Click on the title to link to a Wikipedia entry for the great abolitionist, Underground Railroad conductor, and friend of revolutionary abolitionist John Brown, "Harriet Tubman". All honor to her memory.
February is Black History Month
Guest Commentary/Lyrics
Harriet Tubman
A Cappella Arrangement for Women's Voices
One night I dreamed I was in slavery,
'Bout eighteen fifty was the time,
Sorrow was the only sign,
Nothing around to ease my mind.
Out of the night appeared a lady,
Leading a distant pilgrim band.
"First mate," she yelled, pointing her hand,
"Make room on board for this young woman."
Singing: Come on up, mm mm mm, I got a lifeline
Come on up to this train of mine
Come on up, mm mm mm, I got a lifeline
Come on up to this train of mine.
She said her name was Harriet Tubman
And she drove for the underground railroad.
Hundreds of miles we travelled onward,
Gathering slaves from town to town,
Seeking every lost and found,
Setting those free who once were bound.
Somehow my heart was growing weaker,
I fell by the wayside's sinking sand.
Firmly did this lady stand,
Lifted me up and took my hand.
Singing: ....
Who are those children dressed in red?
They must be the ones that Moses led.
Singing: ....
Harriet Tubman
Showing posts with label underground railroad. Show all posts
Showing posts with label underground railroad. Show all posts
Thursday, February 04, 2010
Tuesday, February 24, 2009
*"Follow The Drinking Gourd"- Songs Of The Underground Railroad
Click on title to link to YouTube's film clip of Richie Havens performing "Follow the Drinking Gourd".
CD REVIEW
February Is Black History Month
Follow The Drinking Gourd, Please
Steal Away: Songs Of The Underground Railroad, Kim and Reggie Harris, Appleseed Records, 1998
My purposes in this space have been primarily to review political books that reflect on various aspects of history and politics. Along the edges of this work I have filled in the borders with commentary on musical and cultural phenomena that reflect those concerns. Thus, one is as likely to find a review of some old forgotten folkie or blues singer as a more well-known historical figure like Leon Trotsky or John Brown. However, sometimes music is not just an adjunct to historical narrative but forms a central cog in understanding the phenomena. That is just the situation here with Kim and Reggie Harris’ contribution to an understanding of slavery, freedom from slavery and how to get out from under slavery that was the primary fight for blacks, especially in the lead up to the America Civil War in the mid-19th century.
From a perusal of the liner notes this “concept” album is a labor of love by this singing/songwriting couple. The project developed in the 1980’s out a need to present the fight against slavery as epitomized by the organization of the Underground Railroad to the next generations so that it is firmly etched in their minds. Their musical abilities, especially when they harmonize (listen to “Oh, Freedom” and “Wade In The Water”), make this a very fruitful enterprise. As always with Appleseed recordings the liner notes give a detailed story of how this effort was produced and what each song represents in the anthology.
I will not repeat that information here. I will, however, mention that various figures highlighted here like “General” Harriet Tubman get their full due, as does Sojourner Truth on the nicely done “Aren’t I A Woman”. The various coded hymns and other songs that were used on the Underground Railroad to either symbolize the freedom struggle or for security like “Follow The Drinking Gourd” are also explained. “Heaven Is Less Than Fair”, a Harris tribute product, does a nice job on explaining the uses and need for the codes. Needless to say there are religiously-tinged songs like “Go Down Moses” that reflect that deep feeling that helped get through the hard days of slavery in one piece. Listen to the music and learn history at the same time. That’s a great combination, right?
Here are some helpful lyrics.
Music of the Underground Railroad
"Follow the Drinking Gourd"
When the Sun comes back
And the first quail calls
Follow the Drinking Gourd.
For the old man is a-waiting for to carry you to freedom
If you follow the Drinking Gourd.
The riverbank makes a very good road.
The dead trees will show you the way.
Left foot, peg foot, traveling on,
Follow the Drinking Gourd.
The river ends between two hills
Follow the Drinking Gourd.
There's another river on the other side
Follow the Drinking Gourd.
When the great big river meets the little river
Follow the Drinking Gourd.
For the old man is a-waiting for to carry you to freedom
If you follow the drinking gourd.
For an explanation, the Planatarium at the Oklahoma Baptist University has a nice web page. Link submitted by Cazak. Thanks!
