Friday, August 24, 2018

An Encore Salute To The Untold Stories Of The Working- Class 1960s Radicals-“The Sam And Ralph Stories”- A Real Independence Day (4th of July) Walk Through The Streets- A Tale Of Two Parades


An Encore Salute To The Untold Stories Of The Working- Class 1960s Radicals-“The Sam And Ralph Stories”- A Real Independence Day (4th of July) Walk Through The Streets- A Tale Of Two Parades

Greg Green, site manager Introduction 

 [In early 2018, shortly after I had taken over the reins as site manager at this on-line publication I “saw the light” and bowed to the wisdom of a number of older writers who balked at my idea of reaching younger and newer audiences by having them review films like Marvel/DC Comics productions, write about various video games and books that would not offend a flea unlike the flaming red books previously reviewed here centered on the now aging 1960s baby-boomer demographic which had sustained the publication through good times and bad as a hard copy and then on-line proposition. One senior writer, who shall remain nameless in case some stray millennial sees this introduction and spreads some viral social media hate campaign his way, made the very telling observation that the younger set, his term, don’t read film reviews or hard copy books as a rule and those hardy Generation of ’68 partisans who still support this publication in the transition from the old Allan Jackson leadership to mine don’t give a fuck about comics, video games or graphic novels. I stand humbled.

Not only stand humbled though but in a valiant and seemingly successful attempt to stabilize this operation decided to give an encore presentation to some of the most important series produced and edited by Allan Jackson-without Allan. That too proved to be an error when I had Frank Jackman introduce the first few sections of The Roots Is The Toots Rock And Roll series which Allan had sweated his ass over to bring out over a couple of years. Writers, and not only senior writers who had supported Allan in the vote of no confidence fight challenging his leadership after he went overboard attempting to cash in on the hoopla over the commemoration of the 50th anniversary of the Summer of Love in 1967 but also my younger writer partisans, balked at this subterfuge. One called it a travesty.

Backing off after finding Allan, not an easy task since he had fled to the safer waters of the West looking for work and had been rumored to be any place from Salt Lake City to some mountainous last hippie commune in the hills of Northern California doing anything from pimping as press agent for Mitt Romney’s U.S. Senate campaign in Utah to running a whorehouse with Madame La Rue in Frisco or shacking up with drag queen Miss Judy Garland in that same city, we brought Allan back to do the introductions to the remaining sections. That we, me and the Editorial Board established after Allan’s demise and as a guard against one-person rule, had compromised on that gesture with the last of the series being the termination of Allan’s association with the publication except possibly as an occasional writer, a stringer really, when some nostalgia event needed some attention.      

That was the way things went and not too badly when we finished up the series in the early summer of 2018. But that is not the end of the Allan story. While looking through the on-line archives I noticed that Allan had also seriously edited another 1960s-related series, the Sam and Ralph Stories, a series centered on the trials and tribulations of two working-class guys who had been radicalized in different ways by the 1960s upheavals and have never lost the faith in what Allan called from Tennyson “seeking a newer world” would resurface in this wicked old world, somebody’s term.

I once again attempted to make the mistake of having someone else, in this case Josh Breslin, introduce the series (after my introduction here) but the Editorial Board bucked me even before I could set that idea in motion. I claimed, somewhat disingenuously, that Allan was probably out in Utah looking for some residual work for Mitt Romney now that he is the Republican candidate for U.S. Senator for Utah or running back to Madame La Rue, an old flame, and that high- end whorehouse or hanging with Miss Judy Garland at her successful drag queen tourist attraction cabaret. No such luck since he was up in Maine working on a book about his life as an editor. To be published in hard cop y by well-known Wheeler Press whenever he gets the proofs done. So hereafter former editor and site manager Allan will handle the introductions on this encore presentation of this excellent series. Greg Green]                   

Allan Jackson, editor The Sam And Ralph Stories -New General Introduction

[As my replacement Greg Green, whom I brought in from American Film Gazette originally to handle the day to day site operations while I concentrated on editing but who led a successful revolt against my regime based on the wishes of the younger writers to as they said at the time not be slaves to the 1960s upheavals a time which they only knew second or third hand, mentioned in his general introduction above some of the series I initiated were/are worth an encore presentation. The Sam and Ralph Stories are one such series and as we go along I will try to describe why this series was an important testament to an unheralded segment of the mass movements of the 1960s-the radicalized white working- class kids who certainly made up a significant component of the Vietnam War soldiery, some of who were like Sam and Ralph forever after suspicious of every governmental war cry. Who also somewhat belatedly got caught up in the second wave rock and roll revival which emerged under the general slogan of “drug, sex and rock and roll” which represented a vast sea change for attitudes about a lot of things that under ordinary circumstances would have had them merely replicating their parents’ ethos and fate.        

