and “outs”. To speak nothing of the very serious question of who is to “guard” the wisdom tablet (maybe, literally, a tablet in this case). Or who conducts the ceremonials to adhere the devotees. This is well-trodden ground, in any case.

And what in hell am I mad about that little quirky business for? Kesey was hardly the first guy or gal, and will hardly be the last either, to come down off the mountain to spread the “good news”, if only among the elect-at first. Hear me out though. I am sick and tired, utterly sick and tired, after a life time of listening, or really, half-listening to the latest screeds of the “god-seekers”, secular or religious. And of the side show carnival guys claiming for the umpteenth time they have the “new message” about human redemption. And of the about the 287th, or so, rendition of the story line of those who succumbed to some “conversion” religious experience. Enough, right? Well, perhaps, but what I want to blurt out is that, damn, I think Wolfe, and through him, Kesey were basically right that this was a time, the 1960s that is , when we, and I include myself in this as well, were looking for the “new messiah.”

For starters though, just in case the reader is caught short on the term “new messiah”, forget all the rough and tumble organized traditional religious stuff. That was a non-contender, then anyway. Hell, that was what we were running away from, and running as hard as our wobbly, drug-filled heads would force our legs to take us. (The three of us who have "confessed" to such activity in those days, excuse me. I don’t know in what condition the others were in during their runs.) No, any “church” had to be in some freshly-mown meadow, or among the squirrel-infested pines, or at the edge of the earth on some place where ‘our homeland’ the ocean, the sand and our sense of the vastness of space met. And any “preacher”, of the “good book” or, for that matter, of the virtues of demonology had to wear multi-colored, flowing home-spun robes, or some discarded army& navy store uniform, or some sheepskin vest, or maybe nothing. But, please, no collars around your neck, or ours. There were plenty of candidates looking for the job, looking to be heard, looking to be listened to and looking for those who were looking, for awhile anyway, until they ran out of steam, ran off with their sweeties, or with the cash box.

What we were looking for, at least what I think we were looking for was someone, once the traditional politicians proved to have feet of clay, or were mired in mud and blood up to their necks, or were blown away, to lead us to the “Promised Land.” That’s right the “Promised Land”, not some old quirky, queasy, hard scrabble, no air place that we all knew, or all of us that were “hip” knew, was not where we were at then. You know sometimes it was as simple as finding someone who had an answer or two. If they had a plan, or had the whole thing mapped out, so much the better. Mainly they just didn’t have to shout about it to the whole square world and bring the squares in to corner it, corral it, organize it, and make it a thing that not even your square, square parents could love.

And that, my friends, is where someone like Ken Kesey got some play, got his edge. His simple Western- bred (American Western-bred) ways, his obvious literary talents that acted as a magnet for those who saw no real difference between mad scientist Kesey and ‘mad scientist’ McMurphy (in One Flew Over The Cuckoo’s Nest), and his strong branding personality held the Prankster commune together. For a while. Until he too proved to have feet of clay, and fled. But here is the main point in the end it required just too much of a leap of faith to sail into the mystic with the mystics. For those like me, and there were many others like me, we had our mystical moment but when the deal went down we had to look elsewhere to other names to “seek the newer world.” World historic names no one, except, maybe, those now professed non-inhalers and vanguard neo-con cultural dead-enders, would confuse with mysticism. Marx, Lenin, Trotsky.

Films To While the Time By- Before Gonzo Journalism Was Gonzo- Johnny Depp’s “The Rum Diary” (With Kudos To Hunter S. Thompson)

Films To While the Time By- Before Gonzo Journalism Was Gonzo- Johnny Depp’s “The Rum Diary” (With Kudos To Hunter S. Thompson)

Zack James’ comment June, 2017:

You know it is in a way too bad that “Doctor Gonzo”-Hunter S Thompson, the late legendary journalist who broke the back, hell broke the neck, legs, arms of so-called objective journalism in a drug-blazed frenzy back in the 1970s when he “walked with the king”’ is not with us in these times. In the times of this 50^th anniversary commemoration of the Summer of Love, 1967 which he worked the edges of while he was doing research (live and in your face research by the way) on the notorious West Coast-based Hell’s Angels. His “hook” through Ken Kesey and the Merry Pranksters down in Kesey’s place in La Honda where many an “acid test” took place and where for a time the Angels, Hunter in tow, were welcomed. He had been there in the high tide, when it looked like we had the night-takers on the run and later as well when he saw the ebb tide of the 1960s coming a year or so later although that did not stop him from developing the quintessential “gonzo” journalism fine-tuned with plenty of dope for which he would become famous before the end, before he took his aging life and left Johnny Depp and company to fling his ashes over this good green planet. He would have “dug” the exhibition, maybe smoked a joint for old times’ sake (oh no, no that is not done in proper society) at the de Young Museum at the Golden Gate Park highlighting the events of the period showing until August 20^th of this year.   

