In Honor Of The Late Rocker Chuck Berry Who Helped Make It All Possible-*Chuck Berry Is In The House- "Roll Over Beethoven"

In Honor Of The Late Rocker Chuck Berry Who Helped Make It All Possible-*Chuck Berry Is In The House- "Roll Over Beethoven"

CD REVIEWS

Chuck Berry Gold, Chuck Berry, Gold Records, 1999

Long ago, in the mists of time, I was listening to my radio when Chuck Berry’s "Johnny B. Goode" came thundering across the airways. I have been a fan ever since and never looked back. As portrayed in the DVD documentary and labor of love by The Rolling Stones’ Keith Richards “Hail, Hail Rock and Roll” and this greatest hits CD compilation neither did Chuck Berry. There may be continuing controversy about the roots of rock and rock-whether it derived from rhythm and blues, rock-a-billy, jazzed-up country or all of them- but as the tribute covers by later performers across the musician and racial spectrum that are dotted throughout later rock history- Chuck Berry was at the center of the storm.

That said, not all Chuck Berry CDs are created equal. Partially, as with his live performances, this reflected his constant need for money to pay debts, the government, etc. Many are done haphazardly or are based on less than stellar performances. This Gold CD, as are others in this series ( I would note, for one , Hank Williams), is among the best as it seems that the compilers have gone out of their way to get the best versions available, even of the lesser material that completes this two-disc set. I would say this you need high quality performances on the following if you are to understand why Chuck Berry is a rock legend. “Maybelline”, “Roll over Beethoven”, “Back In The U.S.A.”, “Rock And Roll Music”, “Sweet Little Sixteen”, :Johnny B. Goode”, “Reelin’ and Rockin”, “Little Queenie” and “Memphis”. That is the case here. Take the others as a bonus.



Back In The USA Lyrics

Oh well, oh well, I feel so good today,
We touched ground on an international runway
Jet propelled back home, from over seas to the USA

New-York, Los Angeles, oh, how I yearned for you
Detroit, Chicago, Chattanooga, Baton Rouge
Let alone just to be at my home back in ol?St-Lou.

Did I miss the skyscrapers, did I miss the long freeway?
From the coast of California to the shores of Delaware Bay
You can bet your life I did, till?I got back to the USA

Looking hard for a drive-in, searching for a corner caf?
Where hamburgers sizzle on an open grill night and day
Yeah, and a jukebox jumping the records like in the USA

Well, I'm so glad I'm livin?in the USA.
Yes. I'm so glad I'm livin?in the USA.
Anything you want, we got it right here in the USA


It Hurts Me Too Lyrics

(by elmore james)

You said you was hurting, almost lost your mind,
And the man you love, he hurts you all the time.
When things go wrong, go wrong with you, it hurts me, too.

You love him more when you should love him less.
I pick up behind him and take his mess.
When things go wrong, go wrong with you, it hurts me, too.

He love another woman and I love you,
But you love him and stick to him like glue.
When things go wrong, go wrong with you, it hurts me, too.

Now you better leave him; he better put you down.
Oh, I won’t stand to see you pushed around.
When things go wrong, go wrong with you, it hurts me, too.

Johnny B. Goode Lyrics

Deep down in Louisiana close to New Orleans
Way back up in the woods among the evergreens,
There stood a log cabin made of earth and wood
Where lived a country boy named Johnny B. Goode,
Who never ever learned to read or write so well
But he could play a guitar just like a ringin' a bell.

(Chorus)
Go Go
Go Johnny Go Go (x4)
Johnny B. Goode

He used to carry his guitar in a gunny sack,
Oh sit beneath a tree by the railroad track
Oh the engineers would see him sittin in the shade,
Strummin with the rhythm that the drivers made,
Oh n' people passin' by they would stop and say
'Oh my but that little country boy could play'

(Chorus)

His mother told him 'some day you will be a man,
And you will be the leader of a big ol' band
Many people comin' from miles around,
To hear you play your music when the sun go down,
Maybe some day your name will be in lights sayin
'Johnny B. Goode' tonight

(Chorus)

Little Queenie Lyrics

I got lumps in my throat
When I saw her comin' down the aisle
I got the wiggles in my knees
When she looked at me and sweetly smiled
There she is again
Standin' over by the record machine
Lookin' like a model
On the cover of a magazine
She's too cute
To be a minute over seventeen
Meanwhile I was thinkin'
She's in the mood
No need to break it
I got a chance, I oughta take it
If she抣l dance we can make it
C'mon queenie let's shake it

Go, go, go, little queenie
Go, go, go, little queenie
Go, go, go, little queenie

Tell me who's the queen standin?over by the record machine
Lookin?like a model
On the cover of a magazine
She's too cute
To be a minute over seventeen

Meanwhile, I was still thinkin?br> If it's a slow song
We'll omit it
If it's a rocker, then we'll get it
If it's good, she'll admit it
C'mon queenie, let's get with it

Go, go, go, little queenie
Go go, go, go, little queenie
Go go, go, go, little queenie?

Maybellene Lyrics

Maybelline, why can't you be true
Oh Maybelline , why can't you be true
You done started doin' the things you used to do

As I was motorvaton over the hill
I saw Maybelline in a Coup de Ville
A Cadillac arollin' on the open road
Nothin' will outrun my V8 Ford
The Cadillac doin' about ninetyfive
She's bumper to bumper, rollin' side to side

Maybelline, why can't you be true
Oh Maybelline , why can't you be true
You done started back doin' the things you used to do

The Cadillac pulled up to a hundred and four
The Ford got hot and wouldn't do no more
It done got cloudy and started to rain
I tooted my horn for the passin' lane
The rainwater blowin' all under my hood
I know that I was doin' my motor good

Maybelline, why can't you be true
Oh Maybelline, why can't you be true
You done started back doin' the things you used to do

Oh Maybelline, why can't you be true
Oh Maybelline, why can't you be true
You done started back doin' the things you used to do

The motor cooled down the heat went down
And that's when I heard that highway sound
The Cadillac sittin' like a ton of lead
A hundred and ten a half a mile ahead The Cadillac lookin' like it's sittin' still
And I caught Maybelline at the top of the hill

Maybelline, why can't you be true
Oh Maybelline, why can't you be true
You done started back doin' the things you used to do

Rock'n'Roll Music Lyrics

Just let me hear some of that rock'n'roll music
Any old way you choose it
It's got a backbeat, you can't lose it
Any old time you use it
It's gotta be rock - roll music
If you wanna dance with me
If you wanna dance with me

I have no kick against modern jazz
Unless they try to play it too darn fast
And change the beauty of the melody
Until it sounds just like a symphony
That's why I go for that rock'n'roll music
Any old way you choose it
It's got a backbeat, you can't lose it
Any old time you use it
It's gotta be rock - roll music
If you wanna dance with me
If you wanna dance with me

I took my loved one over 'cross the tracks
So she could her my man a - whalin' sax
I must admit they have a rockin' band
Man they were goin' like a hurricane
That's why I go for that rock'n'roll music
Any old way you choose it
It's got a backbeat, you can't lose it
Any old time you use it
It's gotta be rock - roll music
If you wanna dance with me
If you wanna dance with me

Way down South they gave a jubilee
Them country folks they had a jamboree
They're drinkin' home - brew from a wooden cup
The folks dancin' got all shook up
And started playin' that rock'n'roll music
Any old way you choose it
It's got a backbeat, you can't lose it
Any old time you use it
It's gotta be rock - roll music
If you wanna dance with me
If you wanna dance with me

Don't care to hear 'em play the tango
I'm in no mood to dig a mambo
It's way too early for the congo
So keep a - rockin' that piano
So I can hear some of that rock'n'roll music
any old way you choose it
It's got a backbeat, you can't lose it
Any old time you use it
It's gotta be rock - roll music
If you wanna dance with me
If you wanna dance with me

Sweet Little Rock'n'Roller Lyrics

Yeah, nine years old and sweet as she can be
All dressed up like a downtown Christmas tree
Dancin?and hummin?a rock&roll melody
She抯 the daughter of a well-respected man
Who taught her to judge and understand
Since she became a rock& roll music fan

Sweet little rock'n'roller
Sweet little rock'n'roller
Her daddy don抰 have to scold her
Her partner can抰 hardly hold her
Her partner can抰 hardly hold her
She never gets any older
Sweet little rock抧抮oller

Should have seen her eyes when the band began to play
And the famous singer sang and bowed away
When the star performed she screamed and yelled "Hooray!"

