Saturday, June 22, 2019

Updated Introduction to Frank Jackman’s Fate -In Honor Of The Native American Artist and Poet T.E. Cannon and All The Members Of The Vietnam War Class Of 1969 Whatever Their Fate

Updated Introduction to Frank Jackman’s Fate -In Honor Of The Native American Artist and Poet T.E. Cannon and All The Members Of The Vietnam War Class Of 1969 Whatever Their Fate   





Jesus, Even I can’t believe this- An Introduction to the Introduction by Allan Jackson

Originally the “Introduction” to an encore version of Frank Jackman’s Fate below was to be placed as my introduction to a sketch in the encore edition of the The Roots Is The Toots rock and roll series. I had been behind the recreation of series after I had been dismissed from running this publication having been given what by all accounts was a vote of confidence by friend and foe alike to do the Introductions to the series having been the evil genie who sweated blood and tears and that of the writers to bring the original forth. That series   highlighted, mostly highlighted how a group of guys, guys we called corner boys among ourselves in line with what all the then up-to-date sociologists, academics and criminologist described our existence who grew up poor, came of age in the 1950s rock and roll night and took graduate degree courses in the blues, folk, acid rock of the subsequent 1960s where we called ourselves, proudly called ourselves the Generation of ’68.

Some of us kicking and screaming and some of us following gladly the lead of Peter Paul Markin (whose name I have used for years as my on-line moniker) who saw and heard the fresh breeze coming first among us. Like a lot of things thought that idea got waylaid when Frank Jackman did an essay/sketch centered on his Army experiences during the Vietnam War and his curious notion that he was part of the Vietnam War Class of 1969 after he was overwhelmed with the fact that many of his friends and associates had passed through Vietnam in that year. The straw that broke the camel’s back, the thing that got him to what I called “come out of the closet” about his Army service which had started in 1969 was his assignment to review the art exhibit of the work of the late Native American artist and poet T.E. Cannon at the Peabody-Essex Museum in Salem, Massachusetts. Cannon had spent the latter part of his Vietnam tour of duty with the 101st Airborne Division in 1969. Frank took that as the decisive portent. He would come out of the closet as described below in a very public way looking for recognition from his fellow veterans who had their own 1969 experiences. That change is what took Frank’s experiences out of that rock and roll series and removed it to an Introduction to a separate piece about an encore of Frank Jackman’s Fate  But even that now seems misplaced and so we will produce this as a separate sketch independent of either of the previous placements     

********

Originally Intended Introduction by Allan Jackson


[That Frank Jackman is a piece of work, a real piece of work. Many people know that he has worked as a political commentator for both the hard copy and now on-line version of American Left History (and before that both the East Bay Other and The Eye and before that an eye-popping number of publications as a free-lancer). And many know that he was one of the corner boys I grew up with along with a few other writers here like Sam Lowell. What many people do not know is that Frank back in the 1960s when every young guy patriotic, indifferent or protesting had some choices to make even if by ignorance, took a very different direction from the rest of us, from the corner boys, hell, from most of the guys facing the draft and facing orders to Vietnam. Took a different turn on military service during our generation’s, the so-called Generation of ’68’s, war, the Vietnam War. Sure Frank, kicking and screaming since he had lost a chance to go to law school when they stopped the draft deferments for law school students, allowed himself to be indentured (his term) when his draft call came in 1969, actually 1968 for his physical and 1969 for induction.

Frank told me once that after about three days in basic training down at Fort Jackson in South Carolina (I did mine at Fort Dix in New Jersey where most guys from the North went so I don’t, and neither does he, why he wound up there except that being far from home and resources freaked him out knowing that he had better not go crazy down there for he might find himself in some black box or worse) that he knew that he had made a huge mistake, had to let his basic genie, anti-war genie out of the bag, hell bottle, hell some container. Most importantly unlike the rest of us (including me who held my doubts in and did my tour like every other fucking stupid asshole who knew better, knew that our fellow corner boys Rickie Rizzo and Frank White had laid their heads down in 1966 for no good reason except getting etched in black granite but went anyway but this isn’t about me and that story can wait another day, maybe a decade since I still don’t fully understand it) Frank as was his wont when he felt deeply about something followed through, went down in the mud with mano a mano with the whole fucking Army establishment, Made as he said laughingly once it was over and we could talk about it since most of us corner boys who went like sheep to the slaughter were very ambivalent about what Frank did for a while, including the Scribe, Peter Paul Markin if you can believe that rue the day they drafted him.  One bastard colonel almost lost his rank for his efforts in trying to shut Frank up so that black hole idea was no joke. He won, won his freedom but it was a very close thing, close indeed. Funny, and not in a laughing way Frank suffered a lot of the same feelings that he no longer knew the old world we grew up in that the rest of us who went did coming back to the ‘real’ world after the Army.  

All the rest of us corner boys who were draft-worthy had either enlisted or had accepted the draft without murmur, including Rickie Rizzo and Frank White who laid down their heads on the plateaus of Central Vietnam and whose names now are etched in the town memorial and in black granite in Washington for eternity. We would have spat on anybody, Frank included, who actually would have even though about refusing induction whatever we thought of the war and most of us saw it as a big bother to whatever other plans we had had. We would all change our minds later and I and others have written about that sea change elsewhere. So the collective North Adamsville corner boys were not any different from the whole cohort of our generation who had decisions to make one way or another about what to do when the war dragged on seemingly forever.