As I said I will describe that transformation in future segment introductions but today since it is my “dime” I want to once again clear up some misapprehensions about what has gone on over the past year or so in the interest of informing the readership, as Greg Green has staked his standing at this publication on doing to insure his own survival, about what goes on behind the scenes in the publishing business. This would not have been necessary after the big flap when Greg tried an “end around” something that I and every other editor worth her or his salt have tried as well and have somebody else, here commentator and my old high school friend Frank Jackman, act as general introducer of The Roots Is The Toots  rock and roll coming of age series that I believe is one of the best productions I have ever worked on. That got writers, young and old, with me or against me, led by Sam Lowell, another of my old high school friends, who had been the decisive vote against me in the “vote of no confidence” which ended my regime up in arms. I have forgiven Sam, and others, as I knew full well from the time I entered into the business that at best it was a cutthroat survival of the fittest racket. (Not only have I forgiven Sam but I am in his corner in his recent struggles with young up and coming by-line writer Sarah Lemoyne who is being guided through the shoals by another old high school friend Seth Garth as she attempts to make her way up the film critic food chain, probably the most vicious segment of the business where a thousand knives wait the unwary from so-called fellow reviewers.) The upshot of that controversy was that Greg had to back off and let me finish the introducing the series for which after all I had been present at the creation.               

That would have been the end of it but once we successfully, and thankfully by Greg who gave me not only kudos around the water cooler but a nice honorarium, concluded that series encore in the early summer of 2018 he found another way to cut me. Going through the archives of this publication to try to stabilize the readership after doing some “holy goof” stuff like having serious writers, young and old, reviewing films based on comic book characters, the latest in video games and graphic novels with no success forgetting the cardinal rule of the post-Internet world that the younger set get their information from other sources than old line academic- driven websites and don’t read beyond their techie tools Greg found another series, the one highlighted here, that intrigued him for an encore presentation. This is where Greg proved only too human since he once again attempted an “end around,” by having Josh Breslin, another old friend whom I meet in the Summer of Love, 1967 out in San Francisco, introduce the series citing my unavailability as the reason although paying attention to the fact that I had sweated bullets over that one as well.      

This time though the Editorial Board, now headed by Sam Lowell, intervened even before Greg could approach Josh for the assignment. This Ed Board was instituted after my departure to insure the operation would not descend, Sam’s word actually, into the so-called autocratic one-person rule that had been the norm under my regime. They told Greg to call me back in on the encore project or to forget it. I would not have put up with such a suggestion from an overriding Ed Board and would have willingly bowed out if anybody had tried to undermine me that way. I can understand fully Greg’s desire to cast me to the deeps, have done with me as in my time I did as well knowing others in the food chain would see this as their opportunity to move up.  

That part I had no problem with, told Greg exactly that. What bothered me was the continuing “urban legend” about what I had done, where I had gone after that decisive vote of no confidence. Greg continued, may continue today, to fuel the rumors that not only after my initial demise but after finishing up the Roots Is The Toots series I had gone back out West to Utah of all places to work for the Mormons, or to Frisco to hook up with my old flame Madame La Rue running that high-end whorehouse I had staked her to in the old days, or was running around with another old high school pal, Miss Judy Garland, aka Timmy Riley the high priestess of the drag queen set out in that same town whom I also helped stake to  his high-end tourist attraction cabaret. All nonsense, I was working on my memoir up in Maine, up in Olde Saco where Josh grew up and which I fell in love with when he first showed me his hometown and its ocean views.          

If the reader can bear the weight of this final reckoning let me clear the air on all three subjects on the so-called Western trail. Before that though I admit, admit freely that despite all the money I have made, editing, doing a million pieces under various aliases and monikers, ballooning up 3000 word articles to 10,000 and having the publishers fully pay despite the need for editing for the latter in the days before the Guild when you worked by the word, accepting articles which I clearly knew were just ripped of the AP feed and sending them along as gold I had no dough, none when I was dethroned. Reason, perfectly sane reason, although maybe not, three ex-wives with alimony blues and a parcel of kids, a brood if you like who were in thrall to the college tuition vultures.

Tapped out in the East for a lot of reasons I did head west the first time looking for work. Landed in Utah when I ran out of dough, and did, DID, try to get a job on the Salt Lake Star and would have had it too except two things somebody there, some friend of Mitt Romney, heard I was looking for work and nixed the whole thing once they read the articles I had written mocking Mitt and his white underwear world as Massachusetts governor and 2012 presidential candidate. So it was with bitter irony when I heard that Greg had retailed the preposterous idea that I would now seek a job shilling for dear white undie Mitt as press agent in his run for the open Utah United States Senate seat. Here is where everybody should gasp though at the whole Utah fantasy-these Mormons stick close together, probably ingrained in them from Joseph Smith days, and don’t hire goddam atheists and radicals, don’t hire outside the religion if they can help it. You probably had to have slept with one of Joseph Smith’s or Brigham Young’s wives to even get one foot in the door. Done.              

