From The Marxist Archives- Labor and Capital Have No Common Interests

From The Marxist Archives- Labor and Capital Have No Common Interests Workers Vanguard No. 1133	4 May 2018

TROTSKY

LENIN

Labor and Capital Have No Common Interests

(Quote of the Week)

The trade unions are the mass defensive organizations of the working class. The trade-union bureaucracy undermines the power of the unions by its allegiance to the U.S. capitalist order, particularly expressed through support to the Democratic Party. In a 1942 lecture, James P. Cannon emphasized that the Trotskyists who led the successful 1934 Minneapolis Teamsters strikes fought against illusions in the politicians and government agencies of the capitalist class enemy. The understanding that the interests of the workers and bosses are counterposed is vital to reviving the unions as battalions of class struggle and to the fight to forge a new leadership of labor.

All modern strikes require political direction. The strikes of that period brought the government, its agencies and its institutions into the very center of every situation. A strike leader without some conception of a political line was very much out of date already by 1934. The old fashioned trade union movement, which used to deal with the bosses without governmental interference, belongs in the museum. The modern labor movement must be politically directed because it is confronted by the government at every turn. Our people were prepared for that since they were political people, inspired by political conceptions. The policy of the class struggle guided our comrades; they couldn’t be deceived and outmaneuvered, as so many strike leaders of that period were, by this mechanism of sabotage and destruction known as the National Labor Board and all its auxiliary setups. They put no reliance whatever in Roosevelt’s Labor Board; they weren’t fooled by any idea that Roosevelt, the liberal “friend of labor” president, was going to help the truck drivers in Minneapolis win a few cents more an hour. They weren’t deluded even by the fact that there was at that time in Minnesota a Farmer-Labor Governor, presumed to be on the side of the workers.

Our people didn’t believe in anybody or anything but the policy of the class struggle and the ability of the workers to prevail by their mass strength and solidarity. Consequently, they expected from the start that the union would have to fight for its right to exist; that the bosses would not yield any recognition to the union, would not yield any increase of wages or reduction of the scandalous hours without some pressure being brought to bear. Therefore they prepared everything from the point of view of class war. They knew that power, not diplomacy, would decide the issue. Bluffs don’t work in fundamental things, only in incidental ones. In such things as the conflict of class interests one must be prepared to fight.

—James P. Cannon, The History of American Trotskyism (1944)

For Class Struggle, Not Reliance on Democrats! Janus Case: Assault on Labor

Workers Vanguard No. 1133	4 May 2018

For Class Struggle, Not Reliance on Democrats!

Janus Case: Assault on Labor

The Supreme Court case of Janus v. AFSCME is aimed squarely at destroying public-sector unions, posing a direct threat to all of labor. A ruling against AFSCME—the American Federation of State, County and Municipal Employees—would ban the agency shop in public employment, whereby employees who refuse to join the union must pay “agency fees” to the union, which bargains on their behalf as well as that of its members. Such a ruling would overturn the 1977 Abood v. Detroit Board of Education decision upholding the agency shop, and thereby make “right to work” the law of the land for all public employees. With the decisive vote in the hands of conservative Justice Neil Gorsuch, a corporate lawyer appointed by Donald Trump, an anti-union decision is all but assured.

The Janus case has been bankrolled by a viciously union-busting cabal, including the billionaire Koch brothers and the far-right lobbyists of the American Legislative Exchange Council (ALEC). The original lawsuit was filed by Republican Illinois governor and venture capitalist Bruce Rauner on behalf of Mark Janus, a social worker who would not join AFSCME. The case is premised on the bogus argument that having to pay agency fees is “coerced” speech and a violation of the First Amendment. This is just a cover for trying to bankrupt AFSCME and other public-sector unions and bleed them of members. The same red herring was at the center of an earlier case, Friedrichs v. California Teachers Association, which tried to strike down mandatory union fees but ended in a deadlock.

Janus is the latest attack in a decades-long war waged by the capitalist rulers against organized labor, during which the percentage of unionized workers has fallen to just over 10 percent, about half of what it was in the 1980s. Public workers are in the sights of the labor-haters because they make up the largest concentration of unionized workers in the country. Their unionization rate of 34 percent is five times greater than in the private sector.

A ruling against AFSCME would strike especially hard at black workers, who are highly represented in these unions. Black people are 30 percent more likely than whites to have a public-sector job, and for many of them, getting a unionized job in transit, sanitation or the postal service provides one of the few ways out of all-sided destitution. In the 28 states with “right to work” laws, wages are lower and workers are less likely to have health insurance or retirement benefits. It was the 1947 Taft-Hartley Act, passed with overwhelming support from racist Dixiecrats (Democrats) in the open shop South, that contained a “right to work” provision allowing states to pass legislation prohibiting compulsory union membership. Taft-Hartley also banned militant strike tactics and opened up a red purge of the unions.

It is the labor misleaders themselves who have paved the way for the Janus attack. Abandoning the class-struggle methods that built the unions, the labor bureaucracy has simply lain down in the face of relentless attacks on unions while resorting to reliance on the capitalist government, the courts and the Democratic Party. In Wisconsin in 2011, tens of thousands of unionists—both public employees and others—rallied day after day at the State Capitol to beat back Republican governor Scott Walker’s attack on public unions’ collective bargaining rights. Workers were ready to strike to defend their unions. But the AFL-CIO bureaucrats demobilized the workers in favor of a campaign to recall Walker (and install a Democrat in his place). This sealed the unions’ defeat, opening the floodgates for “right to work” in former union bastions in the Midwest and elsewhere.

Today, in opposing Janus, the “labor statesmen” who run the unions present themselves as an essential force for keeping a lid on working-class struggle. Peddling the dominant argument of the labor tops against Janus, Randi Weingarten, president of the American Federation of Teachers (AFT), warned that an anti-union decision would disrupt “labor peace”! Making clear the role of the current union tops as the docile servants of the capitalist bosses, Weingarten declared in a January 19 amicus brief to the Supreme Court, “The current law [Abood decision] has preserved labor peace for four decades by balancing the interests of workers and employers.”

So beholden to the bosses’ laws, the union tops are begging Democratic politicians to prepare new laws that would mitigate a bad Janus decision. With an eye on his bid for re-election in November, New York’s Democratic governor Andrew Cuomo has enacted measures supposedly staving off the most devastating aspects of Janus, winning hearty praise from the state’s union officials. Cuomo did this by ratifying amendments to the state’s Taylor Law, which bans public employee strikes. Far from preparing the unions for some hard battles to smash the Taylor Law, the labor tops tinker with the very mechanism that keeps their members in chains.

At every turn, the union misleaders showcase their support to the capitalist system while enjoying the perks and privileges of union office, including posts inside the Democratic Party. Every election cycle, millions of union dollars and millions of union members are mobilized for voter turnout for the bourgeois “lesser evil.” This is evident as the anti-Trump “resistance” builds toward the midterm elections. The labor tops stake the fate of unions on getting Democrats into office and in the courts. A Democrat-dominated Supreme Court would likely turn down Janus, for the simple reason that Democrats recognize the key role the labor bureaucracy plays in keeping the wage slaves in line.

But when the workers get out of line and engage in class struggle, the Democrats, as much as the Republicans, bring down the hammer. In 1947, Harry S. Truman made a show of vetoing Taft-Hartley, knowing that Congress would override him, and then enforced it the following year against striking miners and other workers. In 1978, Jimmy Carter invoked Taft-Hartley against coal miners engaged in a bitter strike that lasted 110 days. Bill Clinton used the Railway Labor Act (RLA) 14 times in order to ban potential rail and airline strikes. For his part, Barack Obama effectively gutted the United Auto Workers while bailing out the auto bosses and banks. Even the smashing of the 1981 PATCO air traffic controllers strike by Ronald Reagan, a watershed defeat for labor, was carried out under a plan drawn up by his predecessor, Carter.

For a Class-Struggle Leadership of Labor!

The labor bureaucracy’s many decades of subservience to the capitalists and their government have served to erode elementary union consciousness and demoralize workers. The reactionary forces behind the Janus case are banking on frustrated workers opting to quit their union in order to deny the bureaucrats dues money. This could only lead to a disastrous weakening of the labor movement. The unions remain the basic defense organizations of the working class and should not be equated with the sellout policies of their leaders. The effectiveness of unions lies in their ability to carry out actions through their collective power; workers who abandon their union become a potential reserve of scabs.

The Janus case poses defense of the unions pointblank. As we wrote after the 2014 Harris v. Quinn ruling, which excluded home health care workers from having to pay agency fees but upheld the agency shop for other public-sector workers: “Marxists defend the agency shop against the bosses’ attacks. But what we are for is the closed shop, where workers must be members of the union before being hired” (“Supreme Court Clobbers Home Health Care Workers Unions,” WV No. 1049, 11 July 2014). Our article continued: “What is needed are fighting unions that encompass all workers in a company or industry, uniting them in struggle against the bosses for improved pay, benefits and work conditions.”

The capitalists’ attacks on unions go hand in hand with the relentless ravaging of social programs like health care, education and anything else that smacks of helping working people and the oppressed. Public workers would find plenty of allies among the unemployed, black people, Latinos, immigrants and all those who have been thrown under the bus by the capitalist rulers if they take up the fight for quality health care for all, for free education, free public transit and other such demands.

This perspective requires a political fight to forge a new, class-struggle leadership of the unions—a leadership that understands that the interests of labor and capital cannot be reconciled. Such a leadership would fight to organize the unorganized. Waging this battle means fighting against the race-color caste oppression of black people, which is the bedrock of capitalist rule in this country. A class-struggle leadership of the unions would be rooted in the understanding that the fight for black freedom is inextricably tied to labor’s cause and would take up the defense of foreign-born workers, demanding an end to deportations and full citizenship rights for all immigrants. 

A fighting workers leadership in the unions would be committed to waging battle on the picket lines armed with a program dedicated to the liberation of humanity from a social system based on production for profit rather than for human need. The struggle to revitalize the labor movement must be understood as part of a fight to build a multiracial workers party whose aim is to sweep away the capitalist order of wage slavery through a workers revolution that establishes workers rule.

No Illusions in the Capitalist State!

A grotesque measure of the labor bureaucrats’ allegiance to U.S. capitalism and its state is the lie sold by leaders of AFSCME and the SEIU service workers union that cops and prison guards are fellow “workers,” organizing them into the unions. This is also the case with the bureaucrats atop the Teamsters and International Longshore and Warehouse Union (ILWU), whose Local 65 organizes Los Angeles port police—the very cops who would be used to break a longshore strike. The cops are the hired thugs of the capitalist rulers, charged with repressing labor and terrorizing the ghettos and barrios. Among the victims of these so-called “union brothers” are the black and minority members of the same unions, as well as their families. Cops and prison guards out of the unions!

Fearing that Janus threatens a further drop in membership and a decline in their economic and political clout, union officials have been scrambling to re-register members through “educational campaigns.” Amalgamated Transit Union locals have combined this effort with distributing dues checkoff authorization forms, hoping to minimize disruption to the dues income stream post-Janus.

We oppose the capitalist state abolishing dues checkoff or intervening in any other way into union affairs. But the whole checkoff system, where dues are automatically deducted from paychecks, hands the bosses control over the unions’ purse strings, giving them an instrument for financial blackmail. It originated during World War II, when, in exchange for their “no-strike” pledge to bolster war production, the CIO industrial union leaders negotiated with the National War Labor Board for “union security.” Under this formula, union members were bound to pay dues, usually under a checkoff arrangement. This deal was premised on subordination of the unions to the capitalist state. Under a class-struggle leadership, union reps would collect dues, which would help to make the leadership accountable to the ranks.

Every major labor battle shows the need for unions to rely on their own independent power, including control over finances. In the heat of an eleven-day New York City transit strike in 1980, Transport Workers Union Local 100 saw its dues checkoff taken away, and restored six months later after union leaders sold out work and safety standards. After a three-day Local 100 strike in 2005, dues checkoff was revoked in an attempt to bankrupt the union; it was restored three years later in return for a no-strike pledge.

A direct contrast was the effort made by the British National Union of Mineworkers to keep hold of its financial war chest during its historic 1984-85 strike. First, the union dispersed funds to banks and trusted workers leaders throughout Europe as a precautionary measure against seizure by the courts. After Margaret Thatcher’s government tracked down those funds, the union conducted its transactions in cash.

The industrial unions in this country were built through hard-fought class battles in defiance of anti-labor laws. Liberals and labor reformists claim that those unions were established by the grace of Democratic president Franklin D. Roosevelt and New Deal legislation such as the 1935 Wagner Act. In fact, while the Wagner Act secured some legal rights for unions in private industry, it specifically excluded public employees. Creating mechanisms for state supervision of union elections and other activities, the Wagner Act’s central purpose was to undercut class struggle. It came into effect as a response to the historic 1934 citywide strikes in Minneapolis, San Francisco and Toledo.

Those labor battles, which helped spur the growth of the CIO industrial unions later in the decade, were led by reds—supporters of the Trotskyist Communist League of America in Minneapolis, A.J. Muste’s American Workers Party in Toledo and the Communist Party in San Francisco. The strikes were virtual civil wars that pitted the mass of workers against the strikebreakers and their cop protectors. Strike leaders had to take on the conservative AFL union bureaucrats, who did the government’s bidding and had enforced the craft, ethnic and racial divisions that undermine workers’ struggles. As we wrote in a series of WV articles, reprinted in our 2015 pamphlet Then and Now: “What made the difference was that the workers were politically and organizationally armed by leaders who understood that the only possible road to victory lay in mobilizing their power as a class against the capitalist class enemy.”

“Rank-and-File” Reformism

A few leftists have made the argument, perverse as it is, that a Janus ruling against AFSCME could actually revitalize the unions by removing bureaucratic impediments to militancy. This is the line of “Do-It-Yourself Class Struggle” by United Federation of Teachers representative Kevin Prosen in Jacobin (2 March), a project of the Democratic Socialists of America (DSA). Prosen writes that “by gutting the institutions of the union movement,” the right wing may also be “removing the brakes on much more explosive forms of worker activity.”

Gutting the unions has not led to “renewed volatility” among workers, as Prosen projects from the expected Janus decision. Rather, the implementation of union-busting legislation has meant the decimation of public-sector unions. After collective bargaining was abolished for state workers in Wisconsin in 2011, the rate of public-sector unionization plummeted by half, from over 50 percent to under 23 percent in 2016.

