*"Follow The Drinking Gourd"- Songs Of The Underground Railroad

Click on title to link to YouTube's film clip of Richie Havens performing "Follow the Drinking Gourd".

CD REVIEW

February Is Black History Month

Follow The Drinking Gourd, Please

Steal Away: Songs Of The Underground Railroad, Kim and Reggie Harris, Appleseed Records, 1998

My purposes in this space have been primarily to review political books that reflect on various aspects of history and politics. Along the edges of this work I have filled in the borders with commentary on musical and cultural phenomena that reflect those concerns. Thus, one is as likely to find a review of some old forgotten folkie or blues singer as a more well-known historical figure like Leon Trotsky or John Brown. However, sometimes music is not just an adjunct to historical narrative but forms a central cog in understanding the phenomena. That is just the situation here with Kim and Reggie Harris’ contribution to an understanding of slavery, freedom from slavery and how to get out from under slavery that was the primary fight for blacks, especially in the lead up to the America Civil War in the mid-19th century.

From a perusal of the liner notes this “concept” album is a labor of love by this singing/songwriting couple. The project developed in the 1980’s out a need to present the fight against slavery as epitomized by the organization of the Underground Railroad to the next generations so that it is firmly etched in their minds. Their musical abilities, especially when they harmonize (listen to “Oh, Freedom” and “Wade In The Water”), make this a very fruitful enterprise. As always with Appleseed recordings the liner notes give a detailed story of how this effort was produced and what each song represents in the anthology.

I will not repeat that information here. I will, however, mention that various figures highlighted here like “General” Harriet Tubman get their full due, as does Sojourner Truth on the nicely done “Aren’t I A Woman”. The various coded hymns and other songs that were used on the Underground Railroad to either symbolize the freedom struggle or for security like “Follow The Drinking Gourd” are also explained. “Heaven Is Less Than Fair”, a Harris tribute product, does a nice job on explaining the uses and need for the codes. Needless to say there are religiously-tinged songs like “Go Down Moses” that reflect that deep feeling that helped get through the hard days of slavery in one piece. Listen to the music and learn history at the same time. That’s a great combination, right?

Here are some helpful lyrics.

Music of the Underground Railroad

"Follow the Drinking Gourd"

When the Sun comes back
And the first quail calls
Follow the Drinking Gourd.
For the old man is a-waiting for to carry you to freedom
If you follow the Drinking Gourd.

The riverbank makes a very good road.
The dead trees will show you the way.
Left foot, peg foot, traveling on,
Follow the Drinking Gourd.

The river ends between two hills
Follow the Drinking Gourd.
There's another river on the other side
Follow the Drinking Gourd.

When the great big river meets the little river
Follow the Drinking Gourd.
For the old man is a-waiting for to carry you to freedom
If you follow the drinking gourd.

For an explanation, the Planatarium at the Oklahoma Baptist University has a nice web page. Link submitted by Cazak. Thanks!

Here is an addition- a Civil Rights song made famous by Joan Baez and written by Richard Farina (her brother-in-law, married to her sister, Mimi, although I am not sure he was at the time the song was written). It concerns the tragic and obscenely racist bombing of a black church down in Birmingham, Alabama killing four young innocent black girls. Yes, one can still weep over that one today.

Birmingham Sunday

Come round by my side and I'll sing you a song.
I'll sing it so softly, it'll do no one wrong.
On Birmingham Sunday the blood ran like wine,
And the choirs kept singing of Freedom.

That cold autumn morning no eyes saw the sun,
And Addie Mae Collins, her number was one.
At an old Baptist church there was no need to run.
And the choirs kept singing of Freedom,

The clouds they were grey and the autumn winds blew,
And Denise McNair brought the number to two.
The falcon of death was a creature they knew,
And the choirs kept singing of Freedom,

The church it was crowded, but no one could see
That Cynthia Wesley's dark number was three.
Her prayers and her feelings would shame you and me.
And the choirs kept singing of Freedom.

Young Carol Robertson entered the door
And the number her killers had given was four.
She asked for a blessing but asked for no more,
And the choirs kept singing of Freedom.

On Birmingham Sunday a noise shook the ground.
And people all over the earth turned around.
For no one recalled a more cowardly sound.
And the choirs kept singing of Freedom.

The men in the forest they once asked of me,
How many black berries grew in the Blue Sea.
And I asked them right with a tear in my eye.
How many dark ships in the forest?

The Sunday has come and the Sunday has gone.
And I can't do much more than to sing you a song.
I'll sing it so softly, it'll do no one wrong.
And the choirs keep singing of Freedom.