Friday, October 11, 2019

In Honor Of John Brown Late Of Harpers Ferry-1859- *Honor The Stiff-Necked Boston Abolitionists

Click on the title to link to a "Wikipedia" entry for stiff-necked abolitionist, Wendell Phillips.

BOOK REVIEW

The Bold Brahmins: New England’s War Against Slavery (1831-1863), Lawrence Lader, E.P. Dutton & Sons, New York, 1961


I recently reviewed a little biography of the famous pre-American Civil War reformer Samuel Gridley Howe in this space. As a result of some information that I found in that biography I was led to this book that, in broader strokes, tells the tale of the milieu from which Howe sprang. In the two or so decades before the American Civil War New England, and Boston in particular, carried decisive weight in the struggle against slavery. A strong, very strong argument can be made that without the efforts of those Boston reformers-pushing the struggle forward in the face of the public indifference and, at times, active hostility- the slavery question might never had been resolved. Kudos

This book highlights the New England anti-slavery struggle from its weak beginnings in small propaganda circles centrally around the figure of William Lloyd Garrison and the confrontations of the "Conscience" Whigs with the "Cotton" Whig aristocracy that dominated the Boston financial and commercial scene that was heavily dependent on Southern cotton in the early decades of the 19th century. The book further highlights the national struggle against slavery that heated up in the 1850's, the fight for revolutionary military and political strategies against slavery led by these same Brahmins in the early days of the Civil War and culminates in the fight of the Robert Gould Shaw-led black Massachusetts 54th Regiment before Fort Wagner. Key figures like William Lloyd Garrison, Wendell Phillips, Theodore Parker, Charles Sumner, Thomas Wentworth Higginson and the above-mentioned Howe are highlighted throughout.

Events like the plantation owner-driven Mexican War, the fruitless Clay-Webster-led Compromise of 1850 with its abhorrent Fugitive Slave Act, the Kansas-Nebraska struggles to keep those territories free from slavery and John Brown’s Harper's Ferry military efforts get a full summary airing here, as well. A lot of well-spent time is also used in describing the various struggles of the rank and file of the anti-slavery movement organized in local vigilante committees to free individual slaves (literally, in some cases). There is plenty of material here to pick up on for further study. Naturally, as almost always with an older book, the subject matter of this book is in need of some updating and expansion. But, as a slice of New England life in this pre-Civil War period it serves its purpose.

Aside from a rather nice chronological description of events and thoughtful personality sketches the central premise that Mr. Lader is working under is also interesting. He argues that the core of the anti-slavery ‘party’ (that took various political organizational forms over time from the split of the Northern Whigs, through the Liberty and Free-Soil Parties, culminating in the emergence of the Republican Party in the mid- 1850’s) were not to be found in the newly emerging financial and commercial elites. They were rather to be found in the traditional professional elite (lawyers, doctors, professors, etc.) that was being displaced by the increasing capitalization of the American economy.

Under those terms the united front of Boston Unitarian preachers, Concord poets, Cambridge academics and Newburyport pacifists and sea captains in their struggle against slavery, which was by any terms historically progressive, was also, essentially, the last rearguard action from the old Puritan vanguard that had traced it ancestry back to the Massachusetts Bay Colony. Of course, what militants today take away from this struggle is that there was a time when the bourgeoisie (or a section of it) in this country actually represented a progressive force in the political struggles taking place here. Strange to some, maybe, given the current political realities, but true. In short, this thesis is a prime example of the materialist concept of history that we place so much store by; although I am sure that was not the author’s intention. Read on.

4 comments:

  1. Markin,
    Nice review, however does this book acknowledge the role of northern blacks in the abolitionist movement? From the review it seems that it does not. This seems to me a big short coming. Also does it cover those parts of the abolitionist movement that were anti-black?

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  2. This an older book so that it does not reflect the northern black abolitionist experience. Nor would one expect to have that as this book concentrates on the Brahmin fight. Your's is, however, a very good point in regard to the place, or rather lack of place, that earlier books gave to black efforts at their own emancipation. It is part of our job to correct that.

    A good place to get a view of that black abolitionist struggle is James McPherson's The Negro's Civil War and Frederick Douglass's Life that I have reviewed in this space. Herbert Aptheker (the old Stalinist) and The Genoveses (in the old days) did so very good work while I will review in the future.

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  3. I know, I have several of Aptheker's "Documentary Histories" and am currently reading Roll Jordan Roll-outstanding in so many ways!

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  4. This is an appropriate place as any to put the lyrics to John Brown's Body that our 'boys in blue' soldiers sang on their way South in the great Civil War. Thanks, boys.

    John Brown's Body

    John Brown's body lies a-mouldering in the grave, /|
    John Brown's body lies a-mouldering in the grave,
    But his soul goes marching on.
    Chorus:
    Glory, glory, hallelujah, /|
    Glory, glory, hallelujah,
    His soul goes marching on.
    He's gone to be a soldier in the Army of the Lord, /|
    He's gone to be a soldier in the Army of the Lord,
    His soul goes marching on.
    Chorus:
    John Brown's knapsack is strapped upon his back, /
    John Brown's knapsack is strapped upon his back,
    His soul goes marching on.
    Chorus:
    John Brown died that the slaves might be free, /
    John Brown died that the slaves might be free,
    His soul goes marching on.
    Chorus:
    The stars above in Heaven now are looking kindly down, /
    The stars above in Heaven now are looking kindly down,
    His soul goes marching on.

    Chorus:

    Written: 1861 (The song originated with soldiers of the Massachusetts 12th Regiment and soon spread to become the most popular anthem of Union soldiers during the Civil War. Many versions of the song exist. One particularly well written version came from William W. Patton, and is reproduced below. The Brown tune inspired Julia Ward Howe, after she heard troops sing the song while parading near Washington, to write her lyrics for the same melody, "The Battle Hymm of the Republic." Lyrics to Howe's moving lyrics are also posted below.)

    History of the Song

    John Brown by William W. Patton

    Old John Brown’s body lies moldering in the grave,
    While weep the sons of bondage whom he ventured all to save;
    But tho he lost his life while struggling for the slave,
    His soul is marching on.

    John Brown was a hero, undaunted, true and brave,
    And Kansas knows his valor when he fought her rights to save;
    Now, tho the grass grows green above his grave,
    His soul is marching on.

    He captured Harper’s Ferry, with his nineteen men so few,
    And frightened "Old Virginny" till she trembled thru and thru;
    They hung him for a traitor, themselves the traitor crew,
    But his soul is marching on.

    John Brown was John the Baptist of the Christ we are to see,
    Christ who of the bondmen shall the Liberator be,
    And soon thruout the Sunny South the slaves shall all be free,
    For his soul is marching on.

    The conflict that he heralded he looks from heaven to view,
    On the army of the Union with its flag red, white and blue.
    And heaven shall ring with anthems o’er the deed they mean to do,
    For his soul is marching on.

    Ye soldiers of Freedom, then strike, while strike ye may,
    The death blow of oppression in a better time and way,
    For the dawn of old John Brown has brightened into day,
    And his soul is marching on.

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