Ten thousand eyes were watchin?him leave the floor
Five thousand tongues were screamin?揗ore and More!?br> And about fifteen hundred people waitin?outside the door

Sweet little rock'n'roller
Sweet little rock'n'roller
Sweet little rock'n'roller
Sweet little rock'n'roller
Sweet little rock'n'roller
Sweet little rock'n'roller
Sweet little rock'n'roller


Roll Over Beethoven Lyrics

Well, I'm-a write a little letter,
I'm gonna mail it to my local DJ
Yeah, It's a jumpin little record
I want my jockey to play
Roll Over Beethoven, I gotta hear it again today

You know, my temperature's risin'
and the jukebox blowin a fuse
My heart's beatin' rhythm
and my soul keeps on singin' the blues
Roll Over Beethoven, tell Tschaikowsky the news

I got the rockin' pneumonia,
I need a shot of rhythm and blues
I caught the rollin' arthiritis
sittin' down at a rhythm review
Roll Over Beethoven rockin' in two by two

Well, if you feel it 'n like it
go get your lover, then reel and rock it
Roll it over then move on up just
a trifle further then reel and rock with
one another.
Roll Over Beethoven dig these rhythm and blues

Well, early in the mornin' I'm a givin' you a warnin'
don't you step on my blue suede shoes
Hey diddle diddle, I am playin' my fiddle,
ain't got nothin' to lose
Roll Over Beethoven and tell Tschaikowsky the news

You know she wiggles like a glow worm,
dance like a spinnin' top
She got a crazy partner,
you oughta see 'em reel and rock
Long as she got a dime the music won't never stop

Roll Over Beethoven,
Roll Over Beethoven,
Roll Over Beethoven,
Roll Over Beethoven,
Roll Over Beethoven and dig these rhythm and blues

An Encore -Looking For The Heart Of Saturday Night, Christ The Heart Of Any Night-Elegy For Tom Waits

An Encore -Looking For The Heart Of Saturday Night, Christ The Heart Of Any Night-Elegy For Tom Waits

From the pen of the late Peter Paul Markin who fell by the wayside, fell to his notoriously monstrous “wanting habits” accumulated since childhood looking too hard, looking to hard in the wrong places down among the weeds in Mexico, looking for train smoke and dreams if you really thought about the matter, looking for his own heart of Saturday night-RIP, Brother,RIP.     

****** 


If you, as I do, every once in a while, every once in a while when the norms of today’s bourgeois-driven push, bourgeois a better term than capitalist or imperialist if you are in America since it gives a better view of the unhindered social norms, the ethos rather than the sheer grab for filthy lucre; you know grab goods, grab the dough, grab every cheap-jack convenience like it was God’s own gold, grab some shelter from the storm, the storm that these days comes down like a hard rain falling, to get ahead in this wicked old world have to step back and take stock, maybe listen to some words of wisdom, or words that help explain how you got into that mess then you have come to the right address, the address of Mister Tom Waits if you missed the headline or missed who is writing this thing. (Or better "wrote" since this piece is being edited posthumously by Zack James who found this and three companion pieces in the attic of Josh Breslin's Olde Saco family house in Olde Saco, Maine when they were looking to dispose of whatever could be disposed of in preparation for selling the place so Josh and Lana could move into smaller quarters and Josh told him the long and at the end the sad story about Josh's and Markin's meeting out in San Francisco in the summer of love 1960s times and about Markin's awful fate down in Mexico. That story drove Zack to the editing job in order that a genuine mad monk writer could some forty years after his death receive a small recognition of his ambitious talent.) 


Okay, okay on that bourgeois-driven today thing once I describe what was involved maybe it didn’t just start of late. Maybe the whole ill-starred rising went back to the time when this continent was, just like F. Scott Fitzgerald said way back in the 1920s when he made up the Jazz Age and reeled back in dismay once he saw how those coupon-clippers devoured all good sense and sober ethos, just a fresh green breast of land eyed by some hungry sailors, some hungry Dutch sailors who took what they wanted back the homeland and made a grave attempt to fatten their own chests. Just check out any Dutch master painting to see what I mean.


Going back to Calvinist Puritan avenging angels times with John Winthrop and the Mayflower boys and their city on the hill but you best ask Max Weber about that since he tried to hook these world-wise and world weary boys were no longer worrying about novenas and indulgences against some netherworld to the wheel of the capitalist profit. Profit (grab the dough, grab the goods, grab stuff cheap) for "you at the expense of me" system with the new dispensation coming out like hellfire from Geneva and points east and west. The eternal story of the short end of the stick if you aren’t ready for sociological treatises and rely on guys like Tom Waits to wordsmith the lyrics to set you right about what is wrong. But you get the point.


If all that to-ing and fro-ing (nice touch, right) leaves you wondering where you fell off the edge, that edge city (edge city where you danced around with all the conventions of the days, danced around the get ahead world, grab the dough, grab the goods, grab stuff cheap,  with blinkers on before you got stuck in the human sink that you have still not been able to get out of) where big cloud outrageous youthful dreams were dreamt and you took risks, damn did you take risks, thought nothing of that fact either, landed on your ass more than a few times but just picked yourself up and dusted your knees off and done stick around and listen up. Yeah, so if you are wondering,  have been pushed off your saintly wheels, yeah, pushed off your sainted wheels, and gotten yourself  into some angst-ridden despair about where you went off that angel-driven dream of your youth, now faded, tattered, and half- forgotten(but only half, only half-forgotten, the wisp of the dream, the eternal peace dream, the figuring out how to contain that fire, that wanting habits fire in your belly dream sisters and brothers), and need some solace (need some way to stop the fret counting the coffee cups complete with spoons to measure that coffee out as the very modernist poet once said making his modern statement about the world created since the turn of the 19th century that while away your life). Need to reach back to roots, reach back to roots that the 1950s golden age of America, the vanilla red scare Cold War night that kicked the ass out of all the old to make us crave sameness, head down, run for cover, in order to forget about those old immigrant customs, made us forget those simple country blues, old country flames, Appalachia mountain breeze coming through the hills and hollows songs, lonely midnight by the fire cowboy ballads, Tex-Mex big ass brass sympatico squeezes Spanish is the loving tongue, Irish desperate struggles against John Bull  sorrows and cautionary tale Child ballads, plucked out early by a professor over on Brattle Street back when the Brahmins very publicly ruled the roost, or Cajun Saturday night stewed drunks that made the people feel good times, reach back to the primeval forest maybe, put the headphones on some Tom Waits platter [oops, CD, YouTube selection, etc.- “platter” refers to a, ah, record, vinyl, put on a record player, hell, look it up in Wikipedia, okay-Zack James] and remember what it was like when men and women sang just to sing the truth of what they saw and heard.


If the norms of don’t rock the boat (not in these uncertain times like any times in human existence were certain, damn, there was always something scary coming up from the first man-eating beast to the human race-eating nuclear bombs, brother even I Iearned early that it was a dangerous world, yeah, learned very early in the Adamsville projects where you got a very real taste of danger before you got too much older than five or six), the norms of keep your head down (that’s right brother, that’s right sister keep looking down, no left or rights for your placid world), keeping your head down being an art form now with appropriate ritual (that ritual looking more and more like the firing squad that took old Juan Romero’s life when he did bad those days out in Utah country), and excuses, because, well, because you don’t want to wind up like them (and fill in the blank of the “them,” usually dark, very dark-skinned like some deathless, starless night disturbing your sleep, begging, I swear, begging you to put that gun in full view on the table, speaking some unknown language, maybe A-rab or I-talian, maybe gibberish for all you know, moving furtively and stealthily against your good night) drive you crazy and you need, desperately need, to listen to those ancient drum beats, those primeval forest leave droppings maybe, that old time embedded DNA coda long lost to, oh yes, civilization, to some civilizing mission (think of that Mayflower gang and that fresh green breast of land  and that city on a hill that drove them cross-eyed and inflamed or ask Max Weber, he footnoted the whole thing, put paid to any idea of otherworldly virtue), that spoke of the better angels of your nature when those angel dreams, half-forgotten but only half-forgotten remember, ruled your days. Turn up the volume up another notch or two on that Tom Waits selection, maybe Jersey Girl or Brother, Can You Spare A Dime (can you?), Hold On, or Gunn Street Girl.


