***Films To While Away The Class Struggle By- American Civil War General And President U.S. Grant- A PBS Documentary

Click on the title to link to a "PBS:American Experience" Website entry for President U.S. Grant.

Recently I have begun to post entries under the headline- “Songs To While Away The Class Struggle By”-that will include progressive and labor-oriented songs that might be of general interest to the radical public. I have decided to do the same for some films that may perk that same interest under the title in this entry’s headline. In the future I expect to do the same for books under a similar heading.-Markin

This year marks the 149th anniversary of the commencement of the American Civil War-and the beginning of the end of chattel slavery in the United States.

DVD Review

U.S. Grant: American Experience , PBS Productions, New York, 2003

Late year in celebrating , rightly, the military exploits of General William Tecumseh Sherman and his “bummers’ who wreaked havoc all through the Confederacy in the waning days of the American Civil War I, perhaps, slighted the organizational and strategic battle plans of his superior, the commanding general of all the Union armies, General U.S. Grant. I attempt to make amends here as we mark the 149th anniversary of the commencement of that war.

This three hour plus PBS “American Experience” documentary tells the average viewer probably much more than they would ever want to know about the career, with all its successes and failures, of one Ulysses S. Grant. As always in a PBS production there are the “talking heads”, mainly historians here, who try to flesh the meaning of Grant’s career, the fistful of attributes that led him to successful military achievements and also helped shed light on his less than stellar presidency. And as always there is plenty of still photography, much of it not previously familiar to this reviewer, and re-enactments of the major events in Grant’s life.

There are few surprises here, although to my surprise a number of commentators noted that Grant, not Lincoln was the most popular American figure of the 19th century. As the recent bicentennial of Abraham Lincoln’s birth demonstrates that is clearly not verdict of history, at least for latter centuries. That said, there is a compelling argument to make, and that is made by some of the commentators here, that Grant was the prototype for the successful modern warfare commanding general once the increase in industrial production provided the massive resources necessary to wage such war and create widespread devastation. I would only add that only in the context of the sacred Union cause and its adjunct, the abolition of slavery does his rise make sense.

The documentary painstakingly takes us through Grant’s rough and tumble childhood; his early not very glamorous military career, including service in the Mexican War a touchstone for all later military leadership on both sides of the Civil war; his various business failures prior to the war; his slow emergence as the decisive military leader and strategist in the Western campaign culminating in the massive Union victory at Vicksburg; his subsequent elevation by an admiring Lincoln to commander of all the Union armies, including the decisive and costly final marches, like Cold Harbor, that haunted him and later historians and that marred his overall achievement particularly when the Southern school of Civil War historical interpretation was in its ascendancy; his post-Civil War actions as a military commander which tried to recreate a single nation; his two term presidency, including the various financial scandals that are forever attached to his terms of office; his earnest, and unsuccessful, attempts to integrate the newly liberated freedman into the Southern society, including his forthright actions against the Klan in the early 1870s; and, finally, his post-presidential life including a worldwide grand tour and the writing of his memoirs.

Nothing here will contribute to an argument for his outstripping of Lincoln as the decisive figure of the American 19th century. But know this: all labor militants and other progressives honor General Grant, and his subordinate General Sherman, for their military leadership in ending chattel slavery in this country. That was no mean task as this documentary amply demonstrates.

***Don’t Mourn- Organize (And Maybe Sing A Song Or Two) - In Honor Of Labor Agitator/Songwriter Joe Hill

Click on title to link to YouTube's film clip of "Joe Hill's Last Will"

Joe Hill’s Last Will

My will is easy to decide,
For there is nothing to divide,
My kin don’t need to fuss and moan-
“Moss does not cling to a rolling stone.”
My body? Ah, If I could choose,
I would to ashes it reduce,
And let the merry breezes blow
My dust to where some flowers grow.
Perhaps some fading flower then
Would come to life and bloom again.
This is my last and final will,
Good luck to all of you, Joe Hill

Joe Hill was an IWW man. The Industrial Workers of the World (IWW) was, and is a radical union dedicated to abolishing the wage system and replacing it with a democratic system of workplace organization.