Janus was a major focus of the Labor Notes Conference held in Chicago in early April that drew some 3,000 trade unionists and leftists. Supporters of the social-democratic publication Labor Notes, as well as the International Socialist Organization (ISO) and other reformist groups, talked a lot about rank-and-file (or “bottom up”) activism as the answer to the business unionism of the top labor bureaucrats. To be sure, we could use a lot more militant labor action in this country. But the key to mobilizing workers in their own class interests is to break the political chains binding them to the exploiting class. Supporters of Workers Vanguard were the only ones at the conference who raised the call to break with the Democrats and build a class-struggle workers party.

From the opening session of the conference to its close, the same groups who cheered “bottom up” organizing—the DSA, Socialist Alternative, et al.—also cheered Bernie Sanders, a capitalist politician whose “socialist” garb has helped corral disaffected youth and workers into the Democratic fold (see “Bernie Sanders: Imperialist Running Dog,” WV No. 1083, 12 February 2016). And the DSA is itself a component of the Democratic Party. For all their talk of workers “rebellion,” these outfits share the same framework as the business unionists, seeking at most a better deal under this decrepit system of exploitation. Politically, this boils down to hitching the unions’ fate to “friend of labor” Democrats and relying on the courts and other arms of the state.

Recent teachers strikes in West Virginia and other Republican-run states had Labor Notes participants touting the “red state revolts.” WV supporters were applauded when they pointed out that workers are also under the gun in the very blue city where the gathering was being held, and that the Obama administration had spearheaded attacks on teachers unions and public education, with the complicity of the labor fakers. And the ISO, despite occasional complaints about the unions relying too heavily on the Democrats, is itself complicit. They blab on about “a revival of rank and file activity” to counter Janus, but when such activity hits close to home, it’s a different story. In 2016, ISO supporter Jesse Sharkey, who is currently running the Chicago Teachers Union, called off a much-anticipated strike by the membership and rammed through a concessionary contract, selling out the very rank and file he represents.

Militant union struggle can strike important blows against exploitation and austerity. But the key lies in making the working class conscious of its historic role as the gravedigger of the capitalist system and of class society as a whole. Such consciousness does not emerge spontaneously from the day-to-day struggles of the working class, which do not in themselves challenge the capitalist mode of production, but must be brought into the proletariat from the outside through the instrumentality of a revolutionary workers party. One militant trade-unionist and WV supporter speaking from the floor at a transit workers panel put it plainly: “What we need is a break with class collaborationism. We need to rebuild the type of radical unionism that understood that workers and bosses have nothing in common whatsoever. And on the way to that, we need to build a workers party, our own party, multiracial, that will fight for black rights, for immigrant rights and for a workers government.”

Support Courage To Resist-The Defenders Of Military Resisters, The Draft Resistance And Whistleblowers-Free Reality Leigh Winner

Support Courage To Resist-The Defenders Of Military Resisters, The Draft Resistance And Whistleblowers-Free Reality Leigh Winner

From the Archives of Marxism-Friedrich Engels' “From the Kingdom of Necessity to the Kingdom of Freedom”

Workers Vanguard No. 1096	23 September 2016

From the Archives of Marxism-Friedrich Engels' “From the Kingdom of Necessity to the Kingdom of Freedom”

We publish below excerpts from Friedrich Engels’ 1880 work Socialism: Utopian and Scientific. In explaining scientific socialism, Engels makes clear that only through the conquest of power by the working class and the expropriation of the capitalist class can the benefits of science, technology and education be available to all, laying the material basis for the full liberation of humanity. The excerpts below are taken from the Marx and Engels Selected Works (Progress Publishers, 1976).

The materialist conception of history starts from the proposition that the production of the means to support human life and, next to production, the exchange of things produced, is the basis of all social structure; that in every society that has appeared in history, the manner in which wealth is distributed and society divided into classes or orders is dependent upon what is produced, how it is produced, and how the products are exchanged. From this point of view the final causes of all social changes and political revolutions are to be sought, not in men’s brains, not in men’s better insight into eternal truth and justice, but in changes in the modes of production and exchange. They are to be sought not in the philosophy, but in the economics of each particular epoch. The growing perception that existing social institutions are unreasonable and unjust, that reason has become unreason and right wrong, is only proof that in the modes of production and exchange changes have silently taken place with which the social order, adapted to earlier economic conditions, is no longer in keeping. From this it also follows that the means of getting rid of the incongruities that have been brought to light must also be present, in a more or less developed condition, within the changed modes of production themselves. These means are not to be invented by deduction from fundamental principles, but are to be discovered in the stubborn facts of the existing system of production.

What is, then, the position of modern socialism in this connection?

The present structure of society—this is now pretty generally conceded—is the creation of the ruling class of today, of the bourgeoisie. The mode of production peculiar to the bourgeoisie, known, since Marx, as the capitalist mode of production, was incompatible with the feudal system, with the privileges it conferred upon individuals, entire social ranks and local corporations, as well as with the hereditary ties of subordination which constituted the framework of its social organisation. The bourgeoisie broke up the feudal system and built upon its ruins the capitalist order of society, the kingdom of free competition, of personal liberty, of the equality, before the law, of all commodity owners, of all the rest of the capitalist blessings. Thenceforward the capitalist mode of production could develop in freedom. Since steam, machinery, and the making of machines by machinery transformed the older manufacture into modern industry, the productive forces evolved under the guidance of the bourgeoisie developed with a rapidity and in degree unheard of before. But just as the older manufacture, in its time, and handicraft, becoming more developed under its influence, had come into collision with the feudal trammels of the guilds, so now modern industry, in its more complete development, comes into collision with the bounds within which the capitalistic mode of production holds it confined. The new productive forces have already outgrown the capitalistic mode of using them. And this conflict between productive forces and modes of production is not a conflict engendered in the mind of man, like that between original sin and divine justice. It exists, in fact, objectively, outside us, independently of the will and actions even of the men that have brought it on. Modern socialism is nothing but the reflex, in thought, of this conflict in fact; its ideal reflection in the minds, first, of the class directly suffering under it, the working class....

The perfecting of machinery is making human labour superfluous. If the introduction and increase of machinery means the displacement of millions of manual by a few machine-workers, improvement in machinery means the displacement of more and more of the machine-workers themselves. It means, in the last instance, the production of a number of available wage-workers in excess of the average needs of capital, the formation of a complete industrial reserve army, as I called it in 1845, available at the times when industry is working at high pressure, to be cast out upon the street when the inevitable crash comes, a constant dead weight upon the limbs of the working class in its struggle for existence with capital, a regulator for the keeping of wages down to the low level that suits the interests of capital. Thus it comes about, to quote Marx, that machinery becomes the most powerful weapon in the war of capital against the working class; that the instruments of labour constantly tear the means of subsistence out of the hands of the labourer; that the very product of the worker is turned into an instrument for his subjugation. Thus it comes about that the economising of the instruments of labour becomes at the same time, from the outset, the most reckless waste of labour power, and robbery based upon the normal conditions under which labour functions; that machinery, the most powerful instrument for shortening labour time, becomes the most unfailing means for placing every moment of the labourer’s time and that of his family at the disposal of the capitalist for the purpose of expanding the value of his capital. Thus it comes about that the overwork of some becomes the preliminary condition for the idleness of others, and that modern industry, which hunts after new consumers over the whole world, forces the consumption of the masses at home down to a starvation minimum, and in doing thus destroys its own home market. “The law that always equilibrates the relative surplus population, or industrial reserve army, to the extent and energy of accumulation, this law rivets the labourer to capital more firmly than the wedges of Vulcan did Prometheus to the rock. It establishes an accumulation of misery, corresponding with accumulation of capital. Accumulation of wealth at one pole is, therefore, at the same time, accumulation of misery, agony of toil, slavery, ignorance, brutality, mental degradation, at the opposite pole, i.e., on the side of the class that produces its own product in the form of capital.” (Marx’s Capital, p. 671)....

The modern state, no matter what its form, is essentially a capitalist machine, the state of the capitalists, the ideal personification of the total national capital. The more it proceeds to the taking over of productive forces, the more does it actually become the national capitalist, the more citizens does it exploit. The workers remain wage-workers—proletarians. The capitalist relation is not done away with. It is rather brought to a head. But, brought to a head, it topples over. State ownership of the productive forces is not the solution of the conflict, but concealed within it are the technical conditions that form the elements of that solution.

This solution can only consist in the practical recognition of the social nature of the modern forces of production, and therefore in the harmonising of the modes of production, appropriation, and exchange with the socialised character of the means of production. And this can only come about by society openly and directly taking possession of the productive forces which have outgrown all control except that of society as a whole. The social character of the means of production and of the products today reacts against the producers, periodically disrupts all production and exchange, acts only like a law of Nature working blindly, forcibly, destructively. But with the taking over by society of the productive forces, the social character of the means of production and of the products will be utilised by the producers with a perfect understanding of its nature, and instead of being a source of disturbance and periodical collapse, will become the most powerful lever of production itself....

Since the historical appearance of the capitalist mode of production, the appropriation by society of all the means of production has often been dreamed of, more or less vaguely, by individuals, as well as by sects, as the ideal of the future. But it could become possible, could become a historical necessity, only when the actual conditions for its realisation were there. Like every other social advance, it becomes practicable, not by men understanding that the existence of classes is in contradiction to justice, equality, etc., not by the mere willingness to abolish these classes, but by virtue of certain new economic conditions. The separation of society into an exploiting and an exploited class, a ruling and an oppressed class, was the necessary consequence of the deficient and restricted development of production in former times....

Division into classes has a certain historical justification, it has this only for a given period, only under given social conditions. It was based upon the insufficiency of production. It will be swept away by the complete development of modern productive forces. And, in fact, the abolition of classes in society presupposes a degree of historical evolution at which the existence, not simply of this or that particular ruling class, but of any ruling class at all, and, therefore, the existence of class distinction itself has become an obsolete anachronism. It presupposes, therefore, the development of production carried out to a degree at which appropriation of the means of production and of the products, and, with this, of political domination, of the monopoly of culture, and of intellectual leadership by a particular class of society, has become not only superfluous but economically, politically, intellectually, a hindrance to development.

This point is now reached. Their political and intellectual bankruptcy is scarcely any longer a secret to the bourgeoisie themselves. Their economic bankruptcy recurs regularly every ten years. In every crisis, society is suffocated beneath the weight of its own productive forces and products, which it cannot use, and stands helpless, face to face with the absurd contradiction that the producers have nothing to consume, because consumers are wanting. The expansive force of the means of production bursts the bonds that the capitalist mode of production had imposed upon them. Their deliverance from these bonds is the one precondition for an unbroken, constantly accelerated development of the productive forces, and therewith for a practically unlimited increase of production itself. Nor is this all. The socialised appropriation of the means of production does away, not only with the present artificial restrictions upon production, but also with the positive waste and devastation of productive forces and products that are at the present time the inevitable concomitants of production, and that reach their height in the crises. Further, it sets free for the community at large a mass of means of production and of products, by doing away with the senseless extravagance of the ruling classes of today and their political representatives. The possibility of securing for every member of society, by means of socialised production, an existence not only fully sufficient materially, and becoming day by day more full, but an existence guaranteeing to all the free development and exercise of their physical and mental faculties—this possibility is now for the first time here, but it is here.

With the seizing of the means of production by society, production of commodities is done away with, and, simultaneously, the mastery of the product over the producer. Anarchy in social production is replaced by systematic, definite organisation. The struggle for individual existence disappears. Then for the first time man, in a certain sense, is finally marked off from the rest of the animal kingdom, and emerges from mere animal conditions of existence into really human ones. The whole sphere of the conditions of life which environ man, and which have hitherto ruled man, now comes under the dominion and control of man, who for the first time becomes the real, conscious lord of Nature, because he has now become master of his own social organisation. The laws of his own social action, hitherto standing face to face with man as laws of Nature foreign to, and dominating him, will then be used with full understanding, and so mastered by him. Man’s own social organisation, hitherto confronting him as a necessity imposed by Nature and history, now becomes the result of his own free action. The extraneous objective forces that have hitherto governed history pass under the control of man himself. Only from that time will man himself, more and more consciously, make his own history—only from that time will the social causes set in movement by him have, in the main and in a constantly growing measure, the results intended by him. It is the ascent of man from the kingdom of necessity to the kingdom of freedom....

To accomplish this act of universal emancipation is the historical mission of the modern proletariat. To thoroughly comprehend the historical conditions and thus the very nature of this act, to impart to the now oppressed proletarian class a full knowledge of the conditions and of the meaning of the momentous act it is called upon to accomplish, this is the task of the theoretical expression of the proletarian movement, scientific socialism.

June Is Class-War Prisoners Month-Free The Jericho Movement Prisoners-Free All The Class-War Prisoners!

June Is Class-War Prisoners Month-Free The Jericho Movement Prisoners-Free All The Class-War Prisoners!  

Chelsea Manning, Albert Woodfox and Oscar Lopez Rivera are out let's get the rest out as well  

On The 50th Anniversary Of Doctor Martin Luther King’s Riverside Church “Beyond Vietnam” Speech (1967)

On The 50^th Anniversary Of Doctor Martin Luther King’s Riverside Church “Beyond Vietnam” Speech (1967)

By Political Commentator Frank Jackman

I have mentioned a number of times earlier in this space that I have been at times annoyed by the proliferation of celebrations and commemoratives of events that don’t, to my mind at least, rate either celebration or odd-ball year observance. You know like the 38^th anniversary of some unremarkable space flight or the 10^th anniversary of the demise of some event faded from memory except in some fill-in starved newsroom. On the other hand some events in my left-wing calendar are worthy like the anniversaries of the Paris Commune uprising of 1871 and the Russian Revolution of 1917 are worthy of orderly and odd-ball yearly observance. Then there is the subject today (see above) the commemoration of Doctor Martin Luther King’s important speech to the congregation at the Riverside Church in Manhattan in April of 1967 where he decisively broke with the Lyndon Baines Johnson administration’s Vietnam War policy. No question that the speech is in many quarters and maybe objectively worthy of a fiftieth anniversary commemoration but for personal reasons I had been ambiguous about placing it in this space.           

In my high school days I was a lonely ardent defender in my Irish Catholic enclave in North Adamsville of the black civil rights struggle down south in this country. A struggle that was strongly identified with the personage and non-violent strategies of Doctor King. That defense was one that placed me in an extreme minority both in my Northern lily white school and in the community at large. I was called, falsely at the time, seven kinds of commie red and a n----r loving for the simple acts of heading to Boston several times to join picket lines at the downtown Woolworth’s department store in support of the attempts to integrate the lunch counters down South (and maybe up North as well) and heading down to join the freedom riders trying to integrate the buses. Simple democratic and civil demands. Thus I, of necessity, had a great admiration for both the personal courage of Doctor King (and his supporters in the field in the front line battles of the South) and of his philosophy of non-violent direct action.

