*Once Again A “Blues Mama” For Our Times- The Blues Of Maria Muldaur
In Honor Of The 50th Anniversary Of The Formation Of The Jim Kweskin Jug Band, A Band That Maria Was A Central Part Of Back In The Day, Celebrated At Club Passim (Club 47 back then), Cambridge On August 29 & 30 2013
CD Review
Richland Woman, Maria Muldaur, Stony Plain Records, 2001
This review was originally posted as a review for Maria Muldaur’s “Sweet Lovin' Ol’ Soul”. The main points made there apply here as well.
I have often noted that when white women cover blues songs done by the old classic black singers like Memphis Minnie, Bessie Smith, Big Mama Thornton and the like some undefined ingredient is missing. Call it "soul" or the "miseries" or whatever you like but somehow the depths of a song are generally not reached. Not so here, as Maria Muldaur presents the second of an anticipated three albums covering some great classics of old time barrel house blues. (The first album was "Richland Woman's Blues", taking the title from a song by Mississippi John Hurt so you know Maria is reaching for the blues roots, no question).
Bessie Smith's "Put It Right Here" sticks out here. Blind Willie Johnson’s classic religiously-tinged “Soul Of A Man” and Mississippi Fred McDowell’s "I’ve Got To Move” get their proper workout. The big highlight though (and a very necessary “re-discovery”) is the tribute to Memphis Minnie, “In My Girlish Days” (I wish Maria would cover “Bumble Bee”. Whoa). As Maria points out in her liner notes (to “Sweet Lovin’ Ol’ Soul”) some of these songs here are ones that she wanted to do earlier in her career but was either talked out or could not do justice to then. But now Maria knows she has paid her dues, I know she has paid her dues, and you will too. Listen.
"IN MY GIRLISH DAYS"
Late hours at night, trying to play my hand
Through my window, out stepped a man
I didn't know no better
Oh boys
In my girlish days
My mama cried, papa did, too
Oh, daughter, look what a shame on you
I didn't know no better
Oh boys
In my girlish days
I flagged a train, didn't have a dime
Trying to run away from that home of mine
I didn't know no better
Oh boys
In my girlish days
I hit the highway, caught me a truck
Nineteen and seventeen, when the winter was tough
I didn't know no better
Oh boys
In my girlish days
(spoken: Lord, play it for me now)
All of my playmates is not surprised,
I had to travel 'fore I got wise
I found out better
And I still got my girlish ways
In Honor Of The 50th Anniversary Of The Formation Of The Jim Kweskin Jug Band, A Band That Maria Was A Central Part Of Back In The Day, Celebrated At Club Passim (Club 47 back then), Cambridge On August 29 & 30 2013
CD Review
Richland Woman, Maria Muldaur, Stony Plain Records, 2001
This review was originally posted as a review for Maria Muldaur’s “Sweet Lovin' Ol’ Soul”. The main points made there apply here as well.
I have often noted that when white women cover blues songs done by the old classic black singers like Memphis Minnie, Bessie Smith, Big Mama Thornton and the like some undefined ingredient is missing. Call it "soul" or the "miseries" or whatever you like but somehow the depths of a song are generally not reached. Not so here, as Maria Muldaur presents the second of an anticipated three albums covering some great classics of old time barrel house blues. (The first album was "Richland Woman's Blues", taking the title from a song by Mississippi John Hurt so you know Maria is reaching for the blues roots, no question).
Bessie Smith's "Put It Right Here" sticks out here. Blind Willie Johnson’s classic religiously-tinged “Soul Of A Man” and Mississippi Fred McDowell’s "I’ve Got To Move” get their proper workout. The big highlight though (and a very necessary “re-discovery”) is the tribute to Memphis Minnie, “In My Girlish Days” (I wish Maria would cover “Bumble Bee”. Whoa). As Maria points out in her liner notes (to “Sweet Lovin’ Ol’ Soul”) some of these songs here are ones that she wanted to do earlier in her career but was either talked out or could not do justice to then. But now Maria knows she has paid her dues, I know she has paid her dues, and you will too. Listen.
"IN MY GIRLISH DAYS"
Late hours at night, trying to play my hand
Through my window, out stepped a man
I didn't know no better
Oh boys
In my girlish days
My mama cried, papa did, too
Oh, daughter, look what a shame on you
I didn't know no better
Oh boys
In my girlish days
I flagged a train, didn't have a dime
Trying to run away from that home of mine
I didn't know no better
Oh boys
In my girlish days
I hit the highway, caught me a truck
Nineteen and seventeen, when the winter was tough
I didn't know no better
Oh boys
In my girlish days
(spoken: Lord, play it for me now)
All of my playmates is not surprised,
I had to travel 'fore I got wise
I found out better
And I still got my girlish ways
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