Thursday, July 01, 2010

*Coming Of Age In The 1950s, Period- Oldies But Goodies - An Encore

Click on the headline to link to a "YouTube" film clip of Betty Everett performing here classic rock number,"It's In His Kiss". Oh, ya.

CD Review

Oldies But Goodies, Volume Three, Original Sound Record Co., 1987


I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question that those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes and rhymey Tin Pan Alley pieces hit the radio airwaves. (If you do not know what a radio is then ask your parents or, ouch, grandparents, please.) And, most importantly, we were there when the music moved away from any and all music that your parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.

Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that fear, the fear of fears that haunted many a teenage dream then, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.

So what still sounds good on this CD compilation to a current AARPer and, and perhaps some of his fellows who comprise the demographic that such a 1950s compilation “speak” to. Of course, Come Go With Me by the Dell Vikings, Betty Everett’s It’s In His Kiss and the savage drum line of Frankie Ford’s Sea Cruise. But what about Jerry Butler’s gospel-tinged For Your Precious Love? Yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven that you didn’t destroy your partner's shoes and feet. Well, one learns a few social skills in this world for no other reason that to “impress” that certain she (or he for she) mentioned above. I did, didn’t you?

************

It's In His Kiss


Does he love me, I wanna know
How can I tell if he loves me so
Is it in his eyes, oh no you'll be deceived
Is it in his eyes, oh no he'll make believe
If you wanna know, if he loves you so
It's in his kiss
That's where it is, oh yeah
Or is it in his face, oh no it's just his charm
In his warm embrace, oh no that's just his arm
If you wanna know, if he loves you so
It's in his kiss
That's where it is, oh it's in his kiss
That's where it is, oh-oh
Kiss him and squeeze him tight
And find out what you wanna know
If it's love, if it really is
It's there in his kiss
How 'bout the way he acts, oh no that's not the way
And you're not listening to all I say
If you wanna know, if he loves you so
It's in his kiss, that's where it is
Oh yeah it's in his kiss, that's where it is

Oh-oh, kiss him and squeeze him tight
And find out what you wanna know
If it's love, if it really is
It's there in his kiss
How 'bout the way he acts, oh no that's not the way
And you're not listening to all I say
If you wanna know, if he loves you so
It's in his kiss
That's where it is, oh yeah it's in his kiss
That's where it is, oh it's in his kiss

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