*Poet's Corner- William Wordsworth's Ode To The French Revolution

Click On Title To Link To William Wordsworth's Web Page.

Commentary

Here is William Wordsworth's famous ode to the beginning of the French revolution full of all the youthful enthusiasm such a world historic event can elicit. That he, like many another former 'friend' of revolutions over the ages, went over to the other side when things got too hot does not take away from his efforts here.


The French Revolution as it appeared to Enthusiasts


. Oh! pleasant exercise of hope and joy!
For mighty were the auxiliars which then stood
Upon our side, we who were strong in love!
Bliss was it in that dawn to be alive,
But to be young was very heaven!—

Oh! times, In which the meagre, stale, forbidding ways
Of custom, law, and statute, took at once
The attraction of a country in romance!
When Reason seemed the most to assert her rights,

When most intent on making of herself
A prime Enchantress--to assist the work
Which then was going forward in her name!
Not favoured spots alone, but the whole earth,

The beauty wore of promise, that which sets
(As at some moment might not be unfelt
Among the bowers of paradise itself )
The budding rose above the rose full blown.

What temper at the prospect did not wake
To happiness unthought of? The inert
Were roused, and lively natures rapt away!
They who had fed their childhood upon dreams,

The playfellows of fancy, who had made
All powers of swiftness, subtilty, and strength
Their ministers,--who in lordly wise had stirred
Among the grandest objects of the sense,

And dealt with whatsoever they found there
As if they had within some lurking right
To wield it;--they, too, who, of gentle mood,
Had watched all gentle motions, and to these

Had fitted their own thoughts, schemers more wild,
And in the region of their peaceful selves;--
Now was it that both found, the meek and lofty
Did both find, helpers to their heart's desire,

And stuff at hand, plastic as they could wish;
Were called upon to exercise their skill,
Not in Utopia, subterranean fields,
Or some secreted island, Heaven knows where!

But in the very world, which is the world
Of all of us,--the place where in the end
We find our happiness, or not at all!

William Wordsworth

*Poet's Corner- William Wordsworth's "Ode To The French Revolution"- In Honor Of Its 221st Anniversary

Click on the headline to link to a YouTube film clip about William Wordsworth.

Markin Comment:

Here is William Wordsworth's famous ode to the beginning of the French revolution full of all the youthful enthusiasm such a world historic event can elicit. That he, like many another former 'friend' of revolutions over the ages, went over to the other side when things got too hot does not take away from his efforts here.


The French Revolution as it appeared to Enthusiasts

. Oh! pleasant exercise of hope and joy!
For mighty were the auxiliars which then stood
Upon our side, we who were strong in love!
Bliss was it in that dawn to be alive,
But to be young was very heaven!—

Oh! times, In which the meagre, stale, forbidding ways
Of custom, law, and statute, took at once
The attraction of a country in romance!
When Reason seemed the most to assert her rights,

When most intent on making of herself
A prime Enchantress--to assist the work
Which then was going forward in her name!
Not favoured spots alone, but the whole earth,

The beauty wore of promise, that which sets
(As at some moment might not be unfelt
Among the bowers of paradise itself )
The budding rose above the rose full blown.

What temper at the prospect did not wake
To happiness unthought of? The inert
Were roused, and lively natures rapt away!
They who had fed their childhood upon dreams,

The playfellows of fancy, who had made
All powers of swiftness, subtilty, and strength
Their ministers,--who in lordly wise had stirred
Among the grandest objects of the sense,

And dealt with whatsoever they found there
As if they had within some lurking right
To wield it;--they, too, who, of gentle mood,
Had watched all gentle motions, and to these

Had fitted their own thoughts, schemers more wild,
And in the region of their peaceful selves;--
Now was it that both found, the meek and lofty
Did both find, helpers to their heart's desire,

And stuff at hand, plastic as they could wish;
Were called upon to exercise their skill,
Not in Utopia, subterranean fields,
Or some secreted island, Heaven knows where!

But in the very world, which is the world
Of all of us,--the place where in the end
We find our happiness, or not at all!

William Wordsworth

*A Communist Before His Time –Gerrard Winstanley and the Digger Colonies in the English Revolution

Click on the headline to link to a YouTube film clip of Billy Bragg (Known In This Space As Narrator Of Woody Guthrie And His Guitar: The Machine Kills Fascists)performing The World Turned Upside Down.

DVD REVIEW

Winstanley, starring Miles Harriwell, directed by Kenneth Brownlow, 1975

The time of the English Revolution in the 1640's, Oliver Cromwell's time, as in all revolutionary times saw a profusion of ideas from all kinds of sources- religious, secular, the arcane, the fanciful and the merely misbegotten. A few of those ideas however, as here, bear study by modern militants. As the film under review amplifies, True Leveler Gerrard Winstanley's agrarian socialist utopian tracts from the 1640's, the notion of a socialist solution to the problems of humankind has a long, heroic and storied history. The solutions presented by Winstanley had and, in a limited sense, still do represent rudimentary ways to solve the problem of social and economic distribution of the social surplus produced by society. Without overextending the analogy Winstanley's tract represented for his time, the 1600's, what the Communist Manifesto represented for Marx's time-and ours-the first clarion call for the new more equitable world order. And those with property hated both men, with the same venom, in their respective times.

