Those
Oldies But Goodies…Out In The Be-Bop ‘50s Song Night-The Five Satins' In The Still Of The Night
Joshua Lawrence Breslin comment:
This is another tongue-in-cheek commentary, the back story if you like, in the occasional entries under this headline going back to the primordial youth time of the 1950s with its bags full of classic rock songs for the ages. Now many music and social critics have done yeomen’s service giving us the meaning of various folk songs, folk protest songs in particular, from around this period. You know they have essentially beaten us over the head with stuff like the meaning of Bob Dylan’s Blowin’ In The Wind as a clarion call for now aging baby-boomers back then and a warning (not heeded) that a new world was a-bornin’, or trying to be. Or better, The Times They Are A-Changin’with plaintive plea for those in charge to get hip, or stand aside. (They did neither.) And we have been fighting about a forty year rearguard action to this very day trying to live down those experiences, and trying to get new generations to blow their own wind, change their own times, and sing their own plainsong in a similar way.
Like I said the critics have had a field day (and long and prosperous academic and journalistic careers as well) with that kind of stuff, fluff stuff really. The hard stuff, the really hard stuff that fell below their collective radars, was the non-folk, non-protest, non-deep meaning (so they thought) stuff, the daily fare of popular radio back in the day. A song like today’s selection, In The Still Of The Night. A song that had every red-blooded American teen (and who knows maybe world teen) wondering their own wondering about the fate of the song’s narrator. About what happened that night (and the next morning) that caused him to pose the comment in that particular way. Yes, that is the hard stuff of social commentary, the stuff of popular dreams, and the stuff that is being tackled head on in this series- Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night. Read on.
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