If you need to hear things, just to sort things out, just to recapture that angel-edge, recapture the time when you did no fear, you and everybody else’s sisters and brothers, that thing you build and from which you now should run, recapture that child-like wonder that made you come alive, made you think about from whence you came and how a turn, a slight turn this way or that, could have landed you on the wrong side of the fence. And I have the list of brothers and sisters who took that wrong road, like that time Jack from Carver wound up face down in some dusty back road arroyo down Sonora way when the deal went bust or when she, maybe a little kinky for all I know, decided that she would try a needle and a spoon, I swear, or she swore just for kicks and she wound up in Madame LaRue’s whorehouse working that sagging bed to perdition and worse losing that thing she had for sex once she started selling it by the hour. Hey, sweet dreams baby I tried to tell you when you play with fire watch out.


So if you need to sort things out about boozers (and about titanic booze-crazed struggles in barrooms, on beaches, in the back seats of cars, lost in the mist of time down some crazed midnight, hell, four in the morning, penniless, cab fare-less night), losers (those who have lost their way, those who had gotten it taken away from them like some maiden virginity, those who just didn’t get it frankly in this fast old world taken in by some grifter’s bluster), those who never had anything but lost next to their names, those who never had a way to be lost, dopesters inhaling sweet dream snow in solitary hotel rooms among junkie brethren, gathering a needle and spoon in some subterranean dank cellar, down in dark alleys jack-rolling some poor drunk stiff out of his room rent for kicks (how uncool to drink low-shelf whiskeys or rotgut wines hell the guy deserved to be rolled, should feel lucky he got away with just a flipped wallet), out in nighttime canyons flame blaring off the walls, the seven seas of chemical dust, mainly blotter, maybe peyote (the sweet dreams of ten million years of ghost warriors working the layered canyon walls flickering against the campfire flames and the sight of two modern warriors shirtless, sweaty, in a trance, high as kites, dancing by themselves like whirling dervishes   ready to do justice for the white man's greed until the flames flickered out and they fell in a heap exhausted) if that earth angel connection comes through (Aunt Sally, always, some Aunt Sally coming up the stairs to ease the pain, to make one feel, no, not feel better than any AMA doctor without a prescription pad), creating visions of long lost tribes trying, trying like hell, to get “connected,” connected in the campfire shadow night, hipsters all dressed in black, mary mack dressed in black, speeding, speaking be-bop this and be-bop that to stay in fashion, hustling, always hustle, maybe pimping some street urchin, maybe cracking some guy’s head to create a “new world order” of the malignant, always moving, fallen sisters (sisters of mercy, sisters who need mercy, sisters who were mercifully made fallen in some mad dash night, merciful sister feed me, feed me good), midnight sifters (lifting in no particular order hubcaps, tires, wrenches, jacks, an occasional gem, some cheap jewelry in wrong neighborhoods, some paintings or whatever is not saleable left in some sneak back alley, it is the sifting that counts), grifters (hey, buddy watch this, now you see it, now you don’t, now you don’t see your long gone John dough, and Mister three card Monte long gone too ), drifters (here today gone tomorrow with or without dough, to Winnemucca, Ogden, Fresno, Frisco town, name your town, name your poison and the great big blue seas washing you clean out into the Japan seas), the drift-less (cramped into one room hovels, shelters, seedy rooming houses, hell, call them flop houses, afraid to stay in-doors or to go outside, afraid of the “them” too, afraid to be washed clean, angel clean), and small-time grafters (the ten-percent guys, failed insurance men, repo artists, bounty hunters, press agents, personal trainers, need I go on). You know where to look, right.


If you need to be refreshed on the subject of hoboes, bums, tramps (and remind me sometime to draw the distinction, the very real and acknowledged distinction between those three afore–mentioned classes of brethren once told to me by a forlorn grand master hobo, a guy down on his luck moving downward to bum), out in the railroad jungles in some Los Angeles ravine, some Gallup, New Mexico Southern Pacific  trestle (the old SP the only way to travel out west if you want to get west), some Hoboken broken down pier (ha, shades of the last page of Jack Kerouac’s classic), the fallen (fallen outside the gates of Eden, or, hell, inside too), those who want to fall (and let god figure out who made who fall, okay), Spanish Johnnies (slicked back black hair, tee shirt, shiv, cigarette butt hanging from a parted lip, belt buckle ready for action, leering, leering at that girl over there, some gringa for a change of pace, maybe your girl but watch out for that shiv, the bastard), stale cigarette butts (from Spanish Johnnie and all the johnnies, Camels, Luckies, no filters, no way), whiskey-soaked barroom floors (and whiskey-soaked drunks to mop the damn place up, for drinks and donuts, maybe just for the drinks), loners (jesus, books, big academic books with great pedigrees could be written on that subject so let’s just let that one pass by), the lonely (ditto loners), sad sacks (kindred, one hundred times kindred to the loners and the lonely but not worthy of study, big book academic study anyway), the sad (encompassing all of the above) and others at the margins of society, the whole fellahin world (the big mass of world sweated field braceros, sharecroppers, landless peasants and now cold-water flat urban dwellers fresh from the played out land, or taken land) then Tom Waits is your stop.


Tom Waits is, frankly, an acquired taste, one listen will not do, one song will not do, but listen to a whole record [CD or download okay-Zack] and you won’t want to turn the thing off, high praise in anyone’s book, so a taste well worth acquiring as he storms heaven in words, in thought-out words, in cribbed, cramped, crumbled words, to express the pain, angst and anguish of modern living, yes, modern living.


See he ain’t looking for all haloed saints out there, some Saint Jerome spreading the word out to the desert tribes, out on the American mean streets he has pawed around the edges, maybe doesn’t believe in saints for all I know, but is out looking for busted black-hearted angels all dressed in some slinky silk thing to make a man, a high-shelf whiskey man having hustled some dough better left unexplained that night going off his moorings feeding her drinks and she a liquor sponge (who left him short one night in some unnamed, maybe nameless, gin mill when she split, after she split her take with the bartender who watered her drinks, hell, the thing was sweet all she needed to do when he leaned into her was grab his sorry ass and get the damn wallet). Looking too, a child of the pin-up playboy 1950s, for girls with Monroe hips (hips swaying wickedly in the dead air night, and enflaming desire, hell lust, getting kicked out of proper small town hells by descendants of those aforementioned Mayflower boys for promising the world for one forbidden night), got real, and got left for dead with cigar wrapping rings. Yeah, looking for the desperate out there who went off the righteous path and wound up too young face down in some forsaken woods who said she needed to hold on to something, and for all the misbegotten. 



Tom Waits once you get the habit gives voice in song, a big task, to the kind of characters that peopled Nelson Algren’s novels (The Last Carousel, Neon Wilderness, Walk on the Wild Side, and The Man with the Golden Arm). The, frankly, white trash Okie/Arkie Dove Linkhorns and Frankie Machines of the world who had to keep moving just for the sake of moving something in the DNA driving that whirlwind, genetically broken before they begin, broken before they hit these shores (their forbears thrown out of Europe for venal crimes and lusts, pig-stealing, deer-pouching, working the commons without a license, highwaymen, ancient jack-rollers, the flotsam and jetsam of the old world, damn them, the master-less men and women, ask old Max about them too), having been chased out, cast out of Europe, or some such place. In short, the people who do not make revolutions, those revolutions we keep hearing and reading about, far from it, the wretched of the earth and their kin, the ones who the old blessed Paris communards were thinking of when they hanged a sign saying “Death to Thieves” from the Hotel de Ville balcony, but those who surely, and desperately could use one. If you want to hear about those desperate brethren then here is your stop as well.


If, additionally, you need a primordial grizzled gravelly voice to attune your ear to the scratchy earth and some occasional dissonant instrumentation to round out the picture go no further. Hey, let’s leave it at this- if you need someone who “feels your pain” for his characters you are home. Keep looking for the heart of Saturday night, Brother, keep looking.

