Poet's Corner- Allen Ginsberg's "Howl"- The Film- A Guest Review
Click below to link to a Boston Sunday Globe article, dated September 26, 2010, concerning a review of Howl, a film adaptation of Allen Ginsberg's famous poem.
http://www.boston.com/ae/movies/articles/2010/09/26/howl_marches_to_the_beat_of_ginsbergs_drummer/
Markin comment:
Needless to say this little cinematic effort to put the sense of Allen Ginsberg’s seminal modernist poem, Howl, on the screen is more than welcome in this space. As I have repeatedly emphasized on previous occasions any poem that starts of like this one is going to get my attention and keep it every time:
“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn, looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night . . .’’
I have also of late made note of the influence of the “beats” in my own youthful political and social development. A prima facie case can be made by me, and has recently in this space, that Ginsberg’s Howl is his search for the blue-pink great American West night that animated my youth and that I have been ranting on about.
Click below to link to a Boston Sunday Globe article, dated September 26, 2010, concerning a review of Howl, a film adaptation of Allen Ginsberg's famous poem.
http://www.boston.com/ae/movies/articles/2010/09/26/howl_marches_to_the_beat_of_ginsbergs_drummer/
Markin comment:
Needless to say this little cinematic effort to put the sense of Allen Ginsberg’s seminal modernist poem, Howl, on the screen is more than welcome in this space. As I have repeatedly emphasized on previous occasions any poem that starts of like this one is going to get my attention and keep it every time:
“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn, looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of night . . .’’
I have also of late made note of the influence of the “beats” in my own youthful political and social development. A prima facie case can be made by me, and has recently in this space, that Ginsberg’s Howl is his search for the blue-pink great American West night that animated my youth and that I have been ranting on about.
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