Better yet he would have had this Trump thug bizarre weirdness wrapped up and bleeding from all pores just like he regaled us with the tales from the White House bunker back in the days when Trump’s kindred one Richard Milhous Nixon, President of the United States and common criminal was running the same low rent trip before he was run out of town by his own like some rabid rat. But perhaps the road to truth these days, in the days of “alternate facts” and assorted other bullshit    would have been bumpier than in those more “civilized” times when simple burglaries and silly tape-recorders ruled the roost. Hunter did not make the Nixon “hit list” (to his everlasting regret for which he could hardly hold his head up in public) but these days he surely would find himself in the top echelon. Maybe too though with these thugs he might have found himself in some back alley bleeding from all pores. Hunter Thompson wherever you are –help. Selah. Enough said-for now  

DVD Review

The Rum Diary, starring Johnny Depp, GK Films, 2011

Okay, here is the plot line of the film under review, the adaptation of the late Hunter S. Thompson’s legendary (more later on that) The Rum Diary, straight out of the gate. A young aspiring American writer, of the male persuasion, Paul Kemp, played by Thompson pal Johnny Depp, seeks employment in the newspaper business down in then backwater colonial Puerto Rico in the late cold war red scare early 1960s. Said writer, working to win his spurs and to make a name for himself tries six ways to Sunday to upgrade himself as a professional and the newspaper as well (based on a real the San Juan Star of the time). Oh, and chase a few windmills to right some of the egregious wrongs of this world as the young are prone to do (the major wrong confronting him being double-triple rip-out of the place by hungry, very hungry real estate developers). Problems encountered in chasing those windmills: said budding journalist is a bit of a drunk, a bit too close to some ex-pat fellow journalists who gravitated to PR just to be flaky in peace, and a bit too close (but one cannot blame him on this one) to one very hot blonde who happens to be slumming in Puerto Rico just then. But, trust me, one Paul Kemp will straighten that whole thing out, or have us go mad trying.

Sound familiar? Well, for any Hunter Thompson aficionado, and count me as one, hell, any half- aficionado, this plot line is very, very much like the life, the early life of one Hunter S. Thompson. And how would we know?
Well we have read the letters, we have read the Rolling Stone articles, hell we have read Songs of the Doomed and got a taste for snippets of The Rum Diary there. So when viewing this film there was a certain disappointment (just a little) that this did not turn out to be the great film adaptation of Hunter Thompson’s stab at the great American novel.

And here is where the “more later” mentioned above on The Rum Diary comes in. Hunter Thompson, seemingly, spend endless hours as far back as the early 1970s (maybe earlier )trying get this novel published (and in publishable form), and into film form. But here is a case where life (his, his later life anyway) outdid fiction. The ambience of the film seems very dated, very dated indeed in the post-Doctor Gonzo age. For what it is worth this is my “skinny” on Thompson’s career. He was one of the premier journalists of the last half of the twentieth century but as a novelist he was well behind his heroes Fitzgerald and Hemingway. As for Johnny Depp’s performance, well, Johnny Depp knows, knows deep in his bones, how to play off-the wall characters and does a better job, a much better job, here than in his attempt at channeling Hunter Thompson in the film adaptation of Fear And Loathing In Las Vegas. Selah.

On Memphis Minnie's Birthday- The Queen of The Blues- Bessie Smith

CD REVIEW

The Essential Bessie Smith, Bessie Smith, Columbia, two disc set, 1997

Elsewhere in this space I have mentioned that in the early days of the blues, at least the recorded blues, women vocalists dominated the market. One thinks of Mabel Smith and Ma Rainey in that regard. But the queen of the hill, and the one still best remembered, for roaring out those barrel house blues is Bessie Smith. This little two-disc compilation gives a very nice beginner cross section of the kind of subjects that she sang about-mainly broken-hearted love, no good men and the trials and tribulations of being a black woman on her own.

Bessie's music also represents the place, as with Blind Willie McTell on the male side, where the blues go from the Saturday night juke joints of farm, make that cotton, country to the more sophisticated Southern city locales. Furthermore, she along with Memphis Minnie were the queens of the now lost art of sexual double entendre- you know, 'put a little sugar in my bowl', 'take me for a buggy ride' and other classic lines of that type.

Be aware in listening to this compilation that the quality of the early recordings can be a little grating on the ear but bear with it because this thing just grows on you. It is rather an acquired taste but once you have the Bessie in your head you will not want to turn the damn thing off. Top selections here are a moanful , weary St Louis Blues, Weeping Willow Blues and a novelty song- Jazzbo Brown From Memphis Town that later singers have covered. Are these recordings all the essentials you need to bring you up to speed on Bessie? No way, but go back the first sentence of this paragraph-you will be saving your pennies to get the next album.