Joe Hill was a migrant laborer to the US from Sweden, a poet, musician and union radical. The term “pie in the sky” is believed to come from his satirical song, “The Preacher and the Slave”.

Hill was framed for murder and executed by firing squad in Salt Lake City, Utah on November 19, 1915. His last words were, “Fire!”

Just before his death he wrote to fellow IWW organizer Big Bill Haywood a letter which included the famous words, “Don’t mourn, Organize”.

The poem above was his will. It was set to music and became the basis of a song by Ethel Raim called “Joe Hill’s Last Will”.

A praise poem by Alfred Hayes became the lyrics of the best-known song about Joe Hill, written in 1936 by Earl Robinson. This was sung so beautifully by Joan Baez at Woodstock in 1969:

Joe Hill

words by Alfred Hayes
music by Earl Robinson

I dreamed I saw Joe Hill last night,
Alive as you and me.
Says I “But Joe, you’re ten years dead”
“I never died” said he,
“I never died” said he.

“In Salt Lake, Joe,” says I to him,
him standing by my bed,
“They framed you on a murder charge,”
Says Joe, “But I ain’t dead,”
Says Joe, “But I ain’t dead.”

“The Copper Bosses killed you Joe,
they shot you Joe” says I.
“Takes more than guns to kill a man”
Says Joe “I didn’t die”
Says Joe “I didn’t die”

And standing there as big as life
and smiling with his eyes.
Says Joe “What they can never kill
went on to organize,
went on to organize”

From San Diego up to Maine,
in every mine and mill,
where working-men defend their rights,
it’s there you find Joe Hill,
it’s there you find Joe Hill!

I dreamed I saw Joe Hill last night,
alive as you and me.
Says I “But Joe, you’re ten years dead”
“I never died” said he,
“I never died” said he.

"The Preacher And The Slave"

Long-haired preachers come out every night,
Try to tell you what’s wrong and what’s right;
But when asked how ’bout something to eat
They will answer in voices so sweet

You will eat, bye and bye,
In that glorious land above the sky;
Work and pray, live on hay,
You’ll get pie in the sky when you die

And the Starvation Army they play,
And they sing and they clap and they pray,
Till they get all your coin on the drum,
Then they tell you when you’re on the bum

Holy Rollers and Jumpers come out
And they holler, they jump and they shout
Give your money to Jesus, they say,
He will cure all diseases today

If you fight hard for children and wife-
Try to get something good in this life-
You’re a sinner and bad man, they tell,
When you die you will sure go to hell.

Workingmen of all countries, unite
Side by side we for freedom will fight
When the world and its wealth we have gained
To the grafters we’ll sing this refrain

You will eat, bye and bye,
When you’ve learned how to cook and how to fry;
Chop some wood, ’twill do you good
Then you’ll eat in the sweet bye and bye

The chorus is sung in a call and response pattern.

You will eat [You will eat] bye and bye [bye and bye]
In that glorious land above the sky [Way up high]
Work and pray [Work and pray] live on hay [live on hay]
You’ll get pie in the sky when you die [That's a lie!]

You will eat [You will eat] bye and bye [bye and bye]
When you’ve learned how to cook and how to fry [How to fry]
Chop some wood [Chop some wood], ’twill do you good [do you good]
Then you’ll eat in the sweet bye and bye [That's no lie]

THE REBEL GIRL

by Joe Hill /words updated/

There are women of many descriptions
In this cruel world as everyone knows
Some are living in beautiful mansions
And wearing the finest of clothes

There's the blue blooded queen and the princess
Who have charms made of diamonds and pearls
But the only and true kind of lady
Is the Rebel Girl

chorus:
She's a rebel girl, a rebel girl
To the working class she's the strength of this world
From Newfoundland to B.C.
She's fighting for you and for me

Yes she's there by our side
With her courage and pride
She's unequalled anywhere

And I'm proud to fight for freedom
With the rebel girl!


