Friday, February 27, 2009

From The Archives Of "Workers Vanguard"-The National Question in the Marxist Movement, 1848-1914

Markin comment:

As almost always these historical articles and polemics are purposefully helpful to clarify the issues in the struggle against world imperialism, particularly the “monster” here in America.

Workers Vanguard No. 931
27 February 2009

From the Archives of Workers Vanguard

The National Question in the Marxist Movement, 1848-1914


The following article, the text of a presentation given by Spartacist League Central Committee member Joseph Seymour at a 1976 European gathering, was originally printed in two parts in WV Nos. 123 and 125 (3 and 17 September 1976). At the time of the talk, the Lebanese civil war was raging—hence, the references to Lebanese Muslims and Maronite Christians. Additionally, in 1976 we did not advocate independence for Quebec from Canada, while recognizing its right to self-determination. But as comrade Seymour noted in his presentation, “if the national polarization in Canada hardens and the working people of Quebec decisively opt for separatism, we may reverse that policy and come out for independence.” Indeed, since 1995 we have advocated independence for Quebec (see “Independence for Quebec!” Spartacist [English-language edition] No. 52, Autumn 1995).

As you are aware, our views on the national question, particularly concerning the Near East, are one of the most distinctive and controversial aspects of “Spartacism.” Very often this question is the most obvious and sharpest difference when we first encounter tendencies that appear to be close to us.

This talk is designed as a contribution to understanding the theoretical underpinning of our current positions. In polemics against the Spartacist tendency and within the ostensibly Trotskyist movement, there are often references to the position Marx or Lenin took on this or that aspect of the national question. Without a thorough knowledge of the evolution of the Marxist position, in its historical context, it is impossible to determine whether or not, and how, these references are relevant.

I believe that an understanding of the evolution of the Marxist position on the national question from 1848 to 1914—i.e., from the origins of Marxism to the collapse of the Second International—bears on the Spartacist position in two significant ways. First, there is no Marxist program for the national question as such. The Marxist position has always had a predominantly strategic character, aimed at creating the conditions for a successful proletarian revolution. In this sense, I think that one can draw a contrast with the Marxist position on the woman question. The position in favor of abolition of the family and for the equality of women is a fundamental element of a communist society, and therefore is not subordinate to changing political conjunctures.

The Marxist position on the national question has a much more conjunctural character historically, and is much more determined by changing empirical circumstances. Thus, it is not only legitimate, but very often obligatory, to change a specific position on a specific national question in a very short period of time. Today we are opposed to the independence of Quebec, while of course recognizing the right of self-determination. But it is certainly possible that in a couple of years, if the national polarization in Canada hardens and the working people of Quebec decisively opt for separatism, we may reverse that policy and come out for independence. Such determinations have a conjunctural and a strategic character.

The second reason I believe a knowledge of pre-Leninist Marxism is important in this question is that our position involves opposition to the notion (which is a resurrection of the earliest Marxist position) that there exist progressive nations and reactionary nations within the colonial world. We do not regard the Palestinians or the Lebanese Muslims as inherently progressive, or the Hebrews and Lebanese Maronite Christians as inherently reactionary, as outposts of imperialism. Many of our disputes with various ostensibly Trotskyist tendencies—for example, over the India-Pakistan war in 1972, over Angola and over Lebanon—involve our rejection of the notion of progressive nationalities and progressive bourgeois state-building in this epoch.

“Progressive Nations” in the Revolutions of 1848

Marxism as a political tendency begins in early 1846 with the organization of the Communist Corresponding Society in Brussels. What distinguished Marx from other German communists was his belief that it was necessary to have an alliance with the bourgeois democrats, and that the road to socialism in Germany ran through an imminent bourgeois-democratic revolution. As such, he became committed to the program of the unification of Germany as an inherent and important component of that revolution.

The unification of Germany was organically linked to the radical redrawing of boundaries throughout Eastern Europe. Marx was committed to the restoration of an independent Poland, which would serve as a democratic buffer against tsarist Russia. Russia was the strongest military power in Europe, and was considered by Marx as the bulwark of reaction in which a bourgeois-democratic revolution was not possible—a position he maintained until the late 1870s. One cannot understand the Marxist position on the national question unless one realizes that for a Central European revolutionary in the mid-19th century, Russia was analogous to the United States for a South American revolutionary today. Radical democracy in Central Europe was linked to the liberation of Poland and a revolutionary war against tsarist Russia.

A more complex aspect of the unification of Germany arose from the fact that part of the German nation was in the Hapsburg or Austro-Hungarian empire. The majority population of that empire consisted of the various Slavic nations, who were mainly peasant peoples. The most important and advanced of these Slavic nations were the Czechs, and Bohemia was about 40 percent German (concentrated among the urban population) and 60 percent Czech, with virtually all of the peasants being Czech.

Marx and Engels maintained that, with the exception of Poland, the Slavic peoples of the Austro-Hungarian empire were too backward to have a bourgeois-democratic revolution. From that premise, they drew the program of dividing Central and East Europe into three great states—Greater Poland, Greater Germany and Greater Hungary—in which the western and southern Slavs would be expected to assimilate to the higher national cultures.

When the revolution of 1848 broke out, the Slavs—not unnaturally—did not go along with this program. The Czech liberals, led by František Palacký, proposed instead a federated Austro-Hungarian state allied to a democratic Germany. Thus there was a genuine conflict between the national-democratic movement in Germany and Hungary on the one hand, and the Slavs in the Austro-Hungarian empire, who in part looked to Russia to preserve the Austro-Hungarian status quo.

This situation came to a head in early 1849, when the Russian army crushed the Hungarian national movement of Lajos Kossuth and the Croat national minority maintained a neutral position at best. At that point, Marx and Engels developed a program which amounted to the national, if not physical, genocide of the western and southern Slavs in the interests of the democratic or progressive peoples.

In “Hungary and Panslavism” (1849) Engels writes:

“Everywhere the forward-looking class, the carrier of progress, the bourgeoisie, was German or Magyar. The Slavs found it difficult to develop a bourgeoisie, the South Slavs were only very partially able to do so. Along with the bourgeoisie, industrial strength, capital, was in German or Magyar hands. As German education developed, the Slavs also came under the intellectual tutelage of the Germans, even deep in Croatia. The same thing took place, only later and therefore on a smaller scale in Hungary, where the Magyars together with the Germans assumed intellectual and commercial leadership....”

And in another article, “Democratic Panslavism” (1849), he concluded:

“We repeat: Except for the Poles, the Russians and at best the Slavs in Turkey, no Slavic people has a future, for the simple reason that all other Slavs lack the most basic historic, geographic, political and industrial prerequisites for independence and vitality.”

Referring to the Russian-Slav counterrevolutionary movement, he wrote:

“Then for a moment the Slavic counterrevolution with all its barbarism will engulf the Austrian monarchy and the camarilla will find out what kind of allies it has. But with the first victorious uprising of the French proletariat...the Germans and Magyars in Austria will become free and will take bloody revenge on the Slavic barbarians. The general war which will then break out will explode this Slavic league and these petty, bull-headed nations will be destroyed so that nothing is left of them but their names.

“The next world war will cause not only reactionary classes and dynasties but also entire reactionary peoples to disappear from the earth. And that too would be progress.”

There was, in the Revolution of 1848, a prominent leftist who did adhere to the doctrine of national self-determination as a principle. This was Mikhail Bakunin, who wrote in his 1848 “Appeal to the Slavs”:

“Down with the artificial boundaries which have been forcibly erected by despotic congresses according to so-called historical, geographical, strategic necessities! There should no longer be any other barriers between the nations but those corresponding to nature, to justice and those drawn in a democratic sense which the sovereign will of the people themselves denotes on the basis of their national qualities…. The welfare of the nations is never assured as long as anywhere in Europe one single people is living in oppression.”

—translated in Horace B. Davis, Nationalism and Socialism

At the general theoretical level, Marx and Engels denounced Bakunin for utopian egalitarianism applied to nations, which anticipates their later conflict with Bakuninite anarchism where the same principles are applied to individuals. Thus, Engels polemicized against Bakunin in February 1849:

“There is no mention of the very real obstacles in the way of such universal liberation, of the completely different levels of civilization of the various peoples, of their equally different political needs conditioned by them. The word ‘freedom’ takes the place of everything. There is no mention of reality, or insofar as it is considered at all, it is represented as something entirely reprehensible, something arbitrarily produced by ‘congresses of despots’ and by ‘diplomats’.”

—“Democratic Panslavism”

On a more concrete level, Marx and Engels regarded so-called democratic pan-Slavism as utopian, which in practice would only serve tsarist Russian expansionism.

Marx’s position on the Slav question in 1848 has drawn very considerable criticism, not least from within the later Marxist movement itself. The purpose of this talk is not to second-guess Marx and Engels’ empirical judgments, but rather to focus on their methodology. I will, however, indicate the two criticisms of their position on the Slav question which I consider to be the strongest.

First, there is a too-close identification of political dominance with cultural development. The Czechs of Bohemia certainly had the economic and cultural level equal, if not greater, to the Hungarians and the Poles. Secondly, there is an overestimation of the attractiveness of pan-Slavism, and therefore the alliance of all Slavic peoples under Russian dominance. Consequently, there was a corresponding underestimation of the nationalism of the particular Slav nations.

Bourgeois Reaction and Bourgeois Progress

As a result of the defeat of radical democracy in the revolutions of 1848, Marx substantially modified his program. He blamed the defeat of radical democracy and the proletarian vanguard on objective economic backwardness, not only in Germany and Austria, but also in France. Therefore, classic post-1848 Marxism placed a heavy programmatic emphasis on creating the objective conditions which would enable the proletariat to take power.

This consisted in furthering economic development, in which the unification of Germany and of Italy was considered extremely important. Only economic development would lay the basis for the organization of the proletariat and the expansion of democratic rights to provide the conditions for proletarian power.

An important component of the post-1848 program continued to be the advocacy of the destruction of tsarist Russia’s military power...by anybody. Marx supported the British and French in the Crimean War and always supported Turkey against Russia, on the grounds that Russia was the great reactionary power in Europe.

The next major historical event after 1848 that bears on the national question was the Austro-Italian war of 1859. Here, Marx reaffirmed his fundamental commitment to the unification of Germany as the most progressive national development in continental Europe. He did not support the Italians even though he favored Italian unification because the anti-German Napoleon III of France was an ally of Italy. Marx believed that a victory for the Italian-Napoleonic alliance would threaten the unification of Germany. Believing he had to choose which was more progressive—the unification of Italy or of Germany—he chose that of Germany.

From 1848 onward, Marx and Engels were often accused by their opponents within the left of being German chauvinists. They denied that, arguing that their position on the unification of Germany was objective, and that it did not reflect subjective nationalist prejudice. A united Germany would give an enormous impetus to the economic development of Europe, and would produce the most advanced workers movement in Europe. They were proved objectively correct in that sense. However, it was only in 1870 that they got a chance to prove demonstrably that they were not German chauvinists.

In the 1850s and 1860s, Marx and Engels had the following model of what Europe should look like: it was a Europe of multinational states grouped around the great progressive nations—Greater Poland, Greater Hungary, Greater Germany, Greater France and Great Britain (Greater England). The other peoples, which they called the ruins of peoples—die Völkertrümmer—were expected to assimilate. Among these ruined peoples they counted the Scots, the Welsh, the Basques and the Czechs.

In his 1859 pamphlet on the Austro-Italian war, “Po and Rhine,” Engels spells out this conception:

“No one will assert that the map of Europe is definitely settled. All changes, however, if they are to be lasting, must be of such a nature as to bring the great and vital nations ever closer to their true natural borders as determined by speech and sympathies, while at the same time the ruins of peoples, which are still to be found here and there, and are no longer capable of leading an independent national existence, must be incorporated into the larger nations, and either dissolve in them or else remain as ethnographic monuments of no political significance.” [emphasis in original]

Irish Independence and English Proletarian Revolution

The first major change in this schema occurred in the late 1860s in Britain, where Marx changed his position on the Irish question from the assimilation of the Irish, who were certainly not a great historic people, to independence for Ireland.

The failure of organized Marxism in England obscures the fact that classical Marxism regarded the English revolution as central. Marx devoted much of his energy to the English workers movement. If in the 1850s Marx considered Germany and Italy under-ripe for proletarian revolution, he considered Britain overripe. All of the things that Marx was fighting for in Germany were realized in Britain—a large, well-organized industrial proletariat, a stable bourgeois legality and freedom from Russian invasion.