As is well known those action were directly responsible for various pieces of civil rights legislation and attempts to integrate various social institutions highlighted by the Voting Rights Act of 1965. That year was kind of watershed on two fronts. It spelled the demise of the intensity of the civil rights struggle and the emergence of the Vietnam War as the decisive social battle of the time. Opposition to the Vietnam War in 1965 was an extremely small and radical position as the start of a seemingly endless war unfolded. Doctor King in many ways was a natural leader for such opposition as more and more people began to protest. Yet for those various reasons just mentioned he held his fire, held it after lesser public figures began to openly oppose the war, until the major Riverside speech. Some of that had to do with pushing the civil rights agenda forward but it also had to do with that latent anti-communism still alive in the land and the politics of the “domino” theory attached to it.

Here is where my personal dilemma comes in dealing with presenting this commemoration. I too was late, very late, in opposition to the Vietnam War for those same domino theory adherence reasons that drove Doctor King. Except mine lasted at least until the Tet offensive of 1968. With that caveat though I present the rightly commemorated speech. Despite the subsequent political gulf that has separated me from Doctor King’s philosophy and strategies the ideas presented still retain their power. 

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The Time Of Frankie’s Carnival Time-With The Silhouettes’ Get A Job In Mind

The Roots Is The Toots: The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-The Time Of Frankie’s Carnival Time-With The Silhouettes’ Get A Job In Mind  

Introduction by Allan Jackson

[Maybe the worse thing about growing up poor, poorer than church mice as my Grandma would have it with a slight sneer since she was referring to my poor father’s inability to adequately provide for his family of four boys and a wife since he was an uneducated man and she thought my mother had married beneath her station, for a kid was always wanting things that couldn’t be bought. Of course a kid doesn’t know, doesn’t want to know, would have not have given a fuck to put it starkly that it was a struggle to just keep a roof over the head and food on the table and only saw and heard that he or she could not have what some other Johnnie or Janie had on the consumer dream television. Of course a kid will still even if he or she becomes aware of the situation later doesn’t want to hear about all the thin air talk about how this or that was not affordable.

That conflict between those freaking wanting habits and the empty envelope come payday reality in the end determined my youthful fate (my mother like many mothers in the neighborhood had weekly envelopes which were usually short on each bill due but enough to keep the wolves from the door. When that was not enough I was send to say the landlord to give the pittance and some story so yes things were close, very close indeed especially in father unemployed times). When it came time to hang with guys, with corner boys I came up with a bunch of guys like the eternally mentioned Scribe and Frankie Riley the acknowledged leader of our crew mainly because he was tight with Tonio the guy who ran the pizza place where we hung out who treated him like a son. That “headquarters,” known or unknown  to good guy Tonio who had immigrated from Italy and had a great beauty of an Italian girlfriend whom despite her age we googled, was where Scribe would hatch some weird but workable plan to grab dough from the rich houses in town near the beach at Squaw Rock. After we almost got catch when Scribe led his one and only expedition when Frankie was out of town we swore that he would never lead another no matter how good the plan.

All of this to say the simple truth that living down in nowhere land at the base of society is not conductive to bringing out the better angels of our natures and those wanting habits twisted plenty of ordinary guys for a long time. So running away with the glamorous circus, carnival, sideshow was not some aberration or some far-fetched thing not when the con men, grifters and hustlers were showing all kinds of exciting tricks to kids who were ready to grab dough with every hand. Can you blame them. Allan Jackson]       

*********** 

An old man walked, walked haltingly down a North Adamsville street, maybe Hancock Street, or maybe a street just off of it, maybe a long street like West Main Street, he has forgotten which exactly in the time between his walking and his telling me his story. A street near the high school anyway, North Adamsville High School, where he had graduated from back in the mist of time, the 1960s mist of time. A time when he was known, far and wide, as the king, the king hell king, if the truth be known, of the schoolboy be-bop night. And headquartered himself, properly headquartered himself as generations of schoolboy king hell kings had done previously, at Salducci’s Pizza Parlor as was his due as the reigning schoolboy king of the night. But that schoolboy corner boy king thing is an old story, an old story strictly for cutting up old touches, according to the old man, Frankie, yes, Francis Xavier Riley, as if back from the dead, and not fit, not fit by a long shot for what he had to tell me about his recent “discovery,” and its meaning.

Apparently as Frankie, let us skip the formalities and just call him Frankie, walked down that nameless, maybe unnamable street he was stricken by sight of a sign on a vagrant telephone pole announcing that Jim Byrd’s Carnival and Traveling Show was coming to town and setting up tent at the Veteran’s Stadium in the first week in June, this past June, for the whole week. And seeing this sign, this vagrant sign on this vagrant telephone pole, set off a stream of memories from when the king hell king of the schoolboy corner boy night was so enthralled with the idea of the “carny” life, of this very Jim Byrd’s Carnival and Traveling Show carnival life, that he had plans, serious plans, to run away, run away with it when it left town.

Under this condition, and of course there was always a condition: if Ma Riley, or Pa Riley if it came to it, although Pa was usually comfortably ensconced in the Dublin Pub over on Sagamore Street and was not a big factor in Frankie’s life when it came time for him to make his mark as king hell king, just bothered him one more time, bothered about what was never specified at least to me. Of course they never did, or Frankie never let on that they did, bother him enough to force the issue, and therefore never forced him on the road. But by then he was into being the corner boy king so that dream must have faded, like a lot of twelve- year old dreams.

In any case rather than running away with the carnival Frankie served his high school corner boy term as king hell king, went to college and then to law school, ran a successful mid-sized law practice, raised plenty of kids and political hell and never looked back. And not until he saw that old-time memory sign did he think of regrets for not having done what he said that “he was born for.” And rather than have the reader left with another in the endless line of cautionary tales, or of two roads, one not taken tales, or any of that, Frankie, Frankie in his own words, wants to expand on his carnival vision reincarnation and so we will let him speak :

“Who knows when a kid first gets the carnival bug, maybe it was down in cradle times hearing the firecrackers in the heated, muggy Fourth Of July night when in old, old time North Adamsville a group of guys, a group of guys called the “Associates,” mainly Dublin Pub guys, and at one time including my father, Joe Riley, Senior, grabbed some money from around the neighborhood. And from the local merchants like Doc over at Doc’s Drug Store, Mario over at Estrella’s Grocery Store, Mac, owner of the Dublin Pub, and always, always, Tonio, owner of Salducci’s Pizza Parlor. What they did with this money was to hire a small time, usually very small time, carnival outfit, something with a name like Joe’s Carny, or the like, maybe with a merry-go-round, some bumping cars, a whip thing, a few one-trick ponies, and ten or twelve win-a-doll-for-your-lady tents. On the side maybe a few fried dough, pizza, sausage and onions kind of eateries, with cotton candy to top it off. And in a center tent acts, clown acts, trapeze acts with pretty girls dangling every which way, jugglers, and the like. Nothing fancy, no three-ring circus, or monster theme amusement park to flip a kid’s head stuff. Like I say small time, but not small time enough to not enflame the imagination of every kid, mainly every boy kid, but a few girls too if I remember right, with visions of setting up their own show.

Or maybe it was when this very same Jim Byrd, a dark-haired, dark-skinned (no, not black, not in 1950s North Adamsville, christ no, but maybe a gypsy or half-gypsy, if that is possible), a friendly guy, slightly wiry, a slightly side-of-his-mouth-talking guy just like a lawyer, who actually showed me some interesting magic tricks when I informed him, aged eight, that I wanted to go “on the road” with him first brought his show to town. Brought it to Veteran’s Stadium then too. That’s when I knew that that old time Associates thing, that frumpy Fourth of July set-up-in-a-minute-thing-and-then-gone was strictly amateur stuff. See Jim’s Carny had a Ferris wheel, Jim had a Mini-Roller Coaster, and he had about twenty-five or thirty win-a-doll, cigarettes, teddy bears, or candy tents. But also shooting galleries, gypsy fortune-telling ladies with daughters with black hair and laughing eyes selling roses, or the idea of roses. And looking very foxy, the daughters that is, although I did not know what foxy was then. Oh yah, sure Jim had the ubiquitous fried dough, sausage and onion, cardboard pizza stuff too. Come on now this was a carnival, big time carnival, big time to an eight-year old carnival. Of course he had that heartburn food. But what set Jim’s operation off was that central tent. Sure, yawn, he had the clowns, tramp clowns, Clarabelle clowns, what have you, and the jugglers, juggling everything but mainly a lot of whatever it was they were juggling , and even the acrobats, bouncing over each other like rubber balls. The big deal, the eight- year old big deal though, was the animals, the real live tigers and lions that performed in a cage in center stage with some blonde safari-weary tamer doing the most incredible tricks with them. Like, well, like having them jump through hoops, and flipping over each other and the trainer too. Wow.

But now that I think about it seriously the real deal of the carny life was neither the Associates or Jim Byrd’s, although after I tell you about this Jim’s would enter into my plans because that was the carnival, the only carnival I knew, to run away with. See what really got me going was down in Huntsville, a town on the hard ocean about twenty miles from North Adamsville, there was what would now be called nothing but an old-time amusement park, a park like you still might see if you went to Seaside Heights down on the Jersey shore. This park, this Wild Willie’s Amusement Park, was the aces although as you will see not a place to run away to since everything stayed there, summer open or winter closed. I was maybe nine or ten when I first went there but the story really hinges on when I was just turning twelve, you know, just getting ready to make my mark on the world, the world being girls. Yes, that kind of turning twelve.

But nine or twelve this Wild Willie’s put even Jim Byrd’s show to shame. Huge roller-coasters (yes, the plural is right, three altogether), a wild mouse, whips, dips, flips and very other kind of ride, covered and uncovered, maybe fifteen or twenty, all based on the idea of trying to make you scared, and want to go on again, and again to“ conquer” that scared thing. And countless win things (yah, cigarettes, dolls, teddy bears, candy, and so on in case you might have forgotten). I won’t even mention that hazardous to your health but merciful, fried dough, cardboard pizza (in about twenty flavors), sausage and onions, cotton candy and salt water taffy because, frankly I am tired of mentioning it and even a flea circus or a flea market today would feel compelled to offer such treats so I will move on.

What it had that really got me going, at first anyway, was about six pavilions worth of pinball machines, all kinds of pinball machines just like today there are a zillion video games at such places. But what these pinball machines had (beside alluring come-hither and spend some slot machine dough on me pictures of busty young women on the faces of the machines) were guys, over sixteen year old teenage guys, mainly, some older, some a lot older at night, who could play those machines like wizards, racking up free games until the cows came home. I was impressed, impressed to high heaven. And watching them, watching them closely were over sixteen- year old girls, some older, some a lot older at night, who I wondered, wondered at when I was nine but not at twelve, might not be interfering with their pinball magic. Little did I know then that the pinball wizardry was for those sixteen year old, some older, some a lot older, girls.

But see, if you didn’t already know, nine or twelve-year old kids were not allowed to play those machines. You had to be sixteen (although I cadged a few free games left on machines as I got a little older, and I think the statute of limitations has run out on this crime so I can say I was not sixteen years or older). So I gravitated toward the skee ball games located in one of those pinball pavilions, games that anybody six to sixty or more could play. You don’t know skees. Hey where have you been? Skee, come on now. Go over to Seaside Heights on the Jersey shore, or Old Orchard up on the Maine coast and you will have all the skees you want, or need. And if you can’t waggle your way to those hallowed spots then I will give a little run-down. It’s kind of like bowling, candle-pin bowling (small bowling balls for you non-New Englanders) with a small ball and it’s kind of like archery or darts because you have to get the balls, usually ten or twelve to a game, into tilted holes.

The idea is to get as high a score as possible, and in amusement park land after your game is over you get coupons depending on how many points you totaled. And if you get enough points you can win, well, a good luck rabbit’s foot, like I won for Karen stick-girl one time (a stick girl was a girl who didn’t yet have a shape, a womanly shape, and maybe that word still is used, okay), one turning twelve-year old time, who thought I was the king of the night because I gave her one from my “winnings,” and maybe still does. Still does think I am king of the hill. But a guy, an old corner boy guy that I knew back then, a kind of screwy guy who hung onto my tail at Salducci’s like I was King Solomon, a guy named Markin who hung around me from middle school on, already wrote that story once.

Although he got one part wrong, the part about how I didn’t know right from left about girls and gave this Karen stick girl the air when, after showering her with that rabbit’s foot, she wanted me to go with her and sit on the old seawall down at Huntsville Beach and according to Markin I said no-go. I went, believe me I went, and we both practically had lockjaw for two weeks after we got done. But you know how stories get twisted when third parties who were not there, had no hope of being there, and had questionable left from right girl knowledge themselves start their slanderous campaigns on you. Yes, you know that scene, I am sure.

So you see, Karen stick and lockjaw aside, I had some skill at skees, and the way skees and the carny life came together was when, well let me call her Gypsy Love, because like the name of that North Adamsville vagrant telephone pole street where I saw the Byrd’s carnival in town sign that I could not remember the name of I swear I can’t, or won’t remember hers. All I remember is that jet-black long hair, shiny dark-skinned glean (no, no again, she was not black, christ, no way, not in 1950s Wild Willie’s, what are you kidding me?), that thirteen-year old winsome smile, half innocent, half-half I don’t know what, that fast-forming girlish womanly shape and those laughing, Spanish gypsy black eyes that would haunt a man’s sleep, or a boy’s. And that is all I need to remember, and you too if you have any imagination. See Gypsy Love was the daughter of Madame La Rue, the fortune-teller in Jim Byrd’s carnival. I met her in turning twelve time when she tried to sell me a rose, a rose for my girlfriend, my non-existent just then girlfriend. Needless to say I was immediately taken with her and told her that although I had no girlfriend I would buy her a rose.

And that, off and on, over the next year is where we bounced around in our “relationship.” One day I was down at Wild Willie’s and I spotted her and asked her why she wasn’t on the road with Jim Byrd’s show. Apparently Madame LaRue had had a falling out with Jim, quit the traveling show and landed a spot at Wild Willie’s. And naturally Gypsy Love followed mother, selling flowers to the rubes at Wild Willie’s. So naturally, naturally to me, I told Gypsy Love to follow me over to the skees and I would win her a proper prize. And I did, I went crazy that day. A big old lamp for her room. And Gypsy Love asked me, asked me very nicely thank you, if I wanted to go down by the seawall and sit for a while. And let’s get this straight, no third party who wasn’t there, no wannabe there talk, please, I followed her, followed her like a lemming to the sea. We had lockjaw for a month afterward to prove it. And you say, you dare to say I was not born for that life, that carnival life. Ha.

