Tuesday, December 10, 2013


***When The Frame Won’t Fit- Won’t Fit Big Time- Jimmy Stewart’s “Call Northside 777- A Film Review


DVD Review

Call Northside 777, starring Jimmy Stewart, Lee J. Cobb, Richard Conte, directed by Henry Hathaway, 20th Century Fox, 1948.

Hey, I ‘m just like the next guy I don’t want to see a right gee step off, step off big time, on a murder one rap and maybe a quick jolt, although in this case he caught 99 years (99 years of hell by the way) but these crime noir film noir police procedurals leave me cold. No guy wronged by some wicked femme fatale or some wrong gee getting his just desserts for being a blight on the community leaves me decidedly chilled.

Worst is a story where the right gee wronged is championed by the fourth estate (yah, the press for the clueless) in order to see that some rough justice (and an increased circulation) is done in that aforementioned wicked old world. And then to have mild-mannered, intrepid, if off-handedly seen-it-all (at first anyway), Jimmy Stewart come out of left field to save the day, save the gee, save motherhood, save apple pies and save the American way of life, well, like I say give me a wrong gee or a wicked femme to chew on anything.

Here is the skinny on this one though for those who like this kind of crime noir plot line (and there must be plenty given the large number of film and television police procedurals far more sophisticated that this slightly soapy one). Frank nobody from nowhere 1932 high-wire “wet” Chicago steps into a frame, a frame set just for him, when a copper is killed in the “line of duty.” He gets that quick 99 and that is the end of it, right? No, Ma has to see that her boy, her innocent boy, is set free after she has scrubbed floor for eleven years to buy a little piece of mind. So she ponies up some dough for information about the murder, the press (in the person of Stewart and Editor Lee J. Cobb) takes an interest and bing bang bing (added no little by modern photo enhancement technology) an hour or so later Frank nobody from nowhere Chicago 1944 is free, free as a bird, And likes it, likes on the outside just fine. Yawn, I wonder what femme fatale Gilda is up to these days.

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