The Pete Seeger Sessions, Bruce Springsteen, 2006
This review was originally posted for the DVD. The accolades for that serve for the CD as well. There are also CD/DVD combination discs available
"Frankly, I had never been a strong fan of Bruce Springsteen’s during his more raucous Rock & Roll career. I like Rock & Roll very much but most of his work seemed, to my ear, a little off kilter. However, with an acoustic recording in 2005 (and an earlier one from from 1996 that I will review separately) and now an American tradition folk recording of some works made famous by the legendary folksinger and ardent folk traditionalist Pete Seeger Springsteen has come back home. This session produced interesting versions of some common American songs like "Eire Canal", "John Henry", Mary Don't You Weep" and "Shenendoah" that are done with so much retexturing (Springsteen’s term) that Bruce has now created a niche for himself in the folk pantheon. Who would have thought?
This is a short documentary about the making of the sessions album but it gives real insight into the way Springsteen ‘feels’ the song, gears up, and then goes out and performs it in that gravelly voice that I like in male singers. For my money his version of "Shenandoah" is one of the most hauntingly moving I have ever heard (partially as a result of great back up on instruments and vocals, including a strong performance by Bruce's wife Patty). And I do not usually even like the song. All this, plus his gang of musicians were obviously having a good time. And it shows from start to finish. I am going out to buy the album, pronto. (There are some DVD/CD reverse side combinations available on this one)."
Note: The reference to Bruce coming home is from the DVD. One of the back up musicians' father was a well-known folkie in the 1960's who taught Bruce his acoustic guitar back then. What goes around comes around.
This review was originally posted for the DVD. The accolades for that serve for the CD as well. There are also CD/DVD combination discs available
"Frankly, I had never been a strong fan of Bruce Springsteen’s during his more raucous Rock & Roll career. I like Rock & Roll very much but most of his work seemed, to my ear, a little off kilter. However, with an acoustic recording in 2005 (and an earlier one from from 1996 that I will review separately) and now an American tradition folk recording of some works made famous by the legendary folksinger and ardent folk traditionalist Pete Seeger Springsteen has come back home. This session produced interesting versions of some common American songs like "Eire Canal", "John Henry", Mary Don't You Weep" and "Shenendoah" that are done with so much retexturing (Springsteen’s term) that Bruce has now created a niche for himself in the folk pantheon. Who would have thought?
This is a short documentary about the making of the sessions album but it gives real insight into the way Springsteen ‘feels’ the song, gears up, and then goes out and performs it in that gravelly voice that I like in male singers. For my money his version of "Shenandoah" is one of the most hauntingly moving I have ever heard (partially as a result of great back up on instruments and vocals, including a strong performance by Bruce's wife Patty). And I do not usually even like the song. All this, plus his gang of musicians were obviously having a good time. And it shows from start to finish. I am going out to buy the album, pronto. (There are some DVD/CD reverse side combinations available on this one)."
Note: The reference to Bruce coming home is from the DVD. One of the back up musicians' father was a well-known folkie in the 1960's who taught Bruce his acoustic guitar back then. What goes around comes around.
Apparently when Bruce Springsteen gets into a project he really gets into it. I just saw him in Roy Orbison's Black and White Nights and he was fired up there in an entirely different milieu. Amazing.
ReplyDeleteHere are the lyrics to "Shenandoah"
ReplyDeleteOh, Shenandoah
Traditional Lyrics
Listen to Judy Caplan Ginsburgh and David Marler perform this song.
This song is available on Judy Caplan Ginsburgh's Musical America.
Oh, Shenandoah, I long to hear you,
Away, you rolling river
Oh, Shenandoah, I long to hear you
Away, I'm bound away, cross the wide Missouri.
Oh, Shenandoah, I love your daughter,
Away, you rolling river
Oh, Shenandoah, I love your daughter
Away, I'm bound away, cross the wide Missouri.
Oh, Shenandoah, I'm bound to leave you,
Away, you rolling river
Oh, Shenandoah, I'm bound to leave you
Away, I'm bound away, cross the wide Missouri.
Oh, Shenandoah, I long to see you,
Away, you rolling river
Oh, Shenandoah, I long to see you
Away, I'm bound away, cross the wide Missouri.
Here are lyrics to "We Shall Overcome" made famous by Pete Seeger and others in the early 1960's part of the balck civil rights struggle.
ReplyDeleteWe Shall Overcome
Lyrics derived from Charles Tindley's gospel song "I'll Overcome Some Day" (1900), and opening and closing melody from the 19th-century spiritual "No More Auction Block for Me" (a song that dates to before the Civil War). According to Professor Donnell King of Pellissippi State Technical Community College (in Knoxville, Tenn.), "We Shall Overcome" was adapted from these gospel songs by "Guy Carawan, Candy Carawan, and a couple of other people associated with the Highlander Research and Education Center, currently located near Knoxville, Tennessee. I have in my possession copies of the lyrics that include a brief history of the song, and a notation that royalties from the song go to support the Highlander Center."
1.
We shall overcome
We shall overcome
We shall overcome some day
CHORUS:
Oh, deep in my heart
I do believe
We shall overcome some day
2.
We'll walk hand in hand
We'll walk hand in hand
We'll walk hand in hand some day
CHORUS
3.
We shall all be free
We shall all be free
We shall all be free some day
CHORUS
4.
We are not afraid
We are not afraid
We are not afraid some day
CHORUS
5.
We are not alone
We are not alone
We are not alone some day
CHORUS
6.
The whole wide world around
The whole wide world around
The whole wide world around some day
CHORUS
7.
We shall overcome
We shall overcome
We shall overcome some day
CHORUS
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SOURCES:
Eileen Southern, The Music of Black Americans: A History, Second Edition (Norton, 1971): 546-47, 159-60.