The helping Madame La Rue, real name of no interest or need to mention,  running her high-end exclusive whorehouse out in Half Moon Bay at least had some credence since I had staked her to some dough to get started after the downfall of the 1960s sent her back to her real world, the world of a high class hooker who was slumming with “hippies” for a while when it looked like our dreams were going to be deterred in in the ebbtide. We had been hot and heavy lovers, although never married except on some hazed drug-fogged concert night when I think Josh Breslin “married” us and sent us on a “honeymoon” with a fistful of cocaine. Down on dough I hit her up for some which she gave gladly, said it was interest on the “loan: she never repaid and let me stay at her place for a while until I had to move on. Done

The whole drag queen idea tells me that whoever started this damn lie knew nothing about my growing up days and had either seen me in The Totem, Timmy Riley’s aka Miss Judy Garland’s drinking with a few drag queen who worked and drew the wrong conclusions or was out to slander and libel me for some other nefarious reason. See Miss Judy Garland is the very successful drag queen and gay man Timmy Riley from the old neighborhood who fled to Frisco when he could no longer hide his sexual identity and preferences. To our great shock since Timmy had been the out-front gay-basher of our crowd, our working-class corner boy gay-bashing crowd. I had lent, after getting religion rather late on the LGBTQ question, Timmy the money to buy his first drag queen cabaret on Bay Street and Timmy was kind enough to stake me to some money and a roof before I decided I had to head back East. Done.

But enough about me.  This is about two other working- class guys, Sam Eaton and Ralph Morris, met along life’s road one from Carver about fifty miles away from where Seth, Sam, Timmy and a bunch of other guys grew up and learned the “normal” working-class ethos-and broke, tentatively at times, from that same straitjacket and from Troy, New York. Funny Troy, Carver, North Adamsville, and Josh’s old mill town Olde Saco all down-in-the-mouth working class towns still produced in exceptional times a clot of guys who got caught up in the turmoil of their times-and lived to tell the tale. I am proud to introduce this encore presentation and will have plenty more to say about Sam and Ralph in future segments.]



Allan Jackson Encore Introduction

Sadly I have nothing to add to Sam Eaton’s great take not only on the 4th of Julys of his recent experiences except that we must update number of years in Afghanistan and Iraq and add Syria, Yemen and a few other places to the drumroll of the American military around the world, Yes, sad and frustrating still.    



A Real Independence Day Walk Through The Streets- A Tale Of Two Parades








From The Pen Of Sam Eaton

Yeah, the streets of the small towns and big cities of this nation were resplendent with red white and blue bunting, the kids filled to the brim with soda, candy and hot dogs and adults coyly sipping their store bought wines and beers in red plastic containers (or at least that seemed the color of choice from a brief but telling visual unscientific poll) as happens every hot summer July Independence Day, the Fourth to short-haul the name of the event I am talking about. As a nice summer holiday nobody, including me, has any quarrel, especially getting the school-stormed kids out of doors and reddened from their prison pallor earned the previous past nine months.

Well, maybe some out there in the hinterlands have a quarrel with celebrating the Fourth as a freedom day after my reading of an archival piece from a re-tweeted blog that my long-time friend and political activist comrade, Ralph Morris (more about him later), send along to me. He had received it via the Internet from our mutual friend living in New York City, Fritz Jasper, a guy who refused to serve in Vietnam after he had been inducted into the Army and his number was called to do 11 Bravo duty (infantryman, grunt, cannon fodder, take your pick) back in the day and did a serious year or more in an Army stockade for his troubles before some smart and savvy civilian lawyer who knew the military law inside out got him sprung on a habeas corpus petition in federal court or he might still be on in the wheat fields of Kansas at Fort Leavenworth along with the heroic Wiki-leaks whistleblower Chelsea (formerly Bradley) Manning. [Sentenced commuted in 2017 by President Obama before he left office under his pardoning powers.]  

The gist of the article and that is all I want to do is give the gist since this sketch is about other matters, although 4th of July connected, was penned by a NYU professor who Fritz knows and let’s write on his blog, American Politics Today. The good professor’s argument was that due to the way this country got its freedom from old Mother England as a result of a straight up military victory and the kind of society that was formed afterwards based on the enslavement of black people and later the extermination of Native peoples (although a lot was done well before that “later” to those “collateral damage” peoples) we should be more circumspect about celebrating the event. Unlike say the English, French or Russian revolutions which were hell-bound flat-out social revolutions whatever happened later on to rein them in.