One of the great advances Marx had over Winstanley was that he did not place his reliance on an agrarian solution to the crisis of society as Winstanley, by the state of economic development of his times, was forced to do. Marx, moreover, unlike Winstanley, did not concentrate on the question of distribution but rather on who controlled the means of production a point that all previous theorists had either failed to account for, dismissed out of hand or did not know about. Thus, all pre-Marxist theory is bound up with a strategy of moral as well as political persuasion as a means of changing human lifestyles. Marx posed the question differently by centering on the creation of social surplus so that under conditions of plenty the struggle for daily survival would be taken off the human agenda and other more lofty goals put in its place. Still, with all the True Levelers' weaknesses of program and their improbabilities of success in the 1640's militants today still doff our hats to Winstanley's vision.

Notwithstanding the utopian nature of the experiment discussed above the filmmaker, Kenneth Brownlow, and his associates here have painstakingly, lovingly and with fidelity to the narrative and detail that are known from the researches of the likes of Christopher Hill and George Sabine, among others, that make for an excellent snapshot of what it might have been like up on Winstanley's St. George's Hill long ago. Two things add to that end.

First, the use of black and white highlights the bleak countryside (after all although the land was "common" it was waste that the landlord did not find it expedient to cultivate) and the pinched appearances of the "comrades" (especially the deeply-farrowed expressions of Miles Harriwell as Winstanley). Secondly, the director has used to the greatest extent possible Winstanley's own pamphlets that dealt with what was going on in Surrey and what his political purposes were (expressed as almost always in those days in religious terms- but taking land in common for use rather than profit is understanding in any language. I might add that the attempts to replicate the costumes of the period, the furnishings and the music round out a job well done.

Note: Part of this DVD contains a section on the hows and whys of the making of the film, including in-depth coverage of its making and commentary by Mr. Brownlow. You are getting this film for the Winstanley reenactment but this section is interesting if you are interested in filmmaking.


THE FOLLOWING IS A SONG BASED ON THE DIGGER EXPERIENCE IN 1650

If John Milton was the literary muse of the English Revolution then the Diggers and their leader, Gerrard Winstanley, were the political muses.

The World Turned Upside Down

We will not worship the God they serve, a God of greed who feeds the rich while poor folk starve.
In 1649 to St. George's Hill
A ragged band they called the Diggers came to show the people's
will
They defied the landlords, they defied the laws
They were the dispossessed reclaiming what was theirs.
We come in peace, they said, to dig and sow
We come to work the lands in common and make the waste
ground grow

This earth divided we will make whole
So it may be a common treasury for all "**
The sin of property we do disdain
No man has any right to buy or sell the earth for private gain

By theft and murder they took the land
Now everywhere the walls spring up at their command
They make the laws to chain us well
The clergy dazzle us with heaven, or they damn us into hell

We will not worship the God they serve,
a God of greed who feeds the rich while poor folk starve
We work and eat together, we need no swords
We will not bow to masters, nor pay rent to the lords

Still we are free, though we are poor
Ye Diggers all, stand up for glory, stand up now!
From the men of property the orders came
They sent the hired men and troopers to wipe out the Diggers'
claim

Tear down their cottages, destroy their corn
They were dispersed - only the vision lingers on
Ye poor take courage, ye rich take care
This earth was made a common treasury for everyone to share
All things in common, all people one
They came in peace - the order came to cut them down

WORDS AND MUSIC BY LEON ROSSELSON, 1981

*Long Live The Memory of the Slave General Spartacus- Howard Fast's Novelistic Treatment

Click on title to link to Wikipedia's entry for the writer Howard Fast.

Book Review

Spartacus, Howard Fast, North Castle Books, New York, 1951

In one of the ironies of political life I found a copy of this book under review, Spartacus by Howard Fast, in the Young Adult section of the local library. The irony in 2008 is that the author had been among those who early on were blacklisted as Communists, communist sympathizers or dupes during the “night of the long knives” of the McCarthy era in the 1950’s. At that time this book would not only have been proscribed from the library shelves but would have been burned in the public square of this particular town. Why? Well, aside from the author’s then communist sympathies the serious novelistic presentation of the class struggle between free citizens and chattel slaves in ancient Rome was not a fit subject for young minds, or old. Throw in some sexual candid (for the time) descriptions of Roman mores and more than a hint of the bi-sexual or homosexual natures of some of the Roman characters and the book is clearly beyond the pale. So there you have a snapshot of the politics behind the history of the book. But there is more.