Empty Bed Blues, Bessie Smith EMI, 1991

Be aware listening to Bessie is rather an acquired taste but once you have the Bessie in your head you will not want to turn the damn thing off. Unlike compilations that start with her earlier material like Aggravatin' Papa where the quality of the recording gets in the way of your listening pleasure this one is mainly later material with better sound quality. Top selections here are a moanful , weary St Louis Woman, the sexy Easy Rider, the jump two parts of Empty Bed Blues of the title, the down and dirty Me and My Gin and the novelty song Jazzbo Brown From Memphis Town. Are these recordings all the essentials to bring you up to speed on Bessie? No way, but go back the first sentence of this paragraph- you will be saving your pennies to get the next album.

Join us on Monday, June 11 5:30pm @ Park Street Station, Boston Candlelight Vigil: Support the peace process in Korea

The Summit between North Korea and the United States takes place June 12

Join us on Monday, June 11  5:30pm @ Park Street Station, Boston

Candlelight Vigil: Support the peace process in Korea

On April 27 the leaders of North and South Korea declared that “there will be no more war on the Korean Peninsula and thus a new era of peace has begun”. Now it is time for our country to step up to the plate and offer U.S. support to what these leaders have begun. On June 12 (actually 9pm June 11 here) President Trump and President Kim Jung-un of North Korea will take the bold step of holding a joint summit in Singapore. We urge both leaders to begin a process that will lead to the complete de-nuclearization of the Korean peninsula, an end to sanctions, and the signing of a non-aggression pact and a peace treaty to end the Korean war. Join us at 5:30pm Monday to support peace negotiations that must begin to lift the danger of catastrophic war in Korea from the shoulders of the people of Korea and the world. For years now thousands of people throughout South Korea have held enormous candlelight rallies to bring down a repressive government and to demand peace and reconciliation between the 2 Koreas.

It is time for us to express our solidarity to these brave Koreans who have lived in the shadow of war for almost 7 decades.

It’s time to declare that the war is over.

For Information contact Mass. Peace action: 617-354-2169

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A Story Goes With It-The 1947 Film Adaptation Of Earl Derr Bigger’s “Seven Keys To Baldpate”-A Film Review

A Story Goes With It-The 1947 Film Adaptation Of Earl Derr Bigger’s “Seven Keys To Baldpate”-A Film Review

DVD Review  

By Film Critic Sandy Salmon

Seven Keys To Baldpate, starring Phillip Terry Jacqueline White, adapted from Earl Derr Bigger’s crime novel of the same name, 1947 (there were earlier cinematic versions). 

You never know what guys will bet on, even guys who don’t look like they need dough, serious dough anyway. That is the “hook” behind this film adaptation of crime novelist Earl Derr Bigger’s Seven Keys To Baldpate (Bigger better known for his classic Charlie Chan series). The bet: that left to his own devices, left alone crime writer Kenneth McGee, played by Phillip Terry, can finish a crime novel in a short specific period of time-twenty-four hours. The prize: five thousand in cash (yeah I know nothing but walking around today as one of my fellow film critics mentioned when commenting on the money stolen in some 1950s bank robbery in another film he was reviewing). The chase is on.     

Part of the idea behind the bet was for McGee to head for the quiet of a shutdown for the season New England inn in order to pursue his work in peace. McGee is given the only key to the inn and heads up smacking his lips that this bet would be like money found on the ground. But as the title of film tips us to he is not the only one with a key to access that well-worn front door. The place turned into Grand Central Station as people with very mixed motives keep popping up in this isolated snow drifted place. Toward the end I thought maybe I had a key and got mad that I didn’t have one.

The cast of rogues who show up include, let’s count them, since we know McGee has one, an unexpected caretaker who greets him at the door, a hermit, a femme, a professor, a gunman, and the fetching secretary of the guy who McGee made the bet with, Mary played by Jacqueline White to add a little off-hand romance while McGee figures out the motives of his co-residents. That’s seven in my book.  Here’s where you have to look twice at some guys, some guys you bet with, since Mary’s motives are straight up. She had been sent by the guy McGee bet to make sure that he didn’t finish the novel on time. Not fair, not fair at all.      

As for the others, except the hermit who is just there for effect, they are in this Podunk out of the way place to divvy up the spoils from a big jewel heist. Among themselves they manage to shoot up the place as they double-cross each other leaving two dead in the end when the coppers come to put paid the whole enterprise. Just your average crime story. Hey a story McGee could write in a jiffy and still collect the dough. Except that fetching secretary with the long legs showing to good effect got him all brain-addled when she flopped herself on his lap and dared him to ignore her. McGee should have known the fix was in on that score too.          