Tom Wolfe-Fashionista Of His Own Kind-And A Hell Of A Writer When The Deal Went Down Has Cashed His Check -The 50th Anniversary Of The Summer Of Love, 1967-Looking For The Heart Of Saturday Night- The Music Of Tom Waits

Tom Wolfe-Fashionista Of His Own Kind-And A Hell Of A Writer When The Deal Went Down Has Cashed His Check

By Bart Webber

I had been, strangely enough, in La Jolla out in California attending yet another writers’ conference which seems to be the makings of my days these days, attending writers’ conferences that is instead of taking pen to paper or rather fingers to word processor keyboard, when I heard Tom Wolfe had cashed his check. “Cashed his check” a term (along with synonymous “cashed his ticket”) grabbed from memory bank as a term used when I was “on the bum” hanging out in hobo jungle camps and the whole trail of flop houses and Salvation Army digs to signify that a kindred had passed to the great beyond. Was now resting in some better place that a stinking stew-bitten, flea –bitten, foul-aired and foul-person place. No more worries about the next flop, the next jug of cheapjack wine, the next run-in with vicious coppers and railroad bulls, and the next guy who was ready to rip whatever you had off to feed his own sullen addiction.

By the way this is not Thomas Wolfe of You Can’t Go Home Again, Look Homeward, Angels, etc. but the writer, maybe journalist is a better way to put the matter of tons of interesting stuff from acid trips in the 1960s hanging with Ken Kesey and his various tribes of merry pranksters, the Hell’s Angels, drifters, grifters and midnight sifters, to marveled space flights in the 1970s to Wall Street in the reckless 1980 and back who had cashed his check. The strange part of the “strangely enough” mentioned above was that on Monday May 14^th 2018, the day he died, I was walking along La Jolla Cove and commenting to my companion without knowing his fate that Tom Wolfe had made the La Jolla surfing scene in the early 1960s come alive with his tale of the Pump House Gang and related stories about the restless California tribes, you know those Hell’s Angels, Valley hot-rod freaks and the like who parents had migrated west from dustbowl Okies and Arkies to start a new life out in Eden. These next generation though lost in a thousand angsts and alienation not having to fight for every breath of fresh air (with the exception of the Angels who might as well have stayed in the Okies and McAllister Prison which would have been their fate.   

I don’t know how Tom Wolfe did at the end as a writer, or toward the end, when things seemed to glaze over and became very homogenized, lacked the verve of hard ass 1960s, 1970s, and 1980s times. Although I do note that he did a very although I note he did an interesting take on the cultural life at the Army base at Fort Bragg down in North Carolina in a book of essays around the theme of hooking up. That hooking up angle a sign that social cohesiveness in the age of the Internet was creating some strange rituals. Know this those pound for pound in his prime he along with Hunter Thompson could write the sociology of the land with simple flair and kept this guy, me, flipping the pages in the wee hours of the morning. RIP, Tom Wolfe, RIP.  

The 50th Anniversary Of The Summer Of Love, 1967-Looking For The Heart Of Saturday Night- The Music Of Tom Waits

CD Reviews


Looking For The Heart Of Saturday Night, Tom Waits, Electra/Asylum Records, 1975


The inner lives of the denizens of that late night diner in the famous painting by the American realist artist Edward Hopper, “Nighthawks” (1942). The scorching literary sketches of the rich and famous and the skid row bums provided by the late “Gonzo” journalist Doctor Hunter Thompson, accompanied by the renderings of the artist Ralph Steadman. The jingle-jangle high side lyrics of the legendary folk musician Bob Dylan of the “Blood On The Tracks” period. The reach into the far side of the part of the psyche exhibited by those down at the base of American society in an earlier period by the novelist Nelson Algren in “Walk On The Wild Side”. And that same reach later by the man of the “mean” Los Angeles streets, Charles Bukowski. Wrap them all up in a whiskey-soaked, cigarette-scarred, gravelly, rasping voice and you have the idiosyncratic musician Tom Waits. Placed in that same company as above? Yes, by all means. Not a bad place to be, right?

Although I have been listening to the music of one Tom Waits for decades, every since I heard Jerry Jeff Walker do a cover of his classic song of loneliness, longing and reaching for the elusive promise of Saturday night dreams in “Looking For The Heart Of Saturday Night”, I am not familiar with his biography. All I know is that aside from his own far-reaching musical endeavors, as expressed in numerous albums over the years, he has acted in some motion pictures, most notably as a skid row philosopher of sorts in the movie version of William Kennedy’s “Ironweed” (a natural, right?) and has provided the soundtrack music to many movies, most notably the Al Pacino-starring “Sea Of Love”. That Waits soundtrack version of the late 1950’s, early 1960’s classic teenage anthem to longing and love is just the right example of what Brother Waits means musically to this reviewer. Taking that simple song of teenage longing, Waits’ husky-voiced rendition reaches back and turns it into something almost primordial, something that goes back beyond time to our first understandings that we are ‘alone’ in the universe. Enough said.

But so much for all of that because what I really want to mention is the “Waits effect”. Every once in a while I ‘need’ to listen to words and sounds that express the dark, misbegotten side of the human experience. You know, sagas of Gun Street girls, guys talking “Spanish in the halls’, people lost out there on the edge of society and the like. Is there anyone today who can musically put it better? If you need to hear about hope, dope, the rope. Wine, women and song or no wine, no women or no song. About whiskey-caked barroom floors, floozies, boozies, flotsam, jetsam, stale motel rooms, cigarette-infested hotels, wrong gees, jokers, smokers and ten-cent croakers. Drifters, grifters, no good midnight sifters. Life on the fast lane, nowhere lane, some back street alley, perhaps, out in the valley. This, my friends is you address. Listen up. Professor Waits is at the lectern.

"(Looking For) The Heart of Saturday Night"

Well you gassed her up
Behind the wheel
With your arm around your sweet one
In your Oldsmobile
Barrelin' down the boulevard
You're looking for the heart of Saturday night

And you got paid on Friday
And your pockets are jinglin'
And you see the lights
You get all tinglin' cause you're cruisin' with a 6
And you're looking for the heart of Saturday night

Then you comb your hair
Shave your face
Tryin' to wipe out ev'ry trace
All the other days
In the week you know that this'll be the Saturday
You're reachin' your peak

Stoppin' on the red
You're goin' on the green
'Cause tonight'll be like nothin'
You've ever seen
And you're barrelin' down the boulevard
Lookin' for the heart of Saturday night

Tell me is the crack of the poolballs, neon buzzin?
Telephone's ringin'; it's your second cousin
Is it the barmaid that's smilin' from the corner of her eye?
Magic of the melancholy tear in your eye.

Makes it kind of quiver down in the core
'Cause you're dreamin' of them Saturdays that came before
And now you're stumblin'
You're stumblin' onto the heart of Saturday night

Well you gassed her up
And you're behind the wheel
With your arm around your sweet one
In your Oldsmobile
Barrellin' down the boulevard,
You're lookin' for the heart of Saturday night

Is the crack of the poolballs, neon buzzin?
Telephone's ringin'; it's your second cousin
And the barmaid is smilin' from the corner of her eye
Magic of the melancholy tear in your eye.

Makes it kind of special down in the core
And you're dreamin' of them Saturdays that came before
It's found you stumblin'
Stumblin' onto the heart of Saturday night
And you're stumblin'
Stumblin onto the heart of Saturday night

In The Time Of Their Time-With Peter Bogdanovich’s The Last Picture Show In Mind

In The Time Of Their Time-With Peter Bogdanovich’s The Last Picture Show In Mind   

From The Pen Of Sam Easton

Sam Lowell spurted out the following almost automatically to Bart Webber after they had just finished watching the DVD version of Peter Bogdanovich’s The Last Picture Show on Bart’s H-D screen giving his take on various sections of the film that rang a bell, rang true to his and Bart’s own Podunk experiences in northern clime Carver a half a generation later than those portrayed in the film, “You know that Jenny, Jenny the waitress, the one who ran the Out Of Luck Café, or whatever Podunk name, Archer City Café, or whatever the cafe was called back then probably knew every sordid detail in that two-bit hick town (two-bit no exaggeration since the total sum of the inevitable Main Street of the town was the café, the pool hall, a gas station, a rundown movie theater getting ready and not soon enough to run its last picture show and not much else the look of a million towns on a million foreboding highways any direction you want to go in America except now they are filled in with strip malls of monotonous same-ness except a few regional variations and they are fading  but the small town-ness is still the same).

Sam continued, “Probably knew who every high school girl was screwing, ('doing the do' in corner boy Carver society after hearing Howlin' Wolf perform his blues song of the same name over WMEX one fugitive night) or not screwing, the former meaning she was 'easy' despite what she told the girls come Monday morning about how she had successfully fended some Travis off, again, although a few months later when she disappeared from town to 'visit Aunt Emma,' at least Bart if you remember that is what everybody in Carver called the situation when some girl got in 'trouble,' got in the family way, and had to leave town everybody would then know that her description of her heroic efforts at resistance had been less than true. The latter though probably closer to the truth in the lie-filled teenage world when it came to sex, and a lot of other things too. I know as you well know from a couple of times you caught me out that I was lying like a bastard a couple of times when I said I was screwing Mary Shea and Diana Nelson and they heard about it and set everybody straight, although they in their turn were screwing, respectively Timmy Callahan the football player and Sal Rizzo, one of our corner boys then while they were going out with me. Damn girls.”

“Knew too if the guy, frustrated by the 'not now, later when we are married' business was two-timing her with some Loretta who in fact was 'easy,' hell, three-timing her with her younger sister who was not so fussy about having the marriage bed the place where she was broken in like happened with Lana Jones and that wildcat blonde-headed younger sister of hers, Betty, who was taking guys around the world in the back halls in junior high, that same high school girl who thought her Jimmy was true blue.”

“Yeah, Jenny knew the real virgins from the sluts overhearing the real talk at the counter that came on after school when those girls came in for their hamburgers and Coke, no onions just in case some guy came in and wanted to talk (that 'no onions' though really got its serious workout not then but on date night if he and she had stopped by to have Jenny cook up a burger on the way to love’s exertions but come midnight, one o’clock,  after love’s exertions worked themselves out they would tell her to pile those damn onions sky high), to play the latest dreamy song after she had wound up in the back seat of some pick-up truck hearing that song on the radio and kept it in her head to spin at the jukebox which was a fixture at the café which had brought in a couple of generations of kids in going back to the days when Ralph Jordan ran the place and would have the best selection of Western Swing tunes in West Texas.

“Yeah, probably knew in detail the sex lives, or non-sex lives of every adult in town as well, knew who was playing around nearby or in the Hotel Deville in Wichita City where despite its regal sounding name operated under the 'motel, hotel, no tell' principle which allowed the owner to fly everywhere he wanted on those love’s exertions workouts at his place; probably knew the net worth of every guy too; and, knew who was failing and who was succeeding in the big time oil game down there among the weeds in Texas just like Lila knew everything about everybody in town over at Jimmy Jakes’ Diner when we used to go there after school.” Bart nodded his head in agreement.

“Didn’t we call her ‘Lila the beguiler’ or something like that since we though that she was sexy even through that steam-sweated white uniform Jimmy made all his waitresses wear, she sure had a shape to go after as every guy from high school corner boys like us to over-the-hill over-the-road truck drivers like Shorty Rail knew who tried to hit on her then once they knew she had been divorced after her husband abandoned her for another woman. You remember what that meant in those days unlike now since divorces were rare in our old town that she was 'easy,' knew the ropes. What people didn’t know was that the reason she was doing that waitressing job other than that was the only kind of work she knew how to do since she had dropped out of Carver High in her sophomore year to run off with that guy who ran off with that other woman was to support her young son who was staying at her mother’s place over in Plymouth since there was no money around otherwise.”

“I know I tried to take a run at her one night when I was alone and the place was kind of empty before the lovers’ lane crowd came in after, I think you guys had gone to a Friday night football game over in Bridgewater, and I was drunk enough to make a fool of myself by asking if she wanted company. She smiled then cut me to the quick and said she was 'no cradle robber no matter what anybody around town said,' Bart thoughtfully, maybe wistfully, replied. “You know though she never said word one about that to anybody, anybody that I ever heard about, that is why people, almost everybody who went into Jimmy’s would talk about stuff around her that they wouldn’t even talk among their friends, wouldn’t talk about ever when Lois the morning waitress was on duty since she was the town chatterbox.”                     

“Yeah, I’m sure now that you mentioned how tight-lipped she could be that Lila knew plenty, probably knew about my father that time he went up to Boston with that “bogger” girl that had him going every which way before she dumped him back on my mother’s doorstep all sorry and forgive me,” Sam, turning flush red at the thought of his father running around with every tramp in town before his mother finally lowered the boom on the bastard.

“I bet Lila knew about all the girls in school too, who was shacking up with who down at the far end of Squaw Rock, the “do the do” lovers’ lane in Carver. Remember we called it, the sex act, usually just straight sex and not oral or something like that which is what happened more often than you would think down at Squaw Rock when girls would get scared about the “visit to Aunt Emma” but not scared enough to want not give their boyfriends a smile on his face, back then after Pete Markin heard Howlin’ Wolf call it that in of those smoking blues songs where he practically devoured the harmonica, would probably now too. I know on a cold night you couldn’t see into a single window of a single car come midnight and then around one o’clock the whole lot all disheveled with guys’ shirts hanging out and hair messed up and girls with their skirts all every which way came in looking for some good diner food, didn’t worry about onions now that the night’s exertions were done and they were going home after they ate their food.”  

“ I never wanted to be around Lana Loren once she got a fistful of onions and garlic down her throat,” laughed Sam at the thought of that at-the door kiss he had taken from Lana on many an night when they were an “item” after their love’s exertions and food afterward before she decided that big football running backs probably had bigger dicks than his and drifted off to the boys’ locker room to make herself available to Jake McGee the star running back of the Carver High School Class of 1964 football team which played in the State Division III championship and lost at the last moment.        

“You know Sam Lila probably could have saved you plenty of anguish that time you tried your luck with Melinda Loring and struck out before round one instead of wasting all your time going nowhere with her before you pulled Duckie Drake aside and asked him what was what with her. I admit the school grapevine, especially when Pete Markin had anything to do with it since guys and gals always humored Pete with some kind of gossip and then he went to see if it was bullshit or not, was damn good mostly but I bet Lila had the ‘skinny’ on Melinda in a heartbeat when she used to go there after school with Muffy Mullin and Sarah Goode and let her hair down. Lila would have let you know what Duckie took a week to find out that Melinda liked you well enough but she was not ‘going out’ with the son of a ‘bogger,’ not going out with a guy whose father worked the cranberry bogs just outside of town. Period”

Sam looked at Bart and his face reddened even after fifty years at that thought of the faux pas over Melinda, a thought that he had believed all these years and only had been disabused of a couple of years before when he ran into Melinda at their fiftieth class reunion and she had asked him why back then after he had been talking to her all serious like he was interested and she had given, or had thought she had given, him some very flirty signals he never asked her for a date, stopped talking to her completely one day and they never spoke again before graduation. Damn. That reunion night Sam had told her that Duckie Drake had told him that she was a ‘no go’ with boggers’ sons and that left him out. Melinda had laughed that that figured since Duckie was trying to ‘make’ her and put the blast on Sam.