Yet politically, the British working class in this period moved backward; they were less advanced in 1865 than in 1845. So the English question was important for Marx, not only because the English revolution was strategically important, but because the contradiction between the advanced character of English society and the political backwardness of the proletariat put a question mark over Marx’s entire worldview.

In the late 1860s Marx believed he had found a partial key to this problem in an unresolved national question—namely, the Irish question. In England, Marx ran up against the problem of a divided working class in a multinational state. In 1870, he wrote to two of his American followers:

“Every industrial and commercial center in England now possesses a working class divided into two hostile camps, English proletarians and Irish proletarians. The ordinary English worker hates the Irish worker as a competitor who lowers his standard of life. In relation to the Irish worker he feels himself a member of the ruling nation and so turns himself into a tool of the aristocrats and capitalists of his country against Ireland.... The Irish man pays him back with interest in his own money. He sees in the English worker at once the accomplice and the stupid tool of the English rule in Ireland.

“This antagonism is artificially kept alive and intensified by the press, the pulpit, the comic papers, in short, by all the means at the disposal of the ruling class. This antagonism is the secret of the impotence of the English working class, despite its organization. It is the secret by which the capitalist class maintains its power. And that class is fully aware of it….

“England, being the metropolis of capital, the power which has hitherto ruled the world market, is for the present the most important country for the workers’ revolution, and moreover, the only country in which the material conditions for this revolution have developed up to a certain degree of maturity. Therefore to hasten the social revolution in England is the most important object of the International Workingmen’s Association. The sole means of hastening it is to make Ireland independent.” [emphasis in original]

—Marx to S. Meyer and A. Vogt, 9 April 1870

It was precisely the advanced nature of English society that caused Marx to anticipate the later problems of the workers movement in a multinational state. I should point out that Marx’s position on the Irish question anticipated, but was not identical with, the orthodox Leninist position. Marx expected that an independent Ireland would draw the Irish out of England—that the economic development of Ireland would lead to the repatriation of the Irish working class from England. He looked for the physical separation of the English and Irish working classes as a precondition to political unity. It was not simply the advocacy of independence that was important, but its realization in fact. As we shall see, it is with Lenin that the advocacy of the right of self-determination becomes key.

Franco-Prussian War: End of an Epoch

The next major change which rendered what could be called the 1848 program obsolete was the Franco-Prussian War of 1870. Marx initially supported the Prussians on the grounds that the war was for the defense of the precarious unity of Germany. When the Prussians defeated Napoleon III and determined to conquer Alsace-Lorraine and crush the Paris proletariat, Marx shifted sides, supporting the French. And in fact, Engels, who was a capable military critic, apparently produced a plan for the French army to defeat the Prussians. Eduard Bernstein, who was Engels’ literary executor, destroyed this plan so that it wouldn’t embarrass the German Social Democracy should it fall into the government’s hands.

Marx and Engels’ defensism of the French against Bismarck’s expansionism was extremely important in terms of enhancing their moral authority as socialist leaders. After 1870, the accusation that Marx and Engels were really German chauvinists, hiding behind pseudo-scientific doctrines, was obviously untenable. The hegemony which Marxism attained in the international workers movement by the 1890s was a direct product of Marx and Engels’ absolutely indisputable internationalism.

Engels on the East European Question

The Franco-Prussian War of 1870 rendered Marx’s Grossdeutsche [Greater Germany] position—the inclusion of German-speaking Austria—obsolete. It was now a fantastical program. Marx didn’t like it but he had to accept that—except for Alsace-Lorraine—Germany had acquired its boundaries. This, of course, reopened the question of what to do with the Austro-Hungarian empire. Marx died before he tried to figure out a solution to that insoluble problem. Engels, who lived longer, was stuck with it.

By the time he died in 1895, Engels had moved very far away from the 1848 position on what was called the Eastern question—the East European question—but had not entirely abandoned it. By the late 1870s, Marx and Engels had come to expect a radical democratic revolution in tsarist Russia. This made the question of Polish independence much less important strategically. Nonetheless, Engels still regarded Russia as in some sense the gendarme of Europe, even in the 1880s. He was, therefore, very reluctant to accept the breakup of the Austro-Hungarian empire, believing that it would primarily benefit tsarist expansionism. Engels’ movement from the notion of “progressive nations” to advocating the right of self-determination can be seen in a letter written in 1882 and an article written in 1890.

In the early 1880s, Engels faced “Luxemburgism” on the national question even before Rosa Luxemburg. For well-motivated reasons, some Polish socialists did not want to fight for the independence of Poland, but rather looked forward to participating in the greater Russian revolution. Engels opposed this position, but he opposed it with a new argument. No longer was an independent Poland seen as a kind of democratic bastion against reactionary Russia—that was not the primary argument. Rather an independent Poland was necessary to sharpen the class antagonisms within Polish society. He wrote to Kautsky (7 February 1882):

“It is historically impossible for a great people even to discuss internal problems of any kind seriously, as long as it lacks national independence. Before 1859 there was no question of socialism in Italy; even the number of Republicans was small.... Only after 1861 the Republicans increased in influence and later transferred their best elements to the Socialists....

“So long as Poland is partitioned and subjugated, therefore, neither a strong socialist party can develop in the country itself, nor can there arise real international intercourse between the proletarian parties in Germany, etc., with other than emigre Poles....

“An international movement of the proletariat is possible only among independent nations.” [emphasis in original]

There is still the empirical qualification of “great nations,” not all nations. In the same letter, Engels still doesn’t think much of independence for the Czechs, Croats, Romanians, etc.:

“Now you may ask me [this to Kautsky, who, incidentally, was half Czech] whether I have no sympathy whatever for the small Slavic peoples, and remnants of peoples, which have been severed asunder by the three wedges driven in the flesh of Slavdom: the Germans, Magyars and Turks? In fact I have damned little sympathy for them.”

However, Engels agrees that after the fall of the tsar it would be all right for the small Slavic peoples to have their independence: after, not before. Then he adds, “I am certain that six months of independence will suffice for most Austro-Hungarian Slavs to bring them to a point where they will beg to be readmitted.” So Engels still considered the smaller peoples of East Europe as economically unviable units, and the Austro-Hungarian state as in some sense progressive.

By 1890 his position had undergone considerable evolution toward the classic Second International position in favor of the right of self-determination. During the 1880s, which was the beginning of the imperialist epoch, the alliances were formed which would result in World War I: tsarist Russia and bourgeois-democratic France against Wilhelmian Germany and Austria-Hungary. Engels foresaw that such a war would have a completely reactionary character. Furthermore, he was aware that changes in military technology meant that the war would be incredibly destructive, and that it would be impossible to predict who would win such a war.

In the 1880s, one begins to notice in Engels’ writings and in social-democratic propaganda a strong antiwar and anti-militarist thrust which was absent from the pre-1870 period. As a result there is a much more sympathetic attitude toward self-determination in East Europe. Discussing what will happen the day after tsarism is overthrown, Engels writes in 1890:

“On the same day Austria will lose its single, historical justification for existence—that of a barrier against the Russian drive toward Constantinople.... Magyars, Rumanians, Serbs, Bulgars, Arnauts, Greeks and Turks will then finally be in a position to settle their own mutual disputes without the intervention of foreign powers, to settle among themselves the boundaries of their individual national territories, to manage their affairs according to their own judgments.”

—“The Foreign Policy of Russian Tsardom”

Kautsky: Multinational States Are Reactionary

After Engels’ death, in the period of the Second International, one can distinguish four characteristic poles on the national question: the German social-democratic center, whose theoretical spokesman was Karl Kautsky; the German-dominated Austro-Hungarian social democracy, whose theoretical spokesmen were Karl Renner and Otto Bauer; Rosa Luxemburg’s Polish group; and Lenin’s Bolsheviks.

The differences and similarities between these tendencies are extremely complex and defy a simple schema. For example, on the question of the right of self-determination one would find Kautsky and Lenin in favor, and Bauer/Renner and Luxemburg against. On the question of whether to have a centralized rather than a nationally federated party one would find Kautsky, Luxemburg and Lenin for, and Bauer/Renner against. However, in certain aspects of methodology, I would argue that Kautsky and Luxemburg tended to emphasize the objective economic factor in determining the configuration of nation-states, although they drew diametrically opposite programmatic conclusions. On the other hand, Bauer/Renner and Lenin tended to emphasize the subjective factor, and the question of how to achieve the unity of the workers movement within a multinational state. Finally, I will argue that Lenin’s position is unique in his heavy emphasis on the question of the right of self-determination, rather than on any particular configuration of nation-states.

Under Kautsky’s guidance, the Marxist movement finally liquidated the outdated notion that tsarist Russia was somehow more reactionary than Wilhelmian Germany. Consequently, the Second International in its 1896 convention in London was now able to assert the general principle of the right of self-determination.

Kautsky’s position was that the Russian, Turkish and Austro-Hungarian empires were essentially feudal remnants
—that they were cases of arrested development. He maintained that a normal, healthy bourgeois development in East Europe required the breakup of these multinational units into their constituent nations. In other words, Kautsky regarded the national liberation of the smaller Slavic peoples as a task of the bourgeois-democratic revolution in East Europe.

Because the Austrian social democracy did not agree with this position, Kautsky never fought for it publicly. However, his real position was for the dissolution of the multinational states in East Europe. This comes through clearly in a letter (5 June 1901) from Kautsky to Victor Adler, head of the Austrian party:

“Most of our people suffer from the delusion that one can find a solution to every problem, if only one is clever enough. But there are insoluble problems, and the establishment of a viable Austria is one of them. National autonomy would not be a remedy either. It is essential for us in our propaganda and organisation, but under the given conditions, and with the present relation of forces, it is not conducive to a solution.

“In Austria of all places, a gradual approach to some solution or other is unthinkable. The only cure lies in complete collapse. That Austria still exists is to me not proof of its viability, nor yet evidence that we now have the political basis for a slow and peaceful development; all it proves is that bourgeois society is no longer capable of doing away with even the most rotten structures: the Sultan, Tsarism, Austria.”

—quoted in George Lichtheim, Marxism (1961)

Bauer/Renner: Saving the Austro-Hungarian State

The national program of Austrian social democracy, codified at the Brünn (Brno in present-day Czechoslovakia) Congress in 1898 called for a federated, democratic Austro-Hungarian state, and did not call for the right of self-determination. The national program of the Russian social democracy, codified in 1903 before the split, called for a unitary state with local autonomy, and did call for the right of self-determination. This significant difference cannot be explained simply on the basis of left versus right. The Russian Mensheviks also supported the right of self-determination, while even radicals in the Austrian party, like Friedrich Adler, did not advocate it.

Why was the simple solution of breaking the empire up into its constituent nations unpopular among Austrian social democrats of all shades? The problem—and this is why Kautsky was right to call it insoluble—was that everyone knew the breakup of Austria-Hungary would precipitate a war between Russia and Germany over the spoils. The various nationalities in the Austro-Hungarian empire hated one another, but they feared tsarist Russia and Wilhelmian Germany more. In contrast to all shades of Polish nationalism, the program of mainstream Czech nationalism was not independence. Rather, it was extreme federalism—creating a state within a state—combined with some kind of extraterritorial control over all Czechs in the empire.

(I have the impression that present-day French Canadian nationalism is rather similar to pre-World War I Czech nationalism. The goal is not outright independence, but rather virtually unlimited autonomy for Quebec plus some kind of union of all French-Canadians throughout Canada.)

So the Austrian Socialist Party sought to devise a program that would preserve Austria-Hungary in the face of violent national antagonisms. The heart of this program was so-called “cultural-national autonomy,” according to which nations were no longer associated with territories, but were embodied in individuals. In practice this meant that a Czech in Vienna could attend an exclusively Czech school and a German in Prague an exclusively German school. In fact, Karl Renner likened nationality to religion and argued that national organization should be modeled on churches. He writes in 1908:

“We must draw on the map a double network, the one economical, the other political. We must cut in two the sum of the activities of the state, separating national and political matters. We must organize the population twice; once along the lines of nationality, the second time, in relation to the state, and each time in administrative units of different form.”

—quoted in Arthur G. Kogan, “The Social Democrats in the Hapsburg Monarchy” in Journal of Modern History (1949)

From the standpoint of revolutionary Marxism, the worst thing about the Bauer/
Renner position was that it regarded nationality as a positive value. They actually presented their scheme to save the ramshackle Austro-Hungarian empire as an anticipation of communist society. Bauer writes in his 1907 opus, The National Question and Social Democracy:

“The organization of mankind into autonomous national communities enjoying, organizing, and developing their cultural goals is the final national aim of international Social-Democracy.”