Here is an addition- a Civil Rights song made famous by Joan Baez and written by Richard Farina (her brother-in-law, married to her sister, Mimi, although I am not sure he was at the time the song was written). It concerns the tragic and obscenely racist bombing of a black church down in Birmingham, Alabama killing four young innocent black girls. Yes, one can still weep over that one today.
Birmingham Sunday
Come round by my side and I'll sing you a song.
I'll sing it so softly, it'll do no one wrong.
On Birmingham Sunday the blood ran like wine,
And the choirs kept singing of Freedom.
That cold autumn morning no eyes saw the sun,
And Addie Mae Collins, her number was one.
At an old Baptist church there was no need to run.
And the choirs kept singing of Freedom,
The clouds they were grey and the autumn winds blew,
And Denise McNair brought the number to two.
The falcon of death was a creature they knew,
And the choirs kept singing of Freedom,
The church it was crowded, but no one could see
That Cynthia Wesley's dark number was three.
Her prayers and her feelings would shame you and me.
And the choirs kept singing of Freedom.
Young Carol Robertson entered the door
And the number her killers had given was four.
She asked for a blessing but asked for no more,
And the choirs kept singing of Freedom.
On Birmingham Sunday a noise shook the ground.
And people all over the earth turned around.
For no one recalled a more cowardly sound.
And the choirs kept singing of Freedom.
The men in the forest they once asked of me,
How many black berries grew in the Blue Sea.
And I asked them right with a tear in my eye.
How many dark ships in the forest?
The Sunday has come and the Sunday has gone.
And I can't do much more than to sing you a song.
I'll sing it so softly, it'll do no one wrong.
And the choirs keep singing of Freedom.
CD REVIEW
February Is Black History Month
Follow The Drinking Gourd, Please
Steal Away: Songs Of The Underground Railroad, Kim and Reggie Harris, Appleseed Records, 1998
My purposes in this space have been primarily to review political books that reflect on various aspects of history and politics. Along the edges of this work I have filled in the borders with commentary on musical and cultural phenomena that reflect those concerns. Thus, one is as likely to find a review of some old forgotten folkie or blues singer as a more well-known historical figure like Leon Trotsky or John Brown. However, sometimes music is not just an adjunct to historical narrative but forms a central cog in understanding the phenomena. That is just the situation here with Kim and Reggie Harris’ contribution to an understanding of slavery, freedom from slavery and how to get out from under slavery that was the primary fight for blacks, especially in the lead up to the America Civil War in the mid-19th century.
From a perusal of the liner notes this “concept” album is a labor of love by this singing/songwriting couple. The project developed in the 1980’s out a need to present the fight against slavery as epitomized by the organization of the Underground Railroad to the next generations so that it is firmly etched in their minds. Their musical abilities, especially when they harmonize (listen to “Oh, Freedom” and “Wade In The Water”), make this a very fruitful enterprise. As always with Appleseed recordings the liner notes give a detailed story of how this effort was produced and what each song represents in the anthology.
I will not repeat that information here. I will, however, mention that various figures highlighted here like “General” Harriet Tubman get their full due, as does Sojourner Truth on the nicely done “Aren’t I A Woman”. The various coded hymns and other songs that were used on the Underground Railroad to either symbolize the freedom struggle or for security like “Follow The Drinking Gourd” are also explained. “Heaven Is Less Than Fair”, a Harris tribute product, does a nice job on explaining the uses and need for the codes. Needless to say there are religiously-tinged songs like “Go Down Moses” that reflect that deep feeling that helped get through the hard days of slavery in one piece. Listen to the music and learn history at the same time. That’s a great combination, right?
Here are some helpful lyrics.
Music of the Underground Railroad
"Follow the Drinking Gourd"
When the Sun comes back
And the first quail calls
Follow the Drinking Gourd.
For the old man is a-waiting for to carry you to freedom
If you follow the Drinking Gourd.
The riverbank makes a very good road.
The dead trees will show you the way.
Left foot, peg foot, traveling on,
Follow the Drinking Gourd.
The river ends between two hills
Follow the Drinking Gourd.
There's another river on the other side
Follow the Drinking Gourd.
When the great big river meets the little river
Follow the Drinking Gourd.
For the old man is a-waiting for to carry you to freedom
If you follow the drinking gourd.
