Monday, January 22, 2024

The Golden Age Of….The American Family-Suburban Branch-Jimmy Stewart’s “Mr. Hobbs Takes A Vacation” (1962)- A Film Review

The Golden Age Of….The American Family-Suburban Branch-Jimmy Stewart’s “Mr. Hobbs Takes A Vacation” (1962)- A Film Review




DVD Review

By Laura Perkins

Mr. Hobbs Takes A Holiday, starring Jimmy Stewart, Maureen O’Hara, Fabian, 1962

My old friend and fellow writer here Sandy Salmon (and film critic formerly with the American Film Gazette but we aren’t supposed to say anything but the designated term writer since we cover all beats so just writer) always told me that the best kind of movie to review for him anyway was one which put the spotlight on some aspect of American life at a certain nodal point in our history. Basically a “slice of life” story told as much, or more about society, or as here in the film under review Mr. Hobbs Takes A Vacation a certain segment of that society at the time as any academic book or paper.

Within the plotline of this quasi-comic look at suburban America circa the late 1950 and early 1960s Sandy’s comment is spot on even if it’s a very glossy take on the mores of white middle class families in the “golden age” of American prosperity. It is almost a clinically pure example of the inward facing look of that segment during the heart of the Cold War red scare although you would hardly know it from the total lack of outside world reality intervention. I came up on the farm, a hard scrabble working truck farm outside of Albany in Dutch country upstate New York around the time of setting of this film and would have been the youngest daughter in this household, Katey, near contemporary. My world never came close to looking like that including all the alleged teen anagst and alienation traumas she faced.  Didn’t have time for that kind of thing.        

The plot is almost irrelevant here since it is pretty slim but the sociology is something to behold. An older white suburban couple, married, father Roger Hobbs, Jimmy Stewarts’ role, a successful banker, wife, Peggy, of Peg of my heart fame, played by Maureen O’Hara, successful housewife, one troubled boy teen, one very troubled girl teen, and no known dogs at home, along with two older married with children daughters also housewives with husbands who appear to be good providers for the next cookie cutter generation of one provider families already heading toward extinction to be replaced by two working parents also with no known dogs. Perfect sociological cohort of upwardly mobile America in a day when that dream had some realistic possibilities of achievement.


That was the sociology part the other part is the jack of all trades Mr. Fix it dad part. That much put upon Roger Hobbs who followed a long line of such dads from his own role in It’s a Wonderful Life to television’s Ward Cleaver, Fred McMurray, and Ozzie Nelson you get the picture. No child welfare department, no school counselors, no police intervention, no priest, nada. Just Pops, aka here Bumpah to grandchild. Old Hobbs takes the vacation from hell (in the future Chevy Chase would take up those same cudgels) and turns it into a one man’s family triumph. Young son alienated take him sailing. Young daughter ditto alienated and boy hungry no problem. Send a guy around (the guy turns out to be singer  Fabian heartthrob to young white suburban boy hungry white girls in the interest of transparency me too but here whose beard seems to make him cradle robbing). Daughter’s husband out of work get him work. Cook getting uppity no problem woo her back. Machinery out of whack-give the guy a wrench. An A number one Dad. Yeah, count this one if you really must see it as strictly a slice of life from a time which seems like a million years ago. Before rampart divorce, single parenthood, two worker households, and the like. Even the family station wagon has bitten the dust.                       

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