Click on the title to link to a YouTube film clip on Emmett Till.
Recently I have begun to post entries under the headline- Songs To While Away The Class Struggle By-that will include progressive and labor-oriented songs that might be of general interest to the radical public. I have decided to do the same for some films that may perk that same interest under the title in this entry’s headline. In the future I expect to do the same for books under a similar heading.-Markin
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DVD Review
Free at Last: Civil Rights Heroes, film documentary, Image Entertainment, 2005
Every major (and most minor) progressive social struggle in America from the struggle for independence from Great Britain through to the struggle for slavery abolition up to the struggle for women’s rights and gender equality today has had more than its share of heroes and martyrs. The purpose of the documentary under review, Free At Last: Civil Rights Heroes, rightly, highlights some of those lesser known heroes and martyrs from the struggle for black civil rights that came to national prominence in the1950s and 1960s (although, arguably, that struggle goes back to the 1930s and before).
Although, in the end the question of black equality had to be addressed (and still has to be addressed) nationally the thrust of the black civil rights movement that is featured in this film is the struggle for something like a democratic revolution by blacks and their supporters in the police state-like American South in place since post-Civil War times. That barbaric de jure and de facto Jim Crow system officially, as a matter state and social policy, held blacks in second class citizenship (or lower). The struggle to overcome that ingrained (and profitable, profitable for whites of almost all social strata) was almost, of necessity, going to create more than it share of heroes and martyrs.
The case of fourteen year old Chicago resident Emmett Till and his horrible murder at the hands of white marauders in Mississippi in 1955, the first of the three separate segments that make up the film graphically highlights the problem. For the mere allegation of “whistling at a white woman while black” (if that allegation had any substance) young Emmett was brutally mangled and thrown into the local river. When his mother, righteously, made a cause out of this bestial murder all hell broke loose, at least on the surface. And the case galvanized blacks and whites nationally, alerting many for the first time to the hard fact that something was desperately wrong down in Mississippi (and not just there). But justice, Mississippi justice, to paraphrase poet Langston Hughes, is justice deferred. As detailed in almost all the cases highlighted in the film those directly responsible for the actions against the civil rights workers were either never brought to justice or only after something like a long drawn out legal civil war. No one should forget that aspect of the struggle either.
The other cases highlighted from the assassinated Medgar Evers to the four Birmingham girls murdered in their church when it was bombed to the three civil rights workers slain in Philadelphia, Mississippi that drew nation-wide attention to slain white civil rights workers Viola Liuzzo and Reverend James Reeb, murdered for “being white while working for black civil rights” exhibit those same kinds of sickening results. Let me put it this way after viewing the film footage here, especially Bull Connor’s attack dogs being let loose on civil rights demonstrators in the streets of Birmingham, Alabama that was one of the first visual images that drove me into the civil rights struggle, I still wanted to throw something at the screen. And you wonder why fifty or so years later I still say Mississippi (or fill in your preferred state) goddam. Kudos here.
Recently I have begun to post entries under the headline- Songs To While Away The Class Struggle By-that will include progressive and labor-oriented songs that might be of general interest to the radical public. I have decided to do the same for some films that may perk that same interest under the title in this entry’s headline. In the future I expect to do the same for books under a similar heading.-Markin
*******
DVD Review
Free at Last: Civil Rights Heroes, film documentary, Image Entertainment, 2005
Every major (and most minor) progressive social struggle in America from the struggle for independence from Great Britain through to the struggle for slavery abolition up to the struggle for women’s rights and gender equality today has had more than its share of heroes and martyrs. The purpose of the documentary under review, Free At Last: Civil Rights Heroes, rightly, highlights some of those lesser known heroes and martyrs from the struggle for black civil rights that came to national prominence in the1950s and 1960s (although, arguably, that struggle goes back to the 1930s and before).
Although, in the end the question of black equality had to be addressed (and still has to be addressed) nationally the thrust of the black civil rights movement that is featured in this film is the struggle for something like a democratic revolution by blacks and their supporters in the police state-like American South in place since post-Civil War times. That barbaric de jure and de facto Jim Crow system officially, as a matter state and social policy, held blacks in second class citizenship (or lower). The struggle to overcome that ingrained (and profitable, profitable for whites of almost all social strata) was almost, of necessity, going to create more than it share of heroes and martyrs.
The case of fourteen year old Chicago resident Emmett Till and his horrible murder at the hands of white marauders in Mississippi in 1955, the first of the three separate segments that make up the film graphically highlights the problem. For the mere allegation of “whistling at a white woman while black” (if that allegation had any substance) young Emmett was brutally mangled and thrown into the local river. When his mother, righteously, made a cause out of this bestial murder all hell broke loose, at least on the surface. And the case galvanized blacks and whites nationally, alerting many for the first time to the hard fact that something was desperately wrong down in Mississippi (and not just there). But justice, Mississippi justice, to paraphrase poet Langston Hughes, is justice deferred. As detailed in almost all the cases highlighted in the film those directly responsible for the actions against the civil rights workers were either never brought to justice or only after something like a long drawn out legal civil war. No one should forget that aspect of the struggle either.
The other cases highlighted from the assassinated Medgar Evers to the four Birmingham girls murdered in their church when it was bombed to the three civil rights workers slain in Philadelphia, Mississippi that drew nation-wide attention to slain white civil rights workers Viola Liuzzo and Reverend James Reeb, murdered for “being white while working for black civil rights” exhibit those same kinds of sickening results. Let me put it this way after viewing the film footage here, especially Bull Connor’s attack dogs being let loose on civil rights demonstrators in the streets of Birmingham, Alabama that was one of the first visual images that drove me into the civil rights struggle, I still wanted to throw something at the screen. And you wonder why fifty or so years later I still say Mississippi (or fill in your preferred state) goddam. Kudos here.
