Urban Mix And Match (and
Mismatch)-Woody Allen’s “Hannah and Her Sisters” (1986)-A Film Review
DVD Review
By Sam Lowell, Film
Critic Emeritus
Hannah and Her Sisters,
starring Woody Allen, Mia Fallow, Diane Wiest, Barbara Hershey, written and
directed by Woody Allen, 1986
I hope to the love of
god that I am not going on another extended Woody Allen run like I did about
ten years ago when I went crazy and reviewed about ten of his later production,
mostly stuff shot elsewhere which tended to my mind to be lesser works once he
left the confines of his beloved New York City and its environs. Here we are
back home, back in the city with Woody, Mia Farrow and an ensemble cast going
through the trials and tribulations of modern bourgeois personal relationships in
the 1986 film Hannah and her Sisters.
Of course every film and
every family it appears needs a rock, a person to make some sense of the whole
swirl of the madness that is modern life. That is Hannah’s role, like it or
not. The film is anchored by a time frame between a couple of Thanksgivings, a
time for family gatherings and bondings (although not in the Lowell household
unfortunately but this is Hannah and her sisters story so we will move on). And
anchored by the seemingly rocklike Hannah, Ms. Farrow’s role. But not all is
right in heaven, in New York City theater success and stable family life. Seems
Hannah’s very stability had set everybody’s teeth on edge. For a time anyway.
First to flee the reservation is Hannah’s husband Eliot (played by the
ubiquitous and perennial star Michael Caine) who is head over heels for-well,
for Hannah’s comely sister Lee, played by Barbara Hershey (comely in a very
1960s hippie chick understated kind of way-the kind of gal we guys all hoped to
meet out on the hustings and share a joint with). They go through their paces
without any resolution because the hamstrung Eliot can’t bear to leave the
cocoon, leave what is good and solid about Hannah.
Lee in turn had left her
mentor lover played by Max Von Sydow for that hot affair with Eliot once she
realized that the reclusive man was dragging her down, drowning her ability to
find herself. Holly, the third sister, is another reclamation job, who is saved
by Mickey played by Woody Allen once the dust settled. (Mickey in turn had been
married to Hannah at one time so there is plenty of room for the problems of social
in-breeding). In the end after a couple of years of mix and match (really
mismatch) fury things settle down around that deeply symbolic Thanksgiving
table. Not Woody’s best by any means although it was a great financial success
and he was able to get a few licks in about the insanity of trying to keep your
head above water in this modern urban world. Enough said.
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