The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons-The First World War and the Struggle for Proletarian Power

The100^thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons-The First World War and the Struggle for Proletarian Power    

Workers Vanguard No. 1106 24 February 2017 TROTSKY LENIN The First World War and the Struggle for Proletarian Power (Quote of the Week) Sparked by an International Women’s Day demonstration on 8 March 1917 (February 23 by the old Julian calendar), the February Revolution in Russia toppled the autocratic rule of Tsar Nicholas II amid the interimperialist First World War. But the Provisional Government that came to power—and was supported by the Mensheviks and petty-bourgeois Socialist-Revolutionaries—was a bourgeois government that continued to prosecute the war. At the same time, Soviets (councils) of Workers, Soldiers and Peasants Deputies were formed, posing a situation of dual power—i.e., whether it would be the proletariat or the bourgeoisie that would ultimately rule. Writing before his return from exile in Switzerland, Bolshevik leader V.I. Lenin outlined a course to turn the imperialist war into a fight for working-class power. Lenin’s struggle for this strategy was vital for the victory of the Bolshevik-led proletarian socialist October Revolution. To achieve peace (and still more to achieve a really democratic, a really honourable peace), it is necessary that political power be in the hands of the workers and poorest peasants, not the landlords and capitalists. The latter represent an insignificant minority of the population, and the capitalists, as everybody knows, are making fantastic profits out of the war. The workers and poorest peasants are the vast majority of the population. They are not making profit out of the war; on the contrary, they are being reduced to ruin and starvation. They are bound neither by capital nor by the treaties between the predatory groups of capitalists; they can and sincerely want to end the war. If political power in Russia were in the hands of the Soviets of Workers’, Soldiers’ and Peasants’ Deputies, these Soviets, and the All-Russia Soviet elected by them, could, and no doubt would, agree to carry out the peace programme which our Party (the Russian Social-Democratic Labour Party) outlined as early as October 13, 1915, in No. 47 of its Central Organ, Sotsial-Demokrat (then published in Geneva because of the Draconic tsarist censorship). This programme would probably be the following: 1) The All-Russia Soviet of Workers’, Soldiers’ and Peasants’ Deputies (or the St. Petersburg Soviet temporarily acting for it) would forthwith declare that it is not bound by any treaties concluded either by the tsarist monarchy or by the bourgeois governments. 2) It would forthwith publish all these treaties in order to hold up to public shame the predatory aims of the tsarist monarchy and of all the bourgeois governments without exception. 3) It would forthwith publicly call upon all the belligerent powers to conclude an immediate armistice. 4) It would immediately bring to the knowledge of all the people our, the workers’ and peasants’, peace terms: liberation of all colonies; liberation of all dependent, oppressed and unequal nations. 5) It would declare that it expects nothing good from the bourgeois governments and calls upon the workers of all countries to overthrow them and to transfer all political power to Soviets of Workers’ Deputies. 6) It would declare that the capitalist gentry themselves can repay the billions of debts contracted by the bourgeois governments to wage this criminal, predatory war, and that the workers and peasants refuse to recognise these debts.... For these peace terms the Soviet of Workers’ Deputies would, in my opinion, agree to wage war against any bourgeois government and against all the bourgeois governments of the world, because this would really be a just war, because all the workers and toilers in all countries would work for its success. —V.I. Lenin, “Letters from Afar, Fourth Letter: How to Achieve Peace” (March 1917)

An Encore-Yes, You Had Better Shake, Rattle And Roll That Thing-With Big Joe Turner In Mind

An Encore-Yes, You Had Better Shake, Rattle And Roll That Thing-With Big Joe Turner In Mind 

From The Pen Of Bart Webber

In the old days, the old days when the songs were just starting to be weaned off of the old time religion gospel high heaven savior thing you know to testify, to consider yourself "saved" and had come down in the mud of speaking of hard, hard drinking, hard lovin’ maybe with your best gal's friend if it came right down to the core, maybe flipping the bird on you and running around all flouncy with your best friend, maybe some hard-hearted "do this do that" woman on your mind, yeah, the old birth of  the blues days, the blue being nothing but a good woman or man on your mind anyway, around the turn of the 20^th century and you can check this out if you want to and not take my word for it a black guy, a rascally black guy of no known home, a drifter, maybe a hobo for all I know, and who knows what else named Joe Turner held forth among the folk. Old Joe would come around the share-cropper down South neighborhoods and steal whatever was not nailed down, including your woman, which depending on how you were feeling might be a blessing and if you in a spooning mod might be a curse on that bastard's head. Then Joe Turner would leave and move on to the next settlement and go about his plundering ways. Oh sure like lots of blues and old country music as it got passed on in the oral traditions there were as many versions of the saga as there were singers everybody adding their own touch. But it was always old Joe Turner doing the sinning and scratching for whatever he could scratch for. 

But for the most part the story line about old ne’er-do-well Joe Turner rang very similar over time. So Joe Turner got his grizzly self put into song out in the Saturday juke joints out in places like the Mississippi Delta where more legends were formed than you could shake a stick, got sanctified once old  Willie’s liquor, white lightning home-made liquor got to working, and some guy, maybe not the best singer if you asked around but a guy who could put words together to tell a story, a blues story, and that guy with a scratch guitar would put some verses together and the crowd would egg him on. Make the tale taller as the night went until everybody petered out and that song was left for the next guy to embellish.

By most accounts old Joe was bad man, a very bad man, bad mojo man, bad medicine as the folk call what ails but can't be fixed just short of as bad as Mister’s plantation foremen where those juke joint listeners worked sunup to sundown six days a week or just short as bad as the enforcers of Mister James Crow’s go here, not there, do this not that, move here not there laws seven days a week. Yeah, Joe was bad alright once he got his wanting habits on, although I have heard at least one recording from the Lomaxes who went all over the South in the 1930s and 1940s trying to record everything they could out in the back country where Joe Turner was something like a combination Santa Claus and Robin Hood. Hell, maybe he was and some guy who lost his woman to wily Joe just got sore and bad mouthed him. Passed that bad mouth on and the next guy who lost his woman to somebody pinned on Joe, Joe Turner, yeah it was that old rascal that did her in. Stranger things have happened.

In any case the Joe Turner, make that Big Joe, Turner I want to mention here as far as I know only stole the show when he got up on the bandstand and played the role of “godfather” of rock and roll. Yeah, that is what I want to talk about, about how one song, and specifically the place of Big Joe and one song, Shake Rattle and Roll in the rock pantheon. No question Big Joe and his snapping beat has a place in the history of rhythm and blues which is one of the musical forbear strands of rock and roll. The question is whether Shake is also the first serious effort to define rock and roll. If you look at the YouTube version of Big Joe be-bopping away with his guitar player doing some flinty stuff and that sax player searching for that high white note and Big Joe snapping away being  very suggestive about who should shake and what she should shake you can make a very strong case for that place. Add in that Bill Haley, Jerry Lee, and Elvis among others in the rock pantheon covered the song successfully and that would seem to clinch the matter.      

In 2004, the fiftieth anniversary of the debut of Shake by Big Joe, there had been considerable talk and writing again as there is on such occasions by some knowledgeable rock critics about whether Shake was the foundational song of rock. That controversy brought back to my mind the arguments that me and my corner boys who hung out in front of Jimmy Jack’s Diner in Carver, a town about thirty miles south of Boston, had on some nothing better to do Friday nights during high school (meaning girl-less, dough-less or both nights). I was the primary guy who argued for Big Joe and Shake giving that be-bop guitar and that wailing sexy sax work as my reasoning while Jimmy Jenkins swore that Ike Turner’s frantic piano-driven and screeching sax Rocket 88 (done under an alias of the Delta Cats apparently for contract reasons a not uncommon practice when something good came up but you would not have been able to do it under the label you were contracted to) was the be-bop beginning and Sam Lowell, odd-ball Sam Lowell dug deep into his record collection, really his parents' record collection which was filled mainly with folk music and the blues edge played off that to find Elmore James’ Look On Yonder Wall. And the other corner boys like our leader Frankie Riley lined up accordingly (nobody else came up with any others so it was those three).

Funny thing Frankie and most everybody else except I think Fritz Taylor who sided with Jimmy Jenkins sided with me and Big Joe. The funny part being that several years ago with the advent of YouTube I started to listen to the old stuff as it became available on-line and now I firmly believe that Ike’s Rocket 88 beats out Shake for the honor of the be-bop daddy of rock and roll. As for the old time Joe Turner, done come and gone, well, he will have to wait in line like the rest of us. What do you think of that?