For an explanation, the Planatarium at the Oklahoma Baptist University has a nice web page. Link submitted by Cazak. Thanks!
Here is an addition- a Civil Rights song made famous by Joan Baez and written by Richard Farina (her brother-in-law, married to her sister, Mimi, although I am not sure he was at the time the song was written). It concerns the tragic and obscenely racist bombing of a black church down in Birmingham, Alabama killing four young innocent black girls. Yes, one can still weep over that one today.
Birmingham Sunday
Come round by my side and I'll sing you a song.
I'll sing it so softly, it'll do no one wrong.
On Birmingham Sunday the blood ran like wine,
And the choirs kept singing of Freedom.
That cold autumn morning no eyes saw the sun,
And Addie Mae Collins, her number was one.
At an old Baptist church there was no need to run.
And the choirs kept singing of Freedom,
The clouds they were grey and the autumn winds blew,
And Denise McNair brought the number to two.
The falcon of death was a creature they knew,
And the choirs kept singing of Freedom,
The church it was crowded, but no one could see
That Cynthia Wesley's dark number was three.
Her prayers and her feelings would shame you and me.
And the choirs kept singing of Freedom.
Young Carol Robertson entered the door
And the number her killers had given was four.
She asked for a blessing but asked for no more,
And the choirs kept singing of Freedom.
On Birmingham Sunday a noise shook the ground.
And people all over the earth turned around.
For no one recalled a more cowardly sound.
And the choirs kept singing of Freedom.
The men in the forest they once asked of me,
How many black berries grew in the Blue Sea.
And I asked them right with a tear in my eye.
How many dark ships in the forest?
The Sunday has come and the Sunday has gone.
And I can't do much more than to sing you a song.
I'll sing it so softly, it'll do no one wrong.
And the choirs keep singing of Freedom.
Friday, February 06, 2009
* Honor Black History Month- The "Underground Railroad"- Follow The Northern Star
Click on title to link to Wikipedia's entry for the "Underground Railroad".
DVD/CD REVIEW
FEBRUARY IS BLACK HISTORY MONTH
Underground Railroad, hosted by Alfie Woodward, History Channel, 1999
One of the most general perceptions that I received from my high school history days in the 1960’s concerning the fate of black slaves in America was that they essentially passively waited for the Union armies to free them during the process of the Civil War in the 1860’s. In short, blacks had no pre-history as a people who struggled for freedom in their own right but were merely the victims of history. Of course, since those days I have made it my business to find out the real story of slave resistance and although there are many parts that are lost to history we now know that as least some slaves in some situations found ways to break their bondage. Aided during the past few decades by serious scholarly research into the subject we have a more rounded view of the dynamics of slavery in ante bellum American society. This well done History Channel docu-drama, hosted by actress Alfie Woodward, presents one part of that struggle- the work of the Underground Railroad- the fight of courageous individual blacks, aided sometimes by their Northern supporters, to "follow the drinking gourd" North to freedom.
This presentation, complete with the ‘talking head’ commentators that inevitably accompany such efforts, goes back to the early days of slavery and demonstrates that there was always an element of the struggle for freedom by black slaves from the earliest days of European settlement in North America. Moreover, a cadre of freed blacks who were the catalyst for the freedom struggle developed from early on as well. However, the black anti-slavery movement (and for that matter the white part of the anti-slavery movement) did not get energized until the early 19th century in response to the increasing use of slaves to cultivate the expanding cotton crop on Southern plantations. From then on the propaganda fight for emancipation took many forms but basically continued unabated until the Civil War militarily resolved the issue against slavery.
One of the benefits of this production is a well though out exposition of the role that blacks played in this anti-slavery process. Not just the now well-known names like Frederick Douglass, Sojourner Truth and Harriet Tubman but the little known Henry Garnet, John Stills and John Parker. Moreover, whatever social distinctions could be drawn, even by those within the anti-slavery movement, between blacks and whites it represented the first serious integrated social movement in this country. Needless to say such efforts have been far and few in the history of this country. It is clear that there would be no Underground Railroad stretching, at it needed to at times, all the way to Canada without such integrated efforts. Aiding that clarity is mention of the Midwest, especially the Ohio River towns, as routes to freedom as well as the more well known eastern coastal routes.