And the good professor from NYU, Jack Kirby I think his name was who has written several books and monograms along that same line, might have a very good point (and Fritz too who agreed with that part of Kirby’s analysis about being circumspect all things considered but disagreed with the “not celebrating” part since he sees it as a legitimate part of the struggle from human freedom even if today we would recoil from what that experience has produced. More on this in a minute when Ralph and I weight in). But what interests today me as an old anti-war campaigner (make that a full-time anti-war campaigner against the now endless wars of the American imperium and other misadventures as well) since the early 1970s after I got “religion” as I like to call it on the issues of war and peace is being able to use the day, and more importantly the thousands of locally organized parades or other commemorations, to get our anti-war message out.

The “got religion” part about war came after some soul-searching when I learned that my best friend, Jeff Mullins, from Carver High was blown away in the Central Highlands of Vietnam in 1969.  Jeff had sent me a bunch of letters telling me of the horrors of the situation, his desperation in trying to right it, and his total disgust with the ugly abuse that the American government was putting its soldiers, the people of Vietnam (and elsewhere in Southeast Asia as it turns out), and virtually everything it touched a few months before he was killed to tell one and all that the war was totally crazy, totally “off the wall” as he called it. (I was a little sheepish at first since through the vagaries of life I wound up with a military deferment due to being the sole support for my mother and four much younger sisters after my drunken sot of a father passed away suddenly from a massive heart attack in 1965. But I got over that when somebody said the message “from the grave,” Jeff’s grave I had to bring to the table squared things.)

The hard fact is that in the year 2015 despite almost fourteen years of endless war from that first bombing raids on Kabul by Bush II in the aftermath of the horrendous unspeakable criminal actions in New York on 9/11 until the latest (Spring, 2015) announced Obama third wave, or is it fourth,  “creeping troop escalation” in Iraq the streets of America have been abandoned as a way to get our message out by those who previously knew (if only for a minute in the later part of  2002 and early 2003) that you need to get the anti-war message out via the streets, raise hell about the situation, since the media has blocked any coverage out otherwise as yesterday’s news.

So the 4th of July is an excellent place to bring the message home to a war-weary (and wary) people without an “in your face” confrontation. (How are you going to, on either side, get red-faced angry when soda-hot dog-candy filled kids and ordinary everyday citizens out to get some well-deserved time off and have a few red cup brews are looking your way with not unkindly feelings.)  Now, full disclosure, Ralph Morris as a Vietnam veteran like the fallen Jeff Mullins (and not Vietnam-era either since he served eighteen months “in-country” as he calls it) and I who have worked with him since we “met” at the RFK Stadium in Washington, D.C. on May Day 1971 are both members of an organization dedicated to the principle of peace, Veterans For Peace (VFP), and have been for a number of years (he as a full member and I as an associate since I am not a veteran, a least a war veteran although Ralph always says that I am a “veteran” in his book since being peace veterans is really what is important about what we have, or have not, done with our lives).

VFP likes to, maybe lives to, use any reasonable occasion to get the peace message out. So these days events like 4th of July parades, Memorial Day Peace remembrances, ditto Veterans Day/Armistice Day (the real and original reason for the holiday going back to end of World War I times), Saint Patrick’s Day in Boston, Gay Pride parades, you name it you are very likely to find the white flags with the black-outlined doves of peace embossed on them fluttering in the wind at some such occasion. And this Fourth of July was no exception. Ralph who lives in Troy, New York when we are not off somewhere spreading as best we can these days the good news of peace came to Boston and joined the local VFP chapter, the Smedley Butler Brigade (named in honor of the famous much decorated Marine Corps general who coined the phrase “war is a racket” in a speech you can read if you Google his name or go to Wikipedia). We marched on the evening of July 3rd in the annual parade in historic Gloucester (of the famed fishermen going down to the sea, those battling our home land the sea for its bounty) and in the adjacent town of Rockport the next evening.

Late on 4th of July evening after having walked our legs off the previous two early evenings we headed to Johnny’s Olde Wagon Wheel Diner over on Thornton Street (Rockport) for a meal (Johnny’s providing the best meatloaf dinner around and both Ralph and I in our hitchhiking days in the early 1970s either on our own or through the kindness of friendly truckers know many, many diners to compare the bills of fare on that subject and that accolade is thus deserved) and a few drinks of high-shelf whisky (although our favorite watering hole for that purpose when Ralph is in Boston is Jack’s Grille down by the Financial District in the downtown area but that place that day would be a zoo with the huge crowds that attend the well-known concert on the Esplanade and fireworks after) in order to “evaluate” what our takes on the two events were.

