Showing posts with label music preservation. Show all posts
Showing posts with label music preservation. Show all posts

Saturday, September 20, 2008

*Preserving The Roots Anyway We Can- The Saga Of Roots Music Preservationist Joe Bussard

Click on title to link to YouTube's film clip of the trailer for "Desperate Man's Blues".

DVD Review

Desperate Man's Blues: Discovering The Roots Of American Music, Jose Bussard and a cast of thousands of old 78 speed records, Cubic Media, 2006


Recently I went to great lengths, and rightly so, to tout the “Antone’s: House Of The Blues” DVD that was about the trials and tribulations of the late Austin, Texas blues club owner Clifford Antone in order to keep the blues tradition alive by keeping old time Chicago blues legends like Hubert Sumlin, Eddie Taylor, Sunnyland Slim and Jimmy Reed gainfully employed. Also his remarkable sense of talent-spotting in showcasing the new talent of the likes of Sarah Brown, The Fabulous Thunderbirds, and most famously the Vaughn brothers, Jimmie and later Stevie Ray. Well, apparently running music clubs is not the only way to go in preserving American roots music, as this ‘reality’ film documentary of the saga of a fifty plus years journey by record collector Joe Bussard rather strikingly points out.

Joe Bussard‘s trial and tribulations are of a different order than Clifford Antone’s. Joe had taken on the task of traveling many a mile to find rare old roots music wherever he could find it. In short, he has some of the same obsessive, traits that we saw in the ‘Antone” film. And that is to the good. Plus old Joe has an engaging, if definitely old-fashioned, sense of collecting. Nevertheless when he ‘played the platters’ of Clarence Ashley, Robert Johnson, Son House , Uncle Dave Mason, and a few I really didn’t from some obscure parts of the American songbook I was right there with him. That may say more about me than about him.

The only problem I have, a big problem I must confess, is old Joe’s dismissal of “rock and roll” music. Part of that is generational, to be sure. But part is a different understanding of the nature of American roots music. Jerry Lee Lewis when he was in high jump jitterbug form, Elvis when young and hungry, Carl Perkins and on and on in the rockabilly and rhythm and blues traditions that served as the foundation of the best of rock. No, I do not agree with Joe that that was all junk. For the rest though, Joe I am right with you.