***Out In The Be-Bop 1960s Night- When The Music’s Over, Really Over
A YouTube film clip of Stepphenwolf performing the rock classic, Born To Be Wild.
Classic Rock: 1968: various artists, Time-Life Music, 1987
Scene: Brought to mind by a the cover art on this CD of a Steppenwolf-like mushroom-headed band getting ready to belt out some serious rock in the heat of the “Generation of ‘68” night once the "high" wears off, a little.
"That Mustang Sally is a real piece of work," the Prince of Love (a. k. a. Josh Breslin from out of Olde Saco, Maine) thought to himself as he sat in the back of the bus, the magical mystery tour, merry prankster, yellow brick road bus that he had been “on” since the summer of love, last summer, the summer of 1967, the summer of his high school graduation, as the bus headed to their spring encampment down at Big Sur. Yes, Sally, (a. k. a. Susan Sharpe, Michigan Class of 1959, and a couple of other degrees to boot) sure had Captain Crunch (a. k. a. Robert Hutchins, Columbia, Class of 1958), the “owner” and all-around mentor of one and all, except to Sally, of course, over a barrel. See, Captain was the wizard king of the “on the bus” scene but he was nuts about Sally and went blind every time she took a new lover. Sally, in her way, was true to the Captain too, except that she liked to “play the field” a little. Yes, she had the Captain over a barrel alright, and she made him like it.
Sally’s specialty was befriending younger, usually younger, guys although she never thought to give me a tumble but that may have been out of respect for Butterfly Swirl who was my first "bus" love and who had flown the coop last fall to go back to Carlsbad High and her golden-haired surfer boy. And inside that specialty Sally was really friendly toward young rock and rock musicians. Right now she was “dating” Jimmy Jakes, the drummer from the new rage band at the Fillmore West, the Magic Mushrooms. And making the Captain like it. Ya, she is some piece of work.
But the Captain, if you can believe this, is just a little less mad at this Jimmy affair than Sally thinks because Jimmy’s Mushrooms not only make the room jump for the “acid freaks” that every San Francisco night group has to cater to but have a political message too. A hard political message about youth waking up and learning about how those who came to America in the old days just raped the land, raped anything they could get their hands on and then moved on, and that their progeny were still doing. Their best song, which the Captain loved enough to keep playing over and over on the bus’s amped up stereo system, Mickey Mouse Monster, was deep into that message. The Captain, when he wasn’t stoned, angry at Sally, or just cynical that day started this whole bus thing just to search for a ‘new world” and he was still searching.
Funny that the Captain would grant “absolution” to Sally for Jimmy over a simple song but Jimmy, in addition, actually talked politics, real world politics to the Captain. Stuff like how music could be the driving force of the revolution, and that John Lennon should be the head of it, and everybody should go back to the land for a while, all kinds of wild ideas like that. Ideas that for “acid” rock guys were too profound, especially when the high wore off. But the Captain listened, sometimes attentively and sometimes with a smirk. Except when that smirk turned to a big-time frown, when the Captain noticed that Sally was now hovering around a guy playing an electric flute. Ya, Sally had the Captain over a barrel, no question.
Click on the headline to link to a YouTube film clip of Stepphenwolf performing the rock classic, Born To Be Wild.
Classic Rock: 1968: various artists, Time-Life Music, 1987
Scene: Brought to mind by a the cover art on this CD of a Steppenwolf-like mushroom-headed band getting ready to belt out some serious rock in the heat of the “Generation of ‘68” night once the "high" wears off, a little.
"That Mustang Sally is a real piece of work," the Prince of Love (a. k. a. Josh Breslin from out of Olde Saco, Maine) thought to himself as he sat in the back of the bus, the magical mystery tour, merry prankster, yellow brick road bus that he had been “on” since the summer of love, last summer, the summer of 1967, the summer of his high school graduation, as the bus headed to their spring encampment down at Big Sur. Yes, Sally, (a. k. a. Susan Sharpe, Michigan Class of 1959, and a couple of other degrees to boot) sure had Captain Crunch (a. k. a. Robert Hutchins, Columbia, Class of 1958), the “owner” and all-around mentor of one and all, except to Sally, of course, over a barrel. See, Captain was the wizard king of the “on the bus” scene but he was nuts about Sally and went blind every time she took a new lover. Sally, in her way, was true to the Captain too, except that she liked to “play the field” a little. Yes, she had the Captain over a barrel alright, and she made him like it.