Train Smoke And Dreams-The Film Adaptation of Paula Hawkins’ “The Girl On The Train”-(2016)

Train Smoke And Dreams-The Film Adaptation of Paula Hawkins’ “The Girl On The Train”-(2016)   

By Sam Lowell

The Girl On The Train, starring Emily Blunt, Rebecca Ferguson, Haley Bennett, directed by Tate Taylor, from the thriller novel by Paula Hawkins, 2016

A tale of three women, three smart up and coming but troubled women, suburban women, suburban New York City women and that makes a difference, is an interesting way to introduce this cinematic thriller, Girl On The Train, adapted for the screen from the best-selling novel by Paula Hawkins. Especially since their lives, the lives of Rachael, Anna and Megan to give them names right at the start, are intertwined one way or another by the same man, Tom, a man who as one of the minor characters in the film stated rather succinctly if crudely could not “keep his dick in his pants.” That statement, made on the suburban commuter train from New York City, the train a symbolic metaphor for lots of what goes down along the way, toward the end of the film goes a long way to explaining why this well-done and suspenseful thriller ends the way it does.       

Here’s the scoop. Woman number one, Rachel, played by Emily Blunt, smart, artistic but emotionally fragile and unsure of herself, had as a result of her spiraling alcoholism brought on by her failure to bear a child (and by the nefarious manipulations of philandering Tom) been unceremoniously dumped by her philandering husband for another woman, woman number two, Anna, who had borne him a child.  Rachel was a dreamer, a romantic, had some almost child-like idea of what a leafy suburban perfect marriage might look like despite her alcoholic haze which during her binges had left her with big blank spaces in her memory, left her with blackouts. It is in trying to retrace the steps of her life that will finally aid her-and get her and others into a hell of a lot of trouble.

The romantic dreamer about some ideal marriage part for Rachel came when she passed her old neighborhood on the train she took every day supposedly going to and from work (she had been fired for her over-the-top alcoholic behavior so the trips back and forth to New York City were trips to nowhere). A few houses from where she had lived she spied a couple who look like they were the consummate expression of everything she still longed for-including reuniting with her husband.

Enter woman number three, Megan, played by Haley Bennett, young, neurotic and sexually promiscuous, who was the woman Rachel had seen from the train. Megan rather than the ideal suburban wife was seeing a psychiatrist about her problems (while trying to seduce him). And about the secret guilt she had felt ever since she had neglected her out-of-wedlock baby when she was a teenager. Megan had worked for Tom and Anna, who had her own set of emotional problems around having the child and having a philandering husband, as a nanny to complete the scene (a job that it turned out Tom had insisted she take).

Here is where things got dicey. Megan one night went missing, and would be found after some time dead in the woods along the nearby Hudson River, an obvious homicide. Rachel, in one of her less lucid and less sober moments witnessed a scene from one end of a tunnel where Megan, who had disillusioned Rachel from the train by apparently taking another lover, and somebody had been seen together the night she disappeared. The rest of the film unwinds around Rachel’s increased clarity and confidence in herself about what had happened that night, who had killed Megan and why. 

Naturally there is plenty of misdirection as in any good thriller. Rachel herself had come under suspicion due to her erratic and at times near hysterical behavior. As had, naturally given the statistics on such matters, Megan’s overbearing and overwrought husband (with a little help from trying to be helpful Rachel). Hell, even the shrink, Megan’s shrink, based on Rachel’s faulty foggy memory, was under a cloud for a time. But as the film winds down and the possible candidates with the motive to do the foul deed dwindle Rachel’s sense of what happened that night and who might have committed the foul deed improved.

Although this film (and the book it is based on) is predicated on solving the murder mystery which sets up the plot I was struck by how much these three very different women had been thrown together by an odd fate and reacted to things in very similar ways. The acting by the trio, particularly Emily Blunt whose very complicated role drove the action but also drove the psychological aspects of the film, was excellent as the three women went through their respective paces. As for whodunit check it out for yourself if you have not already read the book. A way better than average thriller.              

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The Smells, Ah, The Smells Of Childhood- Ida's Bakery Redux-With The Doors’ The End In Mind

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The Smells, Ah, The Smells Of Childhood- Ida's Bakery Redux-With The Doors’ The End In Mind

Introduction by Allan Jackson

[I have gotten away a little from the way that the music of our generation, the generation of ’68 which came of age in the 1950s in the classic age of rock and roll to look at what some would call the sociology of poverty that also played an important part in the way we viewed the world. I keep referring back to that key corner boy high school experience bonded us together for a lifetime witness Sam Lowell, Frank Jackman, Si Lannon and Bart Webber who are all veterans of Tonio’s Pizza Parlor hang-out and who write occasionally in this publication. Not all of us were as full-formed, fully-engulfed as Peter Paul Markin, Scribe as we always called him in whatever poverty, by what I have called here the eternal wanting habits which is the fate of those down in the mud, down in the bottom of the social pecking order but we were nevertheless etched by the experience some way.