In Honor Of International Workers’ Day- May Day 2019 -Ancient dreams, dreamed-The Risen People?-Frank Jackman’s War-Take Two

In Honor Of International Workers’ Day- May Day 2019 -Ancient dreams, dreamed-The Risen People?-Frank Jackman’s War-Take Two 

From The American Left History Blog Archives –May Day 1971

Endless, dusty, truck heavy, asphalt steaming hitchhike roads travelled, Route 6, 66, maybe 666 and perdition for all I know, every back road, every Connecticut highway avoiding back road from Massachusetts south to the capital for one last winner-take-all, no prisoners taken show-down to end all show-downs. And maybe, just maybe, finally some peace and a new world a-borning, a world we had been talking about for at least a decade (clueless, as all youth nations are clueless, that that road was well-travelled, very well- travelled, before us). No Jack Kerouac dharma bum easy road (although there were dharma bums, or at least faux dharma bums, aplenty on those 1971 roads south, and west too) let- her-rip cosmic brakeman Neal Cassady at the wheel flying through some Iowa/Kansas wheat field night fantasy this trip.

No this trip was not about securing some cultural enclave in post-war America (post-World War II so as not to confuse the reader) in break-out factory town Lowell or cold water tenement Greenwich Village/Soho New Jack City or Shangri-La West out in the Bay area, east or west, but about mucking up the works, the whole freaking governmental/societal/economic/cultural/personal/godhead world (that last one, the godhead one, not thrown in just for show, no way) and maybe, just maybe sneaking away with the prize. But a total absolute, absolutist, big karma sky fight out, no question. And we, I, am ready. On that dusty road ready.

More. See all roads head south as we, my girlfriend of the day, maybe more, maybe more than a day, Joyell, but along this time more for ease of travelling for those blessed truck driver eye rides, than lust or dream wish and my sainted wise-guy amigo (and shades of Gregory Corso, sainted, okay), Matty, who had more than a passing love or dream wish in her and if you had seen her you would not have wondered why. Not have wondered why if your “type” was Botticelli painted and thoughts of butterfly swirls just then or were all-type sleepy-eyed benny-addled teamster half-visioned out of some forlorn rear view mirror.

Yah, head south, in ones, twos, and threes (no more, too menacing even for hefty ex-crack back truckers to stop for) travelling down to D.C. for what many of us figure will be the last, finally, push back against the war, the Vietnam War, for those who have forgotten, or stopped watching television and the news, but THEY, and you knew (know) who they were (are), had their antennae out too, they KNEW we were coming, even high-ball fixed (or whiskey neat she had the face for them) looking out from lonely balconies Martha Mitchell knew that much. They were, especially in mad max robot-cop Connecticut, out to pick off the stray or seven who got into their mitts as a contribution to law and order, law and order one Richard Milhous Nixon-style (and in front of him, leading some off-key, off-human key chorus some banshee guy from Maryland, another watch out hitchhike trail spot, although not as bad as Ct, nothing except Arizona is). And thus those dusty, steamy, truck heavy (remind me to tell you about hitchhiking stuff, and the good guy truckers you wanted, desperately wanted, to ride with in those days, if I ever get a chance sometime).

The idea behind this hitchhiked road, or maybe, better, the why. Simple, too simple when you, I, thought about it later in lonely celled night but those were hard trying times, desperate times really, and just free, free from another set of steel-barred rooms this jailbird was ready to bring down heaven, hell, hell if it came down to it to stop that furious war (Vietnam, for the later reader) and start creating something recognizable for humans to live in. So youth nation, then somewhat long in the tooth, and long on bad karma-driven bloody defeats too, decided to risk all with the throw of the dice and bring a massive presence to D.C. on May Day 1971.

And not just any massed presence like the then familiar seasonal peace crawl that nobody paid attention too anymore except the organizers, although the May Day action was wrapped around that year’s spring peace crawl, (wrapped up, cozily wrapped up, in their utopian reformist dream that more and more passive masses, more and more suburban housewives from New Jersey, okay, okay not just Jersey, more and more high school freshman, more and more barbers, more and more truck driver stop waitresses, for that matter, would bring the b-o-u-r-g-e-o-i-s-i-e (just in case there are sensitive souls in the room) to their knees. No, we were going to stop the government, flat. Big scheme, big scheme no question and if anybody, any “real” youth nation refugee, excepting, of course, always infernal always, those cozy peace crawl organizers, tried to interject that perhaps there were wiser courses nobody mentioned them out loud in my presence and I was at every meeting, high or low. Moreover I had my ears closed, flapped shut closed, to any lesser argument. I, rightly or wrongly, silly me thought “cop.”

So onward anti-war soldiers from late night too little sleep Sunday night before Monday May Day dawn in some vagrant student apartment around DuPont Circle (I think) but it may have been further up off 14th Street, Christ after eight million marches for seven million causes who can remember that much. No question though on the student ghetto apartment locale; bed helter-skelter on the floor, telephone wire spool for a table, orange crates for book shelves, unmistakably, and the clincher, seventeen posters, mainly Che, Mao, Ho, Malcolm etc., the first name only necessary for identification pantheon just then, a smattering of Lenin and Trotsky but they were old guys from old revolutions and so, well, discounted to early rise (or early stay up cigarette chain-smoking and coffee slurping to keep the juices flowing). Out into the streets, out into the small collectives coming out of other vagrant apartments streets (filled with other posters of Huey Newton , George Jackson, Frantz Fanon, etc. from the two names needed pantheon) joining up to make a cohorted mass (nice way to put it, right?). And then dawn darkness surrounded, coffee spilled out, cigarette bogarted, AND out of nowhere, or everywhere, bang, bang, bang of governmental steel, of baton, of chemical dust, of whatever latest technology they had come up with they came at us (pre-tested in Vietnam, naturally, as I found out later). Jesus, bedlam, mad house, insane asylum, beat, beat like gongs, defeated.

Through bloodless bloodied streets (this, after all, was not Chicago, hog butcher to the world), may day tear down the government days, tears, tear-gas exploding, people running this way and that coming out of a half-induced daze, a crazed half-induced daze that mere good- will, mere righteousness would right the wrongs of this wicked old world. One arrested, two, three, many, endless thousands as if there was an endless capacity to arrest, and be arrested, arrest the world, and put it all in one great big Robert F. Kennedy stadium home to autumn gladiators on Sunday and sacrificial lambs this spring maypole may day basket druid day.

And, as I was being led away by one of D.C.’s finest, I turned around and saw that some early Sunday morning voice, some “cop” voice who advised caution and went on and on about getting some workers out to join us before we perished in an isolated blast of arrests and bad hubris also being led away all trussed up, metal hand-cuffs seemingly entwined around her whole slight body. She said she would stick with us even though she disagreed with the strategy that day and I had scoffed, less than twenty-four hours before, that she made it sound like she had to protect her erring children from themselves. And she, maybe, the only hero of the day. Righteous anonymous sister, forgive me. (Not so anonymous actually since I saw her many times later in Boston, almost would have traded in lust for her but I was still painted Botticelli-bewitched and so I, we, let the moment passed, and worked on about six million marches for about five millions causes with her but that was later. I saw no more of her in D.C. that week.)

Stop. Brain start. Out of the bloodless fury, out of the miscalculated night a strange bird, no peace dove, these were not such times even with all our unforced errors, and no flame-flecked phoenix raising but a bird, maybe the owl of Minerva came a better sense that this new world a-bornin’ would take some doing, some serious doing. More serious that some wispy-bearded, pony-tailed beat, beat down, beat around, beat up young stalwart road tramp acting in god’s place could even dream of. But that was later. Just then, just that screwed-up martyr moment, I was longing for the hot, dusty, truck driver stop meat loaf special, dishwater coffee on the side, road back home even ready to chance Connecticut highway dragnets to get there.

********

Frank Jackman awoken from his light sleep with a start. Someone, a blurry figure, had placed a blanket, an Army blanket of all things, over him as he had sat dozing in front of the small campfire that was doing double-duty keeping the refugees in front of it warm. He shook himself awake, awake as anybody who had not slept in over twenty-four hours could be with only this cat nap to relief his sleepiness. He then began to think about the long chain of events that had brought him down to Washington in this late spring of 1971 after having been released from the Army stockade only a couple of  months before. Then he remembered the events he had begun to recount before he dozed off earlier. Let’s pick his story up from there.