—translated in Robert A. Kann, The Multi-National Empire

For Bauer, the state may wither away, but national affiliation goes on forever.

Luxemburg: National Blindness and Revolutionary Optimism

Now we come to the anti-Bauer, Rosa Luxemburg. It is important to emphasize that Luxemburg’s position on the national question is very much Polish-centered which in a sense is a paradox. There were, however, rather plausible reasons for a Polish revolutionary Marxist to oppose the independence of Poland. Luxemburg inherited that tradition, she didn’t invent it. One must realize that Poland was the most advanced, most industrialized part of the Russian empire with privileged access to a relatively large market. From the 1880s on, Polish nationalism was a petty-bourgeois, not a big-bourgeois, phenomenon. Luxemburg was convinced that the economic integration of Poland with Russia had gone so far that there was no possibility of an independent, viable Poland. So she considered Polish nationalism a form of petty-bourgeois reactionary utopianism analogous to Proudhonism in France or Bakuninite anarchism in Spain.

Rosa Luxemburg’s position on Polish independence is also closely linked with her revolutionary optimism concerning the possibility of a socialist revolution breaking out in the Russian empire and then spreading west. She more or less accepted Trotsky’s position on the permanent revolution in Russia. In fact, Trotsky’s seminal articles on the subject were first published in Luxemburg’s Polish-language journal. Thus, Luxemburg developed an attitude toward the Russian empire that was analogous to Marx’s attitude toward the German nation on the eve of 1848: for her the Russian empire became progressive as a powerful material basis for the coming proletarian revolution.

Luxemburg did not recognize what Lenin did: that the antagonisms between the Polish, Ukrainian and Great Russian working classes were an obstacle to a successful revolution in the tsarist empire. Her method of countering nationalist attitudes exclusively through internationalist propaganda was not enough. A positive programmatic opposition to tsarist Russia as “the prison house of nations” was necessary.

Lenin: Self-Determination and Workers Unity

The Leninist position on the national question was only developed in its final form during World War I, around 1917, but I believe it is basically relevant to the pre-1914 period.

Superficially, the Bolshevik position appears to be orthodox Kautskyan. However, I believe that the formal similarities obscure significant differences. Kautsky advocated self-determination because he was really in favor of independence as a means of pushing the bourgeois-democratic revolution in East Europe forward. Insofar as Lenin recognized that national emancipation for Poland, for the Ukraine, for the Czechs was an uncompleted bourgeois-democratic task there was a similarity of position.

But Lenin’s position was not essentially a two-stage revolution which looked forward to a relatively lengthy period of development of a bourgeois-democratic Polish, Ukrainian or Czech state. Rather, what Lenin emphasized—and he was the first Marxist to do so—was advocacy of the right of self-determination as a necessary means of unifying the working class in a multinational state.

Lenin maintained that Luxemburg’s abstract propaganda in favor of internationalism was not adequate to convince the Poles and the Ukrainians that the Great Russian socialists were not chauvinist. The workers movement in the oppressor nation must demonstrate in practice and in immediate programmatic form that it supports the right to independence of the oppressed nation. For Lenin, the question of whether independence would be realized or not was not a fundamental question, it was secondary. Before the 1917 Revolution, the Bolsheviks did not take a position for or against independence for Poland, the Ukraine or Finland. The core of Lenin’s position comes through in “The Right of Nations to Self-Determination” (1914):

“Whether the Ukraine, for example, is destined to form an independent state is a matter that will be determined by a thousand unpredictable factors. Without attempting idle “guesses,” we firmly uphold something that is beyond doubt: the right of the Ukraine to form such a state. We respect this right; we do not uphold the privileges of Great Russians with regard to Ukrainians; we educate the masses in the spirit of recognition of that right, in the spirit of rejecting state privileges for any nation.” [emphasis in original]

In New Left and “Third World” Stalinist circles, Lenin’s position is systematically misinterpreted so that he appears as a supporter of any demand put forward by an oppressed national minority. The anti-Luxemburgist Lenin wrongly overshadows the anti-nationalist Lenin. Lenin was violently hostile to “cultural-national autonomy” because it directly and immediately furthered nationalist ideology. He was opposed to federalism, and favored limited regional autonomy for minority nations in a unitary state. On this latter point, he was in basic agreement with Luxemburg. Some bourgeois commentators have noted that Lenin seems to have an all-or-nothing position on the national question. This is in contrast to the Austrian social democrats who offered the population an infinite gradation of steps between independence and assimilation. Richard Pipes in his The Formation of the Soviet Union writes:

“Lenin’s theory of national self-determination, viewed as a solution of the national problem in Russia, was entirely inadequate. By offering the minorities virtually no choice between assimilation and complete independence, it ignored the fact that they desired neither.”

However, Lenin’s program was not designed to be popular with Russia’s minorities at any given time. It was designed to foster the fighting unity of the working class within the Russian state. If the working masses of the various nations are so hostile to one another that it makes unified class struggle virtually impossible, then separation into independent states is called for. Where national minorities choose to coexist within the same state framework, the task of Leninists is to break down all the barriers separating the working masses of the different nationalities. While championing the equality of languages and related democratic rights, we work for the gradual, organic assimilation of the various nationalities making up the working class.

Thursday, February 26, 2009

*Ma Rainey Don't Bite Her Tongue, And Neither Does Playwright August Wilson

Click On Title To Link To August Wilson Homepage.

Commentary

February Is Black History Month

I had originally intended to review all of the late August Wilson's Century Cycle plays at the same time. On reflection this is such an important series about sketches of black cultural life in the 20th century that I decided to review each one separately. Below is a list of the ten plays to be reviewed over the next several months.


Play Reviews

The August Wilson Century Cycle

Gem Of The Ocean (1904)

Joe Turner's Come And Gone (1911)

Ma Rainey’s Black Bottom (1927)

The Piano Lesson(1936)

Seven Guitars (1948)

Fences(1957)

Two Trains Running(1969)

Jitney(1977)

King Hedley II (1985)

Radio Golf(1997)

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Ma Rainey’s Black Bottom (1927), August Wilson, New American Library, New York, 1981

Readers of this space know that over the past year or so I have highlighted the musical works of various acoustic and electric black blues performers, mainly the former. The hidden question posed by those performers and subsequently by this reviewer is- "What are the blues?" The answers I have given have ranged from the perennial- "the blues is the dues" to old Lightnin' Hopkins' refrain- "the blues ain't nothing but a good woman on your mind". Playwright August Wilson posed this very question in this his first, I believe, play "Ma Rainey's Black Bottom". His answer is far more profound that mine could ever be when he has Ma say the blues are "way of understanding life". And then proceeds in his little beauty of a play to give a black version of the way that life played out.

The story line of this play is fairly straight forward, although probably an unusually theme for a serious play, about the trails and tribulations of blacks recording blues records in Chicago in the mid-1920's. And not just any blues singer off the farm, but the most famous female blues singer of her day, Ma Rainey, and her band. But that is not the half of it. In that small physical space and musical universe of the recording studio and with her motley group of band members that seemingly represented every possible black musician type that Wilson could image, Ma Rainey, the Mother of The Blues and the whites in charge of production (and who will reap the disproportionate share of the profits) has raised every timely issue for blacks in the 1920's, the 1980's when he wrote the play and, notwithstanding the Obama presidential victory, now.

Wilson's conceptual framework is impeccable. Placing the scene in 1920's Chicago permits him to work with the migration of blacks out of the south in the post-World War I period in order to show the contrasts (and similarities) between the `country boys' (Toledo) and the `assimilated' city boys (Levee). Moreover, he is able to succinctly draw in the questions of white racism (powerfully so in the story of Levee's mother's rape by white men) , black self- help (Levee's father's response to his wife's rape), black hatred of whites, black self-hatred, black illusions (that of Ma in her `queenly' relationships with the profiting whites), black pride, the influence of the black church (good and bad), black folk wisdom ( as portrayed by Cutler, the senior band member) and, in the end, the rage behind black on black violence (Levee) resulting from a world that was not made by the characters in this play but took no notice of their long suppressed rage that turned in on itself. Like I said above Wilson provides a very profound answer to the question posed in my first paragraph. So if anyone asks you what the blues are you now know what to say- read and see Mr. Wilson's play.

Ma Rainey’s Black Bottom- The Blues Of Gertrude “Ma” Rainey

Ma Rainey’s Black Bottom, Ma Rainey, Yazoo Records, 1990


One of the interesting facts about the development of the blues is that in the early days the recorded music and the bulk of the live performances were done by women, at least they were the most popular exponents of the genre. That time, the early 1920's to the 1930's, was the classic age of women blues performers. Of course, when one thinks about that period the name that comes up is the legendary Bessie Smith. Beyond that, maybe some know Ethel Waters. And beyond that-a blank.

Except maybe I have to take that back a little in the case of Gertrude “Ma” Rainey, at least as to her name if not her music that has gotten more recent publicity through the work of playwright August Wilson’s Century Cycle play “Ma Rainey’s Black Bottom”. Notwithstanding that possibility, in the CD compilation under review we have what amounts to the best of Ma Rainey during her short but productive recording career in the 1920’s. Upon hearing her on this CD women’s blues aficionados are going to want to know how she stacks up against the heavy competition of Bessie Smith. In many ways there are comparable since they worked much the same milieu but, in the end Bessie’s wider range and more heartfelt ‘feel’ for a song wins out. A case in point is the classic “Oh Papa Blues” done by both. There is absolutely nothing wrong with Ma’s version as entertainment but Bessie’s version comes out as if she had just been shot in the heart by some two-timin’ man. That difference is reflected throughout.

As is highlighted in Wilson’s play Ma however was no fool , unlike Bessie, when it came to business and that included making sure she got her just desserts (and credit) for songs that she wrote (somewhat unusual for a singer in the days of Tin Pan Alley). Moreover, some of the best songs here have some legendary blues sidemen on them. For example, Fletcher Henderson on piano on “Ma Rainey’s Black Bottom”. Coleman Hawkins on “Blues Oh Blues”. And both Georgia Tom Dorsey (who later went on to a successful gospel career) and Tampa Red on “Sleep Talking Blues”. Wow.

Wednesday, February 25, 2009

*Damn It- Free Hugo Pinell Now!

Commentary

This entry is passed along from the Partisan Defense Committee. I need add nothing more other than I remember back in the early days of the San Quentin Six when the Black Panthers were alive and struggling; when George Jackson was being feted on the left and when Jonathan Jackson led his famous freedom raid. That was also a time when Angela Davis was the subject of an international campaign for her freedom that every one with any pretensions to leftism came out to support. Now, a generation or so later, Hugo, an old still unbroken warrior remains behind bars. Where are the massive forces that should be fighting for his freedom? Honor the memory of George Jackson, Jonathan Jackson, Sam Melville and other class war fighters. Free Hugo now.


Outrage! Hugo Pinell Denied Parole

(Class-Struggle Defense Notes)


On January 14, the California Board of Parole denied Hugo Pinell parole for the ninth time—and declared that he will not have another parole board hearing for 15 years! Pinell, the last of the San Quentin Six still in prison, is 63 years old and has been in prison since he was 19. Despite having no disciplinary write-ups for 27 years, he has spent the last 39 years in solitary confinement, 19 of them in the notoriously brutal Security Housing Unit of the Pelican Bay dungeon, where he is subjected to high-tech sensory deprivation: 23 to 24 hours a day in a small cell, no windows, no natural light, no contact visits and prolonged isolation. The capitalist rulers have kept Pinell locked down because he remains true to his vision of a society finally rid of racist repression.

Pinell, who immigrated from Nicaragua at age 12, was locked up in 1965. In the late ’60s he became a leader of a developing movement in the California prisons against wretched conditions and racist abuse. He was a student and close comrade of George Jackson, the imprisoned Black Panther spokesman. The prisoners’ movement, which was met with heavy repression, reflected the intense struggles taking place outside the prison walls, from the “black power” movement to radical protests against the war in Vietnam. Pinell and five others—the San Quentin Six—were framed up on charges of conspiracy murder stemming from the killing of three prison guards in the protests that erupted after the assassination of Jackson in the San Quentin prison yard on 21 August 1971. Pinell represented himself at the 18-month-long trial and was convicted of two counts of assault.