Then there was outlier Frank, or what we thought then was outlier Frank, who would accept that crazed induction and then refuse to go to Vietnam as an infantryman, as a grunt as we called ourselves and as “cannon fodder” as we learned to call ourselves when we got smarter after our military service and after, as always, the late Peter Paul Markin,  forever etched in North Adamsville lore of a certain old time corner boy generation as Scribe, gave us the skinny on what the fuck we had been through, why and for who. Frank would flat out refuse to go when after Basic Training and AIT (Advanced Infantry Training which I also went through and which in 1969, and a few years before and a few years after meant only one desperate destination-Vietnam-as it did for me). Frank’s story which not all of us knew, including me, knew at the time since we were in Vietnam as part of what we, he would call the Vietnam War Class of 1969, either because we didn’t want to believe it or didn’t want to hear about it from our own guilt about going to war once we got in-country and knew we were fucked, had been fucked over royally.      

This is the way Frank told it one night in the early 1970s when we were all back and after we were able to listen to him since like I said not all of us we happy with him while he going down in the mud like some berserk lunatic, was fucking around with the Army, what (and we were being fucked). He had received orders for Vietnam down in Fort Benning in Georgia, had come home and immediately, or if not immediately since I think he said he shacked up with some young woman for some time before he did so since he had like the rest of us had a thirty day leave before having to show up at Fort Lewis in Washington, went to get some G.I. counselling from the Quakers over in Cambridge. Even the idea of checking in with the Quakers seemed strange when I first heard about it in Vietnam, about the service they were offering guys in the military in their peaceful bid to end the endless war. Whatever else we knew we knew that our church, the Roman Catholic Church, at the official level accepted the government’s version of the necessary defense of Vietnam as the key domino part of a just war in order to put its own stamp on it as such, supported it long after other religious groups turned away from support, except a few crazy renegades like the Berrigan brothers who Father Lally railed against in Sunday sermons from the blood-stained pulpit at Sacred Heart.

These Quakers were historically with some others like Mennonites known as anti-war people, as conscientious objectors to war (except I wondered at the time about Grace Kelly in her Quaker maiden role in High Noon since she did a rooty-toot toots on the bad guys when her man was in danger but that could have been self-defense and some such and not war). Quirky people who I never really had had truck with except knowing they were some kind of Protestant sect. What they had going for them was they had been deeply involved in draft counselling, in draft resistance which had its heyday in the Vietnam War for those who don’t know what I am talking about. Strangely while I was in college, working my way through since my family had no, nada money for such a cause, I serviced coffee machines and part of my route passed right by the Arlington Street Universalist or Unitarian Church this before they united later in the decade so I am not sure which in downtown Boston where the draft resistance was located, was a draft sanctuary and I would beep my horn. Such were the contradictions of Allan Jackson-hell Frank and every other corner boy as well. Hell Scribe lived for the contradictions that would finally lead him to an early grave.
What they, the Quakers started doing and I am not sure when, and I am not sure if I asked Frank if he would know either, was they started offering G.I. counselling at some point when it became clear that a small munity was beginning to form in the military by drafted citizen-soldiers and others, guys back from Vietnam too, who were looking for personal and political ways to oppose the war. How Frank found out about the service I don’t remember but somehow he got over there to leafy Cambridge and that changed everything.  

Hey, you should know this about Frank. He was/is a quiet guy, a bookish guy like Scribe except in the corner boy days Scribe had so many angsts and alienations that he was forever running his mouth. So Frank was no leader, not exactly a follower either but one of the guys, one of the guys who went along with every caper Scribe or Frankie Riley our acknowledged leader put to paper. If anybody figured to be a crazy anti-war guy it was Scribe not Frank. Scribe when he got what he called “religion” would become a fire and brimstone guy about war later but it was nobody but Frank who did what he did and had kept pretty quiet about it before he opened up to us that night.


What Frank learned from the Quakers was that he could put in an application to the Army for conscientious objector status. Yeah, I know what you are thinking because I thought the same thing too and as I am writing this down it still sounds implausible even though federal courts up and down have declared it a valid way to get out of the military. If you signed up for the Army or got drafted how the hell a person could be a conscientious objector-be what I thought and still think a little something like a Quaker. Here was Frank’s first hurdle though. Putting an application in at Fort Lewis where he was supposed to go was filled with some danger since they were dragooning such applicants in the dead of night and shipping them to Vietnam under guard after formally and quickly turning the application down.

That tactic would make it hard to get to a federal court in time to get a writ of habeas corpus on jurisdictional grounds (thanks Frankie Riley for that information). Another option and the Quakers were wise to give options and not orders even if with a Quakerly wink was to go AWOL (absent without leave) which means in military terms unlawful for over thirty days or so at which time he would be what was called “dropped from the roles,” essentially a free agent and turn himself in at the nearest army base which happened to be Fort Devens about forty miles west of Boston. While waiting to have the AWOL litigated he could put his C.O application in without the Fort Lewis danger. (Frank also gave a bunch of other reasons why this strategy was good, but I forget them except it would be easier for his Quaker-provided lawyer to get to him which makes sense.)