No question one Private Francis Alan Jackman, US5034567859, with fresh orders for Fort Lewis, Washington in transit to RVN (Vietnam) was in a world of confusion in the summer of 1969. While he had not been a vociferous opponent of the war he had acquired definite views, had gotten “religion” on the subject, that he would not let himself be used as cannon fodder for a war that he deep-down opposed. Being a kid from a working-class neighborhood in his hometown of North Adamsville where guys, when called to military service kicking and screaming or not, went. So Frank had no model for oppositional behavior. In a panic he had heard from some source that he had now forgotten that the Quakers over in Cambridge had information and services for those who were opposed to the war (or rather in the case, all wars).He knew the Quakers but also knew that he was not one of them having been brought up a Roman Catholic with its ill-defined “just war theory,” meaning in practice supporting whatever war the state was up to, at least that was what he had constantly heard from the pulpit and on the street.        

      

After some counselling of his options, including a veiled option to go AWOL (absent without leave) for a period in order to be dropped from the rolls out in Fort Lewis, Frank ran through what he would wind up doing. And he pretty much kept to the Quaker- offered script for the first part of his odyssey. He found himself AWOL for a long enough period to have been dropped from the rolls (he was in communication with a Replacement Company clerk out there) so that when he turned himself in that he was able to go to nearby Fort Devens for any future action. He went through the formal military conscientious objector application finally being turned down for the very simple reason that according to military standards an applicant must come from a religious background that held all wars immoral and not just some unjust. He was thus place back in line to be reassigned to Fort Lewis for transit to Vietnam.

One of the other options presented to Frank was to seek legal redress through the federal courts once his CO application was turned down as he and the military counsellors in Cambridge assumed would happen.

This track involved seeking a writ of habeas corpus in the District Court of Massachusetts on the basis that the military’s decision in his case was arbitrary and capricious in light of a civilian CO case (the Welch decision) where the Supreme Court ruled that other ethical and non-traditional anti-war religious expressions could be considered by the authorities. One day soon after his rejection he went Cambridge to seek that option by hiring a “movement”-friendly lawyer who knew the ins and outs of this procedure. An option exercised that saved his life as it turned out since a judge in Boston agreed to hear the case and placed a restraining order on the military authorities at Fort Devens from moving him from the jurisdiction of the court. Since he had become something of an on base rabble-rouser the military authorities had tried to hustle him off base under guard. The restraining order arrived in just a nick of time (about two hours before they were closing in to round him up he had heard later from a friendly clerk in the Provost Marshall’s office.)

With the fire beginning to blaze brightly against the coming dark of night Frank, hungry from not having eaten for a several hours and tired of thinking about all those legal steps he had taken that would only interest a legal aficionado, went looking for something to eat…  

The Centennial Of Pete Seeger’s Birthday (1919-2014)- *Songs To While Away The Class Struggle By- Pete Seeger's "Hold The Line At Peekskill"

Click on the title to link to a "YouTube' film clip of Pete Seeger performing "Which Side Are You On?". Sorry I could not find "Hold The Line" on "YouTube" but this gets the spirit of that struggle almost as well.


In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.

HOLD THE LINE

Let me tell you the story of a line that was held,
And many brave men and women whose courage we know well,
How we held the line at Peekskill on that long September day!
We will hold the line forever till the people have their way.

Chorus (after each verse):
Hold the line!
Hold the line!
As we held the line at Peekskill
We will hold it everywhere.
Hold the line!
Hold the line!
We will hold the line forever
Till there's freedom ev'rywhere.

There was music, there was singing, people listened everywhere;
The people they were smiling, so happy to be there -
While on the road behind us, the fascists waited there,
Their curses could not drown out the music in the air.

The grounds were all surrounded by a band of gallant men,
Shoulder to shoulder, no fascist could get in,
The music of the people was heard for miles around,
Well guarded by the workers, their courage made us proud.

When the music was all over, we started to go home,
We did not know the trouble and the pain that was to come,
We go into our buses and drove out through the gate,
And saw the gangster police, their faces filled with hate.

Then without any warning the rocks began to come,
The cops and troopers laughed to see the damage that was done,
They ran us through a gauntlet, to their everlasting shame,
And the cowards there attacked us, damnation to their name.

All across the nation the people heard the tale,
And marveled at the concert, and knew we had not failed,
We shed our blood at Peekskill, and suffered many a pain,
But we beat back the fascists and we'll beat them back again!

Words by Lee Hays; Music by Pete Seeger (1949)
(c) 1959 (renewed) by Sanga Music Inc.

Markin comment:

Peekskill is an example of the anti-communist reaction after World War II and the start of the Cold War down at the base of American society, a harbinger of worst things to come for our forbears. Keep that in mind as we struggle now with a little breathing room.

The Centennial Of Pete Seeger’s Birthday (1919-2014)- *Songs For Children Of All Ages- Woody And Arlo Guthrie At Play

Click on title to link to YouTube's film clip of Woody Guthrie performing "I've Been Riding In My Car".

This Land Is Your Land, Woody and Arlo Guthrie, Rounder Records, 1997

A lot of people know Woody Guthrie as guitar playing, nasally singing “king” of the Dust Bowl blues. The quintessential Okie. Or as “king” of the hobos in the Great Depression of the 1930’s. And, of course, those are two of his personas. However, along the way he also became an important singer and writer of children’s songs, many of which, almost by accident, we sang as kids without knowing the source. That is probably most clearly seen in Woody’s classic “This Land Is Your Land” but there are, as this CD under review demonstrates, many others. Woody just seemed to have a knack for producing the kind of doggerel that kids, including this reviewer when he was a kid, just love. Kudos, Woody.

Here Woody and/or his son Arlo, a folk legend in his own right from the “Generation of ‘68” (if for no other reason than the song “Alice’s Restaurant”, one of the 1960’s cult anthems) run through a litany of Woody’s better products. I note the wonderfully silly “Riding In My Car”, the above-mentioned “This Land Is Your Land” and “So Long It’s Been Good To Know Yuh”. I can hear you humming right now.



"This Land Is Your Land"-Woody Guthrie

This land is your land This land is my land
From California to the New York island;
From the red wood forest to the Gulf Stream waters
This land was made for you and Me.

As I was walking that ribbon of highway,
I saw above me that endless skyway:
I saw below me that golden valley:
This land was made for you and me.

I've roamed and rambled and I followed my footsteps
To the sparkling sands of her diamond deserts;
And all around me a voice was sounding:
This land was made for you and me.

When the sun came shining, and I was strolling,
And the wheat fields waving and the dust clouds rolling,
As the fog was lifting a voice was chanting:
This land was made for you and me.

As I went walking I saw a sign there
And on the sign it said "No Trespassing."
But on the other side it didn't say nothing,
That side was made for you and me.

In the shadow of the steeple I saw my people,
By the relief office I seen my people;
As they stood there hungry, I stood there asking
Is this land made for you and me?

Nobody living can ever stop me,
As I go walking that freedom highway;
Nobody living can ever make me turn back
This land was made for you and me.

Deportee (Plane Wreck At Los Gatos)

The crops are all in and the peaches are rott'ning,
The oranges piled in their creosote dumps;
They're flying 'em back to the Mexican border
To pay all their money to wade back again

Goodbye to my Juan, goodbye, Rosalita,
Adios mis amigos, Jesus y Maria;
You won't have your names when you ride the big airplane,
All they will call you will be "deportees"

My father's own father, he waded that river,
They took all the money he made in his life;
My brothers and sisters come working the fruit trees,
And they rode the truck till they took down and died.

Some of us are illegal, and some are not wanted,
Our work contract's out and we have to move on;
Six hundred miles to that Mexican border,
They chase us like outlaws, like rustlers, like thieves.

We died in your hills, we died in your deserts,
We died in your valleys and died on your plains.
We died 'neath your trees and we died in your bushes,
Both sides of the river, we died just the same.

The sky plane caught fire over Los Gatos Canyon,
A fireball of lightning, and shook all our hills,
Who are all these friends, all scattered like dry leaves?
The radio says, "They are just deportees"

Is this the best way we can grow our big orchards?
Is this the best way we can grow our good fruit?
To fall like dry leaves to rot on my topsoil
And be called by no name except "deportees"?

Words by Woody Guthrie and Music by Martin Hoffman
© 1961 (renewed) by TRO-Ludlow Music, Inc.

