In Honor Of The Late Rocker Chuck Berry Who Helped Make It All Possible-*Coming Of Age, Period- '50s Style-An Encore
CD Review
Oldies But Goodies, Volume One, Original Sound Record Co., 1986
I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question that those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes and rhymey Tin Pan Alley pieces hit the radio airwaves. (If you do not know what a radio is then ask your parents or, ouch, grandparents, please.) And, most importantly, we were there when the music moved away from any and all music that your parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.
Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that fear, the fear of fears that haunted many a teenage dream then, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.
So what still sounds good on this CD compilation to a current AARPer and, and perhaps some of his fellows who comprise the demographic that such a 1950s compilation “speak” to. This volume is, more than some of the other volumes in this series (fifteen in all), loaded up with classics. Of course, Earth Angel, the 50s seemed to be a time for “angel’ laments from the classic Teen Angel on, the theme being irrevocable lost and learning about such heartbreak at an early age. Eddie My Love, a tale of longing from the female side that I nevertheless even today still find myself singing in the shower. And, on that same line Confidential the lyrics and theme hit a chord. Naturally, in a period of classic rock numbers, Chuck Berry’s Maybellene (or, virtually any other of about twenty of his songs from that period).
But what about the now inevitable end of the night high school dance song (or maybe even middle school) that seems to be included in each CD compilation? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to , mumbly-voice, parched-throated, sweaty-handed, asked a girl to dance (women can relate their own experiences, probably similar). Here the classic Paul Anka hit, Put Your Head On My Shoulder fills the bill. Hey, I didn’t even like the song, or the singer, but she said yes and this was what you waited for so don’t be so choosey. And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world for no other reason that to “impress” that certain she (or he for shes) mentioned above. I did, didn’t you?
*************
THE FONTANE SISTERS lyrics - Eddie My Love
Eddie my love, I love you so-o
How I've waited for you you'll never know-o
Please Eddie, don't make me wait too long
Eddie please write me one li-ine
Tell me your love is still only mi-ine
Please Eddie, don't make me wait too long
You left me last September
To return to me before long
But all I do is cry myself to sleep
Eddie since you've been gone
Eddie my love where can you be-ee
I pray the angels find you for me-ee
Please Eddie, don't make me wait too long
Please Eddie, don't make me wait too long
In Honor Of The Late
Rocker Chuck Berry Who Helped Make It All Possible-
CD Review
Oldies But Goodies, Volume One, Original Sound Record Co., 1986
I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question that those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes and rhymey Tin Pan Alley pieces hit the radio airwaves. (If you do not know what a radio is then ask your parents or, ouch, grandparents, please.) And, most importantly, we were there when the music moved away from any and all music that your parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.
Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that fear, the fear of fears that haunted many a teenage dream then, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.
So what still sounds good on this CD compilation to a current AARPer and, and perhaps some of his fellows who comprise the demographic that such a 1950s compilation “speak” to. This volume is, more than some of the other volumes in this series (fifteen in all), loaded up with classics. Of course, Earth Angel, the 50s seemed to be a time for “angel’ laments from the classic Teen Angel on, the theme being irrevocable lost and learning about such heartbreak at an early age. Eddie My Love, a tale of longing from the female side that I nevertheless even today still find myself singing in the shower. And, on that same line Confidential the lyrics and theme hit a chord. Naturally, in a period of classic rock numbers, Chuck Berry’s Maybellene (or, virtually any other of about twenty of his songs from that period).
But what about the now inevitable end of the night high school dance song (or maybe even middle school) that seems to be included in each CD compilation? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to , mumbly-voice, parched-throated, sweaty-handed, asked a girl to dance (women can relate their own experiences, probably similar). Here the classic Paul Anka hit, Put Your Head On My Shoulder fills the bill. Hey, I didn’t even like the song, or the singer, but she said yes and this was what you waited for so don’t be so choosey. And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world for no other reason that to “impress” that certain she (or he for shes) mentioned above. I did, didn’t you?
*************
THE FONTANE SISTERS lyrics - Eddie My Love
Eddie my love, I love you so-o
How I've waited for you you'll never know-o
Please Eddie, don't make me wait too long
Eddie please write me one li-ine
Tell me your love is still only mi-ine
Please Eddie, don't make me wait too long
You left me last September
To return to me before long
But all I do is cry myself to sleep
Eddie since you've been gone
Eddie my love where can you be-ee
I pray the angels find you for me-ee
Please Eddie, don't make me wait too long
Please Eddie, don't make me wait too long
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