The parole board’s decision to deny Pinell parole for another 15 years was made possible by the grotesquely reactionary Proposition 9, passed in the November 2008 elections. Under previous California law, Pinell would have to be given another hearing within two years. Proposition 9, dubbed a “victims’ bill of rights,” rewrote a whole section of the state constitution, as well as state penal law, in order to bolster the repressive powers of the state and further eviscerate the rights of those charged or convicted by the racist capitalist criminal injustice system. The ballot initiative was bankrolled with $4.8 million by sleazy billionaire Henry Nicholas III, who last year was indicted on securities fraud and other charges, such as drugging his customers’ representatives. In 2004, Nicholas also pumped in $3.5 million in a last-minute campaign to defeat Proposition 66, which would have rolled back some of the provisions of California’s notorious, draconian 1994 “Three Strikes” law.

For over 20 years, Hugo Pinell has been one of the class-war prisoners supported by the Partisan Defense Committee’s monthly stipend program. As the PDC noted in a recent letter to the California parole board, in 2006 “a commissioner berated Mr. Pinell saying ‘you continue to show no remorse...’. This is a common ruse for denying parole for political prisoners. Mr. Pinell has no reason for ‘remorse’ for his commendable political convictions.” The fight to free Pinell and all the other class-war prisoners is part of the fight against the whole system of exploitation and repression inherent in capitalist rule. Free Hugo Pinell now!

*The King Of The Slide Guitar, An Encore- Elmore James

Click on the title to link to a "YouTube" film clip of Elmore James performing his classic slide rendition of "It Hurts Me Too". Wow!

CD Review

Who’s Muddy Shoes, Elmore James with John Brim and others, MCA, 1969


Well, what did you NEED to listen to here? Obviously,”Dust My Broom”. On this CD though you MUST listen to Elmore on “Who’s Muddy Shoes?” Wow, it jumps right out at you. “Madison Blues”, “Talk To Me Baby” and “Stormy Monday” round out the minimum program here. John Brim's vocals add in spots. Listen on.

"Madison Blues" Lyrics

Ahh, you babes talk about your Madison shoes

We got a thing we call the Madison blues

We do the Madison blues

We do the Madison blues

We do the Madison blues baby

Rock away your blues



I know a gal her name is Lindsey Lou

She told me she loved me but I know it ain't true

Put on your Madison shoes

Put on your Madison blue shoes

I got the Madison blues

Now put on your Madison blue shoes



Ahh, you cats talking about your Madison shoes

We do the thing we call the Madison blues

We do the Madison blues

We do the Madison blues

We do the Madison blues baby

Rock away your blues



Ah you babes talk about your Madison shoes

We got a thing we call the Madison blues

We do the Madison blues

We do the Madison blues

We do the Madison blues baby

Rock away your blues

*The King Of The Slide Guitar, One More Time - Elmore James

Click on the title to link to a "YouTube" film clip of Elmore James performing his (and Robert Johnson's) classic, "Dust My Broom".

The Very Best Of Elmore James, Elmore James with the Broomdusters, Virgin Records, 1986

Well, what did you NEED to listen to here? Obviously,”Dust My Broom”. On this CD
though you MUST listen to Elmore on “Standing At The Crossroads”. Wow, it jumps right out at you. “Sure Enough I Do”, “Wild About You Baby" and “Mean and Evil” round out the minimum program here. Listen on.

Dust My Broom
Robert Johnson, Elmore James


I'm gonna get up in the mornin',
I believe I'll dust my broom (2x)
Girlfriend, the black man you been lovin',
girlfriend, can get my room

I'm gon' write a letter,
Telephone every town I know (2x)
If I can't find her in West Helena,
She must be in East Monroe, I know

I don't want no woman,
Wants every downtown man she meet (2x)
She's a no good doney,
They shouldn't 'low her on the street

I believe, I believe I'll go back home (2x)
You can mistreat me here, babe,
But you can't when I go home

And I'm gettin' up in the morning,
I believe I'll dust my broom (2x)
Girlfriend, the black man that you been lovin',
Girlfriend, can get my room

I'm gon' call up Chiney,
She is my good girl over there (2x)
If I can't find her on Philippine's Island,
She must be in Ethiopia somewhere

Robert Johnson

*From The Archives Of "Women And Revolution"-Angela Davis Peddles Liberal Myths

Click on the headline to link to a "Wikipedia" entry for black activist Angela Davis.

Markin comment:

The following is an article from the Winter 1982-83 issue of "Women and Revolution" that may have some historical interest for old "new leftists", perhaps, and well as for younger militants interested in various cultural and social questions that intersect the class struggle. Or for those just interested in a Marxist position on a series of social questions that are thrust upon us by the vagaries of bourgeois society. I will be posting more such articles from the back issues of "Women and Revolution" during Women's History Month and periodically throughout the year.

**********

Angela Davis Peddles Liberal Myths
Women, Blacks and Class Struggle


A REVIEW
Women, Race and Class
by Angela Y. Davis Random House, Inc., New York 1981


The most striking thing about Angela Davis' book, Women, Race and Class, is what's not in it. Davis, a philosophy professor and member of the central committee of the reformist Communist Party (CP), achieved an international reputation as a black radical associated with the Black Panther Party. Framed up in 1970 as part of the massive cop/FBI vendetta against the Panthers, Davis spent over a year in prison before being acquitted. Her relationship with Panther martyr George Jackson was even featured in a slick Hollywood movie. To those not blinded by the celluloid, Davis remains a living symbol of the reconciliation of the militant, eclectic Panthers with the mainstream Stalinist reformism of the CP. Yet in this set of liberal-oriented essays, Davis doesn't even mention the Black Panther Party. The explosive '60s of militant black nationalism, the New Left women's movement, etc. is sunk without a trace.

Of course the Communist Party, then, was generally written off by the New Left and the best of the black radicals as rotten old reformist hacks irrevelant to the struggle. But the New Left's rejection of CP-style "coalitionism" with the Democrats was falsely equated with a rejection of working-class politics in general. The New Left's "answer" to CP sellouts was not revolutionary Marxist program, but eclectic Maoist/Third World-ist ideology and mindless militancy: "direct action," often physical confrontation with the state, passive enthusing over ghetto outbursts, "Off the Pig" rhetoric. When the inevitable capitalist reaction hit, the New Left either splintered or made its peace with the reformist status quo—and there was the CP, waiting with awful inertia to sell young militants its shopworn "strategy" of maneuvering within the capitalist system.

A watershed in the degeneration of the Panthers' militant impulse was the 1969 "United Front Against Fascism" conference in Oakland. Explicitly embracing the class-collaborationist formula of popular-front "theoretician" Dimitrov, the Panthers made a sharp right turn towards alliance with the liberal bourgeoisie, brokered by the CP. The CP had money and lawyers, which the Panthers, facing massive repression, desperately needed. The price was returning to the fold of Democratic Party "reform" politics (indeed Huey Newton became a Democratic politician a few years later). Groups to the left of the CP were kicked out of the conference, particularly Progressive Labor and the Spartacist League. The SL argued that the road to black liberation must lie through revolutionary alliance with the working class, through building an integretated vanguard party with black leadership to fight for socialist revolution. Women at the conference who objected to the Panthers' gross male chauvinism were also harassed.
Angela Davis, in the CP's orbit at least since her high school days, should have been delighted with the "rectification" of Panther politics in the direction of mainstream Stalinist reformism. But Women, Race and Class does not deal at all with the Panthers.

In fact it makes no real attempt to come to grips with the searing reality of black America today—the explosive contradiction of ghetto misery and potential proletarian power. Nor can Davis suggest a solution to women's oppression, which is rooted in the institution of the monogamous family, linked inextricably to private property and thus insoluble without a revolution overthrowing capitalist property relations. Then what is Women, Race and Class about? It is basically an attempt to find historical antecedents for the CP's eternal search for the "anti-monopoly coalition": an alliance of workers, women, blacks, youth, etc. with right-thinking imperialists, Democrats of good will, progressive Republicans, anti-racist bankers and so on.

In the CP's view, the only obstacle to unity is... divisiveness. Never mind the brutal, racist, imperialist system that sets black against white, employed against jobless, skilled against unskilled, everywhere you look. For Davis, all that's needed is for the various sectors to be more receptive to each other. Thus, central to the book is the appeal to middle-class feminists to be more sensitive to race and class. "Today's feminists are repeating the failures of the women's movement of a hundred years ago.... Clearly, race and class can no longer be ignored [I] if the women's movement is to be resurrected" as the book's dust-jacket puts it. The solution? In the classic words of Alva Buxenbaum, reviewing Davis' book in the CP's own Political Affairs (March 1982), we must develop a "deeper understanding of and commitment to alliances based on unity." As opposed to disunity, we guess. Of course this inane language serves a purpose; it's CPese for support to the Democrats.

Davis also leaves out of Women, Race and Class all mention of international communism and the Bolshevik Revolution, which on the woman question and especially the black question in America had a decisive impact on radicals. This would certainly offend those bourgeois liberals the CP chases after today, as all wings of the bourgeoisie are united in hostility to the USSR and the gains of the October Revolution which remain despite Stalinist bureaucratic deformation. The history of American Marxism, its early counterposition to late 19th century feminism, even the aggressive work of the CP itself in the late '20s and '30s in winning blacks to a proletarian perspective, is all buried—and necessarily; it would expose too starkly the total bankruptcy and betrayals of the Communist Party today.

The Myth of the "Progressive Black Family"

So what is in the book? Davis opens with a discussion of black women under slavery. She points out that black women were full-time workers in the fields and other heavy labor, thus excluded from the 19th century ideology of "femininity" which relegated "many white women," as she puts it, to positions of useless, sentimentalized inferiority inside the home. Davis neglects to mention in this section that early Northern industrialization relied heavily on the intense exploita¬tion of "free" female labor, especially in textiles. Moreover, the large majority of white women in pre-Civil War America were the hard-working wives and daughters of farmers.

Her main point, however, is that the bitter experience of slavery created strong black women who "passed on to their nominally free female descendents a legacy of hard work...resistance and insistence on sexual equality—in short, a legacy spelling out stand¬ards for a new womanhood." Arguing against Daniel P. Moynihan's notorious 1965 "black matriarchy" thesis that the problem with blacks is that black women are running things too much, creating a "tangle of pathology," Davis contends that slavery, rather than destroying black families, actually promoted sexual equality within black family and community life, which has come down essentially unchanged to this day: "Black people—transformed that negative equality which emanated from the equal oppression they suffered as slaves into a positive quality: the equalitari-anism characterizing their social relations." This cheery Stalinist vision of some progressive black family emerging from slavery is absolutely grotesque!

In 1975 we pointed out that Moynihan's "The Negro Family: The Case for National Actions' a U.S. labor department study, sought to "shift the blame for the social problems of blacks from the capitalist system to blacks themselves, particuparly black women.... The so-called 'black matriarch' is, in fact, the most oppressed of all. She is paid the least and relegated to the lowest-paying jobs with no opportunity for advancement" ("Black Women Against Triple Oppres¬sion," W&R No. 9, Summer 1975). Where she even has a job, that is. "Equalitarian" black families? No way. Michelle Wallace, in her overall pretty despicable trashing of the "Black Power" era, the steamy Cosmopolitan-style confessional Black Macho and the Myth of the Super-Female, at least had the guts to cast a very cold eye on such liberal mythologizing:

"I remember once I was watching a news show with a black male friend of mine who had a Ph.D. in psychology We were looking at some footage of a black woman who seemed barely able to speak English, though at least six generations of her family before her had certainly claimed it as their first language. She was in bed wrapped in blankets, her numerous small, poorly clothed children huddled around her. Her apartment looked rat-infested, cramped, and dirty. She had not, she said, had heat and hot water for days. My friend, a solid member of the middle class now but surely no stranger to poverty in his childhood, felt obliged to comment—in order to assuage his guilt, I can think of no other reason— 'That's a strong sister as he bowed his head in reverence."

You literally would not know from reading Davis' book that such a thing as the miserable, rotting big city black ghetto even exists, with its poisonous, violent currents of humiliation and despair and hatred.