Pete Seeger Lyrics

Joe Hill Lyrics

I dreamed I saw Joe Hill last night
Alive as you or me.
Says I, "But Joe, you're ten years dead."
"I never died," says he,
"I never died," says he

"In Salt Lake, Joe," says I to him,
Him standing by my bed.
"They framed you on a murder charge."
Says Joe, "But I ain't dead,
Says Joe, "But I ain't dead."

"The copper bosses killed you, Joe,
They shot you, Joe," says I.
"Takes more than guns to kill a man."
Says Joe, "I didn't die,"
Says Joe, "I didn't die."

And standing there as big as life,
And smiling with his eyes,
Joe says, "What they forgot to kill
Went on to organize,
Went on to organize."

"Joe Hill ain't dead," he says to me,
"Joe Hill ain't never died.
Where working men are out on strike,
Joe Hill is at their side,
Joe Hill is at their side."

"From San Diego up to Maine
In every mine and mill,
Where workers strike and organize,"
Says he, "You'll find Joe Hill."
Says he, "You'll find Joe Hill."

I dreamed I saw Joe Hill last night
Alive as you or me.
Says I, "But Joe, you're ten years dead."
"I never died," says he,
"I never died," says he.

Pete Seeger Lyrics

Talking Union Lyrics

If you want higher wages, let me tell you what to do;
You got to talk to the workers in the shop with you;
You got to build you a union, got to make it strong,
But if you all stick together, now, 'twont he long.
You'll get shorter hours,
Better working conditions.
Vacations with pay,
Take your kids to the seashore.

It ain't quite this simple, so I better explain
Just why you got to ride on the union train;
'Cause if you wait for the boss to raise your pay,
We'll all be waiting till Judgment Day;
We'll all he buried - gone to Heaven -
Saint Peter'll be the straw boss then.

Now, you know you're underpaid, hut the boss says you ain't;
He speeds up the work till you're 'bout to faint,
You may he down and out, but you ain't beaten,
Pass out a leaflet and call a meetin'
Talk it over - speak your mind -
Decide to do something about it.

'Course, the boss may persuade some poor damn fool
To go to your meeting and act like a stool;
But you can always tell a stool, though - that's a fact;
He's got a yellow streak running down his back;
He doesn't have to stool - he'll always make a good living
On what he takes out of blind men's cups.

You got a union now; you're sitting pretty;
Put some of the boys on the steering committee.
The boss won't listen when one man squawks.
But he's got to listen when the union talks.
He better -
He'll be mighty lonely one of these days.

Suppose they're working you so hard it's just outrageous,
They're paying you all starvation wages;
You go to the boss, and the boss would yell,
"Before I'd raise your pay I'd see you all in Hell."
Well, he's puffing a big see-gar and feeling mighty slick,
He thinks he's got your union licked.
He looks out the window, and what does he see
But a thousand pickets, and they all agree
He's a bastard - unfair - slave driver -
Bet he beats his own wife.

Now, boy, you've come to the hardest time;
The boss will try to bust your picket line.
He'll call out the police, the National Guard;
They'll tell you it's a crime to have a union card.
They'll raid your meeting, hit you on the head.
Call every one of you a goddamn Red -
Unpatriotic - Moscow agents -
Bomb throwers, even the kids.

But out in Detroit here's what they found,
And out in Frisco here's what they found,
And out in Pittsburgh here's what they found,
And down in Bethlehem here's what they found,
That if you don't let Red-baiting break you up,
If you don't let stool pigeons break you up,
If you don't let vigilantes break you up,
And if you don't let race hatred break you up -
You'll win. What I mean,
Take it easy - but take it!

***Those Who Fought For Our "Newer World" Future Are Kindred Spirits- Honor The American Revolution's James Otis

Click on the title to link to a "Wikipedia" entry for the American revolutionary politician, James Otis.

