In Honor Of Women’s History Month – Poet Jesse Baxter’s In Pharaoh Times

In Honor Of Women’s History Month – Poet Jesse Baxter’s In Pharaoh Times

In Pharaoh Times

Isis, daughter of Isis major, mother- wife-sister of the human sun god

Awoke, awoke with a start weary from brother couplings; and stray poppy laden abandoned copulations

Configurations only a deacon priest filled with signs and amulets could fathom, or some racked court astrologer

To face the stone-breaking day, a day filled to the brim, overflowing, with portents

Arisen, washed, fragranced, headed to the balcony to observe unseen and to be observed seen beneath the cloudless skies      

Out in the ocean sea of whirling sand, out in the endless chiseled stone sun blazing day; her sea visage on down heads, eyes averted

Hittites, Gilts, Samians, Cretans, Nubians, Babylonians all conquered all down heads and averted eyes

Out on the ocean see, a lone sable warrior defeated, defeated with down head and upward eye disturbed the blistering heat day

Isis, daughter of Isis major, mother-wife-sister-child of the human sun king    shrinks back in fear, fear time has come

That black will devour Nubian and rise, rise

Yes, rise in Pharaoh times       

Jesse Baxter had never been so angry in his black young life as he had been at his, well, let’s call her his lady friend, Louise Crawford, since he was not sure whether girlfriend in the intricate relationship networks of the1960s in quirky old Greenwich Village in the depths of trail-blazing New Jack City was an appropriate designation for their newly flowered relationship. Jesse a budding poet, a very hopeful poet who had just begun to get noticed in that rarified Village air had become one of Louise Crawford ‘s, ah, “conquests” on her way to tasting  all that the Bohemian night offered (not quite “beat,”  that had become passé by then and not quite “hip” as in hippie that would become the fashion later in the decade so bohemian, meaning out on the cultural outer edge, would do, would do as long as Jesse thought such a term was appropriate).

Jesse had seen Louise around the Village several times at the trendy art shows, upbeat coffeehouses beginning to emerge from “beat” poetry and jazz scenes to retro folk revival stuff, and at a few loft parties large enough to get lost in without having met everybody or anyone, if that was what one wanted. He had heard of her “exploits,” exploits tramping through the budding literati but had only become acquainted with Louise through her “old” lover, Jose, Jose Guzman, the surrealist-influenced painter who was beginning to make a splash for himself in the up and coming art galleries emerging over in nearby Soho. And either she had tired of him (possible) or he had tired of her (more probable since Jose was thrown off right from the beginning by her “bourgeois “command manner and her overweening need to seem like a white hipster under every circumstance although she was quote, Jose, quote, square, unquote but a good tumble, a very good tumble under the sheets) and so one night she had hit on Jesse at a coffeehouse where he was reading and that was that.

But enough of small talk and back to Jesse’s rage. At one up-scale party held on Riverside Drive among the culturati, or what passed for such in downtrodden New York,  as they had become an “item” Louise had introduced Jesse as the “greatest Negro poet since Langston Hughes and the Harlem Renaissance.” Jesse was not put off by the comparison with the great Hughes, no way, he accepted that designation with a certain sense of honor, although qualified a bit by the different rhythm that motivated Langston’s words, be-bop jazz, and his own Bo Diddley /Chuck Berry-etched  “child of rock and roll” beat running in his head. What he was put off by was that “negro”  designation, a term of derision just then in his universe as young blacks, especially young black men, were moving away from the negro Doctor King thing and toward that Malcolm freedom term, black, black as night, black is beautiful. Jesus, hadn’t she read his To Malcolm –Black Warrior Prince. (Apparently one of the virtues of tramping through the literati was an understanding that there was no actual need to read, look, hear, anything that your new “conquest” had written, drawn or sung. In the case of Louise she had made something of an art form out of that fact once confessing to Jesse that she had only actually read (and re-read) his Louise Love In Quiet Time written by him after some silly spat since she was the subject. His other work she had somebody summarize for her. Jesus, again.)  

And it was not like Louise Crawford, yes, that Crawford, the scion-ess [sic] of the Wall Street Crawfords who had (have) been piling up dough and gouging profits since the start of the republic, was not attuned to the changes going on underneath bourgeois society just then but was her way to “own” him, own him like in olden times. While he was too much the gentile son of W.E.B. Dubois’ “talented tenth” (his parents both school teachers down in hometown Trenton who however needed to scrimp and safe to put him through Howard University) to make a scene at that party latter in the cab home to her place in the Village (as the well-tipped taxi driver could testify to, if necessary) Jesse lashed into her with all the fury a budding poet and belittled black man could muster. In short, he would not be “owned” by some white bread women who was just “cruising” the cultural and ethnic out-riggings before going back to marry some son of some sorry family friend stockbroker and live on Riverside Drive and summer in the Hamptons and all the rest while he struggled to create his words, his black soul-saturated words.

The harangue continued up into her loft and then Jesse ran out of steam a little (he had had a little too much of high-shelf liquors and of hits on the bong pipe to last forever in that state). Louise called for a truce, said she was sorry, sorry for being a square, and called him to her bed, pretty please to her bed. He, between the buzz in his head from the stimulants and the realization that she was good in bed, if nothing else, followed. And that night they made those sheets sweat with their juices. After they were depleted Jesse thought to himself that Louise might be just slumming but he would take a ticket and stay for the ride and felt asleep. Louise on the other hand, got up and went to the window to look out at her city, lit a cigarette and pondered some of Jesse’s words, pondered them for a while and got just a little bit fearful for her future as she would back to her bed and lay down next to the sleeping Jesse.

 Later when he awakened just before dawn Jesse wrote his edgy poem In Pharaoh Times partially to contain the edges of his left-over rage and partially to take his distance from a daughter of Isis…

And hence this Women’s History Month contribution.