Sally’s specialty was befriending younger, usually younger, guys although she never thought to give me a tumble but that may have been out of respect for Butterfly Swirl who was my first "bus" love and who had flown the coop last fall to go back to Carlsbad High and her golden-haired surfer boy. And inside that specialty Sally was really friendly toward young rock and rock musicians. Right now she was “dating” Jimmy Jakes, the drummer from the new rage band at the Fillmore West, the Magic Mushrooms. And making the Captain like it. Ya, she is some piece of work.
But the Captain, if you can believe this, is just a little less mad at this Jimmy affair than Sally thinks because Jimmy’s Mushrooms not only make the room jump for the “acid freaks” that every San Francisco night group has to cater to but have a political message too. A hard political message about youth waking up and learning about how those who came to America in the old days just raped the land, raped anything they could get their hands on and then moved on, and that their progeny were still doing. Their best song, which the Captain loved enough to keep playing over and over on the bus’s amped up stereo system, Mickey Mouse Monster, was deep into that message. The Captain, when he wasn’t stoned, angry at Sally, or just cynical that day started this whole bus thing just to search for a ‘new world” and he was still searching.
Funny that the Captain would grant “absolution” to Sally for Jimmy over a simple song but Jimmy, in addition, actually talked politics, real world politics to the Captain. Stuff like how music could be the driving force of the revolution, and that John Lennon should be the head of it, and everybody should go back to the land for a while, all kinds of wild ideas like that. Ideas that for “acid” rock guys were too profound, especially when the high wore off. But the Captain listened, sometimes attentively and sometimes with a smirk. Except when that smirk turned to a big-time frown, when the Captain noticed that Sally was now hovering around a guy playing an electric flute. Ya, Sally had the Captain over a barrel, no question.
A YouTube film clip of Stepphenwolf performing the rock classic, Born To Be Wild.
Classic Rock: 1968: various artists, Time-Life Music, 1987
Scene: Brought to mind by a the cover art on this CD of a Steppenwolf-like mushroom-headed band getting ready to belt out some serious rock in the heat of the “Generation of ‘68” night once the "high" wears off, a little.
"That Mustang Sally is a real piece of work," the Prince of Love (a. k. a. Josh Breslin from out of Olde Saco, Maine) thought to himself as he sat in the back of the bus, the magical mystery tour, merry prankster, yellow brick road bus that he had been “on” since the summer of love, last summer, the summer of 1967, the summer of his high school graduation, as the bus headed to their spring encampment down at Big Sur. Yes, Sally, (a. k. a. Susan Sharpe, Michigan Class of 1959, and a couple of other degrees to boot) sure had Captain Crunch (a. k. a. Robert Hutchins, Columbia, Class of 1958), the “owner” and all-around mentor of one and all, except to Sally, of course, over a barrel. See, Captain was the wizard king of the “on the bus” scene but he was nuts about Sally and went blind every time she took a new lover. Sally, in her way, was true to the Captain too, except that she liked to “play the field” a little. Yes, she had the Captain over a barrel alright, and she made him like it.
Sally’s specialty was befriending younger, usually younger, guys although she never thought to give me a tumble but that may have been out of respect for Butterfly Swirl who was my first "bus" love and who had flown the coop last fall to go back to Carlsbad High and her golden-haired surfer boy. And inside that specialty Sally was really friendly toward young rock and rock musicians. Right now she was “dating” Jimmy Jakes, the drummer from the new rage band at the Fillmore West, the Magic Mushrooms. And making the Captain like it. Ya, she is some piece of work.