A major highlight here was a serious exposition of the role of the Fugitive Slave Act of 1850 in curtaining the effectiveness of the Underground Railroad, causing the first seeds of irreconcilable conflict between North and South and contributing to the overweening and disproportionate role that the South played in national politics. Some worthwhile time is spent here detailing the effects that such legislation had on ordinary citizens who wished not to be complicit with the slaveholders. The various efforts by Northerners, and not just hard core abolitionists, to resist the slave catchers as they headed north is dramatically presented. The well-known Boston case of Anthony Brooks is the focal point for this section.
If there is one criticism that I have of this presentation though it goes back to that first sentence of this entry. If we now know that blacks themselves, as ultimately demonstrated by the enlistment of 200,000 black Union soldiers in the Civil War, were not mere passive victims of slavery there was a tendency of this presentation to overplay the quest for freedom by blacks. One of the hard facts of human history is that oppression oppresses. That little truism conceals this truth- not everyone, and maybe not even many of those oppressed, in the great scheme of things, can break out of the struggle to merely exist to rise out and rebel. Or even flee. This black cadre was the vanguard, a precious vanguard, but a vanguard nevertheless. That vanguard expressed that suppressed urge for freedom that we assume beats in every human heart. That is the value of this docu-drama. Watch it and learn a few things about our common history.
Follow The Drinking Gourd, Please
Steal Away: Songs Of The Underground Railroad, Kim and Reggie Harris, Appleseed Records, 1998
My purposes in this space have been primarily to review political books that reflect on various aspects of history and politics. Along the edges of this work I have filled in the borders with commentary on musical and cultural phenomena that reflect those concerns. Thus, one is as likely to find a review of some old forgotten folkie or blues singer as a more well-known historical figure like Leon Trotsky or John Brown. However, sometimes music is not just an adjunct to historical narrative but forms a central cog in understanding the phenomena. That is just the situation here with Kim and Reggie Harris’ contribution to an understanding of slavery, freedom from slavery and how to get out from under slavery that was the primary fight for blacks, especially in the lead up to the America Civil War in the mid-19th century.
From a perusal of the liner notes this “concept” album is a labor of love by this singing/songwriting couple. The project developed in the 1980’s out a need to present the fight against slavery as epitomized by the organization of the Underground Railroad to the next generations so that it is firmly etched in their minds. Their musical abilities, especially when they harmonize (listen to “Oh, Freedom” and “Wade In The Water”), make this a very fruitful enterprise. As always with Appleseed recordings the liner notes give a detailed story of how this effort was produced and what each song represents in the anthology.
I will not repeat that information here. I will, however, mention that various figures highlighted here like “General” Harriet Tubman get their full due, as does Sojourner Truth on the nicely done “Aren’t I A Woman”. The various coded hymns and other songs that were used on the Underground Railroad to either symbolize the freedom struggle or for security like “Follow The Drinking Gourd” are also explained. “Heaven Is Less Than Fair”, a Harris tribute product, does a nice job on explaining the uses and need for the codes. Needless to say there are religiously-tinged songs like “Go Down Moses” that reflect that deep feeling that helped blacks get through the hard days of slavery in one piece. Listen to the music and learn history at the same time. That’s a great combination, right?
DVD/CD REVIEW
FEBRUARY IS BLACK HISTORY MONTH
Underground Railroad, hosted by Alfie Woodward, History Channel, 1999
One of the most general perceptions that I received from my high school history days in the 1960’s concerning the fate of black slaves in America was that they essentially passively waited for the Union armies to free them during the process of the Civil War in the 1860’s. In short, blacks had no pre-history as a people who struggled for freedom in their own right but were merely the victims of history. Of course, since those days I have made it my business to find out the real story of slave resistance and although there are many parts that are lost to history we now know that as least some slaves in some situations found ways to break their bondage. Aided during the past few decades by serious scholarly research into the subject we have a more rounded view of the dynamics of slavery in ante bellum American society. This well done History Channel docu-drama, hosted by actress Alfie Woodward, presents one part of that struggle- the work of the Underground Railroad- the fight of courageous individual blacks, aided sometimes by their Northern supporters, to "follow the drinking gourd" North to freedom.