Every January, as readers of this blog are now, hopefully, familiar with the international communist movement honors the 3 Ls-Lenin, Luxemburg and Leibknecht, fallen leaders of the early 20th century communist movement who died in this month (and whose untimely deaths left a huge, irreplaceable gap in the international leadership of that time). January is thus a time for us to reflect on the roots of our movement and those who brought us along this far. In order to give a fuller measure of honor to our fallen forbears this January, and in future Januarys, this space will honor others who have contributed in some way to the struggle for our communist future. That future classless society, however, will be the true memorial to their sacrifices.

Note on inclusion: As in other series on this site (“Labor’s Untold Story”, “Leaders Of The Bolshevik Revolution”, etc.) this year’s honorees do not exhaust the list of every possible communist worthy of the name. Nor, in fact, is the list limited to Bolshevik-style communists. There will be names included from other traditions (like anarchism, social democracy, the Diggers, Levellers, Jacobins, etc.) whose efforts contributed to the international struggle. Also, as was true of previous series this year’s efforts are no more than an introduction to these heroes of the class struggle. Future years will see more detailed information on each entry, particularly about many of the lesser known figures. Better yet, the reader can pick up the ball and run with it if he or she has more knowledge about the particular exploits of some communist militant, or to include a missing one.

***In The Matter Of The Zen Western- Johnny Depp’s Dead Man- A Film Review

Click on the headline to link to a Wikipedia entry for Johnny Depp’s Dead Man.

DVD Review

Dead Man, starring Johnny Depp, Robert Mitchum, eerily edgy music by Neil Young, Miramax 1995

Sure, I have taken plenty of shots at variations on the great American West, past and present, from Larry McMurtry’s Lonesome Dove to The Last Picture Show from The Wild Bunch to Crazy Hearts and everything in between. As well, I have always been glad, glad as hell, to review any movie starring Johnny Depp that might come my way. So here we have the combination of Johnny Depp as, well, Johnny Depp as usual (except maybe for those seemingly endless Pirate sequels) taking on an edgy role that less talented or more timid male actors would have walked away from, way a way from.

No one doubts that the old Hollywood (and dime store novel) vision of the old John Wayne "howdy, partner" American West is long gone. And with the ground-breaking work of The Wild Bunch back in the 1970d we have seen, well we have seen, more plausibly views of that old time West, including some pretty unsavory characters in search of fame and fortune around the edges of the great frontier before it melted at the turn of the 20th century. That pasting of the frontier, of course, did not stop anybody with the least carefree spirit or who was just plain tired of the “civilized” East from heading by anyway they could to the great expanses of the old-time West. And that is where William Blake (played by Johnny Depp), no not the 18th century mad man English poet and supporter of the ideals of the French Revolution (although that mistake plays a part in the plot), but an accountant, for god’s sake, enters the story.

William Blake’s transformation into a man of the West complete with notches on his revolver, seemingly in slow-motion at times and all in black and white, is what drives this curious film. We have an educated “savage," Native American, savage white man bounty-hunters, a twisted rich land-owners (played by the late Robert Mitchum) and every mangy "old dog" who made it, or did not make it in the West. And every pathology known to humankind showed its face in this fierce portrayal of the West but also, a very surprising positive portrayal of Native American culture and its demise with the advance of the white man. William Blake, accountant, is one of Johnny Depp’s edgier performances, no question, and if you can stay with the zen aspect of the thing a very well done performance. Not for everyone, and certainly not for those who might still be clinging to some John Wayne idea of the West.

*Stay Alert!- A Look At The American Radical Right- A Guest Commentary From "Fresh Air"

Click on the headline to link to a National Public Radio (NPR) broadcast of Terry Gross' "Fresh Air" program, for March 25, 2010, of a report on the rise of the radical right in America , including the militia-types since the election of Barack Obama.


Markin comment:

As I stated in the headline this rising threat from the ever present radical right in America is something we must be aware of the defense of our communist perspective. Hell, even for the defense of simple democratic rights. There is a storm of some magnitude brewing out there. This edge of militias, survivalist, nativists and Nazis is the breeding ground for those who we will have to face down in the streets, if it ever comes to that. This report should be a goad to get our side properly organized, and pronto.