Frank followed the second option (there had been a couple of others presented but this was the best of the bunch as far as I remember), went AWOL, turned himself in at Fort Devens, and while his AWOL case was being disposed of put in his C.O. application, got some minor punishment and a fine I think and, no capital AND, his application turned down within a few weeks. Done. Cooked next stop Vietnam. Well not quite. There were some changes happening in C.O. law since many applications, mostly civilian, were being turned down and being litigated in the lower federal courts and eventually a few in the U.S. Supreme Court (SCOTUS in tweeter speak) some of which would be decided before Frank’s time was up and helpful to his case. His lawyer took that application to the federal court in Boston and on the basis of the merits of his case was able to get a judge to order a temporary restraining order (TRO) which kept Frank in the court’s jurisdiction pending disposition. (That legal maneuver turned out to be very useful later but also at the time since on the very day the TRO was ordered the Army was in the process of giving him another set of orders to Fort Lewis and then Vietnam-under guard, under the guard of two lifer sergeants-whee! Even I was impressed by the maneuvering on that one as Frank hid on base all day while the petition was before the court in Boston.)

During this time Frank was reading like crazy, reading radical anti-war stuff and the like and staying in touch with the Quakers whom he liked as people even if he did not always understand where they were coming from. I think, and I have mentioned it to him since that the Army’s whole treatment of him and especially that “under guard” maneuver broke something in him, broke him free maybe and I made him laugh once when I told him before I knew the whole story and before he had decided to resist what were they going to do –put him in the stockade. Once you get clear on that-once you face that dragon and don’t flinch then what the hell do what you have to do-which is what I would eventually come to see was my own attitude toward what Frank did and what the rest of us didn’t do. That was also the time along with the G.I. counselling that the Quakers and others (some much more radical and less committed to non-violence) were moving away from reliance on mass marches in place like Washington, D.C. and pleading with politicians and hitting the military bases with G.I. coffeehouse outreach nearby and smaller marches and rallies in front of the bases.    

These ideas sparked Frank’s imagination, got him into second gear in his defining his commitment to the anti-war struggle. Like I said something snapped in Frank, something of the old time stay cool and out of the firing line when the Scribe or Frankie Riley were in high dungeon which is my clearest high school corner boy memory of him, Now Frank was the heroic John Brown avenging angel that the Scribe kept talking what we considered his crazy talk about on lonesome penniless Friday night. In corner boy talk Frank did not give a fuck about what the Army did or did not want to do to him. One day when the Quakers decided to have a rally outside the gates of Fort Devens protesting the war (and trying to drum up interest among the soldiery there) Frank, Private E-1 Francis James Jackman (that E-1 the lowest rank possible for a soldier since he had been reduced in rank due to that AWOL rap) decided to leave the fort in uniform doing duty hours and join them. That night Frank, Private E-1 Francis James Jackman and you know the why of E-1, after returning to his barracks was picked up by the MPs and taken to the Provost Marshal’s office and from there thrown in solitary at the stockade.

That what they called “disobeying lawful orders," not being on the base during duty hours, would eventually lead to the first of two special courts-martial both which like I said technically were labelled as “disobeying lawful orders” and sentenced to six months on each rap. It was at that first court-martial that when Frank was asked if he had any words in his defense he took out a ragged piece of paper and read from the lyrics of Bob Dylan’s Masters of War. With his back to the judges and facing the courtroom crowd which included some supporters gathered from the Quakers and others who periodically showed up outside the fort to call for his freedom. That support was important as Frank found out during his jail terms to keep spirits up knowing that some people were outside rooting him on (not his parents or any relatives but he did not dwell on that when he spoke to us that late night but and we knew what was what about Acre families and the war who like Frank’s father had supported the war in many cases to the bitter end. He would be forever grateful to the Quakers and allies for that. (By the way if anybody is wondering why Frank was not shipped off to Fort Leavenworth the worse military facility out in Kansas and the one the drill sergeants in basic training kept warning every scared recruit was going to be their fate if they fucked up, or gave them any lip that TRO held him under the court’s jurisdiction in Massachusetts but also meant that they could not give him a general court martial with longer sentences  that the Judge Advocate-General’s Office wanted to impose.              

And so Frank did his time, read a lot, wrote some and talked a blue streak to the few other guys who he roomed with when he was not in solidarity. He never the whole time he was imprisoned there had been let into the general population and perhaps they, the  Army, showed a tad bit of  sense for their fears since he was on his righteous John Brown avenging angel high horse and Frank said he would have started an anti-war rally in the stockade if he had been out there. As it was he never had more than a couple of roommates at a time, I guess cellmates is a better way to say it, and never saw more than a few people when he was out playing basketball in the compound which was the way used his recreational time. (Truth; Frank was one of the worst pick-up basketball players of all time and was absolutely the last guy picked when we were bucking up for teams, one time we played short not to have to take him.)   Also took stock of his personal life when the wife he married, a college sweetheart, refused to come see him in the stockade despite her own anti-war views getting grief from her Marine Corps World War II Pacific War father. That would be the first of three marriages for Frank (and the rest of us, except Jack Callahan and his beloved forever Chrissie, not far behind in the marriage department). Took a look too at what he would do if he got done with his sentence before the judge ruled in his case. A definite possibility given the logjam in the courts as his lawyer made clear. He was also trying to chart out what he would do if the judgement came down against him while he was in the stockade and they tried to rush him out under guard to Fort Lewis and transport to Vietnam.