Now you have to know a little something about VFP’s past participation in these Fourth of July parades in Gloucester and Rockport. VFP started about twenty years to participate in the two parades via the efforts of VFP members in both towns to get us in (at the barbeque this year before the Rockport parade that fact was honored with a short speech and, well, a cake). The first few years in the second Clinton administration were rocky since a key component to any of this American spirit holidays are groups like the Veterans of Foreign Wars (VFW) and American Legion posts who put a lock on patriotism of a certain kind, mainly of the unthinking or wrong-thinking “my country, right or wrong” kind, and that is that. Moreover the other key organizers for such events are the town police and fire departments whose memberships overlap with the veterans’ groups many times. Those combinations are used to organizing such events and normally set the agenda. So the first few years were tough with the local organizers taking a stance out of the playbook of the Allied War Council (AWC) in Boston which for five years now has excluded VFP from its Saint Patrick’s Day parade held over in South Boston in March of each year under the rubric, as one AWC-er put it-“we don’t want the words “veterans” and “peace” put together in our (private) parade. Small towns and cities are however under pressure, or if not should be, to see that the whole community is represented and so VFP found a spot in each parade. Of course another hard pressed time was in the immediate aftermath of 9/11 when even Ralph and I were afraid to go on the streets with the peace message at a time when the average citizen who generally is indifferent to our presence had daggers in their eyes at the sight of peace signs or symbols (although we did, we did go out among the hostile populace, at least in Boston that year, but with the most trepidation that either of us had faced in our long anti-war careers) and then with the war drums beating in the lead-up to the so-called slam-dunk 2003 Iraq War.

But each year since as the endless wars have continued to meander their endless sun-less rivers the patriotic bounce has stopped driving sneers, ugly remarks, old-time out of touch anti-commie slurs and the like that every protestor from neophyte to veteran knows is at least hidden in some quarters when you work “street” politics. Both Ralph and I made that same observation this year (as well as our traditional one about how those old yellow ribbons festooned on the back bumpers of cars and trucks have faded to pale white). That absence of malice rather than the notable increased cheering as the VFP contingent of white flag dove of peace –embossed limply-walking older wars veterans, jauntily-walking younger Afghan and Iraq war veterans and assorted peace group supporters approached their vantage points is the most striking difference over the years. We both noted in Rockport there was plenty of genuine cheering to overthrow any uncivil remarks (although one guy, an old duffer who looked like he might have been a mess sergeant in 1958, told us to “go back to Moscow” and another in that same old duffer category to “just stay at home” apparently to not offend his starry eyes. Jesus, where have these guys been since about 1991.)

Here is our dilemma though, and not just Ralph, mine or VFP’s but for any “peaceniks” working the streets these days. We could palpably see the war-weariness in the remarks headed our way, especially in Gloucester an old working-class town that has provided more than its share of soldiers and sailors as the city memorials, especially the latter, to the fallen of that place readily testifies, those remarks made from many a flatbed working man’s truck that dotted the route of the parade. Trucks, more than either of us thought existed in a town that size (and missing for the most part from the more upscale Rockport parade with its average Audi or BMW) complete with whole families in the bed taking in the sights, having a little something to eat or drink, and probably trying to figure out how to calm down the sugar-laden kids before bedtime after such a hectic day of sights and sounds.

Here is where Ralph and I have racked our brains in sullen frustration-how do you turn that obvious war-weariness into some kind of protest movement beyond the kind words and rousing applause sent our way on parade days. We did not solve that dilemma that night maybe because we were tired, maybe we were too sated from Johnny’s meatloaf, maybe a few too many high-shelf whiskeys or maybe like the kids too many sights and sounds. All I know is that we will be back next year, hopefully with more people joining our efforts to spread the good words of peace around. You can bet on that.                                                            

[Oops, before I forget since whenever I mention how Ralph and I met down in D.C. on May Day 1971 people want to know how that happened in a professional football stadium in May when the football season is long past. Ralph wrote up his version in 2011 and I added a few pithy comments (his term) for that American Politics Today our friend Fritz runs for the fortieth anniversary of the event. I will give a short wrap-up here to show why we have been amigos since that strange day in May. You already know my reasons for turning anti-war but Ralph’s came like Jeff’s from actual hard rock service in that benighted country. In short as Ralph says when he is giving talks- “he grew disenchanted with what he had to do as a soldier (as an 11 Bravo cannon-fodder like Jeff), what his Army buddies getting blown away and mangled had to do, and what the damn American government was making of them-nothing but animals (always said with a sneer). So when he got out in late 1969, early 1970 he wound up working with a predecessor of VFP, Vietnam Veterans Against the War (VVAW). By 1971 with no end of the war in sight a lot of us, radicals, frustrated liberals, ex-G.I.s upped the ante- decided to as the slogan went-“if the government would not shut down the war, we would shut down the government.”