***From The Pen Of The Late Radical Historian Howard Zinn- "A People's History Of The United States"

Click on the headline to link to a "Wikipedia" entry for the late radical activist and historian, Howard Zinn's "A People's History of The United States.

I have remarked elsewhere on the poverty of information about the ‘making and doing’ of the non-ruling classes, their social concerns, and their hopes and aspirations in America in my own high school history classes in the early 1960s. Such locally important events as the creation of the all-black 54th Massachusetts Volunteer Regiment (led by Robert Gould Shaw) during the American Civil War and the case of the executed anarchist martyrs, Sacco and Vanzetti, never got onto the radar. This despite the fact that I passed, at one point, the Saint-Gaudens memorial plague to the 54th in front of the State House 54th almost every day and grew up within a stone’s throw of where the major events in the Sacco and Vanzetti case took place. All that I know, or almost all that I know, about the micro-history of the American experience (and internationally, as well) came from painfully digging out the information from many scattered sources during my younger political days.

A lot of good things happened as a result of the social struggles in the 1960s, or at least well-intended things that we can proudly stand on, and the dramatically increased interest in getting the “people’s” story out was one of them. And that is where one of the best examples, the late Boston University Professor Howard Zinn, and his book under review, "A People's History Of The United States" comes in. In addition to his up-front radical political activist perspective on the political issues of the day Professor Zinn wrote a number of books, and many articles, about various aspects of the American experience that had been ignored or neglected by those earlier historians who concentrated on the movements of ruling elites, their predilections and their follies or on great events, minus the under classes that bore the brunt of, or carried out, those policies. The most important, of course, is "A People's History".

Under one roof, and in one place Professor Zinn’s “A People’s History" can act as a primer for those who are interested in the underside of history, and, like Zinn, doing something about it. Of course there is more investigation to do, but that is why I used that word primer. Professor Zinn and I were mainly political opponents within the left. However every young reader, every young searcher for the meaning of the American experience, and every just plain thoughtful budding historian owe the professor a debt of gratitude. Hats off to Professor Zinn.

***Larry McMurtry’s “Telegraph Days”- Thoroughly Modern…Nellie- A Modern Man Looks At The Old West

Click on title to link to Larry McMurtry's other career as a review of, mostly, Old West literature and themes, for the "New York Review Of Books"


Book Review

Telegraph Days: A Novel, Larry McMurtry, Pocket Star Books, New York, 2006

This is something of an encore by the reviewer of the work of Texas writer, bibliophile, pack rat and Old West aficionado Larry McMurtry. This space is strewn with reviews of his work, good and bad. The centerpiece of the reviews has thus far been “The Last Picture Show “series but I have commented on other efforts, in modern settings and from the Old West. I have also commented on McMurtry’s successes (and failures) in attempting to use a female narrator to put forth his viewpoint. This has been, I am afraid, a very iffy proposition. Nevertheless, here in the character of the post-modern (oops) Old West female narrator and Type –A personality Nellie Courtright he has hit pay dirt.

Old Nellie tells her saga of her interaction with the lives, lust, loves and sheer balderdash of many of the iconic figures of the Old West in the last third of the 19th century like Bill Cody, The Earps and (be still my heart) Bill Hickok, warts and all. And along the way she tells us how it was to be an ‘uppity’ (and successful) professional woman in what was very much a man’s world (and least that has been how it has always advertised). Then there is, this is a novel after all, the bravado and bragging of her various sexual exploits that may, or may not, have made grandmother blush. All in all a fast read and although not a classic McMurtry effort not bad compared with some of his other later work. I commented elsewhere that he seemed to be running out of steam in his late work. This effort staunches that a little.

***At The Dawn of American Capitalism-Shopkeeper's Millenium

Book Review

Shopkeeper's Millenium, Paul E. Johnson, Hill and Wang, 1978

In any truly socialist understanding of history the role of the class struggle plays a central role. Any thoughtful socialist wants to, in fact needs to, know how the various classes in society were formed, and transformed, over time. A lot of useful work in this area has been done by socialist scholars. One thinks of E.P. Thompson’s The Making of the English Working Class, for example. One does not, however, need to be a socialist to do such research in order to provide us with plenty of ammunition in our fight for a better world. Shopkeeper’s Millennium by Paul E. Johnson is such a work.