I keep thinking about Red Riley (no relation to Frankie who led our corner by acclamation Riley was a very common name in the Irish Catholic-etched Acre neighborhood where we grew up). Red was older, a few years older, and he and his corner boys, corner toughs really, who hung out at Harry Variety Store and raised seven kinds of hell to strangers and committed more than one celebrated  robbery none of which at the time drew him any jail time. I have mentioned before that Red was the roughest, meanest guy I ever ran across and that included the tough guys in the Army of which there were plenty. I know I was in awe of Red and his confederates, maybe six or seven guys with some turnover due to jail time. Like I said Red drew no jail time then but would later. Red Riley never got out of being a corner boy, never wanted to unless the Tonio corner boys who were really just glued together to survive and draw succor from each other. At fourteen I was in thrall of him though, dreamed of being in his corner since at that time I was no threat to him and so I was able to go into Harry’s without problems. Red was a pin ball wizard that may have something to do with since he would give me some free games when he had to go elsewhere or was getting ready for a caper. Later I don’t know what happened to Red although I had heard he did various sentences for armed robbery when his luck began to change. A while back when I had to go to the old neighborhood for something I asked somebody about Red’s fate. He had wound up a junkie of some sort and had died in a hail of bullets down in North Carolina while trying to rob a White Hen store for whatever reason he had. I was saddened no question when I had heard that Red had cashed his check.  

 

And that brings up my real point in this introduction. I came from that same place as Red (and the Scribe as well), that wanting habits place and was ready when young to do whatever was necessary to take that hurt away. I got caught up in one of Scribe’s well-planned but in this case not well executed burglaries when it turned out that Scribe had not factored in that the neighbors were watching the house for their neighbors and had called the coppers. The coppers looked for us for hours as we sidled home. Somebody said they had guns drawn at one point. So see it was a very close thing, a very close thing indeed about which way I would have fallen on this good green earth. Allan Jackman]    

 *********

In memory of Peter Paul Markin, 1946-1976 (?), North Adamsville High School Class of 1964:

*********

This is the way the late Peter Paul Markin, although he never stood on ceremony and everybody in the corner boy night at Jack Slack’s bowling alleys down near Adamsville Beach called him plain old ordinary vanilla Markin, would have wanted to put his response to the question of what smell most distinctly came to his mind from the old neighborhoods if he were still around. Many a night, a late night around midnight usually, in the days and weeks after we got out of high school but before we went on to other stuff, maybe some of those nights having had trouble with some girl, either one of us, since we both came from all boy families and didn’t understand girls, or maybe were afraid of them, unlike guys who had sisters, who maybe didn’t understand them either but were around them enough to have figured a few things out about them we would stand holding up the wall in front of Jack Slack’s and talk our talk, talk truth as we saw it although we never really dignified the jive with the word truth.

Or maybe dateless some nights like happened a lot more than either of us, hell, any of us if it came right down to it, would admit to (I won’t even discuss the shroud we placed over the truth when talking, big talking, about “making it” when we were lucky to get a freaking kiss on the cheek from a girl half the time) we would talk. Sometimes with several guys around but mainly Markin and me, since we were the closest of the half dozen or ten guys who considered themselves Frankie Riley-led Jack Slack’s corner boys we would talk about lots of things.

Goofy stuff when you think about it but one night I don’t know if it was me or him that came up with the question about what smell did we remember from the old days, the old days being when we were in school, from around the neighborhood but I do remember we both automatically and with just a couple of minutes thought came up with our common choice- Ida’s Bakery. Ida’s over on Sagamore Street, just up the street from the old ball field and adjacent to the Parks and Recreations sheds where the stuff for the summer programs, you know, archery equipment, paints, sports equipment, craft-making stuff, how-to magazines and all were kept during the summer and after that, between seasons. Since both Markin and I when we went to Josiah Adams Elementary up the next block (named after some guy related to guys who ran the town way back when) would each summer participate in the program and as we grew older (and presumably more reliable) were put in charge of the daily storage of those materials during the summer and so got a preternatural whiff of whatever Ida was baking for sale for the next day. So yeah, we knew the smell of Ida’s place. And so too I can “speak” for old Markin just like if he was here today some fifty years later telling you his story himself.        