But the Captain, if you can believe this, is just a little less mad at this Jimmy affair than Sally thinks because Jimmy’s Mushrooms not only make the room jump for the “acid freaks” that every San Francisco night group has to cater to but have a political message too. A hard political message about youth waking up and learning about how those who came to America in the old days just raped the land, raped anything they could get their hands on and then moved on, and that their progeny were still doing. Their best song, which the Captain loved enough to keep playing over and over on the bus’s amped up stereo system, Mickey Mouse Monster, was deep into that message. The Captain, when he wasn’t stoned, angry at Sally, or just cynical that day started this whole bus thing just to search for a ‘new world” and he was still searching.
Funny that the Captain would grant “absolution” to Sally for Jimmy over a simple song but Jimmy, in addition, actually talked politics, real world politics to the Captain. Stuff like how music could be the driving force of the revolution, and that John Lennon should be the head of it, and everybody should go back to the land for a while, all kinds of wild ideas like that. Ideas that for “acid” rock guys were too profound, especially when the high wore off. But the Captain listened, sometimes attentively and sometimes with a smirk. Except when that smirk turned to a big-time frown, when the Captain noticed that Sally was now hovering around a guy playing an electric flute. Ya, Sally had the Captain over a barrel, no question.
Click on the headline to link to a YouTube film clip of Stepphenwolf performing the rock classic, Born To Be Wild.
Classic Rock: 1968: various artists, Time-Life Music, 1987
Scene: Brought to mind by a the cover art on this CD of a Steppenwolf-like mushroom-headed band getting ready to belt out some serious rock in the heat of the “Generation of ‘68” night once the "high" wears off, a little.
"That Mustang Sally is a real piece of work," the Prince of Love (a. k. a. Josh Breslin from out of Olde Saco, Maine) thought to himself as he sat in the back of the bus, the magical mystery tour, merry prankster, yellow brick road bus that he had been “on” since the summer of love, last summer, the summer of 1967, the summer of his high school graduation, as the bus headed to their spring encampment down at Big Sur. Yes, Sally, (a. k. a. Susan Sharpe, Michigan Class of 1959, and a couple of other degrees to boot) sure had Captain Crunch (a. k. a. Robert Hutchins, Columbia, Class of 1958), the “owner” and all-around mentor of one and all, except to Sally, of course, over a barrel. See, Captain was the wizard king of the “on the bus” scene but he was nuts about Sally and went blind every time she took a new lover. Sally, in her way, was true to the Captain too, except that she liked to “play the field” a little. Yes, she had the Captain over a barrel alright, and she made him like it.
Sally’s specialty was befriending younger, usually younger, guys although she never thought to give me a tumble but that may have been out of respect for Butterfly Swirl who was my first "bus" love and who had flown the coop last fall to go back to Carlsbad High and her golden-haired surfer boy. And inside that specialty Sally was really friendly toward young rock and rock musicians. Right now she was “dating” Jimmy Jakes, the drummer from the new rage band at the Fillmore West, the Magic Mushrooms. And making the Captain like it. Ya, she is some piece of work.
But the Captain, if you can believe this, is just a little less mad at this Jimmy affair than Sally thinks because Jimmy’s Mushrooms not only make the room jump for the “acid freaks” that every San Francisco night group has to cater to but have a political message too. A hard political message about youth waking up and learning about how those who came to America in the old days just raped the land, raped anything they could get their hands on and then moved on, and that their progeny were still doing. Their best song, which the Captain loved enough to keep playing over and over on the bus’s amped up stereo system, Mickey Mouse Monster, was deep into that message. The Captain, when he wasn’t stoned, angry at Sally, or just cynical that day started this whole bus thing just to search for a ‘new world” and he was still searching.
Funny that the Captain would grant “absolution” to Sally for Jimmy over a simple song but Jimmy, in addition, actually talked politics, real world politics to the Captain. Stuff like how music could be the driving force of the revolution, and that John Lennon should be the head of it, and everybody should go back to the land for a while, all kinds of wild ideas like that. Ideas that for “acid” rock guys were too profound, especially when the high wore off. But the Captain listened, sometimes attentively and sometimes with a smirk. Except when that smirk turned to a big-time frown, when the Captain noticed that Sally was now hovering around a guy playing an electric flute. Ya, Sally had the Captain over a barrel, no question.
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