Click On Title To Link To Article About Resistance To Levelling The Hills Down In Coal Country And Links To More Information About That Struggle.
Commentary
The above cited link provides information about the struggle down in Kentucky and West Virginia against the efforts various energy companies to work the again sought after coal in the historic coal regions, minus the unionized (and many times heroic class warrior) mine workers. Readers of this site, may or may not know of my (secondary) roots to coal country but these efforts to resist the ravaging of Appalachia bear attention. Frankly, although I know that the coal country singer/songwriter Kathy Mattea is involved in the efforts to publicize this issue I am not, at the moment, that familiar with the particulars down there. But I will be commenting more on this issue. Fr now though, the corporate cast of characters should, instinctively, tell the tale of where our sympathies should lie. Later.
Showing posts with label miners unions. Show all posts
Showing posts with label miners unions. Show all posts
Tuesday, June 09, 2009
Sunday, November 11, 2007
VICTORY TO THE BROADWAY STAGE HANDS STRIKE!
COMMENTARY
As of Saturday November 10, 2007 many of the lights in front of the theaters of old Broadway in New York City are dimmed as Local One of the Theater Employees Union has hit the bricks. The issues, as is seemingly always the case these days, is the attempt, in this case by the theater owners alliance, to get more productivity out of its employees, here the stage hands, for no extra pay. While the New York legitimate theater is hardly the mainstream of the struggle in the fight against the effects of ‘globalization’ even such local battles reflect the very hard drive of international capitalism to win the race to the bottom of the wage scale. Enough.
A couple of comments. In my youth I did yeoman’s work as an unpaid stage hand for various amateur theatrical productions produced by friends, among them a number of works by Bertolt Brecht. Now I will not be a philistine and argue the importance of the stage hands as against the cast but if my experience was any indication these people desire their paid, and then some.
I note from the report of the strike in the New York Times that no all the theaters are closed. Apparently some theaters have different contracts with Local One and are therefore open. This appears to be a strike that will last a while as both sides are far apart. Why I ask are some theaters open? It would seem to me that the beginning of wisdom here in a localized situation that one contract should cover all theaters. Right? Labor, and this after all is what we are talking about, needs to bring as many forces as it can to bear in a strike situation. This is not the case here. Make a note of it for the future, though. Also in the Times article I noted that the theaters in off and off-off Broadway are open. These units need to be organized pronto. In the meantime –Victory to the Stage Hands!
As of Saturday November 10, 2007 many of the lights in front of the theaters of old Broadway in New York City are dimmed as Local One of the Theater Employees Union has hit the bricks. The issues, as is seemingly always the case these days, is the attempt, in this case by the theater owners alliance, to get more productivity out of its employees, here the stage hands, for no extra pay. While the New York legitimate theater is hardly the mainstream of the struggle in the fight against the effects of ‘globalization’ even such local battles reflect the very hard drive of international capitalism to win the race to the bottom of the wage scale. Enough.
A couple of comments. In my youth I did yeoman’s work as an unpaid stage hand for various amateur theatrical productions produced by friends, among them a number of works by Bertolt Brecht. Now I will not be a philistine and argue the importance of the stage hands as against the cast but if my experience was any indication these people desire their paid, and then some.
I note from the report of the strike in the New York Times that no all the theaters are closed. Apparently some theaters have different contracts with Local One and are therefore open. This appears to be a strike that will last a while as both sides are far apart. Why I ask are some theaters open? It would seem to me that the beginning of wisdom here in a localized situation that one contract should cover all theaters. Right? Labor, and this after all is what we are talking about, needs to bring as many forces as it can to bear in a strike situation. This is not the case here. Make a note of it for the future, though. Also in the Times article I noted that the theaters in off and off-off Broadway are open. These units need to be organized pronto. In the meantime –Victory to the Stage Hands!
Thursday, November 08, 2007
VICTORY TO THE WRITERS GUILD!
COMMENTARY
The effects of ‘globalization’ of the international capitalist markets take many forms. We are all familiar with its industrial aspect-the runaway shops and outsourcing to locations where labor is cheaper, regulation skimpier and profits greater. The American Midwest ‘rust bowl’ pays sad homage to that fact. Globalization, however, has another track, as well. That is the dramatic increase in the means of communication, the way things are communicated and who does and does not have access to those communications. That is what underlies the current strike by the several thousand television screen writers who are looking for a fairer share of the revenues resulting from the multifarious uses of their intellectual property.
This is not the 'proletarian' battle we think of from reading Marx or labor history but it is part of the class struggle nevertheless. Nor does it matter on the cultural level whether one thinks well or ill of their commercial efforts. Despite a few well known and well paid exceptions, the bulk of the Guild lives hand to mouth and royalties are a way to protect against hard times of no or rejected work. These ‘grunt’ writers who produce a product that benefits the corporations they are writing for are looking for a little better pay day for their efforts and more security in the fast changing marketplace of the selling of ideas. And they deserve it. Respect the picket lines. Victory to the Writers Guild.
The effects of ‘globalization’ of the international capitalist markets take many forms. We are all familiar with its industrial aspect-the runaway shops and outsourcing to locations where labor is cheaper, regulation skimpier and profits greater. The American Midwest ‘rust bowl’ pays sad homage to that fact. Globalization, however, has another track, as well. That is the dramatic increase in the means of communication, the way things are communicated and who does and does not have access to those communications. That is what underlies the current strike by the several thousand television screen writers who are looking for a fairer share of the revenues resulting from the multifarious uses of their intellectual property.