This presentation, complete with the ‘talking head’ commentators that inevitably accompany such efforts, goes back to the early days of slavery and demonstrates that there was always an element of the struggle for freedom by black slaves from the earliest days of European settlement in North America. Moreover, a cadre of freed blacks who were the catalyst for the freedom struggle developed from early on as well. However, the black anti-slavery movement (and for that matter the white part of the anti-slavery movement) did not get energized until the early 19th century in response to the increasing use of slaves to cultivate the expanding cotton crop on Southern plantations. From then on the propaganda fight for emancipation took many forms but basically continued unabated until the Civil War militarily resolved the issue against slavery.
One of the benefits of this production is a well though out exposition of the role that blacks played in this anti-slavery process. Not just the now well-known names like Frederick Douglass, Sojourner Truth and Harriet Tubman but the little known Henry Garnet, John Stills and John Parker. Moreover, whatever social distinctions could be drawn, even by those within the anti-slavery movement, between blacks and whites it represented the first serious integrated social movement in this country. Needless to say such efforts have been far and few in the history of this country. It is clear that there would be no Underground Railroad stretching, at it needed to at times, all the way to Canada without such integrated efforts. Aiding that clarity is mention of the Midwest, especially the Ohio River towns, as routes to freedom as well as the more well known eastern coastal routes.
A major highlight here was a serious exposition of the role of the Fugitive Slave Act of 1850 in curtaining the effectiveness of the Underground Railroad, causing the first seeds of irreconcilable conflict between North and South and contributing to the overweening and disproportionate role that the South played in national politics. Some worthwhile time is spent here detailing the effects that such legislation had on ordinary citizens who wished not to be complicit with the slaveholders. The various efforts by Northerners, and not just hard core abolitionists, to resist the slave catchers as they headed north is dramatically presented. The well-known Boston case of Anthony Brooks is the focal point for this section.
If there is one criticism that I have of this presentation though it goes back to that first sentence of this entry. If we now know that blacks themselves, as ultimately demonstrated by the enlistment of 200,000 black Union soldiers in the Civil War, were not mere passive victims of slavery there was a tendency of this presentation to overplay the quest for freedom by blacks. One of the hard facts of human history is that oppression oppresses. That little truism conceals this truth- not everyone, and maybe not even many of those oppressed, in the great scheme of things, can break out of the struggle to merely exist to rise out and rebel. Or even flee. This black cadre was the vanguard, a precious vanguard, but a vanguard nevertheless. That vanguard expressed that suppressed urge for freedom that we assume beats in every human heart. That is the value of this docu-drama. Watch it and learn a few things about our common history.
Follow The Drinking Gourd, Please
Steal Away: Songs Of The Underground Railroad, Kim and Reggie Harris, Appleseed Records, 1998
My purposes in this space have been primarily to review political books that reflect on various aspects of history and politics. Along the edges of this work I have filled in the borders with commentary on musical and cultural phenomena that reflect those concerns. Thus, one is as likely to find a review of some old forgotten folkie or blues singer as a more well-known historical figure like Leon Trotsky or John Brown. However, sometimes music is not just an adjunct to historical narrative but forms a central cog in understanding the phenomena. That is just the situation here with Kim and Reggie Harris’ contribution to an understanding of slavery, freedom from slavery and how to get out from under slavery that was the primary fight for blacks, especially in the lead up to the America Civil War in the mid-19th century.
From a perusal of the liner notes this “concept” album is a labor of love by this singing/songwriting couple. The project developed in the 1980’s out a need to present the fight against slavery as epitomized by the organization of the Underground Railroad to the next generations so that it is firmly etched in their minds. Their musical abilities, especially when they harmonize (listen to “Oh, Freedom” and “Wade In The Water”), make this a very fruitful enterprise. As always with Appleseed recordings the liner notes give a detailed story of how this effort was produced and what each song represents in the anthology.
I will not repeat that information here. I will, however, mention that various figures highlighted here like “General” Harriet Tubman get their full due, as does Sojourner Truth on the nicely done “Aren’t I A Woman”. The various coded hymns and other songs that were used on the Underground Railroad to either symbolize the freedom struggle or for security like “Follow The Drinking Gourd” are also explained. “Heaven Is Less Than Fair”, a Harris tribute product, does a nice job on explaining the uses and need for the codes. Needless to say there are religiously-tinged songs like “Go Down Moses” that reflect that deep feeling that helped blacks get through the hard days of slavery in one piece. Listen to the music and learn history at the same time. That’s a great combination, right?
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