As thousands descended on Washington including Ralph with New York VVAW and me then living in Cambridge with some radicals I knew we really thought we had enough to change history. For that illusion many of us, Ralph and me among them, wound upon the football field at RFK being used that May as a holding area for those arrested. He noticed I was wearing a VVAW supporter button in honor of Jeff and that started our friendship. If you need more info on that day just check Wikipedia because I have to move on.

The Mad Monks Of The Pre-War (World War I If Anybody Is Asking) Germanic Art- Klimt And Schiele At The Boston Museum Of Fine Arts

The Mad Monks Of The Pre-War (World War I If Anybody Is Asking) Germanic Art- Klimt And Schiele At The Boston Museum Of Fine Arts    










Gustav Klimt and Egon Schiele’s Twisted Fates in Paint

Cardinal and Nun (Caress), 1912, Egon Schiele.
Cardinal and Nun (Caress), 1912, Egon Schiele.
Kneeling forms against an indeterminate background, two figures interlocked as one… perhaps this painting looks familiar? The work is a tongue-in-cheek play by Egon Schiele and a slightly sacrilegious homage to his master, Gustav Klimt’s The Kiss. Rather than love and passion, these religious figures are caught in the act, stiff against religious vow.
The Kiss (Lovers), 1907-1908, Gustav Klimt.
The Kiss (Lovers), 1907-1908, Gustav Klimt.
The Mentor and His Star Pupil
With a nearly 30 year age difference, Schiele and Klimt had a mentor-student relationship that lasted throughout their artistic careers. From copycat styling to love triangle rumors, this twisted story is told in their paintings.
In 1907 a then-teenaged Schiele saw Klimt as an idol and sought him out. The two fostered an artistic friendship and elements of Klimt’s avant-garde style can be found in many of Schiele’s early works and drawings, including these:
Left: Portrait of Gerti Schiele. Right: Standing Girl in a Plaid Garment. Both by Egon Schiele, 1909.
Left: Portrait of Gerti Schiele. Right: Standing Girl in a Plaid Garment. Both by Egon Schiele, 1909.
The Love Triangle with Wally Neuzil
Klimt’s influence was never far away. He introduced Schiele to many gallerists, fellow artists, and models, including the perhaps infamous Valerie (Wally) Neuzil. Neuzil had previously modeled for Klimt, and is rumored to have been his mistress. In 1911 she moved with Schiele to Krumau in the Czech Republic and thus began a four-year affair with him. In 1916 she returned to her old lover, posing again for Klimt.
The Hermits,  Egon Schiele, 1912.
The Hermits, Egon Schiele, 1912.
Left: Portrait of Wally, Gustav Klimt, 1916. Right: Woman in black stockings (Valerie Neuzil), Egon Schiele, 1913.
Left: Portrait of Wally, Gustav Klimt, 1916. Right: Woman in black stockings (Valerie Neuzil), Egon Schiele, 1913.
In fact, Schiele slyly alludes to this shared love in his 1912 painting The Hermits. The artist depicts two male figures in a Klimt-esque embrace, who on second take appear to be the mentor (on the left) and student (on the right) themselves. Dressed in all black, these two “hermits” are one mass but two thin white lines in the background connect the couple to a wilting rose, red like the color of Neuzil’s fiery hair.
Muse Shared, Again?
Klimt and Schiele portraits also reveal another shared subject: Viennese society woman Friederike Maria Beer-Monti. She rang Klimt’s doorbell in 1915 and asked if she could pose for his artworks. The process took six months and, in that time, she is rumored to have been one of his many flames. Just one year earlier, she had been the subject of a work by Klimt’s mentee.
Left: Portrait of Friederike Maria Beer-Monti, Egon Schiele, 1914 Right: Portrait of Friederike Maria Beer-Monti, Gustav Klimt, 1916
Left: Portrait of Friederike Maria Beer-Monti, Egon Schiele, 1914; Right: Portrait of Friederike Maria Beer-Monti, Gustav Klimt, 1916
Both artists were notorious for their affairs with women. Klimt, who never married, is said to have fathered 17 children with his muses. Schiele often found himself in hot water with the authorities for his choice of studio visitors, children and adult, who posed nude.
Breaking Conventions in Art, Too
As personal relationships grew more interconnected so did their artistic styles. The bright colors and elongated bodies in Klimt’s unfinished The Bride and the more jagged lines and gestural coloring in Schiele’s Portrait of Dr. Erwin von Graff would lead their contemporaries to a new – and more personal – way of thinking about color and form in art.
Left: The Bride, Klimt, 1917; Right: Portrait of Dr. Erwin von Graff, Schiele, 1910.
Left: The Bride, Klimt, 1917; Right: Portrait of Dr. Erwin von Graff, Schiele, 1910.
With a relationship based on mutual respect, Klimt and Schiele continued to support and guide each other through the art world. There was an obvious amount of humor between the two; only a prized pupil could have gotten away with such sheer parodies of his mentor.
And, by the way, here’s a more banal portrait of Wally that her artists’ paintings didn’t show:
Schiele and Neuzil in Krumau, Czech Republic, 1913. Image via Leopold Museum.
Schiele and Neuzil in Krumau, Czech Republic, 1913. Image via Leopold Museum.
Gustav Klimt is currently abuzz in the pop culture world. Actress Dame Helen Mirren is starring in The Woman in Gold, a movie about Klimt’s painting of Adele Bloch-Bauer. Watch the trailer here: https://www.youtube.com/watch?v=geJeX6iIlO0
Learn more about Klimt’s life and career here: http://www.theartstory.org/artist-klimt-gustav.htm
Learn more about Schiele’s life and career here: http://www.theartstory.org/artist-schiele-egon.htm
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Once Again, When ABBA Exploded The Known Musical Universe And Put It On A Small Greek Island- Amanda Seyfried s “Mama Mia!-Here We Go Again” (2018)-A Film Review

