The important contribution of John Reed to the revolutionary
movement here in America
before World War I and later during the Russian revolution and its aftermath
has never been fully appreciated. Thus, Warren Beatty, whatever his personal
motives, has done a great service in filming the life of this “traitor to his
class” (and his Harvard Class of 1910) and partisan of the international
working class.
As usual with such commercial enterprises the order of
things gets switched in the wrong direction. The love affair between Reed
(played by Beatty) and budding writer and early feminist Louise Bryant (and a
little third party intervention by playwright Eugene O’Neill, played by Jack
Nicholson) is set against the backdrop of the Russian Revolution not the other
way around, but such is cinematic license. More than most film depictions this
one mainly gets the story straight; the early free-lance journalism tied to the
Mexican Revolution; the bohemian life of pre-World War I Greenwich Village in
New York City including their patrons; the socialist fight against American
participation in World War I; the fight among socialist (and anarchists) over
support to the Russian Revolution; and, an interesting segment on the in-fighting
in the early communist movement between the foreign language federations and
the Reed-led “Natives” which was ‘resolved’ in at Communist International
headquarters. Those ‘natives’ who in the
course of events would form the leadership of the party through most of the
twenties when the cadre still wanted to make a revolution here and not just
cheer on the Russian Revolution from afar. A nice touch in the film is the
interplaying of commentaries by those, friend and foe, who knew or knew of Reed
or were around during this time. See this movie.
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