Unfortunately Markin laid down his head in a dusty back alley, arroyo, or cul-de-sac we never did really find out which with two slugs in his heart and nobody, not even his family, certainly not me and I loved the guy, wanted to go there to claim the body, worse, to start an investigation into what happened that day back in 1976 down Sonora way, that is in Mexico, for fear of being murdered in some back alley, arroyo, or cul-de-sac ourselves. See Markin had huge corner boy, “from hunger,” wanting habits back then, going back in the Jack Slack days. Hell I came up with him and had them too. But he also had a nose for drugs, had been among the first in our town as far as I know although I won’t swear to that now since some kids up the Point, some biker guys who always were on the cutting edge of some new kicks may have been doing smoke well before him to do, publicly do right out on Adamsville Common in broad daylight with some old beat cop sitting about two benches away, marijuana in the mid-1960s. That at a time, despite what we had heard was going on in the Boston Common and over in high Harvard Square,  when the rest of us were still getting our underage highs from illicit liquor (Southern Comfort, cheap gin, cheaper wine, Ripple, more than a few times, Thunderbird, when we were short on dough, nobody, including  our hobo knight in shining armor who “bought” for us as long as he got a bottle for his work, wanted to bother lugging cases of cheapjack beer, say Knickerbocker or Narragansett, out of a liquor store and pass it on to in obviously under-aged kids  so we all developed a taste for some kind of hard liquor or wine). Markin did too, liked his white wine. But he was always heading over to Harvard Square, early on sometimes with me but I didn’t really “get” the scene that he was so hopped up about and kind of dropped away when he wanted to go over, so later he would go alone late at night taking the all-night Redline subway over, late at night after things had exploded around his house with his mother, or occasionally, his three brother (and very, very rarely his father since he had to work like seven bandits to make ends meet for the grim reaper bill collectors, which they, the ends never did meet as far as I could tell and from what I knew about such activity from my own house, so he was left out of it except to back up Ma).

One night, one night some guy, Markin said some folk singer, Eric somebody, who made a name for himself around the Square, made a name around his “headquarters,” the Hayes-Bickford just a jump up from the subway entrance where all the night owl wanna-be hipsters, dead ass junkies, stoned-out winos, wizened con men and budding poets and songwriters hung out, turned him on to a joint, and he liked it, liked the feeling of how it settled him down he said (after that first hit, as he was trying to look cool, look like he had been doing joints since he was a baby, almost blew him away with the coughing that erupted from inhaling the harsh which he could never figure out (nor could I when my mary jane coughing spurt came) since he, like all of us, was a serious cigarette smoker, practically chain-smoking to while away the dead time and, oh yeah, to look cool to any passing chicks while we were hanging out in front of Jack Slack’s.

Of course that first few puffs stuff meant nothing really, was strictly for smooth-end kicks, and before long he had turned me, Frankie Riley, our corner boy leader, and Sam Lowell, another good guy, on and it was no big deal. And when the time came for us to do our “youth nation,” hippie, Jack Kerouac On The Road treks west the five of us, at one time or another, had grabbed all kinds of different dope, grabbed each new drug in turn like they were the flavor of the month, which they usually were. And nobody worried much about any consequences either since we all had studiously avoided acid in our drug cocktail mix.  Until Markin got stuck on cocaine, you know, snow, girl, cousin any of those names you might know that drug by where you live. No, that is not right, exactly right anyway. It wasn’t so much that Markin got stuck on cocaine as that his nose candy problem heightened his real needs, his huge wanting habits, needs that he had been grasping at since his ‘po boy childhood. And so to make some serious dough, and still have something left to “taste” the product as he used to call it when he offered some to me with the obligatory dollar bill as sniffing tool he began some low-level dealing,  to friends and acquaintances mainly and then to their friends and acquaintances and on and on.

Markin when he lived the West Coast, I think when he was in Oakland with Moon-Glow (don’t laugh we all had names, aliases, monikers like that back then to bury our crazy pasts, mine was Flash Dash for a while, and also don’t laugh because she had been my girlfriend before I headed back east to go to school after the high tide of the 1960s ebbed out around 1971 or so. And also don’t laugh because Moon-Glow liked to “curl my toes,” Markin’s too, and she did, did just fine), stepped up a notch, started “muling” product back and forth from Mexico for one of the early cartels. He didn’t say much about it, and I didn’t want to know much but for a while he was sending plane tickets for me to come visit him out there. Quite a step up from our hitchhike in all weathers heading west days. And of course join him in imbibing some product testing. That went on for a while, a couple of years, the last year or so I didn’t see him, didn’t go west because I was starting a job. Then one day I got a letter in the mail from him all Markin-y about his future plans, about how he was going to finally make a “big score,” with a case full of product that he had brought up Norte, he always said Norte like he was some hermano or something rather than just paid labor, cheap paid labor probably, and was too much the gringo to ever get far in the cartel when the deal went down. Maybe he sensed that and that ate at him with so much dough to be made, so much easy dough. Yeah, easy dough with those two slugs that Spanish Johnny, a guy who knew Markin in the Oakland days, had heard about when he was muling and passed on the information to us. RIP-Markin          

No RIP though for the old days, the old smells that I started telling you about before I got waylaid in my head about the fate of my missed old corner boy comrade poor old Markin. Here’s how he, we, no he, let’s let him take a bow on this one, figured it out one night when the world was new, when our dreams were still fresh:

“There are many smells, sounds, tastes, sights and touches stirred up on the memory’s eye trail in search of the old days in North Adamsville. Tonight though I am in thrall to smells, if one can be in thrall to smells and when I get a chance I will ask one of the guys about whether that is possible. The why of this thralldom is simply put. I had, a short while before, passed a neighborhood bakery on St. Brendan Street in a Boston neighborhood, a Boston Irish neighborhood to be clear, that reeked of the smell of sour-dough bread being baked on the premises. The bakery itself, designated as such by a plainly painted sign-Mrs. Kenney’s Bakery- was a simple extension of someone’s house like a lot of such operations by single old maid, widowed, divorced or abandoned women left for whatever reason to their own devises trying to make a living baking, sewing, tailoring, maybe running a beauty parlor, small change but enough to keep the wolves from the door, with living quarters above, and that brought me back to the hunger streets of the old home town and Ida’s holy-of-holies bakery over on Sagamore Street.

