Howling At The Moon-When Howlin’ Wolf Held Forth

Howling At The Moon-When Howlin’ Wolf Held Forth 

 

 

 

Some music you acquired naturally, you know like kids’ songs learned in school (The Farmer in the Dell, Humpty Dumpty, Jack and Jill and their ill-fated hill adventure, etc. in case you have forgotten) and embedded in the back of your mind even fifty years later. Or as in the case of junior high, with Mr. Dasher, the mad monk music teacher, who wanted his charges to have a well-versed knowledge of the American and world songbook you were forced to remember such songs as The Mexican Hat Dance and Home On The Range under penalty of being sent up to the front of the room songbook in hand and sing the damn things. Yes, you will remember such songs unto death. (We found out later that he was in a desperate rear-guard action to wean us away from rock and roll, a struggle in which he was both woefully overmatched by Elvis, Jerry Lee, Chuck, Bo, and the crowd and wasting his breathe as we lived for rock and roll at Doc’s Drugstore after school where he had a jukebox at his soda fountain.)  

Some reflected the time period when you were growing up but were too young to call the music your own like the music that ran around in the background of your growing up house on the mother housewife radio or evening record player which in my case was the music that got my parents through my father’s slogging on unpronounceable Pacific islands kicking ass and mother anxiously waiting at home for the other shoe to fall or the dreaded military officer coming up to your door telling you the bad news World War II. You know, Frank (Sinatra, the chairman of the board, that all the bobbysoxer girls, the future mothers of my generation swooned over), The Andrew Sisters  and their rums and coca colas, Peggy Lee fronting for Benny Goodman and looking, looking hard for some Johnny to do right, finally do right by her, etc. Other music, the music of my generation, classic rock and rock came more naturally since that is what I wanted to hear when I had my transistor radio to my ear up in my bedroom. This transistor thing for the young was small enough to put in your pocket and put up to your ear like iPod except you couldn’t download or anything like that. Just flip the dial although the only station that mattered was WJDA, the local rock station (which had previously before the rock break-out played the music that got our parents through their war). Oh yeah, and the beauty of the transistor you could take it up to your bedroom and shut out that aforementioned parents’ music without hassles. Nice, right. So yeah, we could hear Elvis sounding all sexy according to one girl I knew even over the radio and who drove all the girls crazy once they got a look at him on television, Chuck telling our parents’ world that Mr. Beethoven and his crowd, Frank’s too, that they all had to roll over, Bo asking a very candid question about who put the rock in rock and roll and offering himself up as a candidate, Buddy crooning against all hope for his Peggy Sue (or was it Betty Lou), Jerry Lee inflaming us with his raucous High School Confidential  from the back of a flatbed truck, etc. again.

The blues though, the rarified country and electric urban blues of the likes of Son House, Robert Johnson, Muddy Waters, James Cotton, and Howlin’ Wolf was an acquired taste. Acquired through listening to folk music programs on that very same transistor radio in the early 1960s after flipping the dial one Sunday night once I got tired of what they claimed was rock music on WJDA and caught a Boston station. The main focus was on other types of roots music but when the show would take a break from down home mountain music, western swing ballads, and urban protest music the DJ would play some cuts of country or electric blues. See all the big folkies, Dylan, Tom Rush, Dave Van Ronk, people like that were wild to cover the blues in the search for serious roots music from the American songbook. So somebody, I don’t know who, figured if everybody who was anybody was covering the blues in that folk minute then it made sense to play the real stuff.

The real stuff having been around for a while, having been produced by the likes of Muddy and Howlin’ Wolf going back to the 1940s big time black migration to the industrial plants of the Midwest during World War II when there were plenty of jobs just waiting. But also having been pushed to the background, way to the background with the rise of rock and roll (although parts of rock make no sense, don’t without kudos to blues chords, check it out). So it took that combination of folk minute and that well-hidden from view electric blues some time to filter through my brain.

What did not take a long time once I got “religion” was going crazy over Howlin’ Wolf when I saw him perform. Once I saw him practically eat that harmonica when he was playing that instrument on How Many More Years. There he was all sweating, running to high form and serious professionalism (just ask the Stones about that when he showed them how to really play Little Red Rooster which they had covered as they had many Chess Records blues numbers) and moving that big body to and fro to beat the band and playing like god’s own angel, if those angels played the harmonica, and if they could play as well as he did. Yes, that blues calling is an acquired taste and a lasting one.