You Have Come A Long Way, Baby-Maybe-Traversing The Woman Question, Circa 1940-With Norma Shearer, Joan Crawford, Rosalind Russell And A Fistful Of Notable Lesser Female Stars And Starlets-No Men-“The Women”(1939)-A Film Review, Maybe

You Have Come A Long Way, Baby-Maybe-Traversing The Woman Question, Circa 1940-With Norma Shearer, Joan Crawford, Rosalind Russell And A Fistful Of Notable Lesser Female Stars And Starlets-No Men-“The Women”(1939)-A Film Review, Maybe

DVD Review

By Leslie Dumont

The Women, starring Norma Shearer, Joan Crawford, Rosalind Russell and the above mentioned fistful of lesser stars, starlets, fashion models, some producers’ mistresses, a few tramps, a couple more who look like they came out of a high-end bordello in the high rent district of New York City, a couple of  taxi dancers, a few lap dancers and at least half a dozen gold-diggers and not necessarily those lesser females, directed by George Cukor he of the trio of directors who made the classic age of romantic comedy classic, adapted from a play by Claire Luce, she of the Luce of Time magazine founder, screenplay by Anita Loos, she of Gentlemen Prefer Blondes adage (sparked by Dorothy Parker’s Big Blonde the prototype for all subsequent blonde worship and hair rinses), 1939                

Why the hell have I been forced marched into writing a freaking, Sam Lowell’s favorite expression more on him in a moment, silly review about the fantasy lives of the rich upper-crust, the Riverside Drive set, in late Great Depression New York, the film The Women, which I dozed off on at least a few times without missing a beat. More on that in a moment, and hopefully the new policy instigated by site manager Greg Green that some films, some turkeys can be dispensed with by a short brutish swipe and then more on. What I feel compelled to explain is why me, Leslie Dumont, out of the blue has received this loser as her latest assignment.   

This is where Sam Lowell comes in, comes in on the negative side where later when actually dealing with the film after I have had my bilious say he will be redeemed, for now. Greg Green, always Greg Green when stupid stuff happens at this publication, has had a bee up his bonnet around the lack of reviews about art in this publication indirectly pointing the finger at previous site manager Allan Jackson who before he went over the edge a couple of years ago around commemoration of all things 1960s assigned tons of political commentary and film, book and music reviews. (Somebody asked Allan recently on his return here as a contributing editor, whatever that is, if he had ever gone to an art museum, he gave that sly sideways glance when he was in his “don’t suffer fools gladly” mood meaning WFT.     

Sam who had actually been heading toward an art career, had been pushed by his high school art teacher who had paved the way for him to be admitted to art school had always dreamed of being an artist. Having grown up desperately poor his stern and practical Irish Catholic mother who had lesser visions eventually talked him out of that path hoping instead he would get a nice white- collar civil service and push the family fortunes up a notch. He didn’t do that either. Nevertheless, having haunted art museums for years, he was the logical choice to take the continuing assignment, a gravy train assignment meaning he would have had to travel to various art museums and the like. No go though since Sam of late has been knee- deep in his other love writing about the fates of various private detectives and currently why they have or have not been inducted in the P.I. Hall of Fame. He is hot on the case of famous California P.I. Lew Archer who despite a great start in the profession never made the cut. Sam has a theory, a theory about Lew’s sexual impotency which was the major cause of his failure to thrive as he ended up doing “repo” work and peeping through keyholes when that was lucrative divorce work. Greg Green has given Sam a bye on the art front to pursue those leads.      

Now things get dicey. Greg desperate to get started on this projected continuing series cornered me at the water cooler one day and asked me if I wanted the assignment. No way, not interested, never been to an art museum since about high school when we took at trip from Trenton to the Met in New York City. Me and my then boyfriend snuck in some back halls and made out until we were ready to get the bus back to Trenton. To hold Greg off I mentioned that Laura Perkins, a fellow writer here and Sam’s longtime companion, had told me once that she had taken art classes in high school and college and had been to at least one art museum. So, yes, I, according to her “ratted her out.” But revenge is sweet and now that she is herself knee-deep in doing art research and articles and immune from other work, she has put the word in to Greg, who is her poodle now, to give me crazy film assignments like the brain-dead thing I am being forced to review, and review right now.