In any case, and he would never tell this to Bart since he would freak out and go off on him, would have called him foolish and every other damn thing, Sam had had an affair, a short one, a very short one,  with Melinda after the reunion which he thought was really just a fling on her part once the thrice-married Sam said “no go” to any idea of marriage, based in the acrimonious end on some foolish idea that fifty years later you could make up for something you missed rather than face the facts that you really can’t go home again as Thomas Wolfe named the sentiment in the title of one of his books.

See, as well, Sam could not tell Bart that he had almost destroyed his long-time relationship with Laura Perkins who Bart was crazy about, had tried to beat Sam’s time with  a few times when Sam and Laura  had momentarily split up a few years back  and Bart and his wife Sarah were going through rough retired “empty-nester” blues. He had to laugh because if Lila were alive today, or that couple of years back she probably would have known all about it right after the reunion since he and Melinda had made no bones about their attraction to each other that night and Dora Prescott, the perennial chair of class reunions still lived in town and still patronized Jimmy’s and would have been in there five minutes after the reunion was over.    

“You know The Last Picture Show has to be one of the ten best films ever made in my book, somewhere after Bogie and Bacall in To Have And Have Not where they have some of the hottest sexual attraction to each other with their clothes on scenes I have ever seen on the screen and a couple of others because even though it is nothing but a coming of age film about guys and girls in Podunk Texas in the early 1950s its really about us, about Podunk Carver in the early 1960s and probably a million other places in the 1950s, 1960s, now too, where guys just hung out waiting for something, waiting for what Pete Markin called the ‘fresh breeze coming through the land,’” Sam chimed in trying to erase the subject of Melinda Loring from his mind, “Remember that first time we saw it when it first came out and we both said at the same time after it was over and we were heading out the Olde Town Theater in Washington we wished we had had time to watch it again?”

Bart said he remembered, remembered too why they were in Washington, D.C. for about the tenth time that year, 1971, a fateful year, or so it seemed after Sam had gotten out of the Army with his limbs intact after service in Vietnam but also after he had as he always used to like to say back then he 'got religion'; religion on the questions of war and peace and had joined the anti-war GI movement, joined the Vietnam Veterans Against the War (VVAW) organization which was hammering home the message that it was high time, more than high time to end the war against people we had not real quarrel with in that benighted country. Bart, exempted from the military due to a leg problem suffered in childhood which made him limp profoundly even after a couple of surgeries since the military whatever else it may like likes it soldiers to march their asses off, had come to the anti-war movement through Pete Markin who had served earlier than Sam in Vietnam and had been the first Carver kid that he knew who flamed against the war once he got back to what he called “the real world,” a term Sam used as well.

The meeting point had been May Day 1971 when both men, Sam with VVAW and Bart with a unit from People’s Committee for Peace and Justice out of Boston had tried to unsuccessfully shut down the government. All they got for their efforts was some time in the bastinado and a couple of court dates before the cases against them were thrown out by the irate judge who had a short fuse about the prosecution wasting his time when he had real crimes and criminals to get behind bars since the arresting officer never showed up to identify them. After that last court date they decided to go see this film which Bart’s girlfriend and later wife Sarah had seen when it came out in late October and raved about it noting the same thing that they did about the whole scene being like something out of their Carver experiences. (Sarah a year younger than Sam and Bart had not gone to Washington that May Day since she had opposed the idea of shutting down the government as a stupid tactic rather than trying to build larger and larger national demonstrations to put pressure on the government. In the end neither position had won out over the other since the Vietnamese people, the people we had not real quarrel with, had pushed the American presence and its bought and paid for South Vietnamese government out the door on their own in April 1975.)                   

This second, for Bart, and third time viewing for Sam who had seen the film again after he had seen the unsatisfactory sequel Texasville, talk about you can’t go home again, in 1991 which reunited many of those same stars about twenty years later had been initiated by Sam. Sam had since his semi-retirement from the day to day operations of his small law practice had been via the beauties of modern technology, through the Internet and Netflix,running the rack on many of the old time black and white films that he had seen in the old days at the Strand Theater over on Lapine Street on Saturday afternoon double features. He had noticed The Last Picture Show when he was scanning the pages for such films, although the main period of black and white films was back in the 1930s and 1940s this film had been done in black and white to give it the gritty feeling of a dying town where time seemed to stand still in the up and coming 1950s. A wise choice on the part of director Peter Bogdanovich.     

“Funny right from the first scene, that football scene so many of the scenes in that movie even today ring a bell, make me think back to those high school days when a lot of what went on seemed to be universal for teens in the post-World War II world. American Graffiti   done in color and portraying an early 1960s small town California had the same effect on me,” Sam remarked as he was putting the DVD disc back in the much used and abused container as he liked to call the ratty pouch provided to put into the Netflix envelope to mail back and in return get another film from his running list, from what they call his want list.

Bart had chortled at that football scene and remarked as Sam was doing his work, “Remember back in 1960 when you tried out for junior varsity football where you were going to be the star running back of the team, another Jimmy Dunne the legendary Carver fullback from the 1930s that they still talk about come Thanksgiving reunion times and after about two weeks you gave it up because you said you didn’t like the idea of cleating anybody, or being cheated I forget which.” Sam replied “Yeah I remember but it wasn’t that getting injured that bothered me that much as I wasn’t that good at running. I kept getting plowed under by Terry Smith who weighed about two hundred and twenty pounds then a lot of weight for a high school kid after about a one yard gain. Hell I was only about a hundred and forty pound then good for a cross country runner which is what you know I did pretty well at after the football dream faded so that was that. The other thing that bothered me as well was that in 1960 the junior varsity sucked, never won a game, got pounded just like Sonny and Bubba in the film, and so that was that.

"Who knew that Jack McGee was going to move to Carver from Adamsville and take the team when they were seniors to the state finals. Boy thought that year, actually the year before, junior year when Jack started to blossom weren’t we crazy every Saturday, every what did you and Markin call them, oh yeah, every granite-grey autumn afternoon, watching the guys go for glory, go for glory after all those years with bum teams that couldn’t tackle, couldn’t move the fucking ball. I would have made the situation worse although even I could have had any girl I wanted senior year just by being on the team , and you know this was true since Paul Dolan, just an ordinary looking guy and a second stringer got the class beauty, Anna Aikens, and it wasn’t  for his sparkling conversation. Or his big dick which he didn’t have according to Mindy Stein who went out with him for a while and then dumped him and took her shots at Jack McGee who according to Jack Callahan’s sister he had, a big dick that is.  Funny how as much as we were obsessed about sex, about tits and ass, the girls, some girls like Mindy anyway were making their own sexual prowess observations. All I got for being a cross-country runner and trackman even after I won a couple of races was this from Jilly Dubois when I told her about my track exploits as a build-up to asking for a date which I desperately wanted from the minute she came to town sophomore year-‘Oh, does Carver High have a track team?’ Deflated once again.”                       

Bart tried to contain a laugh thinking to himself that back then track guys, runners, guys running around in shorts and sleeveless tops and looking silly were the butt of many jokes and were considered a nuisance on the roads even by their parents. So Sam had gotten just about the right answer from Jilly who if he recalled was something of an airhead even if she filled out a cashmere sweater nicely then he said, “Sam, remember the night before Thanksgiving football rally in 1963 the last game of the year, the last scheduled game for the seniors if they didn’t win the next day against bigger arch-rival Adamsville High. How thrilled we were to be there after the great up until then undefeated season something no Carver team had done, ever. How all the girls looked great, especially that cheerleader Maura [Sam interrupts “majorette, you know the baton-twirler, Rosemary something that I was all hot and bothered about after Jilly gave me the air.], okay, and everything was so keyed up. Didn’t you write something up about the rally for the next issue of the North Star?”    

“Yeah, I did I think I still have it around somewhere I’ll look for it when I get home and if I find it I will sent the story to you,” Sam said absent-mindedly as he was thinking back to where the hell it would be, really where would his copy of the Magnet, the class yearbook where that article would be found if it was anywhere. As it turned out when he got home that night he tried up in the spare bedroom, spare now that the kids were mercifully gone off on their own and he used the space as a semi-home office but found nothing that night. The next morning still full of the hunt since Bart had awoken something in him when he mentioned that long ago silly article he found the yearbook up in the lower attic and within that document there sat his blessed article. On reading the thing he was surprised how good it was, with the editorial help of Merdy Manning of course who bailed everybody out with her insightful thoughts about how a newspaper article should look even in a silly school newspaper pitched that special issue to students and alumni alike as always on the week after Thanksgiving issue which was mailed through the alumni association to its members, still is, and wondered aloud why his writing skills had lost their edge once he took to writing the lawyerly dry brief, memoranda and opinions for a living. This is the copy he sent to Bart by mail, snail mail:    

Thanksgiving Football Rally, 1963-Go Red Raiders

“Scene: Around and inside the old high school gym entrance on the Hunt street side the night before the big Thanksgiving Day football game against our cross town arch-rival this senior year of 1963. (Yes, that is the street with the Merit gas station on the corner for those who do not pass that way, do not patronize the place for cheap gas for that hot Saturday night date or something like that.) This piece is written, if you have not been around the high school for a while, at a time when they are still building an addition modeled, if you can believe this, on the office buildings across the street behind the MBTA stop and a tribute to “high” concrete construction, and lowest bidder imagination. For all of you though the scene inside could have been a scene from any one of a number of years, your year too. And I am willing to bet six-two-and-even with cold hard cash gathered from my hard earned bank account against all takers that this story “speaks”, except the names, to your year as well:

Sure the air is cold, you can see your breath making curls before your eyes no problem, and the night feels cold, cold as one would expect from a late November New England night. It is also starless, as the weather report is projecting rain for the big game. Darn it, not darn it because I am worried about, or care about a little rain. I’ve seen and done many things in a late November New England winter rain, and December and January rains too, for that matter. No, this darn it is for the possibility that the muddy Veterans Stadium field will slow up our vaunted offensive attack. And good as it is a little rain, and a little mud, can be the great equalizer.

This after all is class struggle. No, not the kind that you might have heard old Karl Marx and his boys talk about, although now that I think of it there might be something to that here as well. I’ll have to check that out sometime but right now I am worried, worried to perdition about the battle of the titans on the gridiron, rain-soaked granite grey day or not. See, this particular class struggle is Class A  Adamsville against Class B Carver and we need every advantage against this bigger school.

Do I have to describe the physical aspects of the gym? Come on now this thing is any high school gym, any pubic high school gym, anywhere. Fold-away bleachers, fold-away divider (to separate boys for girls in gym class, if you can believe that in this day in age and you who graduated before us probably wondered too), waxed and polished floors made of sturdy wood, don’t ask me what kind (oak, maybe) with various sets of lines for its other uses as a basketball or volleyball court. But enough. The important thing is that guys and gals, old and young, students and alumni and just plan townies are milling about waiting for the annual gathering of the Red Raider clan, those who have bled, bleed or want to bleed Raider red and even those oddballs that don't. This one stirs the blood of even the most detached denizen of the old town.

This night of nights, moreover, every unattached red-blooded boy student, in addition, is looking around, and looking around frantically in some cases, to see if that certain she who said she would come, pretty please come, has come for the festivities, and every unattached red-blooded girl student for that certain he, ditto on the pretty please. Don’t tell you never took a peek, or at least a stealthy glance. Among this throng this night are a couple of fervent quasi-jock male students, one of them who is writing this entry the other, great track man Bill Cannon., who is busy getting in his glances in, both members of the Class of 1964, with a vested interest in seeing their football-playing fellow classmates pummel the cross town rival, and also, in the interest of full disclosure, in the hunt for those elusive shes. I do not see the certain she that I am looking for who I pretty pleased but, as is my style, I have taken a couple of stealthy glances at some alternate prospects. 

This is the final football game of our final football-watching season, as students anyway, as well so we have brought extra energy to the night’s performance. We are on the prowl and ready to do everything in our power to bring home victory. ....Well almost everything except donning a football uniform to face the monstrous goliaths of the gridiron. We fancy ourselves built for more "refined" pursuits like those just mentioned stealthy glances, and the like.

Finally, after much hubbub (and more coy and meaningful looks all around the place that one could reasonably shake a stick at) the rally begins, at first somewhat subdued due to the very recent trauma of the Kennedy assassination, the dastardly murder of one of our own, for the many green-tinged Irish partisans among the crowd. But everyone, seemingly, has tacitly agreed for this little window of time that the outside world and its horrors will not intrude. A few obligatory (and forgettable) speeches by somber and lackluster school administrators, headed by Headmaster Walsh, and their lackeys in student government and among the faculty stressing good sportsmanship and that old chestnut about it not mattering about victory but how you play the game drone away.

Of course, no self-respecting “true” Red Raider has anything but thoughts of mayhem and casting the cross-town rivals to the gates of hell in his or her heart so this speechifying is so much wasted wind. This “wind tunnel,” obligatory or not, is followed with a little of this and that, mainly side show antics. People, amateurishly, twirling red and black things in the air, and the like. Boosters or Tri-Hi-Yi types for all I know. Certainly not the majorettes, who I will not hear a word against, and who certainly know how to twirl the right way. See, I am saving one of my sly, coy glances for one of them right now.

What every red-blooded senior boy, moreover, and probably others as well, is looking forward to is the cheer-leading to get things moving, led by the senior girls like the vivacious Roxanne Gaugh, the spunky Josie Weinstein, and the plucky Linda Proctor. They do not fail us with their flips, dips, and rah-rahs. Strangely, the band and its bevy of majorettes when it is their turn, with one exception, you know which one, do not inspire that same kind of devotion, although no one can deny that some of those girls can twirl.