Hard Travelin'

I've been havin' some hard travelin', I thought you knowed
I've been havin' some hard travelin', way down the road
I've been havin' some hard travelin', hard ramblin', hard gamblin'
I've been havin' some hard travelin', lord

I've been ridin' them fast rattlers, I thought you knowed
I've been ridin' them flat wheelers, way down the road
I've been ridin' them blind passengers, dead-enders, kickin' up cinders
I've been havin' some hard travelin', lord

I've been hittin' some hard-rock minin', I thought you knowed
I've been leanin' on a pressure drill, way down the road
Hammer flyin', air-hose suckin', six foot of mud and I shore been a muckin'
And I've been hittin' some hard travelin', lord

I've been hittin' some hard harvestin', I thought you knowed
North Dakota to Kansas City, way down the road
Cuttin' that wheat, stackin' that hay, and I'm tryin' make about a dollar a day
And I've been havin' some hard travelin', lord

I've been working that Pittsburgh steel, I thought you knowed
I've been a dumpin' that red-hot slag, way down the road
I've been a blasting, I've been a firin', I've been a pourin' red-hot iron
I've been hittin' some hard travelin', lord

I've been layin' in a hard-rock jail, I thought you knowed
I've been a laying out 90 days, way down the road
Damned old judge, he said to me, "It's 90 days for vagrancy."
And I've been hittin' some hard travelin', lord

I've been walking that Lincoln highway, I thought you knowed,
I've been hittin' that 66, way down the road
Heavy load and a worried mind, lookin' for a woman that's hard to find,
I've been hittin' some hard travelin', lord



Ludlow Massacre

It was early springtime when the strike was on,
They drove us miners out of doors,
Out from the houses that the Company owned,
We moved into tents up at old Ludlow.

I was worried bad about my children,
Soldiers guarding the railroad bridge,
Every once in a while a bullet would fly,
Kick up gravel under my feet.

We were so afraid you would kill our children,
We dug us a cave that was seven foot deep,
Carried our young ones and pregnant women
Down inside the cave to sleep.

That very night your soldiers waited,
Until all us miners were asleep,
You snuck around our little tent town,
Soaked our tents with your kerosene.

You struck a match and in the blaze that started,
You pulled the triggers of your gatling guns,
I made a run for the children but the fire wall stopped me.
Thirteen children died from your guns.

I carried my blanket to a wire fence corner,
Watched the fire till the blaze died down,
I helped some people drag their belongings,
While your bullets killed us all around.

I never will forget the look on the faces
Of the men and women that awful day,
When we stood around to preach their funerals,
And lay the corpses of the dead away.

We told the Colorado Governor to call the President,
Tell him to call off his National Guard,
But the National Guard belonged to the Governor,
So he didn't try so very hard.

Our women from Trinidad they hauled some potatoes,
Up to Walsenburg in a little cart,
They sold their potatoes and brought some guns back,
And they put a gun in every hand.

The state soldiers jumped us in a wire fence corners,
They did not know we had these guns,
And the Red-neck Miners mowed down these troopers,
You should have seen those poor boys run.

We took some cement and walled that cave up,
Where you killed these thirteen children inside,
I said, "God bless the Mine Workers' Union,"
And then I hung my head and cried.

1913 Massacre

Take a trip with me in 1913,
To Calumet, Michigan, in the copper country.
I will take you to a place called Italian Hall,
Where the miners are having their big Christmas ball.

I will take you in a door and up a high stairs,
Singing and dancing is heard everywhere,
I will let you shake hands with the people you see,
And watch the kids dance around the big Christmas tree.

You ask about work and you ask about pay,
They'll tell you they make less than a dollar a day,
Working the copper claims, risking their lives,
So it's fun to spend Christmas with children and wives.

There's talking and laughing and songs in the air,
And the spirit of Christmas is there everywhere,
Before you know it you're friends with us all,
And you're dancing around and around in the hall.

Well a little girl sits down by the Christmas tree lights,
To play the piano so you gotta keep quiet,
To hear all this fun you would not realize,
That the copper boss' thug men are milling outside.

The copper boss' thugs stuck their heads in the door,
One of them yelled and he screamed, "there's a fire,"
A lady she hollered, "there's no such a thing.
Keep on with your party, there's no such thing."

A few people rushed and it was only a few,
"It's just the thugs and the scabs fooling you,"
A man grabbed his daughter and carried her down,
But the thugs held the door and he could not get out.

And then others followed, a hundred or more,
But most everybody remained on the floor,
The gun thugs they laughed at their murderous joke,
While the children were smothered on the stairs by the door.

Such a terrible sight I never did see,
We carried our children back up to their tree,
The scabs outside still laughed at their spree,
And the children that died there were seventy-three.

The piano played a slow funeral tune,
And the town was lit up by a cold Christmas moon,
The parents they cried and the miners they moaned,
"See what your greed for money has done."

Oklahoma Hills

Many a month has come and gone
Since I wandered from my home
In those Oklahoma hills where I was born.
Many a page of life has turned,
Many a lesson I have learned;
Well, I feel like in those hills I still belong.

'Way down yonder in the Indian Nation
Ridin' my pony on the reservation,
In those Oklahoma hills where I was born.
Now, 'way down yonder in the Indian Nation,
A cowboy's life is my occupation,
In those Oklahoma hills where I was born.

But as I sit here today,
Many miles I am away
From a place I rode my pony through the draw,
While the oak and blackjack trees
Kiss the playful prairie breeze,
In those Oklahoma hills where I was born.

Now as I turn life a page
To the land of the great Osage
In those Oklahoma hills where I was born,
While the black oil it rolls and flows
And the snow-white cotton grows
In those Oklahoma hills where I was born.



Words and Music by Woody Guthrie and Jack Guthrie
© Copyright 1945 (renewed) by Woody Guthrie Publications , Inc.
and Michael Goldsen Music Inc / Warner-Chappell Music


Pastures Of Plenty

It's a mighty hard row that my poor hands have hoed
My poor feet have traveled a hot dusty road
Out of your Dust Bowl and Westward we rolled
And your deserts were hot and your mountains were cold

I worked in your orchards of peaches and prunes
I slept on the ground in the light of the moon
On the edge of the city you'll see us and then
We come with the dust and we go with the wind

California, Arizona, I harvest your crops
Well its North up to Oregon to gather your hops
Dig the beets from your ground, cut the grapes from your vine
To set on your table your light sparkling wine

Green pastures of plenty from dry desert ground
From the Grand Coulee Dam where the waters run down
Every state in the Union us migrants have been
We'll work in this fight and we'll fight till we win

It's always we rambled, that river and I
All along your green valley, I will work till I die
My land I'll defend with my life if it be
Cause my pastures of plenty must always be free

Pretty Boy Floyd

If you'll gather 'round me, children,
A story I will tell
'Bout Pretty Boy Floyd, an outlaw,
Oklahoma knew him well.

It was in the town of Shawnee,
A Saturday afternoon,
His wife beside him in his wagon
As into town they rode.

There a deputy sheriff approached him
In a manner rather rude,
Vulgar words of anger,
An' his wife she overheard.

Pretty Boy grabbed a log chain,
And the deputy grabbed his gun;
In the fight that followed
He laid that deputy down.

Then he took to the trees and timber
To live a life of shame;
Every crime in Oklahoma
Was added to his name.

But a many a starving farmer
The same old story told
How the outlaw paid their mortgage
And saved their little homes.

Others tell you 'bout a stranger
That come to beg a meal,
Underneath his napkin
Left a thousand dollar bill.

It was in Oklahoma City,
It was on a Christmas Day,
There was a whole car load of groceries
Come with a note to say:

Well, you say that I'm an outlaw,
You say that I'm a thief.
Here's a Christmas dinner
For the families on relief.

Yes, as through this world I've wandered
I've seen lots of funny men;
Some will rob you with a six-gun,
And some with a fountain pen.

And as through your life you travel,
Yes, as through your life you roam,
You won't never see an outlaw
Drive a family from their home.

Union Maid

There once was a union maid, she never was afraid
Of goons and ginks and company finks and the deputy sheriffs who made the raid.
She went to the union hall when a meeting it was called,
And when the Legion boys come 'round
She always stood her ground.

Oh, you can't scare me, I'm sticking to the union,
I'm sticking to the union, I'm sticking to the union.
Oh, you can't scare me, I'm sticking to the union,
I'm sticking to the union 'til the day I die.