In the situation Frank need not have worried since judgement did not come down during the first sentence. Frank set up the next part of what he had to say by saying it was hard to explain but once you have decided to do what you had to do and faced the limit, faced jail then other things kind of fell into place. And so they did when Frank was released from his first sentence and decided his Army time was over, decided to refuse to wear the uniform. Did it with a flourish though worthy of Scribe since one Monday morning at Morning Report, the weekly parade field event to see who showed up and who was AWOL he walked from his barracks to the parade field in civilian clothes (he said he had bell-bottom trousers on which when I recall this now I have to laugh about oh foolish, funny youth except his G.I. boots). Walked with a sign calling “Bring The Troops Home. I need not detail that once again since you know as well as I do now that he wound up in the stockade again in solidarity. And again received that six months special court-martial sentence for his troubles.

For years after Frank would make us laugh when he mentioned that he could have kept doing those sentences until he was old and gray he had been so determined to run out his course. Fortunately toward the end of his second sentence, a few days before as it turns out the federal judge in Boston granted his writ of habeas corpus and a week or so later when the JAG decided not to appeal he was discharged, an honorable discharge just like the rest of us. So Frank was discharged not by the Army really but by that old cranky judge.                  

Funny after that night and maybe by unwritten agreement among ourselves since I know nobody mentioned for us to do this we kind of put Frank’s experience, put our own Vietnam War experiences in some deep recess of our brains. Just like our World War II fathers had done before us with less reason to be ashamed or humiliated. The only thing Frank’s father ever mentioned was that he had been ashamed of Frank, had had a hard time at work and among the neighbors for a while but after he finally got over those feelings he had a little unspoken pride that a Jackman had done what he thought was the honorable thing to do when he needed to his father’s mind do something. We went about our collective lives, drifted apart or closer usually depending on where we were in the marriage and brood raising merry-go-round.

Frank did mention to me when we were talking one night several years later that he sometimes had doubts about the wisdom of what he had done. Not that he wasn’t personally proud that he stood up when the deal when down but that maybe he should have gone to Vietnam and tried to raise some holy hell there among the growing disillusioned common soldiers there. I never said anything to him about it but in my mind,  I thought he was crazy to think that the Army which was willing to put him in a black box and was ready at a minute’s notice to ship his ass to ‘Nam was going to let him run loose among already mutinous troops. But there we left it.         

Left it until a few years ago when something began to stir in Frank about why he kept his anti-war fight on the low despite having spent most of the rest of his life actively opposing the wars of the American imperium (sometimes dragging us along as on the Iraq War in 2003, sometimes not as in the initial reaction post-9/11 to the war on Afghanistan). Maybe it was reflecting on age and mortality like many of us our types are finding we are doing more often. Reflecting on a worthwhile life, what we did and didn’t do or should have done differently. I ask him that question one night recently when we were having a few drinks at Jack’s in Cambridge and he surprised me with his answer.  Said what triggered him was running into a guy up in Maine who had served in Vietnam in 1969, the time when Frank was refusing to go to Vietnam, who said of his own experience that he had gone through two marriages and neither wife ever knew he had been in Vietnam. Talk about keeping it on the low. He would run into others who more or less shared that some silence about their Vietnam service. The kicker for Frank though was in the fall of 2017 when PBS aired the Lynn Novick-Ken Burns ten-part eighteen hour Vietnam series and in the very first episode a couple of Marines whose wives had known each other for over a decade and both couples had socialized frequently neither knew that the other had been in Vietnam. Weird vibes, very weird.

Those thoughts got Frank off the dime, got him thinking that he needed to let some people know that there had been resistance inside the military. Encouraged everybody to tell their story for the couple of generations that are now pretty clueless about what a hellish time it was to be a young man (mostly men then) facing all kind of decisions based on the mutterings of old men. Frank, as usual for him, got a slow start, let a couple of people know one time when he was going down to Washington for an anti-war demonstration. Talked about it around a round table one night with a bunch of guys who were in Vietnam in 1969. (Frank was developing a feeling that he needed to be accepted as a member of that class despite his own personal twist.) Frank came out of the closet for real though on Memorial Day of 2018 when as part of the Poor People’s Campaign’s War Economy Week he was asked to speak as somebody impacted by war. Impacted his way as surely as others were impacted in theirs. Felt good about it afterward, felt that maybe he really had been on the right side of the angels when the deal went down. 

**In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Freddie Hilton, (Kamau Sadiki)

**In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Freddie Hilton, (Kamau Sadiki) 
 
http://www.thejerichomovement.com/prisoners.html
 
A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month 

Markin comment (reposted from 2010)

In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.
That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.
Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now! 