But all this spectacle is so much, too much, introduction. For what is wanted, what is demanded of the situation, up close and personal, is a view of the Goliaths that will run over the cross town arch-rival the next day. A chance to yell ourselves silly. The season has been excellent, marred only by a bitter lost to a bigger area team, Walton, on their home field, and our team is highly regarded by lukewarm fans and sports nuts alike. Naturally, in the spirit, if not the letter of high school athletic ethos, the back-ups and non-seniors are introduced by Coach Leonard. Then come the drum roll of the senior starters, some of whom have been playing for an eternity it seems. Names like Tom Kelly, Walt Simon, Lee Moore, Paul Daley, Joe Zapp, Don McNally, Jim Fisk, Charlie McDonald, Stevie Collins, "Woj" and on and on (Jesus, don’t forget Woj even if I can’t spell his name right . I don't need that kind of madness coming down on my face for he was meanness itself even in ninth grade and maybe a reason I took up the sane sports of running cross-country and track) and on and on.

Oh, yes and “Bullwinkle”, Jack McGee, a behemoth of a run-over fullback, even by college standards (and he has been well-scouted by the local colleges like Boston College and Boston University). Yes, let him loose on that arch-rival's defense. Whoa! But something is missing. A sullen collective pout fills the room. After the intros are over the restless crowd needs an oral reassurance from their warriors that the enemy is done for. And as he ambles up to the microphone and says just a couple of words, “Victory tomorrow,” we get just that reassurance from “Bullwinkle” himself. That is all we need. Boys and girls, this one is in the bag. And as we head for the exits to dream our second-hand dreams of glory the band plays the school fight song to the tune of On Wisconsin. Yes, these are the days when boys and girls, young and old, wise or ignorance bleed Raider red in the old town. Did they do so in your day? And did they make those furtive glances as the hes and shes too? I hope so.”

Bart continued on about a scene from the movie that struck him as very familiar, “That scene with Sonny and his girlfriend, or whatever she was, maybe his whore from how fast she took off her blouse and bra, although she backed him off when he went to go up her thigh to the holy land, was beautiful even if the movie theater he getting was his ‘feel up’ in really should have been closed down because it was nothing but a rattrap. Remember that first time we went to the Strand Theater with dates, girls and how unsure we were about what to do, about kissing and about ‘sitting in the balcony’ so we just sat in the orchestra section and watched the movies. The whole thing seemed so confusing and awkward at first. Remember that time I tried to get a date with Sarah Goode, not my Sarah, but this other girl Sarah who I had a crush on in eight grade over at Myles Standish Junior High [Sam could not remember her face although he remembered the name.]

“I finally coaxed her into going to the Saturday afternoon matinee with me since she said she probably would be able to do that with a boy without her mother going crazy. I forget the movie, I forget how much it cost although I know we took the old Eastern Massachusetts bus up to the Square and then walked to the theater and I know we ordered a huge box of popcorn just in case things didn’t work out. That working out part remember was whether when you got to the theater, got inside, you were going to sit in the orchestra or in the balcony. After we got our popcorn and I think some sodas because that popcorn, theater popcorn was dry even with butter on it, and headed to the door to the seats I asked Sarah-orchestra or balcony? My heart was beating a thousand beats a minute until she answered-‘balcony, silly where else would we go. Bingo.’ Bingo too that she let me touch her breasts-outside her blouse of course- in those pitch dark seats where you could see and hear others breathing heavy and some moaning too. Double bingo when she taught me how to French kiss although the first time was messy and weird. To this day I could not tell you if you gave me a hundred chances what the damn movie was about or even what its title was. Oh yeah, we left an almost full box of dry popcorn on the seats when we left and two full cups of soda.”               

Sam laughed and thought about his own Strand Theater adventures once he realized that movie theaters were not just for watching movies like when he was a kid, a kid going dutifully to his double features every Saturday to get out of the house and out from under his nagging mother who was always bitching and moaning about something. Thought about Theresa Wallace, Linda Platt, Donna Nelson and a bunch of other girls he had taken to the balcony. He then startled Bart when he shouted out, “Hey didn’t they even have a drive-in theater in that whole goddamn dust bowl town?” That got Bart to thinking that Sam was right there was no scene, no classic teen scene where kids snuck into the theater piled in the trunk when you paid by each person not the carload when they got wise to what everybody was doing, had their own exclusive section for heavy breathing and foggy car windows where no parent with children would dare to go within one hundred yards of and crummy intermission food, those guys were really deprived because even his poor as church mice people brought their kids, him and his four sisters to the drive-in summer where you could see if not understand was going on that one hundred miles away. 

Later Sam would reflect on the meaning of the drive-in movie as part of his cultural heritage, think back to the times when he would ask his mother why they went there rather than the Strand and she had answered that aside from the cheaper price by the carload that was beginning to be the norm that she was smitten (her term) and had been since she was a young girl by Hollywood and its glamour which showed to better effect on the big outdoor screen so she was willing to put up with jungle jim craziness, awful intermission food and the damn green flies in July which meant that the speaker-side window practically had to be barricaded against the swarms. That old time conversation one of the few times that he and his mother had declared something like an armed truce made him write this little sketch to Bart giving his take on the drive-in experience that those poor oil field town dwellers were deprived of:

“Oh sure, everyone of a certain age, a certain baby-boomer age, a generation of ’68 age, has plenty of stories to tell of being bundled up as kids, maybe pre-set with full set pajamas on to defend against the late sleepy-eyed night, the sleepy-drowsy late movie night, placed in the car backseats and taken by adventurous parents (or so it seemed) to the local open air drive-in for the double feature. That usually also happened on a friendly summer night when school did not interfere with staying up late (hopefully through both films). And to top it all off you got to play in the inevitable jungle jim, see-saw, slide, swing set-laden playground during intermission between the film while waiting, waiting against all hope, for that skewered, shriveled hot dog, rusty, dusty hamburger, or stale, over the top buttered popcorn that was the real reason that you “consented” to stay out late with the parents. Yah, we all have variations on that basic theme to tell, although I challenge anyone, seriously challenge anyone, to name five films that you saw at the drive-in that you remembered from then-especially those droopy-eyed second films.

In any case, frankly, I don’t give a damn about that kid stuff family adventure drive-in experience. Come on, that was all, well, just kids' stuff. The “real” drive-in, as pictured in the cover art of a CD compilation I once purchased on Amazon when I was in a nostalgic 1950s minute a few years back and it showed what could have been our Meadow Glen Drive-In  scene is what I want to address. The time of our time in that awkward teen alienation, teen angst thing that only got abated by things like a teenage night at the drive-in. Yah, that was not, or at least I hope it was not, you father’s drive-in. That might have been in the next planet over, for all I know. For starters remember our planet involved girls (girls, ah, women, just reverse the genders here to tell your side of the experience), looking for girls, or want to be looking for girls, preferably a stray car-full to compliment your guy car-full and let god sort it out at intermission.

Wait a minute. I am getting ahead of myself in this story. First you needed that car, because no walkers or bus riders need apply for the drive-in movies like this was some kind of lame, low-rent, downtown matinee last picture show adventure. For me that was a problem, a personal problem, as I had no car and my family had cars only sporadically. Fortunately we early baby-boomers lived in the golden age of the automobile and could depend on a friend to either have a car (praise be teenage disposable income/allowances) or could use the family car. Once the car issue was clarified then it was simply a matter of getting a car-full of guys (or sometimes guys and gals) in for the price of two (maybe three) admissions.

What? Okay, I think that I can safely tell the story now because the statute of limitations must have surely passed. See, what you did was put a couple (or three guys) in the trunk of that old car (or in a pinch one guy on the backseat floor) as you entered the drive-thru admissions booth. The driver paid for the two (or three tickets) and took off to your parking spot (complete with ramp speaker just in case you wanted to actually listen to the film shown on that big wide white screen). Neat trick, right?

Now, of course, the purpose of all of this, as mentioned above, was to get that convoy of guys, trunk guys, backseat guys, backseat floor guys, whatever, to mix and moon with that elusive car-full of girls who did the very same thing (except easier because they were smaller) at the intermission stand or maybe just hanging around the unofficially designated teen hang-out area. No family sedans with those pajama-clad kids need apply (nor any sane, responsible parent get within fifty paces of said teens). And occasionally, very occasionally as it turned out, some “boss” car would show up complete with one guy (the driver) and one honey (girl, ah, woman) closely seated beside him for what one and all knew was going to be a very window-fogged night. And that was, secretly thought or not, the guy drive-in dream. As for the movies. Did they show movies there? Enough said.

Oh, except that at said drive-in, before the first show started at dusk, between shows and on the way home, girl-matched or not, you were very liable to hear many of the songs in this CD on the old car radio. The stick outs here include: Heat Wave (not as good as Dancing In The Streets but good), Martha and the Vandellas; Just One Look (make that look my way, please, even if you are munching on pop corn) Doris Troy; Wild Weekend (just in case you wanted to dance during intermission rather than watch the screen clock ticking off the time until that next film began), The Rockin’ Rebels ; and, Don’t Say Nothin’ Bad About My Baby (yah, you have got that right, sisters), The Cookies.”

But that missive was later after Sam had gone home and thought about the matter. What Sam and Bart proceeded to think about were those steamy scenes with Jazzy that had them both going since she was such a fox even watching her some forty plus years later.  

“Jesus, didn’t that Jazzy Larkin remind you of Donna Nelson, looked like her a little although Donna could sing a song, sing a torch song to break your heart. I wonder whatever happened to her, never heard that she made it big after she won that talent show the town fathers put on which got her a chance at a record contract and that scholarship to State U,” wondered Bart as he got slightly heated up once again just thinking about that long blonde hair, those ocean blue eyes and that shapely body with those well-turned legs and that damn way she had of pointing her breasts to great advantage when she was talking to you. Then he blurted out the familiar chant of the time that went around the boys’ locker room when guys were finished with gym and were waiting for the bell to ring and were just chewing the fat, the fat being the guys’ versions of what the girls were saying on Monday morning before school in the senior girls’ lounge about what they did, or didn’t, do over the weekend and the subject in the locker room was of who got how far with various school foxes and Donna’s name would be on the tip of a lot of guys tongues since she didn’t like the idea of having a steady boyfriend, liked to “play the field” she called it and never had to worry about hanging by the midnight telephone on weekends if she didn’t want to.

“But she was a cunt too, left me  and few other guys hanging out to dry when it came ‘do the do’ time down at Squaw Rock, said she didn’t want to get that kind of reputation, although she would get every guy worked up and maybe let them feel her up but that was about it, didn’t want to be an ‘Aunt Emma’ girl, a girl who had to leave school because she was in the family way and when you hadn’t seen her around for a while the excuse would be that she was visiting her aunt for a while, a lot of girls were visiting a lot of aunts back then.

“Funny about Donna you expected the Irish Catholic girls with their novena books and rosary beads between their knees not to “put out” but I think Donna was a Protestant. I would see her coming out of the Congregational church across from school some Sundays when I was heading up to the golf course to do some caddying in grab some dough to take Sarah out, or to get something I needed when there was no money around to get it otherwise. Those Protestant girls were supposed to be looser, supposed to not be worried about going to hell if they did have premarital sex, or just gave a blowjob which most guys would be happy to get and not have to worry about getting a girl pregnant and have to deal with some irate father and a ‘shotgun’ wedding. Yeah, I wondered whatever happened to a fox like Donna, probably got married about three times and left them all to hang out and dry. Some women are just built that way.”       

Sam who had his own one on one entanglements with Donna, including a stupid midnight telephone call that he still got red in the face about all these years later asking her for a date when he got brave enough to give a call. They had been in English class together and like half the guys in the senior class he took a run at her especially when after they had been talking for a while about various literary subjects like Thomas Hardy’s books and T.S Eliot’s poetry he thought he was getting somewhere. Of course he was blind to the fact that lots of guys struck out with her, or had had a couple of dates and had gotten the “ice queen” treatment down at Squaw Rock, which he damn well knew from those boys’ locker room talkfests. But he pushed on anyway and of course Donna when she sensed a guy was interested and maybe was a little interested herself got all flirty and “wouldn’t it be nice” so a guy like Sam, or Bart, or the million other guys would take the bait, would figure they would be the one who would get to go up those luscious white thighs.

What Sam didn’t do, what he should have done as he had done in the past was check with Pete Markin to see if Donna was “spoken for” see if she was going with anybody just then since she had not been seen down at Squaw Rocks for a while with anybody from school. See Pete, ‘the Scribe’ as Frankie Riley called him, for some reason, was a guy everybody confided in, or at least told the latest gossip to and so he was the lynchpin to what was going on socially in the school, meaning really who was screwing who mostly but at least would help you with the grapevine intelligence about who was “spoken for.” He didn’t that time with Donna and wound up with egg on his face. Donna was going out with a guy from college, a freshman at Stonehill College a few towns over, and was according to Pete screwing the pants off the guy since college guys didn’t put up with that virginal stuff, they would just move on to the next girl who would put out. Peter figured that since she was not hauling some guy’s ashes around town where it would get out all over the place she could “do the do” up in some guy’s dorm and no one would know about it, no one around Carver anyway.

Sam still got red about that faux pas but he kept that to himself when he was talking to Bart as he told him about some information he had received about the late Donna Nelson when he had had gone to that 50^th class reunion. Donna’s best high school friend, Diana Rich (nee Murphy), told him the tale. This is what Sam told Bart, “After Donna graduated she did go to State U on that music scholarship but like a lot of freshman then, now too maybe, she got caught up in the social life, got caught up big since she had missed that in Podunk Carver. She became a party girl, a girl who was up for a few things, a few kicks once she blew the dust of Carver off her shoes. At least that is what she had everybody thinking.

Diana didn’t know what happened with that college Joe from Stonelhill but he probably just drifted off to some other honey when Donna went to State U since that was about a hundred fifty miles away from Carver. She got involved with some up and coming folk-singer in her music class who turned her on to dope, marijuana and maybe some pills, some speed nothing heavy. This guy, Tim Harding, folk people would know who he was since he had some small success in that 1960s folk minute was conflicted about staying in school or trying to go out on his own and ride the folk minute wave. Eventually he decided to go out West and Donna bored and in love for the moment decided to go with him. They went to the Village then the Mecca for folk music after Bob Dylan and Joan Baez made the genre respectable for young people to listen to. In the Village as you can imagine with a ‘hot’ girl like Donna she went wild, left that folk-singer and started going through the alphabet of guys, some she slept with other she just teased with just like in high school. Stepped up her drug intake too, maybe a little alcoholic thrown in.   

“Along the way I guess she did a few ‘open mics’ at Murry’s across from the Gaslight which is where Tina Grace had gotten her start and her success later filled the place with singers like Donna looking to get a record contract and win some fame and fortune. Met a guy, a sleaze-bag from every account, a guy who said he could get her a contract. Naturally she had to go down the silky sheets with him, had to put up with few crazy things but mainly what this guy did was introduce her to horse, H, heroin back when that stuff was bad action, was some junkie tale out of The Man With The Golden Arm, bad stuff really and an expensive habit.