Of course one could not dismiss, or could dismiss at one’s peril just ask Frank, that invigorating smell of the salt-crusted air blowing in from North Adamsville Bay when the wind was up hitting us in front of Jack Slack’s bowling lanes and making us long to walk that few blocks to the beach with some honey who would help us pass the night. A wind too once you took girls out of the picture, although you did that at your peril as well, that spoke of high-seas adventures, of escape, of jail break-out from landlocked spiritual destitutes, of, well, on some days just having been blown in from somewhere else for those who sought that great eastern other shoreline. Or how could one forget the still nostril-filling pungent fragrant almost sickening smell emanating from the Proctor &Gamble soap factory across the channel down in the old Adamsville Housing Authority project that defined many a muggy childhood summer night air instead of sweet dreams and puffy clouds. Or that never to be forgotten slightly oily, sulfuric smell at low- tide down at the far end of North Adamsville Beach, near the fetid swamps and mephitic marshes in the time of the clam diggers and their accomplices trying to eke a living or a feeding out of that slimy mass. [Sorry I put those smelly adjectives in, Markin would have cringed.] Or evade the funky smell [A Markin word.] of marsh weeds steaming up from the disfavored Squaw Rock end of the beach, the adult haunts with their broods of children in tow. Disfavored, disfavored when it counted in the high teenage dudgeon be-bop 1960s night, post-school dance or drive-in movie love slugfest, for those who took their “submarine races” dead of night viewing seriously and the space between the yacht clubs was the only “cool” place to hang with some honey. And I do not, or will not spell the significance of that teen lingo “submarine race” expression even for those who did their teenage “parking” in the throes of the wild high plains Kansas night. You can figure that out yourselves.

Or the smell sound of the ocean floor at twilight (or dawn, if you got lucky) on those days when the usually tepid waves aimlessly splashed against the shoreline stones, broken clam shells, and other fauna and flora or turned around and became a real roaring ocean, acting out Mother Nature’s high life and death drama, and in the process acted to calm a man’s (or a man-child’s) nerves in the frustrating struggle to understand a world not of one’s own making. Moreover, I know I do not have to stop very long to tell you guys, the crowd that will know what I am talking about, to speak about the smell taste of that then just locally famous HoJo’s ice cream back in the days. Jimmied up and frosted to take one’s breath away. Or those char-broiled hot dogs and hamburgers sizzling on your back-yard barbecue pit or, better, from one of the public pits down at the beach. But the smell that I am ghost-smelling today is closer to home as a result of a fellow classmate’s bringing this to my attention awhile back (although, strangely, if the truth be known I was already on the verge of “exploring" this very subject). Today, after passing that home front bakery, as if a portent, I bow down in humble submission to the smells from Ida’s Bakery.”

That’s good enough for the Markin part, the close up memory part. Here I am for the distant memory part: 

You, if you are of a certain age, at or close to AARP-eligible age, and neighborhood, Irish (or some other ethnic-clinging enclave) filled with those who maybe did not just get off the boat but maybe their parents did, remember Ida’s, right? Even if you have never set one foot in old North Adamsville, or even know where the place is. If you lived within a hair’s breathe of any Irish neighborhood and if you had grown up probably any time in the first half of the 20th century you “know” Ida’s. My Ida ran a bakery out of her living room, or maybe it was the downstairs and she lived upstairs, in the 1950s and early 1960s (before or beyond that period I do not know). An older grandmotherly woman when I knew her who had lost her husband, lost him to drink, or, as was rumored, persistently rumored although to a kid it was only so much adult air talk, to another woman. Probably it was the drink as was usual in our neighborhoods with the always full hang-out Dublin Grille just a couple of blocks up the street. She had, heroically in retrospect, raised a parcel of kids on the basis of her little bakery including some grandchildren that I played ball with over at Welcome Young Field also just up the street, and also adjacent to my grandparents’ house on Kendrick Street.

Now I do not remember all the particulars about her beyond the grandmotherly appearance I have just described, except that she still carried that hint of a brogue that told you she was from the “old sod” but that did not mean a thing in that neighborhood because at any given time when the brogues got wagging you could have been in Limerick just as easily as in North Adamsville. Also she always, veil of tears hiding maybe, had a smile for one and all coming through her door, and not just a commercial smile either. Nor do I know much about how she ran her operation, except that you could always tell when she was baking something in back because she had a door bell tinkle that alerted her when someone came in and she would come out from behind a curtained entrance, shaking flour from her hands, maybe, or from her apron-ed dress ready to take your two- cent order-with a smile, and not a commercial smile either but I already told you that.