Reflections On Memorial Day, 2017 At The Vietnam Memorial Wall-Fritz Taylor’s Endless War

Reflections On Memorial Day, 2017 At The Vietnam Memorial Wall-Fritz Taylor’s Endless War





By Josh Breslin

[My old friend Fritz Taylor from down in Fulton County, Georgia was from what I heard from others, from his contemporaries like my oldest brother, Laurent and of course Peter Paul Markin, known in his younger pre-draftee days around his old neighborhood as the Scribe and thereafter as the Be-Bop Kid when he got back from that hellhole, not him, one of the bravos of the Vietnam War. Had a few medals, well won, which he eventually threw over the fence at the Supreme Court building down in Washington, D. C. in if I remember correctly 1971 when a bunch of Vietnam veterans who had turned against the war they had helped fight, had been marked forever by, decided that such a gesture was an appropriate way to show their fierce opposition.

But that was not the end of it not by a longshot either politically or mentally for Fritz Taylor. The mental part first. Whatever it was that happened to Fritz over there in that hellhole he carried those psychic wounds around with him for a long time, still does. (As did my brother and sad to say every time I bring up that bastard’s giant oversized name Markin who cashed his check early, died of some demons egged on in Vietnam down in Sonora in Mexico when a drug deal he was involved went bad and he went to a potter’s field grave) Went through the usual drug (cocaine and speed as he will freely tell you in order to keep some demons at bay anyway), divorce (two, first to his high school sweetheart whom he married out of despair when he got those dreaded orders to report to Fort Lewis for transport to Southeast Asia, homelessness (drug habits drain resources, and friendships, fast, “recovery” always a very close thing cycle familiar from life experiences among fellow soldiers until he was able to keep his demons somewhat in check and function in a reasonable manner. Know this though this is an on-going struggle even today almost fifty years later so you know some serious shit happened, he saw and did some stuff that will never let him be washed clean, so you know a little why the demons had him on the run for a while.    

All during this psychic drama though Fritz never lost his hatred for war that he had experienced at first hand once he, as the late Peter Paul Markin also a Vietnam veteran and the man who introduced me to Fritz long ago used to say, “got religion,” got on the right side of the angels on the questions of war and peace. Successively Fritz had belonged to Vietnam Veterans Against the War (VVAW) and Veterans for Peace after the former organization kind of petered out. It was as part of a contingent of VFP members who were going to protest the Trump government’s desire to increase the bloated military budget by 54 billion dollars that found him in Washington this Memorial Day, 2017. Found him as always drawn to the Vietnam Memorial adjacent to the Lincoln Memorial on the National Mall. He, as always, paid his respects to those he knew from the war, and from his old neighborhood. But he would also always have a moment of bitter reflection about some comrades who did not make the wall-and should have. This is what he expressed to me when he came back and I spoke to him about his trip. The words are mine but the thoughts are his. ] 

*****

Fritz Taylor, Vietnam veteran, 1969-1971, 4th Infantry, always claimed long after he had gotten “religion” on the questions of war and peace, after he had earned the right to oppose the bloody damn thing having been up close and personal that some of his fellow veterans had been shortchanged when it came to the crying wall, crying for him every time he went down to D.C. and was drawn to, had to pay his respects to his fallen comrades. He knew that each name inscribed on that black granite had paid their dues. No question.       

This year he happened to be in D.C. on Memorial Day as part of a contingent of Veterans for Peace to protest the latest round of the military again feeding at the public teat. As it turned out quite by accident while he was doing his “duty” to his fallen comrades from the 4th Infantry, and to his hometown boys Eric Slater and Jimmy Jenkins forever etched in stone there, he had caught part of the annual ceremony. Righteous Fritz who when he went over to the peace side of the equation probably had logged more jail time than was good for him with acts of civil disobedience those time he wanted to make a point about the current wave of endless wars, moreover did not have any issue when new names of those who were missing in action somehow had gotten repatriated or had been accounted for by some other method. (See above for additions to this year’s crying wall). What grieved Fritz was those like his friend from Vietnam days, Johnny Ridge, a working class kid from Steubenville out in Ohio near the river who after many years of suffering psychic wounds received in Vietnam jumped into that Ohio River. (The bridge Fritz thought had since been taken down for other reason.) Or another friend from anti-war soldier days, Manny Gibbons who spent his last few years fighting cancer which the doctors directly related to his exposure to Agent Orange. Then there was Markin, Peter Paul Markin, who helped him get “sober,” get sober the first few times, whom he had met when he was a “brother under the bridge” out in Southern California and Markin was doing stories about guys like him who hadn’t adjusted to the “real” world after ‘Nam who fell down himself in Mexico on a busted drug deal driven by who knows what demons. There were others whose stories Fritz knew but those two first accounts and Markin’s whom I knew and loved ever since I met him out in San Francisco in the Summer of Love, 1967 before the evil draft got its clutches into him will do to make this point. I still cry over Markin but never felt it was place to think about why his name wasn’t etched in stone either.   

Fritz, righteous Fritz, that day once again promised his lost comrades that he would work until he went to his own not too distant death to get their names etched in stone, etched in that benighted black granite. Vietnam will never end for one Fritz John Taylor, or for a lot of other guys either.