“The bullshit thing was this guy said it would help her voice, would bring her up that notch to get that Billie Holiday feel to her voice. That is all it took, although if she had thought about it for a while Billie went under one night on that stuff and never came back. But what does a foxy young woman with no dough and big dreams know about the down-side, probably figured that it wouldn’t happen to her even if she knew. Wanted to believe that bit about her voice. Needless to say she got more into the dope that into the music, the sleaze-bag eventually moved on to some other good-looking honey and left her with nothing but a habit, a habit and doing tricks in the street for dough. That went on for a while and then one night I guess she was about twenty-six, still had those flirty good looks even if she was sullen and moody now she deep sixed on some bad junk just like you read about these days and they found her in her small room in a rooming house on West Fourth Street, an overdose.”        

Bart was shocked, had not kept tabs on his old classmates, on Donna anyway but shed a small tear, Sam did too after he told the tale, and then said, “What made a girl like Jazzy, a girl like Donna tick. Made them all flirty and driving guys wild and then walking away like that was the most natural thing in the world, like a guy was supposed to take it and like it?” Sam shrugged his shoulders, “If I could have figured that out a long time ago I could have saved a lot of alimony and child support but I was always attracted to those teasers, those cock-teasers and probably always will be.” Bart laughed for moment before another small Donna tear came to his eyes.

The tears over, at least for the moment who knows what each man would think about later that night when Donna entered their midnight heads and what might have been, when Bart mentioned the scene about the drive-in restaurant and although it didn’t play much of a role in the movie it certainly did in the life of the Carver teen world, the life at Eddie’s Drive-In Restaurant out on Route 109 where every guy, with or without girls, with or without his corner boys would show up after dark, or maybe just before dark in the summer and go through the ritual of having Betty or Sue take their orders, wait, and then have the girls come out with a tray and put there hamburgers, fries and Cokes, maybe an odd Pepsi for some on the doors of those hot cars. This was a summer ritual as much as going to Jimmy Jakes’s Diner after school to play the jukebox was during the school season.

“Remember the night at Eddie’s when Johnny Blaze challenged Big Red Radley in that midnight “chicken run,” the one where the prize was Ellen Small,” Bart prodded Sam. “Oh yeah, that night when Johnny who had been hitting on Ellen, if anybody needed to hit on her to get what they wanted, for a while had had a few drinks, some Southern Comfort which I swear would rot anybody’s brain decided he wanted her and in best caveman style challenged Big Red and his ’57 Chevy with his modified ’49 Hudson that he probably spent about ten thousand hours on to a midnight “chicken run.” Usually these runs were just that to see who was “king of the hill,” but when Johnny called Big Red out he said if he won he wanted Ellen, wanted her sitting next to him in his coupe. Big Red, always full of himself and his prowess with cars and women, said in a flash, ‘bet,’ and so they were off down deserted Trever Road.

“Funny thing about guys, about girls too, this Ellen was as dumb as dish water even if she was well-built and had big tits which a lot of guys liked then, although I remember you and I talking about it one night and saying that we did not care one way or the other about that and we laughed about all we cared about was whether they did the number one question, did they want to put out. Ellen, dumb and sex crazy even in junior high school where she took many a guy in some back hallway and gave him a little something to think about. Not a tramp, not a nympho, but a girl who for some reason liked her sex which is something every guy probably found strange especially when they had to go through a civil war to get a kiss from a girl. So Ellen was what did we call them, oh yeah, the town pump, and even Pete Markin got his ashes hauled if you can believe that.

“You never did her, did you [Sam: no, a true no.]  I didn’t but that was because I was getting a little something from Janey Jordan, you remember her. [Sam; yeah, cute with very small breasts, right] Yeah, guys are strange sometimes because everybody knew Ellen was screwing on the side, some guy over in Plymouth according to Pete but Big Red and Johnny B. both were ready to storm heaven for this tart. Johnny won that night, won easily and Ellen cool as a cucumber sauntered over to Johnny’s car, slid up next to him and off they went heading to Squaw Rock for a little late night victory screw. Two weeks later and Big Red, missing his Ellen, called ‘bet’ on Johnny this time his won and she sauntered over to Big Red’s car and off to Squaw Rock. I heard later through Pete I think that this dumb as dishwater Ellen married some computer guy when that was just starting out and computers were just starting to jump and became some kind of society woman. Funny about that being from hunger Carver. I wonder if she was still screwing on the side, you never know.”                 

“It’s funny when you think about that film, when you think about when we were young guys too, how much time we spent just hanging around being corner boy guys hanging around, yakking about girls, cars, money and getting out of Podunk Carver, it must have been a universal thing then, maybe now too but you don’t see guys hanging around anymore, do you see them hanging at Jimmy Jakes’?,” asked Sam since Bart had pretty much stayed around the Carver area once he had sowed his wild oats out on the Coast and then come back, married his Sarah, and built up his printing business, raised a family. “No, those corner boy days are over, have been for a long time ever since they built the Evergreen Mall over on 109 and made “mall rats” out of all the kids. It’s not the same as my grandson, Prescott, told me one day when I asked him what they do over there. It ain’t dreaming our dreams that is for sure.”

Sam nodded his head, “You know I have a theory about that whole corner boy thing we had back then, how we had our little rituals, our little rules and regulations, and the “from hunger” stuff that pulled us together then. Just like Sonny and Bubba were looking for kindred, although we would not have used that word like we were some punk sociologists if we had known the word, looking for guys like us, Frankie, Pete, Five-Fingers, Jack before Chrissie took all the air out of him (or put it into him might be better), Be-Bop Benny, Flip, Danny Boy, all the guys who hung out successively at Carter’s Variety Store, Doc’s Drugstore, Tonio’s Pizza Parlor before he sold it to a couple who wanted to keep a family crowd and keep out cheapjack corner boys and we wound up at Jack Slack’s bowling lanes who were looking for the same thing, came from the same from hunger backgrounds, thought we had gotten a raw deal out of  life and just gravitated to the same company.

Peter, yeah, the Scribe said we were looking for that ‘new breeze’ he though was coming through the land then, and later when the breeze did come the great blue-pink American West night which even you went through with us. Or maybe it was just the girl hunger we all shared even when we had girls, even when we would get an occasional piece and be glad of it. But some kind of bond held us, held us for longer than just a minute anyway. But you could tell that same unspoken thing between Sonny and Bubba, the same grunts and groans when it came to saying anything about it.”          

“I wish that last chance last dance scene they had in the movie had been just a high school dance instead of a whole town dance mixed up with adult goings-on and coppers putting a damper on things because you know we lived for those damn things got all fixed up, dressed up, nervous and all in anticipation of the Fall Frolics, Bring Spring and the other thematic dances,” said Bart. Sam thought for a moment about what Bart had said and that triggered thoughts of a review of an “oldies but goodies” compilations about teen dance clubs which were the same thing as the last dance idea that he did for of all things the American Folk Music blog that his now companion, Laura (not wife remember he was over that idea after three marriages but he wished he had met her long ago and saved himself a ton of grief, money and loneliness), wrote for occasionally and had “dared” Sam to write something. He had initially balked and had used the excuse that he was a child of rock and roll and the aging folkies she associated with (and whom he was fond of in his own way since they were contemporaries and he was facing the aging process too, just like them, and moreover had had his own small folk minute memories) would give a rat’s ass (his old time corner boy expression never given up) about a last dance rock scene. Laura beat him to the draw and won the argument handily when she said “we were all children of rock and roll, get going). Here is what he came up with which he sent to Bart along with the other old writings at his request.                      

“I, seemingly, have endlessly gone back to my early musical roots in reviewing various compilations of a classic rock series that goes under the general title The Rock ‘n’ Roll Era. And while time and ear have eroded the sparkle of some of the lesser tunes it still seems obvious that those years, say 1955-58, really did form the musical jail break-out for my generation, the generation of ’68, who had just started to tune in to music.

And we, we small-time punk (in the old-fashioned kindly sense of that word), we hardly “wet behind the ears” elementary school kids, and that is all we were for those who are now claiming otherwise, listened our ears off. Those were strange times indeed in that be-bop 1950s night when stuff happened, kid’s stuff, but still stuff like a friend of mine, not my grammar school best friend “wild man” Billie who I will talk about some other time, who claimed, with a straight face to the girls, that he was Elvis’ long lost son. Did the girls do the math on that one? Or, maybe, they like us more brazen boys were hoping, hoping and praying, that it was true despite the numbers, so they too could be washed by that flamed-out night.

Well, this I know, boy and girl alike tuned in on our transistor radios (small battery- operated radios mainly held to the ear but that we could also put in our pockets, and hide from snooping parental ears, at will) to listen to music that from about day one, at least in my household was not considered “refined” enough for young, young pious “you’ll never get to heaven listening to that devil music” and you had better say about eight zillion Hail Marys to get right Catholic, ears. Yah right, Ma, like Patti Page or Bob (not Bing, not the Bing of Brother, Can You Spare A Dime? anyway) Crosby and The Bobcats were supposed to satisfy our jail-break cravings.

And we had our own little world, or as some hip sociologist trying to explain that Zeitgeist today might say, our own sub-group cultural expression. Our “cool” things, nothing hot, nothing sticky to the touch then. I have talked elsewhere about the pre 7/11 mom and pop corner variety store hangout with the tee-shirted, engineered-booted, cigarette (unfiltered) hanging from the lips, Coke, big sized glass Coke bottle at the side, pinball wizard guys thing. And about the pizza parlor juke box coin devouring, hold the onions on the pizza I might get lucky tonight, dreamy girl might come in the door thing. And, of course, the soda fountain, and…ditto, dreamy girl coming through the door thing, natch. Needless to say you know more about junior high school and high school dance stuff, including hot tip “ inside” stuff about manly preparations for those civil wars out in the working class neighborhood night, than you could ever possibly want to know, and, hell, you were there anyway (or at ones like them).

But the crème de la crème to beat all was the teen night club. The over fourteen and under eighteen teen night club. Easy concept, and something that could only have been thought up by someone in cahoots with our parents (or maybe it was them alone, although could they have been that smart). Open a “ballroom” (in reality some old VFW, Knight of Columbus, Elks, etc. hall that was either going to waste or was ready for the demolition ball), bring in live music on Friday and Saturday night with some rocking band (but not too rocking, not Elvis swiveling at the hips to the gates of hell rocking, no way), serve the kids drinks, tonic, …, oops, sodas (Coke Pepsi, Grape and Orange Nehi, Hires Root Beer, etc.), and have them out of there by midnight, unscathed. All supervised, and make no mistake these things were supervised, by something like the equivalent of the elite troops of the 101st Airborne Rangers.

And we bought it, and bought into it hard. And, if you had that set-up where you lived, you bought it too. Why? Come on now, have you been paying attention? Girls, tons of girls (or boys, as the case may be). See, even doubting Thomas-type parents gave their okay on this one because of that elite troops of the 101st Airborne factor. So, some down and the heels, tee-shirted, engineer- booted Jimmy or Johnny Speedo from the wrong side of the tracks, all boozed up and ready to “hot rod” with that ‘boss”’57 Chevy that he just painted to spec, is no going to blow into the joint and carry Mary Lou or Peggy Sue away, never to be seen again. No way. That stuff happened, sure, but that was on the side. This is not what drove that scene for the few years while we were still getting wise to the ways of the world The girls (and guys) were plentiful and friendly in that guarded, backed up by 101st Airborne way (damn it). And we had our …sodas (I won’t list the brands again, okay). But know this, and know this true, we blasted on the music. The music on some of those compilations previously mentioned. I will tell you some of the stick outs, strictly A-list stuff from those teen club nights so you get the flavor of those hormonally-maddened times:

Save The Last Dance For Me, The Drifters (oh, sweet baby, that I have had my eye on all night, please, please, James Brown, please, save that last one, that last dance for me); Only The Lonely, Roy Orbison (for some reason the girls loved covers of this one, and thus, we, meaning the boys “loved” it too); Alley Oop, The Hollywood Argyles (a good goofy song to break up the sexual tension that always filled the air, early and late, at these things as the mating ritual worked its mysterious ways); Handy Man, Jimmy Jones( a personal favorite, as I kept telling every girl, and maybe a few guys as well, that I was that very handy man that the gals had been waiting, waiting up on those lonely week day nights for. Egad!); Stay, Maurice Williams and The Zodiacs (nice harmonics and good feeling); New Orleans, Joe Jones (great dance number as the twist and other exotic dances started to break into the early 1960s consciousness); and, Let The Little Girl Dance, Billy Bland (yes, let her dance, hesitant, saying no at first, honey , please, please, no I will not invoke James Brown on this one, please).

Sam thought to himself how after all these years how much growing up, how much coming of age in that corner boy world of the late 1950s and early 1960s centered on sex, on “doing the do” as something, probably the Scribe who was into the blues well before any of the rest of us who only got interested when the Stones came blasting over the Atlantic seas, had picked up from the lyrics of an old Howlin’ Wolf song, and of always being on the edge of some sexual exploration, some unexpressed sexual longing too and of some measurement of sexual prowess among the group, and among the school’s male population in general. And as he thought about the matter how much they lied, each one of them about their sexual adventures, lied over the top, lied on the high side about their sexual conquests. He thought since he and Bart were being candid with other, or as candid as two old time corner boys who came up the hard way, and came up with a certain ethos that was dominated by male prowess with the opposite sex could be he would pose a question to Bart about his relationship with Sarah, the girl who would be his wife, and who still was.

“Bart I have been thinking about this question off and on for a long time, since back when we were juniors and you first met Sarah Ridge, Sarah who you would marry. You always said that you never had sex with her then, that she was one of those Protestant girls who didn’t fit the mold about being easier about sex than those damn Irish Catholic girls who were always giving us the runaround about sex being the devil’s work or some such bullshit any time you went beyond some chaste kiss with them, Jesus, I remember Mary Shea almost ripped my arm off when I tried to go up her dress after she let me feel her boobs.

“Tell me the truth now, Christ fifty years later because although I know you were always a little shy about talking about sex in general and about protecting Sarah’s reputation so the rest of us would leave her alone when you guys were having one of your ten thousand little falling outs. Wouldn’t hit on an “ice queen” which we certainly would not do if we knew she was a certified one but Pete Markin one time told me that he saw you coming out of Sarah’s house late one night late junior year when her parents were away for the weekend and he said you looked all disheveled, had your shirt out or something but also had big grin on your face like you had just got laid. Now you know Markin was tight-fisted with his information, wouldn’t tell anybody anything if he wasn’t sure because that scrawny bastard didn’t want fists flying in his direction if he was wrong and wouldn’t have told me in confidence what he has seen that night if he wasn’t sure of what he had seen. You never mentioned it to the guys or me, always were grousing about how Sarah didn’t want to “do the do” was afraid to get pregnant, afraid she might have to go see "Aunt Emma" if she did, would barely let you squeeze her tits, from the outside of course, and never came clean with us. I wondered about it but since we had a certain code, a certain sense that what a guy said about his sexual exploits or as here not about his exploits was the skinny even if we knew from our own experiences half of what we said was bullshit just to appear not to be a fag, what did we call it then, oh yeah, ‘light on our feet’ but I know you were screwing the pants off her if what the Scribe said was right.”