This is not the 'proletarian' battle we think of from reading Marx or labor history but it is part of the class struggle nevertheless. Nor does it matter on the cultural level whether one thinks well or ill of their commercial efforts. Despite a few well known and well paid exceptions, the bulk of the Guild lives hand to mouth and royalties are a way to protect against hard times of no or rejected work. These ‘grunt’ writers who produce a product that benefits the corporations they are writing for are looking for a little better pay day for their efforts and more security in the fast changing marketplace of the selling of ideas. And they deserve it. Respect the picket lines. Victory to the Writers Guild.
Wednesday, February 21, 2007
*In The Time of The "Robber Barons" And The Early American Union Movement- The Molly Maguires
Click on the title to link to a "YouTube" film clip of Pete Seeger performing the classic coal country song "Which Side Are You On?"
BOOK REVIEW
THE MOLLY MAGUIRES, WAYNE BROEHL, JR., HARVARD UNIVERSITY PRESS, CAMBRIDGE, MA. 1964
The tale of the famous “Molly Maguires” of the Pennsylvania coal fields in the period immediately after the American Civil War is another in the seemingly endless stories of the Irish diaspora triggered by the ruthless policy of the bloody English imperialists, who come what may, refused to part with their colony until forced to by the Irish national liberation fighters of the early 20th century. One can read the Molly Maguire story as one of the first attempts in the post-Civil War period to organize an industry-wide labor union in the coal industry, including its sectionalism, political immaturity and oath-bound secrecy. One can also read it as a story of atomized labor confronted by the consolidation of capitalism in the extractive industries linked up to the carrying trade of the railroads and financed by stockholders here in America and in Britain. Finally one can read the story as a police procedural, highlighting the role of the infamous Pinkerton Detective Agency and its founder Alan Pinkerton in bringing some of the alleged leaders of the Mollies to trial and execution on behalf of the railroad and coal bosses. That is the route the author of the book under review has taken.
While some of the story as presented here by this author is tiresome, repetitive and overly written it nevertheless has a few points that can help us understand the history of that turbulent period in the foundation of the "robber baron" capitalist period of American history. One point is a rather good description, using the Reading Railroad and its president as a case study, of how the railroads, backed by finance capital-the banks, consolidated the coal industry by breaking the individual operators, buying coal land on the cheap and by manipulating supply and demand which ultimately broke the local miners union of which the Mollies were a small part.
Another point is how the mainly English capitalists of the area aggravated the already existing antagonisms between ethnic groups, like the Irish, Welsh and Germans (and later the various Slavic groups) to their benefit in a classic example of capitalist ‘divide and rule’ policy. Finally, the story points out the key role that privately-employed detective agencies, private police and ultimately state and federal troops played in bringing about the early defeats in the American labor movement (and continue to do so today as about one billion dollars a year is spent on keeping unions out or keeping them docile in the United States, one need only think of Wal-Mart). As stated above it you want the tale of the police roundup of some none too savory elements in the Mollies read this book. If you want to get a better picture of what the Mollies meant as part of the Irish diaspora in America and as part of the hard-pressed and poorly organized early American labor movement look elsewhere. I will review other books on this subject and these times later.
BOOK REVIEW
THE MOLLY MAGUIRES, WAYNE BROEHL, JR., HARVARD UNIVERSITY PRESS, CAMBRIDGE, MA. 1964
The tale of the famous “Molly Maguires” of the Pennsylvania coal fields in the period immediately after the American Civil War is another in the seemingly endless stories of the Irish diaspora triggered by the ruthless policy of the bloody English imperialists, who come what may, refused to part with their colony until forced to by the Irish national liberation fighters of the early 20th century. One can read the Molly Maguire story as one of the first attempts in the post-Civil War period to organize an industry-wide labor union in the coal industry, including its sectionalism, political immaturity and oath-bound secrecy. One can also read it as a story of atomized labor confronted by the consolidation of capitalism in the extractive industries linked up to the carrying trade of the railroads and financed by stockholders here in America and in Britain. Finally one can read the story as a police procedural, highlighting the role of the infamous Pinkerton Detective Agency and its founder Alan Pinkerton in bringing some of the alleged leaders of the Mollies to trial and execution on behalf of the railroad and coal bosses. That is the route the author of the book under review has taken.
While some of the story as presented here by this author is tiresome, repetitive and overly written it nevertheless has a few points that can help us understand the history of that turbulent period in the foundation of the "robber baron" capitalist period of American history. One point is a rather good description, using the Reading Railroad and its president as a case study, of how the railroads, backed by finance capital-the banks, consolidated the coal industry by breaking the individual operators, buying coal land on the cheap and by manipulating supply and demand which ultimately broke the local miners union of which the Mollies were a small part.
Another point is how the mainly English capitalists of the area aggravated the already existing antagonisms between ethnic groups, like the Irish, Welsh and Germans (and later the various Slavic groups) to their benefit in a classic example of capitalist ‘divide and rule’ policy. Finally, the story points out the key role that privately-employed detective agencies, private police and ultimately state and federal troops played in bringing about the early defeats in the American labor movement (and continue to do so today as about one billion dollars a year is spent on keeping unions out or keeping them docile in the United States, one need only think of Wal-Mart). As stated above it you want the tale of the police roundup of some none too savory elements in the Mollies read this book. If you want to get a better picture of what the Mollies meant as part of the Irish diaspora in America and as part of the hard-pressed and poorly organized early American labor movement look elsewhere. I will review other books on this subject and these times later.
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