The Ghetto and the Factory: Disintegration and Power

The huge migrations of blacks to industrial centers out of the rural South—peaking during World Wars I and II, periods of capitalist boom, as well as after the Second World War when mechanization of Southern agriculture forced more blacks into the cities of the North and South—resulted in the integration of blacks into the American capitalist economy, albeit at the bottom. That fact has been the key shaping factor in black experience in contemporary America—and that integration into the industrial proletariat is the key to black liberation today. At the same time, this wrenching integration into urban life took place under conditions of growing racist segregation socially. Blacks formed the central native component of that huge "surplus population" necessary to the capitalist "free labor" system. Thus the resulting crowded, desperately poor black ghettos with their inevitable "social disintegration"—a fancy phrase for broken homes, abandoned women and children, a permanent welfare population, illiteracy, crime and violence, drugs and squalor. Richard Wright's Black Boy, pioneering urban studies like St. Clair Drake and Horace Cayton's Black Metropolis, Malcolm X, James Baldwin—they spoke of this bitter reality. Today the statistics are overwhelming on the hideous condition of the black ghetto popula¬tion, and especially of black women. Three-quarters of all poor black families are headed by women alone, while 47 percent of all black families with children under 18 are headed by women, according to 1980 statistics (Department of Health and Human Services' National Center for Health' Statistics). Almost 55 percent of births to black women are "illegitimate." The fashionable phrase "feminization of poverty" expresses a terrible reality.

But Davis doesn't even mention it exists, because she can't. A world so crushing is not going to be touched by electing a few more "progressive" black Democrats, the CP's line. It's going to take a massive social upheaval—revolution—to break out of the black ghettos. Davis, however, confines herself to a series of hollow, eclectic essays on various "social uplift" causes. One whole chapter on the black clubwomen's movement, for example! Does Davis really believe that the personal rivalries between Ida B. Wells and Mary Church Terrell in this cultured and ladylike milieu have anything significant to do with black or woman's liberation? As for black labor, there is but one chapter: on black women's long history of work as domestic servants. It's easy for liberals to weep over this humiliating labor, but it's hardly a source of black proletarian power. Blacks.integrated into the industrial working class at the point of production are the key to black leadership. And precisely because black workers may typically have a mother on welfare or a younger brother in prison, and are confronted in a thousand ways with evidence that the racist, capitalist "American dream" doesn't include blacks, they will be the most militant fighters for the entire working class, least tied to illusions that anything short of a fundamental social restructuring of this country through socialist revolution will liberate blacks.

Abolition and Suffrage:The Limits of Bourgeois Radical Idealism

Almost half of Women, Race and Class is devoted to the relationships between the abolitionist movement of the 1830s and '40s, the fight for women's rights and the post-Civil War suffragette movement, which developed in often explicitly hostile counterposition to continued demands for black political and civil rights. These chapters are the most interesting in the book, although here too Davis' reformist CP ideology deforms the past.

She has a hard time explaining the early and active participation of many prominent upper- and middle-class women in the abolitionist movement. "In 1833 many of these middle-class women had probably begun to realize that something had gone terribly awry in their lives. As 'housewives' in the new era of industrial capitalism, they had lost their economic importance in the home," Davis guesses. She contends that these women's identification with the slaves was essentially the result of "unfulfilling domestic lives." This projection of a Betty Friedanesque "feminine mystique" back into history not only fails to explain the fact that far more Northern men (e.g., William Lloyd Garrison, founder of the fiery abolitionist journal The Liberator; Thaddeus Stevens, head of the radical Republicans in Congress) took up the abolitionist cause, but actually is rather insulting to such powerful orators and theoreticians as Elizabeth Cady Stanton, Susan B. Anthony, Utopian socialists like Frances Wright, or the transcendentalist Margaret Fuller, who went to Italy to participate in the revolutionary upsurge of 1848.

In fact, rather than the "alliance of oppressed housewives and slaves" Davis evokes, the abolitionist movement in America was ideologically influenced bythe radical petty-bourgeois currents sweeping Europe,which reached their highest expression (and defeat) in the revolutions of 1848. As Kenneth B. Stampp pointed out in The Era of Reconstruction 1865-1877, the abolitionists, women as well as men, represented the:
"...heirs of the Enlightenment.... As nineteenth- century liberals, they believed in the autonomous individual—his right to control his own destiny—and therefore regarded slavery as the ultimate abomination In fact, radical reconstruction ought to be
viewed in part as the last great crusade of the nineteenth-century romantic reformers."
Both demands for the abolition of slavery and for women's rights were seen by their advocates as inseparable parts of the same progressive bourgeois struggle for "liberty, equality, fraternity." At the founding conference of the Women's Loyal League in 1861, organized by Stanton and Anthony to draw women into support for the North in the Civil War and press for the immediate enfranchisement of the slaves, Angela Grimke's "Address to the Soldiers of Our Second Revolution" expressed this radical spirit:

"The war is not, as the South falsely pretends, a war of races, nor of sections, nor of political parties, but a war of Principles, a war upon the working classes, whether white or black.... In this war, the black man was the first victim, the workingman of whatever color the next; and now all who contend for the rights of labor, for free speech, free schools, free suffrage, and a free government... are driven to do battle in defense of these or to fall with them.... The nation is in a death-struggle. It must become either one vast slaveocracy of petty tyrants, or wholly the land of the free."

Grimke undoubtedly represented the high point of this radical equalitarianism. Davis' ahistorical refusal to admit that this movement represented the limits of bourgeois radicalism is no accident. The CP today pretends that the American bourgeoisie from Reagan to Kennedy is potentially capable of fulfilling the same progressive role that the bourgeoisie of Abraham Lincoln, William Lloyd Garrison and Thaddeus Stevens • played. But in pre-Civil War America, the industrial proletariat was not a class-conscious and decisive factor. Certainly the workers of the North were in no sense prepared to begin to wage a struggle for power in their owh name: given this, and the fundamental block to the expansion of modern, industrial capitalism represented by the agrarian slave society of the South, it was left to the liberal Northern bourgeoisie, in alliance with the "free soil" petty-bourgeois farmers of the West, to fulfill one of the unfinished tasks of the American bourgeois revolution: the abolition of slavery.

Even so it took a bloody four-year Civil War to crush the slaveocracy, while the following attempt at "radical Reconstruction" in the South was sold out, revealing the ultimate incapacity of bourgeois radicalism to finally "liberate" any sector of the oppressed. Instead of the "land of the free," America became the land of the robber barons, unleashed capitalist expansion and exploitation, while Ku Klux Klan terror, lynchings and Jim Crow segregation became the blacks' lot in the South. By the end of the nineteenth century the U.S. emerged as a rapacious imperialist power. As happened after 1848 in Europe, following the Civil War in America "the component elements of early nineteenth century radicalism (liberal democracy and socialism, trade unionism, women's equality and national libera¬tion) separated and began to compete and conflict with one another... it seemed that bourgeois society would continue for some time and that the interests of the oppressed, be they workers, women or nations [or the black population in the U.S.], would have to be realized within its framework It was Marx who cut the Gordian knot and provided a coherent, realistic analysis of the social basis for the socialist movement within bourgeois society" ("Feminism vs. Marxism: Origins of the Conflict," W&R No. 5, Spring 1974).

Revolutionary Marxism insisted on the need for working-class revolution to open the way to further human progress. In America, the main historic obstacle to the creation of a revolutionary workers party has been the divided ethnic consciousness of the working class, built upon waves of immigration, with black-white polarization underlying that. The ability of the Democratic Party in the 20th century, expressed in Roosevelt's "New Deal" coalition of labor, liberals and ethnic minorities, to successfully manipulate these divisions and absorb petty-bourgeois movements reflects the political backwardness of American labor— and the bitter fruit of decades of betrayal by so-called "socialists" like the CPand social-democrats. The New Left, too, with its sectoralist belief that every oppressed sector must "liberate itself" also accepted as unchangeable the racist, divided status quo. For the Communist Party, the Democrats are the only possible "coalition of the oppressed" within capitalist society. Thus in 1964 they greeted the election of Lyndon B. Johnson—mad bomber of Vietnam—as a "People's Victory"!

Feminism and Racism

The remainder of Davis' historical chapters are choppy and chock-full of "unfortunately"s—the telltale reformist throat-clearing device employed preparatory to leaping over some gross betrayal or crushing defeat. Accepting the grim capitalist frame¬work as immutable, Davis' detailing of the split between the suffragettes and black civil rights fighters is full of passive hand-wringing. She quotes Stanton's racist cry of alarm in 1865 when it appeared black men, but not women, would get the vote:

"The representative women of the nation have done their uttermost for the last thirty years to secure freedom for the negro...but now, as the celestial gate to civil rights is slowly moving on its hinges, it becomes a serious question whether we had better stand aside and see 'Sambo' walk into the kingdom first Are we sure that
he, once entrenched in all his inalienable rights, may not be an added power to hold us at bay?... In fact, it is better to be the slave of an educated white man, than of a degraded, ignorant black one."

—New York Standard, 26 December 1865 letter.

Davis nails the women's suffrage leaders for their racism and support to American imperialism. She quotes Susan B. Anthony's admission, when preparing a Suffrage Association meeting in Atlanta, Georgia, that "knowing the feeling of the South with regard to Negro participation on equality with whites, I myself asked Mr. Douglass [Frederick Douglass, black abolitionist leader and early supporter of women's suffrage] not to come. I did not want to subject him to humiliation, and I did not want anything to get in the way of bringing the southern white women into our suffrage association." Anthony and Stanton allied with notorious racist Southern Democrats who argued for the enfranchisement of white women on the grounds that it would maintain white supremacy in the South after blacks got the vote. Davis gives a thorough account of rising racism in the women's suffrage movement, of the segregation of organizations and actions such as the 1913 suffrage parade, where an official attempt was made to exclude black activist Ida B. Wells from the Illinois contingent in favor of a segregated bloc. She quotes Stanton's insistence that "the worst enemies of Woman Suffrage will ever be the laboring classes of men" and records that Anthony urged women printers to scab on male printers' strikes.

Any serious reader must conclude that the pioneer feminist movement, preaching "unity of all women," essentially sought to advance the interests of bourgeois and petty-bourgeois white women, as against those of blacks and the working class. The icons of today's feminist movement are shown to be more than a little tarnished. Of course the opportunist Davis never challenges the ideology of "sisterhood," necessarily a screen for the subordination of working-class interests to bourgeois interests. Feminism, which seeks the reactionary splitting of the working class along sex lines and the collaboration of women of all classes, is a barrier to women's liberation, which can be won only through the revolutionary struggle of the working class—women and men, black and white—against their common exploiter, the capitalist class. The suffragettes' "unfortunate" racism and "capitulation to imperialism" flowed from their conscious identification with the interests of their own class.

American Communism

Davis' only chapter on the Communist Party, consisting solely of potted biographies of prominent CP women, opens with a gross omission. Davis asserts that when "Weydemeyer founded the Proletarian League jn 1852, no women appear to have been associated with the group. If indeed there were any women involved, they have long since faded into historical anonymity... to all intents and purposes, they appear to have been absent from the ranks of the Marxist socialist movement." Sliding over the Working-men's National Association and Communist Club as "utterly dominated by men," she manages neatly to avoid the major faction fight that took place in the American section of the First International over the question^of feminism. That flamboyant and notorious "free love" advocate, presidential candidate and early feminist Victoria Woodhull must be spinning in her grave. She was undoubtedly the most famous American to join the First International, organizing her own section (Section 12), which was a radical liberal faction, counterposing women's rights, "free love," and an electoralist strategy to proletarian socialism. Marx himself personally intervened to suspend Section 12, asserting the communist principle that the end to all kinds of oppression must run through the victory of the working class over capitalism.

Davis' omission of the tremendously important work of the early Communist Party among blacks is even more egregious. Her sole comment on that work as such is one bland statement, following a rather mysterious quote from William Z. Foster that the CP neglected Negro women factory workers in the 1920s, that "Over the next decade, however, Communists came to recognize the centrality of racism in U.S. society. They developed a serious theory of Black liberation and forged a consistent activist record—

Obviously it's impossible to go into detail in a review of this scope, but a few fundamental points are vital. First, there was the decisive impact of international Communism. As James P. Cannon, an early CP leader and founder of American Trotskyism, put it:

"The influence of Lenin and the Russian Revolution, even debased and distorted as it later was by Stalin, and then filtered through the activities of the Communist Party in the United States, contributed more than any other influence from any other source to the recogni¬tion, and more or less general acceptance, of the Negro question as a spec/a/ problem of American society—a problem which cannot be simply subsumed under the general heading of the conflict between capital and labor, as it was in the pre-communist radical movement." —The First Ten Years of American Communism The Russian Revolution also affected blacks' attitude toward the Communist Party well through the 1930s, as Drake and Cayton's Black Metropolis makes clear: "...widespread approval of 'the Reds' was not only associated with the fight of American Communists; it was also grounded upon admiration for the Soviet Union which, to thousands of Negroes, was the one 'white' nation that 'treated darker folks right'."