Nor, just now, do I remember all of what she made or how she made it but I do just now, rekindled by Markin’s reference to that sour-dough yeasty smell, remember the smells of fresh oatmeal bread that filtered up to the playing fields just up the street from her store on Fridays when she made that delicacy. Fridays meant oatmeal bread, and, as good practicing Catholics like my family going back to the “famine ships,” and probably before, were obliged to not eat red meat on that sacred day, but fish, really tuna fish had that on Ida’s oatmeal bread. But, and perhaps this is where I started my climb to quarrelsome heathen-dom I balked at such a tuna fish desecration of holy bread. See, grandma would spring for a fresh loaf, a fresh right from the oven loaf, cut by a machine that automatically sliced the bread (the first time I had seen such a useful gadget). And I would get to have slathered peanut butter (Skippy, of course) and jelly (Welch’s Grape, also of course) on oatmeal and a glass of milk. Ah, heaven.

And just now I memory smell those white-flour dough, deeply- browned Lenten hot-cross buns white frosting dashed that signified that hellish deprived high holy catholic Lent was over, almost. Beyond that I have drawn blanks. Know this those. All that sweet sainted goddess (or should be) Ida created from flour, eggs, yeast, milk and whatever other secret devil’s ingredients she used to create her other simple baked goods may be unnamed-able now but they put my mother, my grandmother, your mother, your grandmother in the shade. And that is at least half the point. You went over to Ida’s to get high on those calorie-loaded goodies. And in those days with youth at your back, and some gnawing hunger that never quite got satisfied, back then that was okay. Believe me it was okay. I swear I will never forget those glass-enclosed delights that stared out at me in my sugar hunger. I may not remember much about the woman, her life, where she was from, or any of that. This I do know- in this time of frenzied interest in all things culinary Ida's simple recipes and her kid-maddening bakery smells still hold a place of honor. And with a tear in my eye as I say it fifty some years later my boy Markin did too.

Songs For Our Times-Build The Resistance-Steppenwolf's "America When Are You Now...We Can't Fight Lone Against The Monster"

Songs For Our Times-Build The Resistance-Steppenwolf's "America When Are You Now...We Can't Fight Lone  Against The Monster"   

During, let’s say the Obama administration or, hell, even the Bush era, for example  we could be gentle angry people over this or that notorious war policy and a few others matters and songs like Give Peace A Chance, We Shall Overcome, or hell, even that Kumbaya which offended the politically insensitive. From Day One of the Trump administration though the gloves have come off-we are in deep trouble. So we too need to take off our gloves-and fast as the cold civil war that has started in the American dark night heads to some place we don’t want to be. And the above song from another tumultuous time, makes more sense to be marching to. Build the resistance!

Steppenwolf – Monster Lyrics

Once the religious, the hunted and weary
Chasing the promise of freedom and hope
Came to this country to build a new vision
Far from the reaches of Kingdom and pope

Like good Christians some would burn the witches
Later some got slaves to gather riches

But still from near and far to seek America
They came by thousands, to court the wild
But she just patiently smiled and bore a child
To be their spirit and guiding light

And once the ties with the crown had been broken
Westward in saddle and wagon it went
And till the railroad linked ocean to ocean
Many the lives which had come to an end

While we bullied, stole and bought a homeland
We began the slaughter of the red man

But still from near and far to seek America
They came by thousands to court the wild
But she just patiently smiled and bore a child
To be their spirit and guiding light

The Blue and Grey they stomped it
They kicked it just like a dog
And when the war was over
They stuffed it just like a hog

And though the past has its share of injustice
Kind was the spirit in many a way
But its protectors and friends have been sleeping
Now it's a monster and will not obey

The spirit was freedom and justice
And its keepers seemed generous and kind
Its leaders were supposed to serve the country
But now they won't pay it no mind
Cause the people grew fat and got lazy
Now their vote is a meaningless joke
They babble about law and order
But it's all just an echo of what they've been told

Yeah, there's a monster on the loose
It's got our heads into the noose
And it just sits there watchin'

The cities have turned into jungles
And corruption is stranglin' the land
The police force is watching the people
And the people just can't understand
We don't know how to mind our own business
'Cause the whole world's got to be just like us
Now we are fighting a war over there
No matter who's the winner we can't pay the cost

'Cause there's a monster on the loose
It's got our heads into the noose
And it just sits there watchin'

America, where are you now
Don't you care about your sons and daughters
Don't you know we need you now
We can't fight alone against the monster

America, where are you now
Don't you care about your sons and daughters
Don't you know we need you now
We can't fight alone against the monster

America...America...America...America...