Once Again, When ABBA Exploded The Known Musical Universe And Put It On A Small Greek Island- Amanda Seyfried s “Mama Mia!-Here We Go Again” (2018)-A Film Review



DVD Review
By Intern Josie Davis
Mama Mia! Here We Go Again  (When I reviewed the original version of this film I was told by Greg Green the site manager to use this title to both avoid confusion with the earlier film since they both have the same theme and most of the same cast and to replicate the way the film has been publicized), starring the divine Meryl Streep in essentially a cameo role, Amanda Seyfried up close and personal on this one, Pierce Brosnan at one time the dashing James Bond in a few films in that series, Colin Firth who somebody told me used to be to be the King of England and gave it up for his boyfriend,  Stellan Starsgard who used to be a guy named Terry with a junkie wife who owned a glass house in Malibu but got too greedy and got wasted for his troubles, Julie Walters and Christine Baranski two members of the famous doo wop, no, disco, trio Donna and the Dynamos who tore up the stage when I saw them in New York City one night with my girlfriends from high school several years ago, music by ABBA, 2018         
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I mentioned in my review of the 2008 version of Mama Mia!  that I was thrilled to be writing my first film review for this publication, for Greg Green and now as agreed since he was happy with my first production I am reviewing the sequel. (Once again I should mention that Greg said the way things are in the publication business today that I had better mention that I was Greg’s daughter Elsa’s roommate in journalism graduate school at NYU-something about transparency otherwise the whole thing will stink of nepotism, so I have again written what he has asked me to do). I am working here as a paid intern to learn the journalism trade and right off the bat Greg had assigned me this Mama Mia! Here We Are film which I had just seen and loved. Not only that but since Elsa already told me that her father was very thorough I got to do a review of the first one as well which he told me was to get a fresh look from new eyes about the relative merits of the two. Zack James one of the friendly older writers here who wrote the review of the original helped me with his perspective although he said musicals were not his thing and he thought there were too many musical and dance interludes something I thought was great since the storyline was pretty simple. The conditions that an intern works under here are that, since we are not covered by Guild regulations, we are paid by the word so I was doubly thrilled to have two reviews to do since my rent would be coming up and I could use the money since my parents had told me after paying for graduate school I have to fend for myself. “Learn to fly” as my father put the matter in his usual gruff way.         
Maybe the reader did not need to know that last part again, the rent money and parent abandonment part but from the last review I mentioned  a funny, wise, kind of looking like a modern version of  Merlin the Magician older writer, Sam Lowell, told me that writers getting paid by the word went out with the Pony Express and it is a shame that they are calling what he called stringers “interns” to get slave labor to do the work otherwise assigned to active Guild members. Here is where he was wise-Sam, he told me to call him Sam, said to play the game for all it is worth, to write like he did when he was starting out say, 10, 000 words when everybody knew that the space available for the piece was maybe 3000 words. They had to pay for the former number no matter how much they edited the piece down once it had been assigned. Again I will write like crazy including what Sam me told to include that I have already written since Greg likes, allows his writers, I still like how that word sounds regarding me, to let the readership know some of the “inside” stuff about the publishing business, the hard-hat water cooler stuff so I will again oblige.      
Sarah Lemoyne, who went to NYU journalism school a few years before Elsa and me, told me before I finished my first review to avoid Sam Lowell like the plague and went out of her way to warn me again after Sam told Greg that I had “the right stuff.” Told me, again that it was only a matter of time before he would have me writing his reviews for him under his by-line and would keep me a stringer, intern I told her again like the category was brand new in the business, forever again using the example of what almost happened to legendary break-through by-line writers Leslie Dumont before she got her big break with Women Today once she saw the writing on the wall here. Sarah said I would probably, if Sam was in a rush, grab some studio press release and have me doll it up. Funny, Sam still seems like a kindly old man, for the old school who knows how to pay a colleague a compliment and give good advice and encouragement,  a little wizard and while Sarah seems to be the star amount the younger up and coming writers and is being championed by the legendary Seth Garth whom I first heard about at NYU I haven’t been here, haven’t been as Sam says around the water cooler long enough to get an idea of who the players are and what they have in mind. All I know is that I want to be a film reviewer, maybe books and music later, and that Sam has been nice to me and gave me this additional information once again and which has in the Sarah business proved true-this is a cutthroat business so keep your own counsel. Listen to what everybody who has something to say have their say and then discard most of it and just write that pure, fine high white line you studied about in school. And forget the fossil “pyramid” lead nonsense which went out with the pharaohs although they still teach that stuff like it was the new dispensation in the journalism schools.