Despite the CP's sectarian "Third Period" excesses in the 1930s and its erroneous "Black Belt" theory (for Negro "self-determination" in the impoverished, segregated South, which was never actually raised agitationally), the CP's early work among blacks combined a proletarian orientation with the recogni¬tion that it was strategically necessary to fight racial oppression throughout America, especially addressing the problems of poor and unemployed blacks.

The CP made the first serious efforts to organize black workers and to attack the American Federation of Labor's conservative Jim Crow trade unions since the days of the Wobblies (IWW). In the South, there were heroic CP attempts to organize poor black share¬croppers, including a series of hard-fought strikes for better wages. Their most famous Depression-era work was their defense of the "Scottsboro boys," nine black youth framed up on charges of raping two white girls they were travelling with and sentenced to life imprisonment (this Davis does mention, but only in the context of appealing to the feminist "anti-rape" anti-porn movement—which she sees as essentially progressive—to avoid vigilante-type frameups of blacks). The CP won thousands of black members in this period, though few ultimately stayed.

By the mid-'30s the Communist Party had broken from the radicalism of the "Third Period" and was firmly wedded to the "Popular Front" line of open class collaboration in support of FDR. By 1941 the CP became Roosevelt's most slavish sycophant, instituting the no-strike pledge on behalf of U.S. capitalism's war to preserve and expand its empire. The CP made an open bloc with racism. When the "progressive" Earl Warren, acting on FDR's orders, interned the Japanese-Americans in concentration camps, stealing their property, the Stalinists not only refused to protest this racist atrocity, but told their own Japanese-American members to get lost. In 1945 the CP hailed the A-bombing of Hiroshima and Nagasaki! While the Jim Crow U.S. was fighting its "war for democracy" with a segregated army and navy, the CP opposed every struggle for black rights on the grounds that it would "disrupt the war effort."

The Trotskyists in the then-revolutionary Socialist Workers Party opposed the bosses' imperialist war, while defending the Soviet Union and fighting to continue the class struggle, including militant support to black rights. While black soldiers and sailors were segregated and assigned the most humiliating, dirty and dangerous tasks, their wives and sisters were among those who suffered at home from the pro-imperialist betrayals of the labor tops and Communist Party. Brought into heavy industry in large numbers during the war, at war's end they were unceremoniously dumped back into low-paying service jobs or unemployment. Needless to say, the labor bureaucracy and the CP—which called for making the no-strike pledge permanent—took no effective action to save their jobs. The CP's "reward" for its class collaboration was the 1950s Cold War witchhunt, which shattered what was left of its mass influence.

It'll Take a Socialist Revolution to Finish the Civil War

Today the Spartacist League continues the fight for an American workers party, in opposition to those like the CP who tell workers and blacks to be passive and rely on "good" capitalist politicians. The CP cynically uses the history of the Civil War to cover its alliance with the liberal imperialist bourgeoisie today. We say it's going to take a socialist revolution to finish what the Civil War started! For the CP, women, blacks and the working class are simply three "constituencies" within capital¬ism, whom they tell to petition the racist, bourgeois state to ameliorate their oppressed condition. But exploitation of the working class is the motor force of capitalism. And capitalist society can never replace the family unit, the main social institution oppressing women. For blacks, the deeply embedded racism of American society, their forced segregation into miserable, rotting ghettos cannot be overcome short of ripping up this institutionalized oppression in socialist revolution. Our strategy is to build a women's section of a revolutionary vanguard party, to link the fight against the particular oppression of women to the power of the working class. A vital component of black leadership will be key to the second American revolution; we have fought since our inception for black Trotskyist cadre and leadership of an integrated mass workers party, like Lenin's Bolsheviks, that can lead all the oppressed against their common enemy, the capitalist class, in battle for the American socialist revolution."

Tuesday, February 24, 2009

*"Follow The Drinking Gourd"- Songs Of The Underground Railroad

Click on title to link to YouTube's film clip of Richie Havens performing "Follow the Drinking Gourd".

CD REVIEW

February Is Black History Month


Follow The Drinking Gourd, Please

Steal Away: Songs Of The Underground Railroad, Kim and Reggie Harris, Appleseed Records, 1998


My purposes in this space have been primarily to review political books that reflect on various aspects of history and politics. Along the edges of this work I have filled in the borders with commentary on musical and cultural phenomena that reflect those concerns. Thus, one is as likely to find a review of some old forgotten folkie or blues singer as a more well-known historical figure like Leon Trotsky or John Brown. However, sometimes music is not just an adjunct to historical narrative but forms a central cog in understanding the phenomena. That is just the situation here with Kim and Reggie Harris’ contribution to an understanding of slavery, freedom from slavery and how to get out from under slavery that was the primary fight for blacks, especially in the lead up to the America Civil War in the mid-19th century.

From a perusal of the liner notes this “concept” album is a labor of love by this singing/songwriting couple. The project developed in the 1980’s out a need to present the fight against slavery as epitomized by the organization of the Underground Railroad to the next generations so that it is firmly etched in their minds. Their musical abilities, especially when they harmonize (listen to “Oh, Freedom” and “Wade In The Water”), make this a very fruitful enterprise. As always with Appleseed recordings the liner notes give a detailed story of how this effort was produced and what each song represents in the anthology.

I will not repeat that information here. I will, however, mention that various figures highlighted here like “General” Harriet Tubman get their full due, as does Sojourner Truth on the nicely done “Aren’t I A Woman”. The various coded hymns and other songs that were used on the Underground Railroad to either symbolize the freedom struggle or for security like “Follow The Drinking Gourd” are also explained. “Heaven Is Less Than Fair”, a Harris tribute product, does a nice job on explaining the uses and need for the codes. Needless to say there are religiously-tinged songs like “Go Down Moses” that reflect that deep feeling that helped get through the hard days of slavery in one piece. Listen to the music and learn history at the same time. That’s a great combination, right?

Here are some helpful lyrics.

Music of the Underground Railroad

"Follow the Drinking Gourd"


When the Sun comes back
And the first quail calls
Follow the Drinking Gourd.
For the old man is a-waiting for to carry you to freedom
If you follow the Drinking Gourd.

The riverbank makes a very good road.
The dead trees will show you the way.
Left foot, peg foot, traveling on,
Follow the Drinking Gourd.

The river ends between two hills
Follow the Drinking Gourd.
There's another river on the other side
Follow the Drinking Gourd.

When the great big river meets the little river
Follow the Drinking Gourd.
For the old man is a-waiting for to carry you to freedom
If you follow the drinking gourd.

For an explanation, the Planatarium at the Oklahoma Baptist University has a nice web page. Link submitted by Cazak. Thanks!

Here is an addition- a Civil Rights song made famous by Joan Baez and written by Richard Farina (her brother-in-law, married to her sister, Mimi, although I am not sure he was at the time the song was written). It concerns the tragic and obscenely racist bombing of a black church down in Birmingham, Alabama killing four young innocent black girls. Yes, one can still weep over that one today.

Birmingham Sunday

Come round by my side and I'll sing you a song.
I'll sing it so softly, it'll do no one wrong.
On Birmingham Sunday the blood ran like wine,
And the choirs kept singing of Freedom.

That cold autumn morning no eyes saw the sun,
And Addie Mae Collins, her number was one.
At an old Baptist church there was no need to run.
And the choirs kept singing of Freedom,

The clouds they were grey and the autumn winds blew,
And Denise McNair brought the number to two.
The falcon of death was a creature they knew,
And the choirs kept singing of Freedom,

The church it was crowded, but no one could see
That Cynthia Wesley's dark number was three.
Her prayers and her feelings would shame you and me.
And the choirs kept singing of Freedom.

Young Carol Robertson entered the door
And the number her killers had given was four.
She asked for a blessing but asked for no more,
And the choirs kept singing of Freedom.

On Birmingham Sunday a noise shook the ground.
And people all over the earth turned around.
For no one recalled a more cowardly sound.
And the choirs kept singing of Freedom.

The men in the forest they once asked of me,
How many black berries grew in the Blue Sea.
And I asked them right with a tear in my eye.
How many dark ships in the forest?

The Sunday has come and the Sunday has gone.
And I can't do much more than to sing you a song.
I'll sing it so softly, it'll do no one wrong.
And the choirs keep singing of Freedom.

A Song Of The 1960's Civil Rights Struggle- Richard Farina's "Birmingham Sunday"

Commentary

Here is a song for Black History Month- a Civil Rights song made famous by Joan Baez and written by the late Richard Farina (her brother-in-law, married to her sister Mimi although I am not sure he was at the time of the song). It concerns the tragic and obscenely racist bombing of a black church killing four young innocent black girls. Yes, one can still weep over that one today.

Birmingham Sunday

Come round by my side and I'll sing you a song.
I'll sing it so softly, it'll do no one wrong.
On Birmingham Sunday the blood ran like wine,
And the choirs kept singing of Freedom.

That cold autumn morning no eyes saw the sun,
And Addie Mae Collins, her number was one.
At an old Baptist church there was no need to run.
And the choirs kept singing of Freedom,

The clouds they were grey and the autumn winds blew,
And Denise McNair brought the number to two.
The falcon of death was a creature they knew,
And the choirs kept singing of Freedom,

The church it was crowded, but no one could see
That Cynthia Wesley's dark number was three.
Her prayers and her feelings would shame you and me.
And the choirs kept singing of Freedom.

Young Carol Robertson entered the door
And the number her killers had given was four.
She asked for a blessing but asked for no more,
And the choirs kept singing of Freedom.

On Birmingham Sunday a noise shook the ground.
And people all over the earth turned around.
For no one recalled a more cowardly sound.
And the choirs kept singing of Freedom.

The men in the forest they once asked of me,
How many black berries grew in the Blue Sea.
And I asked them right with a tear in my eye.
How many dark ships in the forest?

The Sunday has come and the Sunday has gone.
And I can't do much more than to sing you a song.
I'll sing it so softly, it'll do no one wrong.
And the choirs keep singing of Freedom.

Monday, February 23, 2009

*Songs of The Black Freedom Struggle Circa 1960

Click on title to link to YouTube's film clip of Mavis Staple (of the renowned Staple Singers) performing "Keep Your Eyes On The Prize". (And it aint being President Of The United States-Markin)

CD REVIEWS

February Is Black History Month

Sing For Freedom: The Story Of The Civil Rights Movement Through Its Songs, various artists and speakers, Smithsonian/Folkway Records, 1990


Every social movement, and the Southern black civil rights movement of the 1950’s and early 1960’s was no exception, not only has to have its slogans, its placards and its orators but also its anthems. For those unfamiliar with its history this little CD will, in song and speech, give the highlights of the movement as it pressed on from Montgomery, Alabama in the mid-1950’s to Albany, Georgia, Greenwood, Mississippi, Birmingham, Alabama and many, many other smaller but no less important ports of call in the struggle for first- class citizenship for blacks in the Jim Crow South. For those familiar with the story of the struggle down South you will get a full storehouse of memories of the songs that became part of the greater culture and still sent a chill of excitement and expectation through this reviewer’ s body when he listened to them. As we are painfully aware of today, that civil rights movement fell far short of creating that racial equality we were after but certainly not for lack of inspiring music.

As mentioned above, an added attraction here is some of the oration of the time by the black leadership. Obviously that meant Martin Luther King and Ralph Abernathy from the Southern Christian Leadership Conference but also Bob Moses from the voter-registration drives led by the Student Non-Violent Coordinating Committee (SNCC). And the NAACP’s Medgar Evers before his assassination. And the star of the piece- the heroic leader of the Mississippi Freedom Democratic Party Fannie Lou Hamer who calmly set about turning the tables on the establishment. Two things should be remembered from that time. One is Nina Simone’s “Mississippi Goddamn” (not included here) for that says in song what the struggle was all about and what civil rights workers were up against. The other, for all those who want to praise the Democratic Party’s role in civil rights history just remember that when there was choice between Ms. Hamer’s Freedom Democrats and the Jim Crow Democrats in the 1964 Democratic Convention they seated the Jim Crow delegation.

That said , musically the selections here reflect the central importance, for good or ill, of the black church in this democratic fight with some “fighting” songs, some of ‘redemption’ and some as fuel to keep the struggle going, especially when the Southern white establishment and their assorted henchmen counter-attacked. The songs that most reflect these themes are “ We Are Soldiers In The Army”, “This Little Light”, “Which Side Are You On?”, “Keep Your Eyes On The Prize” and the movement anthem “We Shall Overcome”.


