Thursday, August 22, 2019

The Foibles Of The Mayfair Swells -The Film Adaptation Of Edith Warton’s The Age Of Innocence” (1934)-A Review

The Foibles Of The Mayfair Swells -The Film Adaptation Of Edith Warton’s The Age Of Innocence” (1934)-A Review




DVD Review

By Film Critic Sandy Salmon


The Age of Innocence, starring Irene Dunne, John Boles, based on Edith Wharton’s novel of the same name, 1934   

A couple of points before I dig into a short review of the film under review, the cinematic adaptation of Edith Wharton’s classic Mayfair swells novel The Age Of Innocence (or maybe New York Knickerbocker society is better as a way to designate the high society in Manhattan around the turn of the 20th century). Edith Wharton like expatriate Henry James certainly knew the ins and outs, the mores, morals, and custom of New York high society and could write reams about it. Also I thought that only we Irish neighborhood bred denizens (brought up by grandparents Dan and Anna Riley in my case) were not the only ones who had a taboo against “airing dirty linen in public” if a view of the film is any true indication of what was going on in those inner city mansions and brownstones.

That said this story line done in a flashback form in a conversation between a grandfather and his errant grandson centers on the potentially illicit romance between a married woman, the Countess, played by Irene Dunne and a love struck high society lawyer, Newland Archer, played by John Boles who nevertheless is engaged to a proper young high society prospect which will unite two families like glue upon consummation. The drama, or maybe better put, melodrama, is the built up to the final decision by the Countess, a woman who has left her husband and was in the throes of seeking a divorce, very taboo in gentile society, hell, maybe all society then once she warms up to Newland. The tensions among the engaged and then newly-wedded couple, Newland’s infatuation with the Countess and the high society matrons attempts to put a lid on the affair drive the film. In the end Newland stays with his wife and spent the rest of his life longing for the Countess.        


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