This union maid was wise to the tricks of company spies,
She couldn't be fooled by a company stool, she'd always organize the guys.
She always got her way when she struck for better pay.
She'd show her card to the National Guard
And this is what she'd say

You gals who want to be free, just take a tip from me;
Get you a man who's a union man and join the ladies' auxiliary.
Married life ain't hard when you got a union card,
A union man has a happy life when he's got a union wife.
Labels: folk and politics, folk guitar, folk historian, Lead Belly, Smithsonian/Folkway, woody guthrie

posted by markin at 1:53 PM

1 Comments:
markin said...
Guest Commentary

LAST THOUGHTS ON WOODY GUTHRIE

Words and Music by Bob Dylan
1973 Special Rider Music


When yer head gets twisted and yer mind grows numb
When you think you're too old, too young, too smart or too dumb
When yer laggin' behind an' losin' yer pace
In a slow-motion crawl of life's busy race
No matter what yer doing if you start givin' up
If the wine don't come to the top of yer cup
If the wind's got you sideways with with one hand holdin' on
And the other starts slipping and the feeling is gone
And yer train engine fire needs a new spark to catch it
And the wood's easy findin' but yer lazy to fetch it
And yer sidewalk starts curlin' and the street gets too long
And you start walkin' backwards though you know its wrong
And lonesome comes up as down goes the day
And tomorrow's mornin' seems so far away
And you feel the reins from yer pony are slippin'
And yer rope is a-slidin' 'cause yer hands are a-drippin'
And yer sun-decked desert and evergreen valleys
Turn to broken down slums and trash-can alleys
And yer sky cries water and yer drain pipe's a-pourin'
And the lightnin's a-flashing and the thunder's a-crashin'
And the windows are rattlin' and breakin' and the roof tops a-shakin'
And yer whole world's a-slammin' and bangin'
And yer minutes of sun turn to hours of storm
And to yourself you sometimes say
"I never knew it was gonna be this way
Why didn't they tell me the day I was born"
And you start gettin' chills and yer jumping from sweat
And you're lookin' for somethin' you ain't quite found yet
And yer knee-deep in the dark water with yer hands in the air
And the whole world's a-watchin' with a window peek stare
And yer good gal leaves and she's long gone a-flying
And yer heart feels sick like fish when they're fryin'
And yer jackhammer falls from yer hand to yer feet
And you need it badly but it lays on the street
And yer bell's bangin' loudly but you can't hear its beat
And you think yer ears might a been hurt
Or yer eyes've turned filthy from the sight-blindin' dirt
And you figured you failed in yesterdays rush
When you were faked out an' fooled white facing a four flush
And all the time you were holdin' three queens
And it's makin you mad, it's makin' you mean
Like in the middle of Life magazine

Bouncin' around a pinball machine
And there's something on yer mind you wanna be saying
That somebody someplace oughta be hearin'
But it's trapped on yer tongue and sealed in yer head
And it bothers you badly when your layin' in bed
And no matter how you try you just can't say it
And yer scared to yer soul you just might forget it
And yer eyes get swimmy from the tears in yer head
And yer pillows of feathers turn to blankets of lead
And the lion's mouth opens and yer staring at his teeth
And his jaws start closin with you underneath
And yer flat on your belly with yer hands tied behind
And you wish you'd never taken that last detour sign
And you say to yourself just what am I doin'
On this road I'm walkin', on this trail I'm turnin'
On this curve I'm hanging
On this pathway I'm strolling, in the space I'm talking
In this air I'm inhaling
Am I mixed up too much, am I mixed up too hard
Why am I walking, where am I running
What am I saying, what am I knowing
On this guitar I'm playing, on this banjo I'm frailin'
On this mandolin I'm strummin', in the song I'm singin'
In the tune I'm hummin', in the words I'm writin'
In the words that I'm thinkin'
In this ocean of hours I'm all the time drinkin'
Who am I helping, what am I breaking
What am I giving, what am I taking
But you try with your whole soul best
Never to think these thoughts and never to let
Them kind of thoughts gain ground
Or make yer heart pound
But then again you know why they're around
Just waiting for a chance to slip and drop down
"Cause sometimes you hear'em when the night times comes creeping
And you fear that they might catch you a-sleeping
And you jump from yer bed, from yer last chapter of dreamin'
And you can't remember for the best of yer thinking
If that was you in the dream that was screaming
And you know that it's something special you're needin'
And you know that there's no drug that'll do for the healin'
And no liquor in the land to stop yer brain from bleeding


And you need something special
Yeah, you need something special all right
You need a fast flyin' train on a tornado track
To shoot you someplace and shoot you back
You need a cyclone wind on a stream engine howler
That's been banging and booming and blowing forever
That knows yer troubles a hundred times over
You need a Greyhound bus that don't bar no race
That won't laugh at yer looks
Your voice or your face
And by any number of bets in the book
Will be rollin' long after the bubblegum craze
You need something to open up a new door
To show you something you seen before
But overlooked a hundred times or more
You need something to open your eyes
You need something to make it known
That it's you and no one else that owns
That spot that yer standing, that space that you're sitting
That the world ain't got you beat
That it ain't got you licked
It can't get you crazy no matter how many
Times you might get kicked
You need something special all right
You need something special to give you hope
But hope's just a word
That maybe you said or maybe you heard
On some windy corner 'round a wide-angled curve

But that's what you need man, and you need it bad
And yer trouble is you know it too good
"Cause you look an' you start getting the chills

"Cause you can't find it on a dollar bill
And it ain't on Macy's window sill
And it ain't on no rich kid's road map
And it ain't in no fat kid's fraternity house
And it ain't made in no Hollywood wheat germ
And it ain't on that dimlit stage
With that half-wit comedian on it
Ranting and raving and taking yer money
And you thinks it's funny
No you can't find it in no night club or no yacht club

And it ain't in the seats of a supper club
And sure as hell you're bound to tell
That no matter how hard you rub
You just ain't a-gonna find it on yer ticket stub
No, and it ain't in the rumors people're tellin' you
And it ain't in the pimple-lotion people are sellin' you
And it ain't in no cardboard-box house
Or down any movie star's blouse
And you can't find it on the golf course
And Uncle Remus can't tell you and neither can Santa Claus
And it ain't in the cream puff hair-do or cotton candy clothes
And it ain't in the dime store dummies or bubblegum goons
And it ain't in the marshmallow noises of the chocolate cake voices
That come knockin' and tappin' in Christmas wrappin'
Sayin' ain't I pretty and ain't I cute and look at my skin
Look at my skin shine, look at my skin glow
Look at my skin laugh, look at my skin cry
When you can't even sense if they got any insides
These people so pretty in their ribbons and bows
No you'll not now or no other day
Find it on the doorsteps made out-a paper mache«
And inside it the people made of molasses
That every other day buy a new pair of sunglasses
And it ain't in the fifty-star generals and flipped-out phonies
Who'd turn yuh in for a tenth of a penny
Who breathe and burp and bend and crack
And before you can count from one to ten
Do it all over again but this time behind yer back
My friend
The ones that wheel and deal and whirl and twirl
And play games with each other in their sand-box world
And you can't find it either in the no-talent fools
That run around gallant
And make all rules for the ones that got talent
And it ain't in the ones that ain't got any talent but think they do
And think they're foolin' you
The ones who jump on the wagon
Just for a while 'cause they know it's in style
To get their kicks, get out of it quick
And make all kinds of rnoney and chicks
And you yell to yourself and you throw down yer hat
Sayin', "Christ do I gotta be like that

Ain't there no one here that knows where I'm at
Ain't there no one here that knows how I feel
Good God Almighty
THAT STUFF AINÕT REAL"

No but that ain't yer game, it ain't even yer race
You can't hear yer name, you can't see yer face
You gotta look some other place
And where do you look for this hope that yer seekin'
Where do you look for this lamp that's a-burnin'
Where do you look for this oil well gushin'
Where do you look for this candle that's glowin'
Where do you look for this hope that you know is there
And out there somewhere
And your feet can only walk down two kinds of roads
Your eyes can only look through two kinds of windows
Your nose can only smell two kinds of hallways
You can touch and twist
And turn two kinds of doorknobs

You can either go to the church of your choice
Or you can go to Brooklyn State Hospital
You'll find God in the church of your choice
You'll find Woody Guthrie in the Brooklyn State Hospital

And though it's only my opinion
I may be right or wrong
You'll find them both
In the Grand Canyon
At sundown