Follow The Drinking Gourd, Please

Steal Away: Songs Of The Underground Railroad, Kim and Reggie Harris, Appleseed Records, 1998


My purposes in this space have been primarily to review political books that reflect on various aspects of history and politics. Along the edges of this work I have filled in the borders with commentary on musical and cultural phenomena that reflect those concerns. Thus, one is as likely to find a review of some old forgotten folkie or blues singer as a more well-known historical figure like Leon Trotsky or John Brown. However, sometimes music is not just an adjunct to historical narrative but forms a central cog in understanding the phenomena. That is just the situation here with Kim and Reggie Harris’ contribution to an understanding of slavery, freedom from slavery and how to get out from under slavery that was the primary fight for blacks, especially in the lead up to the America Civil War in the mid-19th century.

From a perusal of the liner notes this “concept” album is a labor of love by this singing/songwriting couple. The project developed in the 1980’s out a need to present the fight against slavery as epitomized by the organization of the Underground Railroad to the next generations so that it is firmly etched in their minds. Their musical abilities, especially when they harmonize (listen to “Oh, Freedom” and “Wade In The Water”), make this a very fruitful enterprise. As always with Appleseed recordings the liner notes give a detailed story of how this effort was produced and what each song represents in the anthology.

I will not repeat that information here. I will, however, mention that various figures highlighted here like “General” Harriet Tubman get their full due, as does Sojourner Truth on the nicely done “Aren’t I A Woman”. The various coded hymns and other songs that were used on the Underground Railroad to either symbolize the freedom struggle or for security like “Follow The Drinking Gourd” are also explained. “Heaven Is Less Than Fair”, a Harris tribute product, does a nice job on explaining the uses and need for the codes. Needless to say there are religiously-tinged songs like “Go Down Moses” that reflect that deep feeling that helped get through the hard days of slavery in one piece. Listen to the music and learn history at the same time. That’s a great combination, right?


Here is an addition- a Civil Rights song made famous by Joan Baez and written by Richard Farina (her brother-in-law, married to her sister Mimi although I am not sure he was at the time of the song). It concerns the tragic and obscenely racist bombing of a black church killing four young innocent black girls. Yes, one can still weep over that one today.

Birmingham Sunday

Come round by my side and I'll sing you a song.
I'll sing it so softly, it'll do no one wrong.
On Birmingham Sunday the blood ran like wine,
And the choirs kept singing of Freedom.

That cold autumn morning no eyes saw the sun,
And Addie Mae Collins, her number was one.
At an old Baptist church there was no need to run.
And the choirs kept singing of Freedom,

The clouds they were grey and the autumn winds blew,
And Denise McNair brought the number to two.
The falcon of death was a creature they knew,
And the choirs kept singing of Freedom,

The church it was crowded, but no one could see
That Cynthia Wesley's dark number was three.
Her prayers and her feelings would shame you and me.
And the choirs kept singing of Freedom.

Young Carol Robertson entered the door
And the number her killers had given was four.
She asked for a blessing but asked for no more,
And the choirs kept singing of Freedom.

On Birmingham Sunday a noise shook the ground.
And people all over the earth turned around.
For no one recalled a more cowardly sound.
And the choirs kept singing of Freedom.

The men in the forest they once asked of me,
How many black berries grew in the Blue Sea.
And I asked them right with a tear in my eye.
How many dark ships in the forest?

The Sunday has come and the Sunday has gone.
And I can't do much more than to sing you a song.
I'll sing it so softly, it'll do no one wrong.
And the choirs keep singing of Freedom.

Sunday, February 22, 2009

*From The Archives Of "Women And Revolution"-"The Color Purple" -A Guest Book Review

Click on the headline to link to a "Wikipedia" entry for author Alice Walker.

February Is Black History Month

March Is Women's History Month

Markin comment:

The following is an article from the Spring 1988 issue of "Women and Revolution" that may have some historical interest for old "new leftists", perhaps, and well as for younger militants interested in various cultural and social questions that intersect the class struggle. Or for those just interested in a Marxist position on a series of social questions that are thrust upon us by the vagaries of bourgeois society. I will be posting more such articles from the back issues of "Women and Revolution" during Women's History Month and periodically throughout the year.

**************

Race, Sex and Class:
The Clash Over The Color Purple

By Don Alexander and Christine Wright


"Well, you know wherever there's a man, there's trouble."

—Alice Walker, The Color Purple

'"Why do you always feel the need to castrate the black man?'"

—Ishmael Reed, Reckless Eyeballing

When The Color Purple, Stephen Spielberg's film of Alice Walker's Pulitzer Prize-winning novel, was released in 1985, it roused loud debates among blacks, picketing and furious letters to the editor across the country. Painting a compelling picture of a terribly abused black woman in rural Georgia between the two world wars, the film really hit a nerve; the controversy quickly got much bigger than the novel. While debates raged in community meetings, feminist supporters of Walker and her liberal and black nationalist critics took up their pens to wage a feud which still soaks up gallons of ink.

Many of Alice Walker's critics accuse her of presenting an image of the black male as a violent monster. Walker has responded that black men don't want to face her "truth-telling." As Marxists, we find what amounts to a highly literary contest for the status of "most oppressed" somewhat beside the point. Nonetheless, the furor over The Color Purple has raised some basic questions about the clash of race and sex in this deeply bigoted, anti-sex society, not least about the explosive tensions between black men and women bred by the destruction of the fabric of life through poverty and oppression.

The Color Purple tells the story of Celie and her struggle to survive and defeat a series of physical and psychological assaults by men. She is raped repeatedly by her father, who gives away her two children against her will. She is married off to a man (Mister) who only agrees to take her if he gets the cow too. Mister treats her worse than a dog, beats her, and has kids as rotten as you can get. As she is later mocked by her husband, "Look at you. You black, you pore, you ugly, you a woman. Goddam...you nothing at all."Then, through her relationship with Mister's lover, the blues singer Shug, Celie finds love and sexual pleasure, leaves her husband, goes into business making pants, discovers she is heiress to a fortune and is eventually reunited with her children, who have been raised in Africa by her missionary sister, Nettie.

Alice Walker's novel begins as a masterly evocation of Celie's nightmarish oppression through a series of letters in Celie's own words. But this artistic promise is betrayed to Walker's feminist agenda at the end of the book, which degenerates into a hokey miracle solution: Walker's "message" is that black women, however rotten and wretched their lives may be, can "make it." Celie embodies the liberal idealist myth that sheer individual will—and in her case, rather unbelievably good luck—can break the chains of oppression.

The novel largely ignores the social misery of the black sharecroppers in the rural Jim Crow South, and fails to so much as hint at the convulsive social struggles in the U.S. in the 1930s. The one exception is Celie's daughter-in-law, Sofia, who is destroyed when she tries to stand up to the white boss. Even then, no one else attempts to combat the vicious racism; Walker is already laying the basis for a retreat into "personal liberation." The novel also describes Nettie's experiences as a missionary in Africa, where she witnesses the destruction of tribal life by imperialism. All Walker can counterpose to this brutality is black Christian missionaries and throwbacks to such vicious, anti-woman tribal practices as ritual sexual mutilation.

Walker's brand of bourgeois feminism, which she calls "womanism," celebrates gooey, mystical "female bonding" not one whit different from the standard line in Ms., where she served on the editorial staff for years. Bourgeois feminism, preoccupied with the career advancement of female yuppies and closing porn shops in Times Square, cannot address the very real sexual and racial oppression of black women.

Who's Afraid of Alice Walker?

Most critics of The Color Purple enthusiastically embrace the liberal lies disguised in it. (Although the controversy exploded when Spielberg's movie was released, it's important to differentiate between Walker's novel and Spielberg's unintended parody.) Walker has been accused of reinforcing racist stereotypes because she wrote about a black woman who had been abused, raped and beaten by black men. There has also been a disgusting, moralistic streak in the outcry over The Color Purple, centering on opposition to Walker's sympathetic portrayal of black lesbianism. Black journalist/TV host Tony Brown, sounding like a Moral Majority Reaganite bigot, claims that anyone who liked the movie was either a "closet homosexual, a lesbian, a pseudo-intellectual or white."

Certain layers of the black establishment intelligentsia denounce as "racist" anything that presents black people in a negative or critical light. But this is another liberal lie just as dangerous as Walker's. Blacks are by no means exempt from 'social backwardness, such as anti-abortion and anti-gay bigotry. The real point (and Walker herself has made this point in previous novels such as The Third Life of Grange Copeland) is tha't terrible poverty and oppression breed personal cruelty and degradation such as that described in 7"he Color Purple. For example, in the eloquent film Nothing But a Man (1964), a spirited young black man, Duff, lives in a small Alabama town, where he is targeted by the racists for his independence and sense of pride. In one of the key scenes in the movie, Duff, blacklisted and unable to support his family, goes home to his wife feeling humiliated by racist mistreatment. Thinking that he sees his failure as a man reflected in his woman's eyes, he turns on her in rage, and their marriage is almost destroyed. Both Duff and his wife are victims of the
racist system which denies the black man his dignity.

When Richard Wright's Native Son was published in 1940, controversy broke out over his gripping portrayal of a brutalized and alienated young black man whose poverty and desperation turn him into a vicious anti-social criminal. Wright, influenced by the Stalinist Communist Party in the late '30s and early '40s, had been disturbed that even "bankers' daughters" were weeping over his earlier short stories, Uncle Tom's Children. As he said, "I swore to myself that if I ever wrote another book, no one would weep over it; that it would be so hard and deep that they would have to face it without the consolation of tears." And so Wright brought his readers face to face with the starkness of brutal racial oppression in the U.S., implicitly suggest¬ing that there was no room for sentimental liberal drivel.

While Walker seems to have even the bankers' granddaughters bawling, many of her critics are no different from Wright's. Such critics want to perpetuate the myth that blacks owe their condition of savage oppression to the fact that they "don't stick together"—another version of blaming the victim. These critics seek merely to uphold the "respectable" image of the petty-bourgeois black establishment, personified by the "black family life" portrayed on TV's The Bill Cosby Show. And guilty liberals—both white and black—cannot acknowledge the truth about racist America: the ugly degradation of brutalized ghetto life that strips its victims of their dignity and humanity.

Clash of Race and Sex

Of all Walker's critics, the novelist and poet Ishmael Reed has made the best case against The Color Purple. Moving beyond concerns with mere image, Reed has raised some of the hard questions, and for this he has been smeared as a "misogynist" by the feminists. But Reed, whose seven novels are brilliant parables against American racism, is no more a misogynist than Walker is a racist. What the feminists can't stand is that he has got their number: drawing a simplistic sex line in society can put you on the wrong side on some fundamental questions. It simply is not woman-hating point out that Walker's man-hating is relentless. Celie says to Mister, "You a lowdown dog is what's,
wrong It's time to leave you and enter into Creation. And your dead body is just the welcome m need." And Celie berates her stepson, "If you had tried to rule over Sofia the white folks never would Pu caught her."

Reed's barbed and effective satire of feminism, Reckless Eyeballing, is the story of Ian Ball, a black dramal who has been "sex-listed" for his play about a black woman who likes having sex (with men). To make peace with the feminists Ball writes a new play in whi the body of a young black man, lynched by a racist mob for ogling (called "reckless eyeballing" in the South white woman, is exhumed so he can be tried for his se ist crime, which the feminists denounce as equally bad as the murder.

Those who think Reed is exaggerating should thir back about ten years to Susan Brown miller's Again Our Will, one of the bibles of contemporary Americc feminism. As part of her thesis that rape (or the threat of rape) is the main way that all women are controlled t all men, Brownmiller reviewed the famous case of Emmett Till, a 14-year-old black youth who was lynched in Mississippi in 1955 for whistling at a white man's wife.

This monstrous racist murder was a touchstone on th race question. But as a feminist, Brownmiller disgustingly insisted that Till and J.W. Millam (one of th murderers) had something in common: "They both understood that... it was a deliberate insult just short o physical assault, a last reminder to Carolyn Bryant tha this black boy, Till, had in mind to possess her." As result, Brownmiller says, "Today a sexual remark on the street causes within me a fleeting but murderous rage.' Brownmiller's sex-war politics put her in bed with i racist lynch mob.

In the course of Reckless Eyeballing, successful black woman playwright Tremonisha Smarts (who some say was modeled after Alice Walker) was accosted by a man who:
"tied her up, and shaved all of her hair off. His twisted explanation: this is what the French Resistance did to those women who collaborated with the Nazis. The man had said that because of her 'blood libel' of black men, she was doing the same thing. Collaborating with the enemies of black men."