One can disagree with Professor Johnson’s conclusions, and perhaps aspects of his methodology that relies very heavily on the interpretation of governmental and church records. He has nevertheless written a very interesting case study of Rochester, New York as a prime example of how America in the 1820’s and 1830’s, that is at the infancy of American capitalism, turned from a wilderness into an important new center of capitalist development as the Eire Canal became a cog in the transnational transportation system. Johnson has also provided some useful insights into the role that religion, especially the ‘born again’ evangelical religion that we are familiar with today, helped form the prevailing capitalist ethos that drove this expansion forward.

Professor Johnson uses the well-known sources (city directories, tax assessments, censuses, Church registries) to flesh out his argument. One can take exception to some of his conclusions based on rather scanty data (and on the reliability of such data in a very mobile and transient environment). However the overall thrust of his work makes the important point that this period turned this part of America away from a sleepy agrarian/mercantile society to a rather dynamic capitalist one within a relatively short time. And, moreover, the social preconditions that fostered such growth were not merely accidental but represented the expansion of an already stable elite ready to take advantage of the new mode of production. In short, as we have seen at other previous nodal points of history (and today, as well) the rich and able have a leg up when the new riches are to be distributed.

Religious indoctrination, strict social mores, intense social pressure and flat out coercion are detailed here as ways in which the budding capitalist class dominated the society. Religious revivals, anti-Masonic struggles and various social reform campaigns, particularly the fight against 'demon' whiskey, play their part. As does plain old-fashioned politics that we are very familiar with. Perhaps not as familiar is how political sides were chosen in various local fights, like the closing of dram shops, despite common religious affiliation.

The key struggle in forming the capitalist mode of production was the effort to discipline a reluctant workforce to the tasks at hand. That was achieved in Rochester by many of the old tricks like coercion, ostracism and shunning that we have seen elsewhere at the rise of capitalism, particularly in England. In an interesting sidelight Professor Johnson details the change over, in a fairly short period of time , from workers being housed under the paternalistic supervision of their employers in their homes to the establishment of separate working class quarters. This is a big step in the forming of class-consciousness, both ways.
Such details are the stuff that makes this an interesting study.

Is this what today’s working class looks like in a ‘post-industrial’ American society? No. However many of the same techniques of domination still hold sway. Read this book about the days when American capitalism was a progressive force in the world. And begin to understand why it needs to be fought tooth and nail now.

THE END OF THE AMERICAN FRONTIER-THE MISFITS, CLARK GABLE, MARILYN MONROE, MONTGOMERGY CLIFT, 1961

DVD REVIEW

THE MISFITS, CLARK GABLE, MARILYN MONROE, MONTGOMERGY CLIFT, 1961

What is not to like about a movie set in the modern American West where civilization is fast taking the starch out of the independent-minded cowboys and their hangers-on who are trying to hold on for dear life. They had obviously not read Harvard Professor Turner's thesis about the end of the American frontier. The code of the old West and its values is losing its effect by the day to the ethos of the modern capitalist farmer and rancher. Larry McMurtry in his book and subsequent film The Last Picture Show as well as others have also taken up this theme but none have done it better on film than The Misfits.

Add a screenplay by the legendary playwright Arthur Miller. Further add the strong performances, aided by the black and white format, of a grizzled Clark Gable, the ill-fated Marilyn Monroe and the troubled Montgomery Clift supported by Thelma Ritter and Eli Wallach and you have a very good film indeed. I have read that Miller’s screenplay was written especially for Monroe, his then wife. If so that explains why this story about castoffs, drifters and non-conformists looking for some emotional relief in the new West that has passed them by had such a powerful effect on me. Monroe as the beautiful but hard luck and misunderstood object of affection seemingly was playing herself here. And to great effect. Watch it.