It’s Only A Chocolate Moon, June-Version 2 Million And Seventy-One Of The “Boy Meets Girl” Saga-Jean-Pierre Ameris’ “Romantics Anonymous” (2010)-Better “Les Émotifs anonymes » -A Film Review

It’s Only A Chocolate Moon, June-Version 2 Million And Seventy-One Of The “Boy Meets Girl” Saga-Jean-Pierre Ameris’ “Romantics Anonymous” (2010)-Better “Les Émotifs anonymes » -A Film Review

DVD Review

By Sarah Lemoyne

Les Émotifs anonymes-Romantics Anonymous, starring Benoit Poelvoorde, Isabelle Carre, 2010

I have only been in the film reviewing business, profession really since I went to graduate school at NYU for a short while (at least let me call it a profession to satisfy my beleaguered parents who wound up paying for me to become a professional at something, paid a ton of money so bear with me). I have had many conversations with my unofficial “mentor” Seth Garth who has been particularly helpful in my struggle to be the “Queen” of 21^st century film noir against the limitation posed by the so-called “King” of film noir in the middle of the 20^th century or thereabouts Sam Lowell. (In the inevitable interest of transparency Sam an old friend of Seth’s from high school days which has not hindered him from helping me.) Fortunately today I do not have to lock horns with Sam in doing this review of the French-Belgian film Romantics Anonymous but Seth helped me nevertheless. Or maybe better Sam through Seth when he pointed out that Hollywood and later other film centers has survived by playing about two million versions of the “boy meets girl” theme which they grabbed from early in the Western literary canon, maybe Homer with his sweet music hexameter The Illiad.  When I thought about it later I checked through the recent film review archives and noticed from Robin Hood grabbing Lady Marion to Phillip Marlowe grabbing some ravishing blonde that theme really does resonate.

All this lead-in to let the reader know that the film under review, except maybe to say “man meets woman” is deeply indebted to that trope-doesn’t actually make an sense otherwise. Doesn’t grab the viewer, as it did me, unless you take it for granted that the film is trying to pull at your heartstrings-and succeeds. The only addition that I make to the genre is the observation that this meeting was a very unusual- two social misfits meeting and cavorting despite their anxieties.  Their social shyness.

Angelique, played by fetching and doe-eyed Isabelle Carre, is a bundle of social anxieties who is in an anonymous group trying to overcome her affliction. She also happens to be one great chocolatier, a natural who is befriended by a fellow candy man who let her make her chocolate confections at home and let the legend  of her work thrive in secret. Problem though is that eventually that candy man died and left  her high and dry looking for another job. That job search was finally successful when she was hired at the Chocolate Mill, a struggling old-fashioned candy operation headed by Jean-Rene who as it turned out was also filled with about six million social anxieties as well. Second problem-Angelique was hired by Jean-Rene, played by antic, frantic Benoit Poelvoorde, to be a sales representative-to go sell chocolate not make confections. Not good. As the film moves along Jean-Rene who is seeing a therapist is given various exercises to help break his social patterns (or lack of social graces) just as Angelique is using her group sessions to get a handle on her anxieties. The two are a carnival of mixed messages and misunderstandings.

That “collision” triggers the couple getting together for dinner and other social misadventures, some scenes which are funny and are added by Jean-Rene’s facial expressions and Angelique’s doe-eyed responses. Also along the way she helps bail out the firm by getting secretly back into her great chocolatier hermit character through a thin guise. At some point, probably well before they actually spent the night together-unintentionally, you know, you can bet six, two and even as Seth says (which he later told me he got from Sam who got it from an old high school friend known as the Scribe who was addicted to film noir private detective films) they will be together, will get married, or be together some way, even if they have to run away from each other for a while. A little gem of a feel good film but I wonder, given my own social anxieties and that of my partner, whether two people really would get together like this pair based on their personalities. Just a question though in the eternal  “boy meets girl” mix (which is now expanded to whatever coupling anybody is into-which is okay too).