From The Partisan Defense Committee- Louisiana Black Panther Albert Woodfox Chronicles Prison Hell

Workers Vanguard No. 1156
31 May 2019
 
Louisiana Black Panther
Albert Woodfox Chronicles Prison Hell
Earlier this year, Grove Press released the memoir of Albert Woodfox, Solitary: Unbroken by Four Decades in Solitary Confinement; My Story of Transformation and Hope. The book is a testament to incredible courage and tenacity in the face of brutal physical and psychological punishment and illuminates the hideous, racist reality of the capitalist injustice system in this society based on the exploitation of labor and founded on chattel slavery. Solitary tells the story of the Angola 3 (Woodfox and his comrades Robert King and Herman Wallace), who collectively spent over a century in the torture of solitary confinement—mostly at Louisiana’s notorious Angola prison. While there, the three formed a prison chapter of the Black Panther Party for Self-Defense (BPP). The decades that the Angola 3 were locked away in solitary were retribution for their joining the BPP and organizing protests and legal challenges against unspeakable prison conditions.
Solitary depicts the harsh reality of black life in America—on both sides of the prison bars. As Woodfox recalls of his coming of age in a New Orleans ghetto: “We always knew the police picked up the men in our neighborhood because they were black and for no other reason.” Woodfox graphically describes the all too common grinding poverty and racism that drove his mother to prostitution, and himself to fall into the gang scene. He recounts, “When money was tight and there was no food in the house I shoplifted bread and canned goods. It never felt like a crime to me, it was survival.”
In 1969, Woodfox was convicted of armed robbery and sentenced to 50 years. He managed to escape from the courthouse and make his way to New York, where he was arrested on bogus attempted robbery charges. Woodfox was sent to the Tombs detention center, where he met three members of the Panther 21, who were falsely accused of a fictitious plot to blow up the New York Botanical Gardens, department stores and police stations. Woodfox admired the poise and commitment of the Panthers amid dehumanizing conditions. In May 1971, after the longest trial in New York State history at the time, the Panther 21 were acquitted of all charges.
At the Tombs, Woodfox was given the novel A Different Drummer by William Melvin Kelley, which got him thinking for the first time that “one man could make a difference.” He developed a thirst for knowledge. In Solitary, he expresses appreciation for books donated by libraries to Angola prison, which he read voraciously, including those on slavery, socialism and independence movements from around the world.
Woodfox played an active role in uprisings at the Tombs and at the Queens House of Detention against overcrowding, rotten food, filth and the brutality meted out by the guards. When Woodfox, now marked as a “militant,” was sent to Louisiana’s Orleans Parish Prison, he was placed on its “Panther tier” reserved for New Orleans Panthers awaiting trial for defending themselves against a cop assault on BPP headquarters. Woodfox was soon designated for transfer to Angola. He joined the BPP and was assigned to establish a chapter and recruit members there.
Woodfox’s persecution highlights the decades-long war by the capitalist state against Panther militants. Shortly after the BPP was formed in 1966, it was deemed by FBI head J. Edgar Hoover to be the “greatest threat to the internal security of the country.” Under the FBI’s COINTELPRO (Counterintelligence Program), over 30 Panthers were killed and hundreds more railroaded into prison hellholes for decades, where many died. The BPP, which represented the best of a generation of black radicals, was destroyed through a combination of FBI/cop terror and its own vicious factionalism exacerbated by COINTELPRO dirty tricks.
Despite the radicalism and personal courage of its militants, the BPP had no program for overturning the system of exploitation in which the oppression of black people is materially rooted. In particular, the Panthers rejected the centrality and strategic social power of the working class, leaving themselves more vulnerable to state repression. The Spartacist League always insisted that it was the duty of the workers movement to defend the Panthers against state victimization and sought to win black militants to a Marxist perspective—the need to build a vanguard party that would combat every manifestation of oppression and lead the multiracial working class to power through socialist revolution.
“The Legacy of Slavery Was Everywhere”
The prisons, along with the cops, courts and military, are an integral component of the state machinery of repression directed against the working class and oppressed in defense of capitalist rule and profit. Angola stands out as the most emblematic of the barbaric prison institutions dating from the defeat of Reconstruction and consolidation of Jim Crow segregation in the South. As Woodfox documents, Angola had been a slave-breeding plantation that covered over 18,000 acres. In 1869, the slave trader’s widow rented the land to a former Confederate major, who “leased” prisoners from New Orleans and other city jails to work his land. The convicts, many charged with minor crimes, were housed in former slave quarters and worked seven days a week, starved and beaten.
In 1901, Louisiana bought the land and turned it into a state prison. As Woodfox observes, “The legacy of slavery was everywhere. It was in the ground under our feet and in the air we breathed, and wherever we looked.” He adds, “Angola was run like an antebellum slave plantation.... The harsh conditions were so hurtful that strong men would cry. They broke.”
The authorities were never able to break Woodfox. In 1972, Woodfox and Wallace were falsely accused of killing prison guard Brent Miller and convicted in classic COINTELPRO trials. The following year, King met the same fate—framed up for the killing of a fellow prisoner. The prosecutions of the Angola 3 conformed to a template for Panthers in the halls of “justice”—racist jury rigging, concealment of exculpatory evidence, phony forensics, buying witnesses and appeals to the jury to punish them for their political activism.
Woodfox spent more than half of his life in a six-by-nine-foot windowless cell for 23 hours a day, allowed out to yard three hours a week. Despite being under constant surveillance, he was sometimes subjected to visual body cavity searches up to six times a day. Woodfox endured vicious beatings by the guards; for talking back, he was thrown into the Red Hat, a three-by-six-foot cell in which one “could stand in the middle of your cell and touch the walls on either side of you.” Kept in total isolation, eating alone and unable to attend religious or educational activities, Woodfox described in 2012 the emotional effect of years in solitary: “I ask that for a moment you imagine yourself standing at the edge of nothingness, looking at emptiness.”
Woodfox’s murder conviction was tossed out by the courts in 1992; he lost the retrial six years later. The conviction was again overturned in 2012. All the while, Woodfox remained behind bars, his jailers hell-bent on having him die in prison. Angola prison warden Burl Cain insisted in 2008 that even if Woodfox were not guilty, he would be kept in solitary because he still practiced “Black Pantherism.” So obvious was the frame-up that Miller’s widow, Leontine Rogers, believed Woodfox to be innocent, adding her voice to those calling for his release. As the state was preparing to try him for a third time in 2016, Woodfox, whose serious health concerns were exacerbated by his incarceration, pleaded no contest to lesser charges of manslaughter and aggravated burglary. He was sentenced to time served and released.
While in enforced isolation, Woodfox came to appreciate more and more the self-sacrifice his mother had made single-handedly raising and nurturing her family. He was devastated when he was not allowed to attend her funeral, and his first act upon his release in February 2016 was to visit her grave. Solitary also discusses the close personal bonds Albert developed with his comrades. Woodfox credits King, who got out of prison in 2001, for his tireless efforts to publicize the cases of Woodfox and Wallace. It was especially wrenching for him to watch the physical deterioration of Wallace, who died from liver cancer in October 2013, a mere three days after finally getting out of prison.
We honor Woodfox, along with his comrades King and Wallace. This decaying social order and its instruments of incarceration, torture and death deserve to perish. Our aim is to forge a 70 percent black, Latino and other minority party that is committed to mobilizing the working class in sweeping away the prisons and the entire apparatus of capitalist repression and establishing a workers government. For black liberation through socialist revolution!