I have heard from more than one source, actually several since the last review, that Sarah is “sweet” on Seth, he told me to call him Seth although I feel funny calling these older guys by their first names since in grad school when some high-blown journalist came through it was Ms. This or Mr. That, even though she has a partner, a woman, whom she is having an affair with. I still don’t know how to take what she has said about Sam, about him maybe taking dead aim at me which is ridiculous since he has his long- time companion Laura Perkins who also writes here (and who when I met her watched him like a hawk and still does especially after his water cooler praise of me to fellow writers). I see what this cutthroat stuff is all about more clearly now regarding people cutting people but I am just going to write my brains out so Greg can still say he made the right decision taking Elsa’s recommendation.
Here is the “skinny” a cute word that Sam said he coined way back when he was also young and hungry to let people know a little bit about the plot and whether they should bother to see the film if is a “dog.”  I had already telegraphed that I liked the sequel  so I was prepared despite Zack to like the original and I did although now I wished I had seen them in the correct order because I had not been   aware that Sam, played by Pierce Brosnan, had actually made Donna an honest woman, had married her which makes his grieving in the sequel make more sense.
Sam Lowell, actually Sarah Lemoyne said the same thing before I wrote my first review but I will still give Sam the credit since he has been so helpful, said that musicals don’t let plot get in the way of the Tin Pan Alley songs and the dancing when dancing is part of the project as here in a couple of spectacular episodes. And Sam was right on the face of it. The boy and girl had already met so that was no real factor-the real part was that young Sophie, played by Amanda Seyfried was desperate to get married and get the hell off the island prison of a hotel that her single-parent Mom, Donna, played by very versatile Meryl Streep, had dwelt in since she was born. She loves her beau but doesn’t want to wind up like her mother who drifted to the island after a whirlwind spree with three lovers when she was younger. That three lovers will again anchor the “controversy” central to the film-which one in pre-DNA times is the father she never knew taking a cue from Jack Kerouac among others in the unknown fathers pantheon (this courtesy of Sam who is something of an expert on the “beats” from the 1950s who I have heard of in passing but really don’t know anything about).       
Motivated by the desire to know who her father is, and to gain some peace of mind, she had invited the three likeliest candidates, Sam, Harry and Bill to the island to see “what is what” and also to have her “father” give her away in the time-honored tradition. Fine, except dear mother, dear Donna who as I mentioned in the cast line-up I saw with her group Donna and the Dynamos in New York City when I was in high school, who has raised her alone is pissed off that the three guys are around. That produced angst, alienation and a few heart-felt songs and dances between the two before the wedding bells ring but seemed to be resolved nicely by having Mom give daughter away-which seemed right. Hold the cameras though just as Sophie and her man, her Sky are about to tie the knot and unleash who knows what song and dance cascade at the reception Sophie calls the whole thing off after deciding that like any thoroughly modern Millie they should live together and see the world. In any case that new decision brings forth a cascade of song and dance so all is well that ends well. Except Sophie never does find out who her father is and the three guys are just as happy to cut her in thirds-metaphorically. And guess what as I have already mentioned Sam and Donna get married in Sophie and Sky’s place.
Fast forward five, six years, same freaking isolated hillside Greek island hotel with one big exception-Donna as passed through the shades, has died. Now Sophie is ready to seriously tie the Sky knot and have the wedding and reception at the slightly refurbished inn. Then the deluge as three suspect papas, and two Donna dynamos show up to get the kid and her beau through the freaking nuptials. And in the end they will but not before another round of doubt and wonder about what Mama would say, another bout on who Papa is, attempts to placate grieving Sam-stepfather- and plenty of singing and dancing at the drop of a hat. Like I said I did like this film, did like the singing and dancing but after two musical reviews I can see where Zack James might be right that a little goes a long way. In the interest of completeness there we are. (I hope that in 2028 there is not yet another sequel where I will have to tutor some young stringer about my take on the first two like I had to with Zack on the first one.