“Yeah, I was, what about it,” Bart answered with as much bravado as if he had told the gang back then that he was getting his regularly from Sarah up in her room and not down at the far end of Squaw Rock where it was always presumed, even if incorrectly, that all those condoms on the ground had been usefully used. Bart then came back on Sam, “Don’t mention it to Sarah at this late date but Markin had asked her back then one day after school when he ran into her at Doc’s where he was playing the jukebox because he was crazy to hear some new tune he had heard on the radio the day before if she was a virgin and the Scribe was the kind of guy all the girls would confide in, knew he wouldn’t spread it around, and a few weeks after that night you are talking about she told him she wasn’t. She didn’t have to say more about who had deflowered her because everybody knew she was with me. 

“So if we are being what did you call it, being candid, what about the times you said you were screwing Sadie Hoffman, that hot Jewish girl that you were crazy for and who you said gave you a tumble that first date night, made your dick sore from doing it so hard? My sister Jenny who was friends with her from cheerleaders said that Sadie mentioned one Monday morning before school girls lavatory talkfest that she didn’t know what she was going to do with you. Said to the girls that she liked you but that you were trying, and failing, to get into her pants so hard she was going to have to break up with you. If I remember you did break up with her a couple of weeks later.

Sam thought for a minute, trying to draw a picture of Sadie in his mind, trying to at that late date still cut his losses when he said, “Okay, okay I didn’t get to first base with her, played it all wrong anyway, see some guy, some Jewish guy, Steve Kalish said she was easy, that for some reason Jewish girls were easy, maybe because they came from hot climates or something but that was bunk. But you remember a lot of guys thought that way about Protestant girls and Jewish girls too figuring they had to be easier to lay than those damn Catholic girls from the church who were nothing but cock-teasers.

“You couldn’t, I couldn’t say after I made a big deal out of it, a big deal out of screwing a Jewish girl which was worth about five stars in our scoring system if you remember how Frankie Riley would make up that point system for the number and hotness of our conquests that I didn’t even get a hand-job from her. A Jewish girl even an ugly one like Frida Stein would get you five points automatically unlike say Ellen Small who didn’t get you any points or maybe one since she was as easy as a whore and it didn’t cost you anything to do it with her except maybe a look her way.  That sure was a crazy time for learning about sex, or half learning and I am surprised more of us didn’t get caught lying our asses off but you know the girls were doing the same thing and so nobody wanted to challenge anybody about any sexual exploit they claimed. Thank God that whole sexual thing is easier these days, easier I guess although three expensive divorces and a bunch off affairs since then make me wonder some times. In any case if I ran into a piece like Jazzy I would be claiming I had all I wanted from that bitch just like old Bubba did, maybe claim more than I wanted to.                   

“Jesus, it was weird to see those high school kids, Bubba and Sonny leading the charge and the sheriff right there in front of them popping bottles of beer right there in public, carrying flasks of hard liquor,  drinking right out in the street like they were drinking soda, thinking nothing of it. I never checked the last time I saw the film to see what the liquor laws were in Texas in the early 1950s to see if you could drink that young but I never did,” Sam mentioned to Bart after he had said all he was going to say about his youthful sexual exploits, and non-exploits too. “Remember though that first time we had hard liquor down at the sea wall at Adamsville Beach after you went to see your grandmother to get medicine for her and you got a pint of liquor with it,”

Sam continued. “Oh yeah, I used to run up Adamsville to get Grandma Riley’s medicine and so they knew me at Cleary’s Drugstore even though  I was only sixteen they would let me as part of her order a pint of Seagram’s Whisky. All the Irish grandmothers who had accounts with Cleary’s did it, did it for medicinal purposes they would say, the doctors would write it up that way. That one time thought Grandma didn’t order her whiskey but I did anyway and they thought nothing of including it in the order. I brought the order to her house down the street then called you up and told you to come meet me up at Adamsville Beach and told you I had some booze if you wanted to taste what it was like. Jesus we drank the whole thing, probably too fast and I know we were sick for a while. I didn’t like whiskey after that for a while but as you too well know I developed a taste, the taste for it before it almost destroyed my life, and did destroy at least one marriage, the first one but maybe that wasn’t meant to be anyway.”

“Speaking of booze remember that time we went down to New York, Sam said, “down to New York when we were in high school senior year with a few of the guys when you only had to be eighteen to drink there. That was a blast that they were talking about for months afterward, a lot of it urban legend stuff but some of it true. We all piled into Jack Callahan’s car, remember how much hell Chrissie McNamara, now Mrs. Jack Callahan for the past thirty years or so (and in business circles Mrs. Toyota since Jack has been the hot rod Toyota guy in Eastern Massachusetts for a long time), gave Jack about going to New York with a bunch of heathens, that is what she called us, since this was shortly after she had put her foot down and came into Tonio’s Pizza Parlor one night when we were sitting there figuring out what the hell to do come spring break and she, tired of his taking his peaks at her, and she him, plopped her lovely ass on his lap and dared him to pull her off and the look in her face said it would take the whole football team of which he had been one of the star of that fall to get her off (“arse” we called that part of the body then mimicking our grandparents most of whom had come over from the old country the generation before, come over from Ireland and still held to some of old expressions and we just went nuts saying it). And equal time Jack looking at her like it would take more than a football team to get her off that lap if anybody was foolish enough that night to try. But Jack had said to Chrissie that he had promised the rest of us to go and as he was the only guy who had a car that could make the two hundred mile trip he was in.

“Let’s see Pete, Frankie, and the Be-Bop Kid went too yeah three front three back, that three front the days before bucket seats so you could get three in the front and not be illegal. So we went one Friday after school the week of spring break and got to the Taft Hotel, remember we were channeling the ghost of Holden Caulfield or something and since he has stayed there were decided we would invoke his memory by staying there as well. We got there and believe me we were in thrall to New York and all the skyscrapers, all the traffic, all the people but best of all the hotel didn’t hassle us about having three guys per room and we didn’t have any hassle at all pooling our money to get a ton of booze for the weekend at Cappy’s Liquor across the street. Funny how we were all thrilled to get to New York to see the sights, the Statute of Liberty, the Empire State Building, Rockefeller Plaza, the five cent Staten Island ferry and we wound up spending the whole four days never leaving the hotel except to grab more booze from Cappy’s and a ton of hamburgers from the White Tower. Remember those two sisters we met in the lobby from Trenton who were staying on the floor above us and their girlfriends and how we wore than elevator out, and not just the elevator, going up and down. I think everybody got laid except Jack and we already knew the story on Jack although maybe he did cadge a little something because he definitely was a girl magnet with his good looks and football built.

“Then when we came back to town that next Tuesday and stopped at Jimmy Jakes’ Diner for some real food everybody in the place knew we had been under the sheets, had had a hell of time although none of us could say what sights we saw when asked. Naturally Chrissie went crazy seeing Jack with a few days growth on his face and we had all we could do to keep her from taking a bat to us. I think Sarah was flaming arrows at you too.” “Yeah, she froze me out for about a week, maybe more, Bart chimed in, “wouldn’t talk to me until I lied like a bastard that I just drank myself under the table and she relented, but it was a close call. We almost didn’t wind up going to the senior prom because of it. Jesus, that was a time and as many times as I have been to New York since then for one reason or another I will always remember that time, and to be honest that Clark sister from Trenton I shacked up with the whole time.”                       

Sam, fixing himself a drink from Bart’s liquor cabinet now filled with high-end scotches and whiskies, while he was pouring began thinking about that crazy scene in the film where Bubba in a rage over Sonny taking his time with Jazzy after she had turned him over and they got into a fight where the crazed Bubba bonked Sonny over the head causing him to bleed and to have to be taken to the hospital to take care of his battered eye and face. “Bart, did we, did any of the guys ever fight over some girl of mutual interest I don’t remember. I know we almost came to blows that one time over Sarah when you two were on the outs and I tried to move in when I knew from Pete that she wasn’t a virgin and that maybe she would give me a tumble. But she solved that problem for us since she wouldn’t give me a tumble, said she was true blue to you although she did say she was flattered by my attentions, you know how she talked like that.”

Bart fired back, “Hey, don’t you remember the night Pete almost got his balls handed to him in a basket when he tried to pick up the Be-Bop Kid’s girl, what was her name, Betty something, Betty Bower. Pete had heard, had heard correctly as it turned out that Be-Bop and Betty had split up and so under our “code” she was fair game. Pete was pretty straight like that although if you recall on that New York trip he took that Suzie whatever her name was right away from Be-Bop so maybe there had been bad blood between them that we didn’t know about although it never came to the surface before that night with Betty.

“She had come into Tonio’s by herself to pick up a pizza to go and Pete was sitting in our corner booth along with Be-Bop who was in the dumps. So Pete went up and asks her if she needed somebody to help share that pizza at home, needed some company. And she said, yeah, sure they could watch a movie or something with her sisters that she was baby-sitting for that night. Be-Bop saw this action and saw red or whatever color he was seeing that meant he was not happy. As they went out the door to her car, her father’s car, to head to her house Be-Bop went up and took the pizza that Pete was carrying for Betty and dumped it on the ground. Now as you know Pete was a runt and even thought Be-Bop always said he was a lover not a fighter Pete got scared, thought Be-Bop was going to hit him. And he was, he definitely was because he had his fist in a ball ready to rock until Betty told Pete that maybe Be-Bop better pick up the pizza and take her home. Jesus. No double Jesus because Be-Bop said that night while the younger sisters were eating the damn pizza and watching television they were up in Betty’s room making the bed scream. Women.”                  

Bart got all solemn at the next moment as he always did when the subject of Sam’s military service came up in conversation as it would after watching this film since Bubba’s remedy for what ailed him, Jazzy ailed him was to get out of town and join the Army, join it at a time when the Korean War was eating up men at a prodigious rate, “Sam what did you think about Bubba going off to war to try to resolve what ailed him, try to get out of Dodge. Did you notice nobody, Sonny anyway, thought anything of it, didn’t even bat an eyelash when he announced that he was taking the Trail-way bus out in the morning.”

Bart waited as Sam mulled over what he had just said, thinking to himself that he had had it easy on that question since he had been declared 4-F, unfit for military duty due to that childhood injury that would not heal and Sam had been dragooned into the Army by his friends and neighbors at the draft board, had seen action in Vietnam, had come home disenchanted with the war, tried to tell everybody who would listen that the whole war was a disaster, had joined various G.I. anti-war organizations and had been a life-long opponent of almost every military action the American government had tried to foist on its citizens.

“You know that part of the film where Sonny and Bubba get back together just before the bus leaves when Bubba leaves his souped-up car for Sonny to take care of while he is gone probably has been replicated in more Archer City/Lima, Ohio, Davenport, Iowa, Ellsworth, Maine, Carver, Massachusetts small town America locales than you can shake a stick at. The young, when we were young didn’t want to speak of death, treated it like it wasn’t there, couldn’t happened to us, like we would live forever or close to it and so nobody was there in that town, nobody in Carver either and I am to this day still bitched out about it to tell us what the real cost of war was, what would happen if we made it back to the real world. So Bubba, so Sam, so Ralph, so Pete and all the other kids from working class towns, from the inner city barrios and ghettos never get somebody to tell them like they should that there is another way, a totally different way to deal with your military obligation. I am still bitched out about that too. But today I am bitched out mostly by the fact that the same kind of kids that got dragooned into the Vietnam War, and I am glad you did not have to face that choice, got dragooned into Afghanistan and Iraq. Jesus.”

Bart said nothing just kind of let it go, let that idea that Sam had said that it was okay, which he had never said before, that Bart had not served in the military a situation which had bothered him since back then. But he too knew that Carver the town that he had stayed in all his life except those few years when he sowed his wild oats with Sam and some of the boys was still sending more than its fair share of sons of boggers to fight the American government’s wars.           

“You know since we are being candid in a candid world that I have never asked you whether you ever regretted staying in Carver after those few years that you sowed your wild oats with out in California during various summers of love, various acid-etched experiences out in Haight-Ashbury, Joshua Tree, a few places south of the border where the dope was plentiful and cheap and came back to Carver, settled in with Sarah, developed your printing company before and after the that whole silk-screen fad on tee-shirts and posters came and went and had a pretty good if staid life after all,” as Sam posed that question kind of pensively to Bart who was still savoring Sam’s answer about Bart’s lack of military service back in the day when al lot of young men like Sam were being chewed up and spit out.”

Bart answered in kind, “Despite all the adventures we had for those couple of years we were out West and down in Mexico, despite all dope and women, especially the women who “made my toes curl” as one of them told me they would do to me and they did my heart still belonged to Sarah who I knew was waiting back here for me. I tried to talk to her about heading West, about getting the hell out of Carver but she said she was attached to her family that lived mostly around here, wanted to live in a small town, liked the idea that our kids would go through the same schools that we went through, that we would go to the Strand Theater like we had in high school although she was wrong on the longevity of that place since it closed down about ten years after we married when the mega-plexes came to the mall and sucked the air out of independent movie theaters, wanted to stay and smell the roses of the same old place and frankly after a while, after I had built the business up by adding a line of commercial accounts that kept us going before the new digital technology blew us out of the water I wanted to stay too although every once in a while I would dream wistfully about that beach at Big Sur where we stayed with those girls from UCLA who were as wild as the Huns and think well Carver really was too small for big pant dreams.”

Sam, who had been all over, had been married three times and had many affairs a couple when he was still married, had left Carver and not really looked back until many years later, until just a couple of years before that fateful fiftieth class reunion knew in his own heart that he could not go home again, that he could not hold the fort against the future like the Barts and Sonnys of the world.”

With that last bit of wisdom Sam yawned, knew that he had to get home to Laura in Boston and dream the dreams of the vagabond just. As he left out the front door of Bart’s house Bart yelled after him that “You are right, right as usual when it comes to films, you must have been in contact with the ghost of Pete Markin because The Last Picture Show really is one of the ten best film of all time, no question. And if we did not know it then, know it that first viewing, it really was about us, about growing up in Podunk, having friends, and dreaming dreams.”

Sam could think of nothing else that he would have added to that sentiment.