Click on the headline to link to a YouTube film clip of the Dixie Cups performing the classic Chapel Of Love.
CD Review
Oldies But Goodies, Volume Eleven, Original Sound Record Co., 1986
Note: The term “last waltz” used in the headline is used here as a simple expression of the truth. Just when I thought I had completed this “Oldies But Goodies” series at Volume Ten I now find that this is a fifteen, fifteen count ‘em, volume series. Therefore I am whipping off these last five in one day and be done with it. After all how much can we rekindle, endlessly rekindle, memories from a relatively short, if important, part of our lives, even for those who lived and died by the songs (or some of the songs) in these compilations. How many times can one read about wallflowers, sighs, certain shes (or hes), the moonlight of high school dances (if there was any) and hanging around to the bitter end for that last dance of the night to prove... what. Bastante! Enough!
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I have been doing a series of commentaries elsewhere on another site on my coming of political age in the early 1960s, but here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing. No question that those of us who came of age in the 1950s are truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes and rhymey Tin Pan Alley pieces hit the radio airwaves. (If you do not know what a radio is then ask your parents or, ouch, grandparents, please.) And, most importantly, we were there when the music moved away from any and all music that your parents might have approved of, or maybe, even liked, or, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.
Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. And, here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that fear, the fear of fears that haunted many a teenage dream then, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.
So what still sounds good on this CD compilation to a current AARPer, and perhaps to some of his fellows who comprise the demographic that such a 1950s-oriented compilation “speaks” to. Of course, the Maurice Evans click-clack Little Darlin’. The Kingmen’s early rock anthem Louie, Louie. The knife-twisty My Boyfriend’s Back. Naturally, in a period of classic rock numbers, The Everly Brothers When Will I Be Loved? (and about half a dozen of their songs).
But what about the now, seeming mandatory to ask, inevitable end of the night high school dance (or maybe even middle school) song that seems to be included in each CD compilation? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, asked a girl to dance (women can relate their own experiences, probably similar). Here the classic Dixie Cups tune, Chapel Of Love, fills the bill. Hey, I did like this one, especially the harmonies (by the way they stopped the show at the Newport Folk Festival about 15 years with that beauty). And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world if for no other reason that to “impress” that certain she (or he for shes, or nowadays, just mix and match your preferences) mentioned above. I did, didn’t you?
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Chapel Of Love Lyrics
Goin' to the chapel
And we're gonna get ma-a-arried
Goin' to the chapel
And we're gonna get ma-a-arried
Gee, I really love you
And we're gonna get ma-a-arried
Goin' to the chapel of love
Spring is here, th-e-e sky is blue, whoa-oh-oh
Birds all sing as if they knew
Today's the day we'll say "I do"
And we'll never be lonely anymore because we're
Goin' to the chapel
And we're gonna get ma-a-arried
Goin' to the chapel
And we're gonna get ma-a-arried
Gee, I really love you
And we're gonna get ma-a-arried
Goin' to the chapel of love
Bells will ring, the-e-e sun will shine, whoa-oh-oh
I'll be his and he'll be mine
We'll love until the end of time
And we'll never be lonely anymore because we're
Goin' to the chapel
And we're gonna get ma-a-arried
Goin' to the chapel
And we're gonna get ma-a-arried
Gee, I really love you
And we're gonna get ma-a-arried
Goin' to the chapel of love
Yeah, yeah, yeah, yeah
Goin' to the chapel of love
Yeah, yeah, yeah, yeah
FADE
Goin' to
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