The Gold-Digger Of 1934- Jean Harlow’s “The Girl From Missouri”-A Film Review

The Gold-Digger Of 1934- Jean Harlow’s “The Girl From Missouri”-A Film Review

DVD Review

By Senior Film Critic Sandy Salmon

The Girl From Missouri, starring Jean Harlow, Lionel Barrymore, Franchot Tone, from a story by Anita Loos, 1934

You know sometimes it is refreshing when a story-line tells it like it is, tells exactly what the main character, or one of the main characters, is up to. Take the lead character in the film under review, The Girl From Missouri, Eadie played by very blonde in an age, maybe every age when very blonde got you many things a brunette, red-head, or black-haired beauty could only dream of Jean Harlow as she came up the Hollywood blonde ranks in the early 1930s. Once Eadie blows the “Show Me” state off after trying to hold off every guy who passed her by in her step-father and her mother’s dime-a-dance clip joint she is single-mindedly determined to marry some rich guy, any rich guy, and get off from hunger and cheap streets. She heads to the capital of the capitalists in New York City, a place she thinks should be easy picking for her to see what is what in that department.  

Practically from day one in the city with seven million stories (I know there are eight now but then, 1934, only seven and that may be on the high side) she is ready, willing and able to throw herself at any off-hand millionaire, bankers and stockbrokers a specialty, who looks her way for more than a few seconds. But a rookie gold-digger has to figure that she will strike out for a while before the next best thing comes along. And Eadie does strike out, does in the face of an intransigent old codger she tries to hook, one T.R. Paige, a high end banker played by Lionel Barrymore of the august acting dynasty last seen in this space holding off the likes of gangster Johnny Rocco down in Key Largo just as a “big blow” is coming through.

Never say the kid for Missouri wasn’t up for trying as she followed that old codger down to his digs in Palm Beach, then as now the wintering water hole of those with the serious kale and with its own set of mores and exclusions. Which no way Eadie fits into. This Paige, this up by the bootstraps Paige, has blonde as can be Eadie down as a tramp, as a fallen women, as a tart, well, as a gold-digger and makes that plain as day even when she tells whoever will listen that she is saving herself for marriage-for the golden apple marriage of her dreams.

Enter young Tom Paige, T.R.’s son, played by Franchot Tone who while he was the cat’s meow to movie audience women back in the day nevertheless has not been reviewed in this space by me. He makes a big play for Eadie and she has eyes for him but before they can tie that marriage knot she has been dreaming about the old man tries about six ways from Sunday to give her the heave-ho and Tom the kid born with a silver spoon in his mouth buys the old man’s story for a while. Goes back and forth before finding she is for him even if she hasn’t got three quarters to rub together. The thing that I learned from this little flick, a thing I probably knew but had kind of forgotten about of late, was that very blonde busty young women are going to get taken care of one way or another, going to have a soft landing in life. Make of that what you will.