Workers Vanguard No. 1156
31 May 2019
 
Correction on Panthers and COINTELPRO
Since 1985, we have incorrectly reported that the number of Black Panther Party (BPP) members killed under the FBI’s notorious Counterintelligence Program (COINTELPRO) was 38. Our recent research, while unable to confirm that figure, verified that this government campaign of violence, harassment and disruption led to the killing of 32 Panthers.
Launched in 1956 against the Communist Party, COINTELPRO later took aim at the Socialist Workers Party, Vietnam antiwar protesters, the American Indian Movement and Puerto Rican nationalists, among others deemed “security threats.” Its foremost victims were the Black Panthers, who were subjected to relentless racist state terror. The Feds conspired with police departments around the country and actively collaborated with cultural nationalist groups like Ron Karenga’s United Slaves organization. At the same time, the BPP was infiltrated by agents provocateurs, who inflamed factional divisions within it.
The names of the murdered Panthers are Eugene Anderson, Welton Armstead, Steven Bartholomew, Sylvester Bell, Fred Bennett, Alprentice Carter, Mark Clark, Nathaniel Clark, Frank Diggs, Mark Essex, Carl Hampton, Fred Hampton, John Huggins, Bobby Hutton, George Jackson, Jonathan Jackson, Sterling Jones, Robert Lawrence, Tommy Lewis, Arthur Morris, Samuel Napier, Babatunde X Omarwali, Walter Touré Pope, Sandra Lane Pratt, Alex Rackley, Larry Roberson, John Savage, Zayd Malik Shakur, Joseph Waddell, Robert Webb, Anthony White and Spurgeon Winters.
The main sources consulted were The Black Panther newspaper (Special Issue, 21 February 1970); COINTELPRO: The Untold American Story, a report by Paul Wolf, Ward Churchill, Howard Zinn et al. (2001); and The War Before: The True Life Story of Becoming a Black Panther by Safiya Bukhari (2010).

In Honor Of The Late Folksinger-Songwriter Rosalie Sorrels Tell Me Utah Phillips- Have You Seen Starlight On The Rails?

In Honor Of The Late Folksinger-Songwriter  Rosalie Sorrels Tell Me Utah Phillips- Have You Seen Starlight On The Rails?




If I Could Be The Rain I Would Be Rosalie Sorrels-The Legendary Folksinger-Songwriter Has Her Last Go Round At 83

By Music Critic Bart Webber

Back the day, back in the emerging folk minute of the 1960s that guys like Sam Lowell, Si Lannon, Josh Breslin, the late Peter Paul Markin and others were deeply immersed in all roads seemed to lead to Harvard Square with the big names, some small too which one time I made the subject of a series, or rather two series entitled respectively Not Bob Dylan and Not Joan Baez about those who for whatever reason did not make the show over the long haul, passing through the Club 47 Mecca and later the Café Nana and Club Blue, the Village down in NYC, North Beach out in San Francisco, and maybe Old Town in Chicago. Those are the places where names like Baez, Dylan, Paxton, Ochs, Collins and a whole crew of younger folksingers, some who made it like Tom Rush and Joni Mitchell and others like Eric Saint Jean and Minnie Murphy who didn’t, like  who all sat at the feet of guys like Woody Guthrie and Pete Seeger got their first taste of the fresh breeze of the folk minute, that expression courtesy of the late Markin, who was among the first around to sample the breeze.

