Serving Them Off The Arm-Ellen Burstyn And Kris Kristofferson’s “Alice Doesn’t Live Here Anymore (1974) - A Film Review

Serving Them Off The Arm-Ellen Burstyn And Kris Kristofferson’s “Alice Doesn’t Live Here Anymore (1974) - A Film Review

DVD Review

By Senior Film Critic Sandy Salmon

Alice Doesn’t Live Here Anymore, starring Ellen Burstyn, Kristofferson, directed by Martin Scorsese, 1974     

You know some films in this wicked old world appeal to some people and for very different reasons not to others. Take the film under review Alice Doesn’t Live Here Anymore which I recently saw with my old friend and colleague from American Film Gazette days (when that publication was hard copy and not solely on-line as today) who got me my job here and who still clutters cyberspace as film critic emeritus and his lovely long-time companion Laura Perkins (companionship being the better option after he had had three marriages and three divorces and a parcel of nice kids along the way who nevertheless almost drove him over the edge when those college tuition bills came floating through his door). I won’t speak of my reaction to the film here since it will become apparent throughout the review. Sam did not like the film since he wrote it off as a so-so effort in the eternal Hollywood boy-meets girl formula department where from the minute the two central characters finally meet you know the flames will burn brightly. Laura loved the film mainly for the reason that it was nice to see an older film which dealt with the issue even if in a somewhat funny way of single motherhood AND the inevitable boy-girl subtext. In short this one played out as a “chick flick” as my old friend film critic Anna Devine one time coined to give this kind of genre a label to grab onto.       

I do not believe that anybody involved in the production of this film saw it as a chick flick although it certainly had qualities which would qualify it for that type of film. I believe that the producers were looking to deal in a funny and unobtrusive way with the then emerging social category of single motherhood and it trials and tribulations. Here Alice, played by Ellen Burstyn, is a recently widowed mother living in nowhere Socorro, New Mexico, her late husband’s hometown, with a let us say giving him the benefit of the doubt precocious son whom she loves dearly but who tries her patience more than somewhat. Cash short and dreaming of her own childhood home Monterey out in California and expecting to use her talents as a singer to make ends meet they blow that burg and hit the road. Hit the road to Phoenix first where Alice meets and beds a wild man wife abuser and has to flee. Flee to the next best thing Tucson where short on dough and short on singing possibilities she gets a job serving them off the arm at let’s call it the Last Chance Café.          

Between the snotty and never-ending demands of that what did we call him, oh yes, precocious son and the dead-end waitressing job (now known as wait person or wait staff) in a flea-bitten diner she is at wits end. Enter rancher handsome Johnny David, played by singer-song-writer Kris Kristofferson in his early movie career days, who makes the big play for Alice. But she isn’t buying after that run-in with that crazy wife-beater in Phoenix and she is still intent on hitting the road for Monterey when she gets enough dough together to flee this burg. But the guy grows on her and so that was that. Things went along well for a while until David tried to discipline her son and that threw the whole thing off. Done. Well almost done since David was ready to move heaven and earth to stay with Alice as he made clear in a public mea culpa in the two-bit diner-even to move to Monterey to be with her. (That Laura mentioned was the key turning point of why she loved the film.) On reflection Alice decided that she could sing for her supper anywhere and so they will stay in Tucson after all. Happy ending. 

I watched a couple of episodes of the successful television spin-off of this film, Alice, in setting up this review which was overbearing and trite but I think that I agree with Laura that this Martin Scorsese-directed film has merit as a look at the troubles of raising a child alone. Enough said.