The horrifying racist murder at Howard Beach in December 1986 inspired Reed to make his definitive argument against Alice Walker and other black feminists in an essay serialized in the Amsterdam News in January-February 1987. But when Reed takes his argument out of the realm of fiction, where poetic license allows him to get at a core of truth, he goes astray. Citing the fact that Jon Lester, the teenager who led the lynch mob that murdered Michael Griffith, was said toj be "real emotional" about the film The Color Purple Reed argues that the description of black male violence incites race-terror. He claims that black feminism's "group libel campaign" against black men "is the kind of propaganda spread by the Ku Klux Klan and the American Nazi Party." Reed has a point when he describes his "justifiable paranoia"—he knows it could have been him killed on that highway in Queens. (As black comedian Godfrey Cambridge said , "Paranoia is the occupational disease of black people.")

But the strutting little Mussolinis in Howard Beach could care less what black men do to black women in Harlem, and to lay the blame on "bad propaganda" is a dangerous trivialization of the real threat the race-terrorists pose. It is, however, to Reed's credit that in the days of the black nationalist anti-Semitic demagogue Farrakhan, Reckless Eyeballing savagely denounces anti-Semitism. The book's title page quotes an epigram: "What's the American dream? A million blacks swimming back to Africa with a Jew under each arm." Characters in Reed's novel include a psychotic New York City cop notorious for blowing away blacks and Puerto Ricans, and a Jewish writer who is beaten to death by a mob at the mythical Mary Phegan College. (Mary Phegan was in fact a young white woman murdered in Georgia in 1915; a Jewish businessman, Leo Frank, was framed up for the crime and lynched. The racist upsurge led to the resurgence of the Ku Klux Klan.) Reed uses such themes to calculate by sex and ethnic group the chances of being murdered in the U.S. As the critic Darryl Pinckney said: "Reed's subtext might be that the rape of black women and the lynching of black men are part of the same historical tragedy" (New York Review of Books, 29 January 1987). As a vivid picture of the viciousness of social relations in the United States, Reckless Eyebslling is eons ahead of The Color Purple—and a much better read, too.

The Talented Tenth Squares Off

In a certain sense, the literary debate over The Color Purple reflects the careerist interests of the black intelligentsia, struggling over shrinking economic opportunities in the absence of any movement for radical change. Thus Walker can snipe at black men from her sanctuary at Ms., the darling of white bourgeois feminists, while Reed raves that there is a publishing conspiracy against black male writers. (We thought this was even nuttier than it is, until we tried to buy his books and discovered they were all out of print!) While seemingly Reed and Walker are at loggerheads, they have at bottom the same program. Walker envisages a female Horatio Alger; Reed sees the "solution" in independent black art. Both posit individual struggle within capitalist society, which necessarily pits one section of the oppressed against another. Their message is, "see, you can pull yourself up by your bootstraps," ignoring the fact that the majority have no boots.

What lies behind these squabbles is the frustration of the "talented tenth"—the tiny selection of minority people who have been able to integrate into the professional layers of American society. In the face of the swift elimination of the token and reversible gains of the civil rights movement and in the absence of any mass struggle for social change, such debates among the black intelligentsia take on the air of a dispute over the shrinking job market.

But we must say in passing that even during the heyday of the civil rights movement the reality of sexual oppression was never addressed. The ensuing black social struggle under revolutionary leadership which today allows the fundamentally despairing ideologies of black nationalism and feminism to flourish among those who see themselves as spokesmen for the oppressed. Walker and Reed, in their different ways accepting the basically hopeless framework of the capitalist status quo, see black women's progress as necessarily coming at the expense of black men—and vice versa. Only an anti-capitalist perspective provides the basis for uniting all the oppressed in a fight for freedom at the expense of the class enemy which aims to keep us divided and in chains.

Capitalism and "American Apartheid"

In the 1980s the harsh realities of a decaying class system have become ever more bleak. Especially for blacks, capitalism has less and less to offer. The unemployment rate has soared with the closing of giant industrial plants in the Midwest, which once provided decent union wages and basic social power to a crucial component of the working class. Funding for educa¬tion has been slashed, while segregation in schools and
in housing has increased. Blacks are not safe in many neighborhoods throughout the U.S. as lynch mob terrorists are emboldened by racist government policy. "Political power" for blacks has come to mean more black elected officials, who the Democratic Party has deemed useful to preside over the deterioration of the big cities, where they exact racist cutbacks and enforce "law and order." Philadelphia mayor Wilson Goode, whose police firebombed an entire black neighbor¬hood in order to wipe out eleven MOVE members, including five of their children, is no more a champion of black rights than New York's fascistic Ed Koch.

With the exception of a very few who have "made it," the hellish conditions are compounded for black women through sexual oppression. Unskilled black women remain confined to the lowest-paying, most menial jobs, earning starvation wages as maids, laundresses and waitresses. Black women are made to bear the brunt of devastating cutbacks in social welfare. In the U.S., twice as many black girls are pregnant before the age of 18 as whites, twice the number of black infants die. The American bourgeoisie has long upheld the lie that ghetto poverty and degradation are the fault of the "deviant" promiscuous black "matriarch." In 1969 Daniel Moynihan argued that the black "matriarchy" was responsible for the breakdown of the black family and suggested that young black men should learn the right values by joining Uncle Sam's army. Over the years the black woman has been variously stereotyped as a presumed tower of strength, a sexless and obese mammy, a promiscuous baby machine, an emasculating fiend.

Yet the picture for black men is not much less bleak. The unemployment rate in big cities for a young black man is 50 to 60 percent. There is also the problem of "permanent unemployability"—e.g., black industrial workers, "last hired, first fired," who under today's conditions will never be rehired. Women account for two-thirds of all the professional jobs held by blacks: black women are seen by racist employers as docile,non-criminal, non-militant, non-violent, an upgraded version of what used to scrub floors; whereas that young black man in a suit who seems articulate and ambitious is suspected of being Malcolm X in disguise. In the 3 December 1987 New York Review of Books, the article "American Apartheid" describes the grim reality:
"...black men are more likely [than whites] to be in prisons or the military, or die at an early age. The fact that upward of 20 percent are missed by the census would point up their lack of stable jobs or even settled addresses. Moreover, of those black men the census manages to reach, fewer than half have full-time jobs."

It all comes home to roost in the black family. In a society which defines manhood as the ability to support a family, black men are often denied that very ability. "Single-parent households" are growing throughout the U.S., a phenomenon which affects blacks more heavily but by no means exclusively. Over 56 percent of black families are headed by women. Capitalist society needs the institution of the nuclear family not only to produce the next generation of wage laborers, but as an important force for social conservatism. At the same time, capitalist decay undermines the family through grinding poverty and oppression. The family is the main social institution by which women are oppressed. But in the absence of alternatives, those who fall outside the classic pattern of the family have nothing at all. Thus, this vicious racist system cannot but lead to embittered personal relations between men and women. Out of this rises the frustration which takes The Color Purple controversy out of the literary realm into the community, where it exploded in angry debates.

In this sense, Alice Walker triumphed as an artist: the depth of the controversy shows that she began to lay bare a painful reality. The solution to the reality she and Ishmael Reed have described in their novels lies not in the realm of art or bourgeois politics, but in the struggle for the socialist transformation of society."

Saturday, February 21, 2009

*A Blues Potpourri-The Blues Is Dues, Part II-Feeling So Good, And That Ain’t No Lie

Click on the headline to link to a "YouTube" film clip of "Big Mama" Thornton (with Lightnin' Hopkins) on her classic, "Ball 'n Chain."

CD REVIEW

February Is Black History Month


As those familiar with this space know I have spent a good amount of ink touting various old time blues legends that I ‘discovered’ in my youth. My intention, in part, is to introduce a new generation to this roots music but also to demonstrate a connection between this black-centered music and the struggle for black liberation that both blacks and whites can appreciate. Like virtually all forms of music that lasts more than five minutes the blues has had its ups and downs. After becoming electric and urbanized in the immediate post-World War II period it was eclipsed by the advent of rock&roll then made a comeback in the mid- 1960's with the surge of English bands that grew up on this music, and so on. Most recently there was mini-resurgence with the justifiably well-received Martin Scorsese PBS six-part blues series in 2003. A little earlier, in the mid-1990’s, there had also been a short-lived reemergence spearheaded by the ‘discovery’ of urban blues pioneer Robert Johnson’s music.

The long and short of this phenomenon is that commercial record production of this music waxed and waned reflecting that checkered history. I have, in the interest of variety for the novice, selected these CDs as a decent cross-section of blues (and its antecedents in earlier forms of roots music) as to gender, time and type. The following reviewed CDs represent first of all an attempt by record companies to meet the 1990’s surge. They also represent a hard fact of musical life. Like rock&roll the blues will never die. Praise be. Feast on these compilations.


Feeling So Good, And That Ain’t No Lie

Living The Blues: Blues Classic, 1965-1969, Masters, MCA Records, 1995


1965-1969 represented something a mini-resurgence of electric blues in the wake of the British rock groups’ infatuation with this music. The main cast of characters here is the same as on the previously reviewed CDs, "Blues Masters" and "Blues Legends". Naturally Howlin’ Wolf and John Lee Hooker do their thing. However the real treat here is “Big Mama” Thornton doing her version of “Ball and Chain". While everyone appreciated rocker Janis Joplin’s version after hearing this one again (after not hearing it for a while- Janis step back please and let “Big Mama” show what’s what). Additionally, we finally get a little of the old Cajun influence-blues with Chifton Chenier on a sizzling “Black Gal”. More on Cajun later. For now this CD is fine although I would rate as the third choice of the three being reviewed in this series.

*A Blues Potpourri-The Blues Is Dues, Part II-Every Day He May Have The Blues But You Won’t

Click on the headline to link to a "YouTube" film clip of Willie Dixon performing his"29 Ways."

CD REVIEW

February Is Black History Month


As those familiar with this space know I have spent a good amount of ink touting various old time blues legends that I ‘discovered’ in my youth. My intention, in part, is to introduce a new generation to this roots music but also to demonstrate a connection between this black-centered music and the struggle for black liberation that both blacks and whites can appreciate. Like virtually all forms of music that lasts more than five minutes the blues has had its ups and downs. After becoming electric and urbanized in the immediate post-World War II period it was eclipsed by the advent of rock&roll then made a comeback in the mid- 1960's with the surge of English bands that grew up on this music, and so on. Most recently there was mini-resurgence with the justifiably well-received Martin Scorsese PBS six-part blues series in 2003. A little earlier, in the mid-1990’s, there had also been a short-lived reemergence spearheaded by the ‘discovery’ of urban blues pioneer Robert Johnson’s music.

The long and short of this phenomenon is that commercial record production of this music waxed and waned reflecting that checkered history. I have, in the interest of variety for the novice, selected these CDs as a decent cross-section of blues (and its antecedents in earlier forms of roots music) as to gender, time and type. The following reviewed CDs represent first of all an attempt by record companies to meet the 1990’s surge. They also represent a hard fact of musical life. Like rock&roll the blues will never die. Praise be. Feast on these compilations.


Every Day He May Have The Blues But You Won’t

Living The Blues: Blues Greats, MCA Records, 1995


If you have read my review of “Living The Blues: Blues Masters” then this compilation is an extension of that CD as to the level of talent. Very good work ,as is to be expected, by Muddy Waters, John Lee Hooker, Elmore James, the under-appreciated Otis Rush on “Double Trouble” place this CD just fraction below the previously reviewed “Blues Masters”. Additional standout work includes impresario Willie Dixon (who deserves and will receive individual review later) on his own “29 Ways”. T-Bone Walker on his “T-Bone Shuffle" (was there a better electric blues guitar player?), Little Walter (and his incredible harmonica) on “Juke” and “Driving Wheel” by Little Junior Parker.

29 Ways
Willie Dixon


I got 29 ways to make it to my baby's door
I got 29 ways to make it to my baby's door
And if she needs me bad
I can find about two or three more

I got one through the basement
Two down the hall
And when the going gets tough
I got a hole in the wall

CHORUS

I can come through the chimney like Santa Claus
Go through the window and that ain't all
A lot of good ways I don't want you to know
I even got a hole in the bedroom floor

CHORUS

I got a way through the closet behind her clothes
A way through the attic that no one knows
A master key that fits every lock
A hidden door behind the grandfather clock

CHORUS
© 1956