At this point Sam Lowell redeems himself for a very simple proposition-if you are at a loss, a total loss for a “hook” which every storyline needs to float then go back to tried and true “slice of life” when as here you have an old-time film. And frankly that is the only way that I can figure to say two words, positive or negative, about this film despite the fact that it has an all-female cast. Actually, that may be what is wrong with the thing, with the concept behind Ms. Luce’s original intention. To 2018 eyes which have gone through a few phases of feminism this thing doesn’t fly. For lots of reasons. Here is where I probably should make an act of contrition about any bottom-dwelling I have said about the 24/7 Christmas-etched films which have recently ended on the Hallmark channels. With the lame slapstick and over-the-top sudsy melodrama every Hallmark venture looks like an Academy award nominee.

Okay, slice of life time (thanks again, Sam). This is about the rich and spoiled women who despite the Great Depression still in full blast (it would not really abate until the cataclysmic beginning of World War II in the Pacific for this country) had nothing but time bile on their hands. “Catty” is the word that came to mind very early as the vultures flocked around the latest victim to scavenge. That being pure as the driven snow, Mary, played by super-melodramatic Noma Shearer who made a career doing this tearful muck. Mary, who in real life is the appendage of one Stephen Hanes. One Stephen Hanes, unseen as are all other men from minute one to the end, at least breathing men although the whole plot stinks of men and their perfidy, has left the reservation. Who is having an affair, who is paying the rent for some hat check girl. No, for a damsel in distress met at the perfume counter of Black’s Department Store which I believe is now part of the Macy’s chain but which in its day was the place of places for the high-hatted high-toned set, female division. Middle life crisis Stephen has a yearning for exotic Chrystal, played by Joan Crawfish, oops, Joan Crawford, I am under the influence of a Jack Kerouac short story about a film she did in San Francisco which he witnessed and wrote about. (By the way this is the 50^th anniversary of Kerouac’s too early death.)      

The sweet Mary, sultry Chrystal axis will drive the film’s ups and down, ups and downs aided a cluster of chucking hens led by Rosaline Russell who will convey far and wide at the drop of a hat, maybe just a hefty tip to the all-knowing wait staff at the exclusive combination beauty parlor and health spa where they all go to get refueled for the next bouts whose marriage is on the chopping block. Tough work between sitting through exotic (and truly over-the-top) fashion shows, long martini lunches and back to the exercise room. Tough work too the little witty bon mots and flaming arrows thrown around without discrimination for the truth of the matter or how hurtful it might be to the victim of the latest “be-heading” (the only discrimination, real , is the shabby second-rate treatment of the working class white and black female help which would make one hard pressed then, maybe now to, to believe that every woman is part of one sisterhood)    

Naturally younger gold-digger Chrystal will win round one, will win it almost without a fight which is something these high society dames seem incapable of when the deal goes down. Mary is out on streets. No, that is not the way of that world. She just goes to the West, to Reno for a sweet divorce with all the trimmings. Chrystal wins round two as well snagging Stephen into the marriage bed and easy street. But see Chrystal both overplayed her hand and is nothing but a gold-digging tramp who once she snagged Stephen started lining up the next best thing. Even Stephen got wise by then. And Mary when she got the word drew some from nowhere inner strength to go after her man. Round three to Mary although why she wanted back with her lover man I don’t really know, maybe he made her toes curl in bed, although in 1939 Code world we can’t even think such sexy thoughts. Maybe in the end this is really just another variation on the “boy meet girl” trope that has carried many movies and is another “hook” when you are desperate. I will stick with “slice of life,” circa 1940 since no way would a film like this be produced, not even on the Hallmark channels.  

Finally, and this might sound crazy but when I watched this film, watched it with Josh Breslin and yes, we are friends and let’s leave it at that for the rumor-mongers on the Internet, he blurred out that this film should be reviewed by a male, by a man. I agree.