The impetus for getting this book out of the library was, as is usually the case when possible, to compare it to the film version that I have previously reviewed in this space. The purpose, mainly, was to compare how true the story line of the film was to the novel. As mentioned in the film review, a fellow blacklistee of Fast's(one who could not write, as least publicly, under his or her own name during the 1950’s due to the political atmosphere) Dalton Trumbo wrote the screenplay. He did not do a bad job of getting the main point out- that eternal need for freedom from the oppressive boot heel of the ruling class- for a commercial film in the more restrictive 1950’s and early 1960’s but the book really is a much better bet if you are looking for a non-academic treatment of the class struggle in ancient Rome (or with appropriate updating now, for that matter).

I have long noted, as others who have studied the question have as well, that oppression oppresses both the oppressed and the oppressor. (Ouch!, for the awkwardness of this sentence.). The dramatic and psychological tension here between the Roman General Crassus (played by Laurence Olivier in the film) who finally defeats the slave General Spartacus is central to that premise. Along the way we get a serious look at the class structure of pre-Christian Rome, it entertainments and its follies, the dagger-like tensions between slave and master and everyone in between, a close look at the military structure of the Roman legions that made it the most feared army in the then known world and the “guerrilla” tactics of the slave armies and more than our fair share about the fate of rebellious slaves who do not win-capital punishment by crucifixion.


As to comparisons between the film and novel in the film Spartacus (in the person of Kirk Douglas) is front and center in person from the first few minutes and the story unfolds from his transfer from a desert mine to the gladiator school at Capua (the owner played by Peter Ustinov) through the gladiator uprising and the various attempts to break the Roman legions and leave Italy. In the book the story is told in reverse, after the defeat and death of Spartacus, the whole Servile War period is summed up by reflections back on those events by the other characters. Of course the love story between Spartacus and Varania (played by Jean Simmons) is more muted. All in all, if you take the three hours to view the film then you really should read Fast’s novel. Then you will know why we proudly honor the name and exploits of Spartacus in left-wing politics even today.

A CENTURY OF REVOLUTION, INDEED

BOOK REVIEW

A CENTURY OF REVOLUTION, 1603-1714, CHIRSTOPHER HILL, W.W. Norton and Co., New York, 1980

The late eminent British Marxist historian Christopher Hill is better known for his pioneer work in the micro-history of the English Revolution and the influences of left-wing political forces such as the Levellers and Diggers and religious forces such the Quakers, Shakers, Ranters and Seekers on it. Here he has written an overview of the entire 17th century as part of this series of books on the history of England to modern times. Needless to say some of his work around the English Revolution seeps into this work as well, which makes his analysis of that period the strongest section of the book.

Professor Hill traces the major social, political, economic and religious trends that culminated in the revolution back to the reign of James I (and some economic trends back to Elizabethan times). He covers such keys areas of conflict as the changes in land use and ownership, agricultural innovations including the highly controversial enclosure policy, governmental foreign policy which tended to have a distinctly Catholic, particularly pro-Spanish, orientation, the embryonic beginnings of the split between court and ‘country’ as a result of Stuart arbitrary rule, the split between landed proprietors and city merchants; the city and the country, the established church and the numerous pro-Puritan (read Calvinist) sects that started to sprout up like wildfire and the rise of a secular democratic movement based in the cities that both the Army and the Levellers would draw from in the Civil War period.

Special note should be taken of the decades between the beginning of the defensive struggle against Charles I in 1640 and 1660 with the restoration of his son Charles II to the throne. At this point the tensions that were merely outlined by the prior policies of the Stuart governments came to the breaking point. Hill does more than merely narrate that story. He shows, based on his well-stocked body of knowledge about the period, the various stages of the revolution from the first defensive struggles of the Parliamentarians to the definitive break with Charles and the establishment of the New Model Army which would usher in a period of military dominance of government and society and with it the rise and fall of the various secular and religious democratic movements. Hill also does a masterful job of showing how the various plebian democratic forces led by the Levellers, and to a much lesser extent the Diggers,in society reacted to governmental policy (and how the government dealt with those forces) and how these various fights sapped the revolutionary energy of the masses.

As more than one historian and sociologist has noted, as a general proposition the study of post-revolutionary periods tends to be rather anti-climatic. That is also the case here with the restoration of Charles II. England, however, exhibited that trend in revolutionary history that notes that even when the revolution runs out of steam there is generally no regression back to the old ways of ruling. Despite the regression in governmental form, Parliament supremacy was essentially assured although not without various intrigues against it and against England. As importantly, the capitalist industrial developmental trends that had been gathering force throughout the century kept expanding after the revolution. That trend would make England the number one power in the world in the next century. For an excellent overview of an important period in English history, which moreover is filled with helpful footnotes on sources for further research, this is your stop.