(I should tell you here in parentheses so you will keep it to yourselves that the former three mentioned above never got over that folk minute since they will still tell a tale or two about the times, about how Dave Van Ronk came in all drunk one night at the Café Nana and still blew everybody away, about catching Paxton changing out of his Army uniform when he was stationed down at Fort Dix  right before a performance at the Gaslight, about walking down the street Cambridge with Tom Rush just after he put out No Regrets/Rockport Sunday, and about affairs with certain up and coming female folkies like the previously mentioned Minnie Murphy at the Club Nana when that was the spot of spots. Strictly aficionado stuff if you dare go anywhere within ten miles of the subject with any of them -I will take my chances here because this notice, this passing of legendary Rosalie Sorrels a decade after her dear friend Utah Phillips is important.)

Those urban locales were certainly the high white note spots but there was another important strand that hovered around Saratoga Springs in upstate New York, up around Skidmore and some of the other upstate colleges. That was Caffe Lena’s, run by the late Lena Spenser, a true folk legend and a folkie character in her own right, where some of those names played previously mentioned but also where some upstarts from the West got a chance to play the small crowds who gathered at that famed (and still existing) coffeehouse. Upstarts like the late Bruce “Utah” Phillips (although he could call several places home Utah was key to what he would sing about and rounded out his personality). And out of Idaho one Rosalie Sorrels who just joined her long-time friend Utah in that last go-round at the age of 83.

Yeah, came barreling like seven demons out there in the West, not the West Coast west that is a different proposition. The West I am talking about is where what the novelist Thomas Wolfe called the place where the states were square and you had better be as well if you didn’t want to starve or be found in some empty arroyo un-mourned and unloved. A tough life when the original pioneers drifted westward from Eastern nowhere looking for that pot of gold or at least some fresh air and a new start away from crowded cities and sweet breathe vices. A tough life worthy of song and homage. Tough going too for guys like Joe Hill who tried to organize the working people against the sweated robber barons of his day (they are still with us as we are all now very painfully and maybe more vicious than their in your face forbear)Struggles, fierce down at the bone struggles also worthy of song and homage. Tough too when your people landed in rugged beautiful two-hearted river Idaho, tried to make a go of it in Boise, maybe stopped short in Helena but you get the drift. A different place and a different type of subject matter for your themes than lost loves and longings.  

Rosalie Sorrels could write those songs as well, as well as anybody but she was as interested in the social struggles of her time (one of the links that united her with Utah) and gave no quarter when she turned the screw on a lyric. The last time I saw Rosalie perform in person was back in 2002 when she performed at the majestic Saunders Theater at Harvard University out in Cambridge America at what was billed as her last go-round, her hanging up her shoes from the dusty travel road. (That theater complex contained within the Memorial Hall dedicated to the memory of the gallants from the college who laid down their heads in that great civil war that sundered the country. The Harvards did themselves proud at collectively laying down their heads at seemingly every key battle that I am aware of when I look up at the names and places. A deep pride runs through me at those moments)

Rosalie Sorrels as one would expect on such an occasion was on fire that night except the then recent death of another folk legend, Dave Von Ronk, who was supposed to be on the bill (and who was replaced by David Bromberg who did a great job banging out the blues unto the heavens) cast a pall over the proceedings. I will always remember the crystal clarity and irony of her cover of her classic Old Devil Time that night -yeah, give me one more chance, one more breathe. But I will always think of If I Could Be The Rain and thoughst of washing herself down to the sea whenever I hear her name. RIP Rosalie Sorrels 

Commentary

I have been on a something of a Utah Phillips/Rosalie Sorrels musical tear lately but I want to pay separate attention to one song, Phillips’ “Starlight On The Rails", that hits home on some many levels- the memories of bumming around the country in my youth, riding and living free (or trying to), my on and off love affair with trains as a mode of transportation, and, of course the political struggle to fix what ails this country. And as Utah acknowledges below in introducing the song (from the Utah Phillips Songbook version) we get a little Thomas Wolfe as a literary bonus. Utah and I, in the end, had very different appreciations of what it takes to do this political fixin' mentioned above but we can agree on the sentiments expressed in his commentary and song.

Utah, aside from his love of trains as a form of personal transportation when he was “on the bum”, also was a vocal advocate for their use as mass transportation. He originally argued this proposition at a time when the railroads were losing passengers in droves to the great automobile explosion. Utah wrote a song for one of his sons “Daddy, What’s A Train?” on the demise of this more people-friendly form of getting around. Since then there has been, due to the mercurial economics of oil and some conscious social and environmental policy planning, something of a resurgence of the train as a means of transportation.

Nevertheless the saga of the train in this writer’s imagination remains more of a boyhood memory than an actuality today. I can still see those historic old names: Union Pacific, Southern Pacific, B&O, and Boston & Maine. I can still hear the whistle blow as the train comes into the station. The conductor’s yell of “All, aboard” or the station’s name. Those rattling sounds of wheels hitting the metal of the rails. But, mainly, I think of the slower times, the time to look at the scenery as the train ambles along and to understand the how, if not the why, of the contours of the way America sprouted up as it out moved in all directions from its Eastern shores.

I noted in a review of a PBS American Experience documentary, “Riding The Rails” (see archives, “Starlight On The Rails, Indeed”, November 4, 2008) growing up in the 1950’s I had a somewhat tenuous connection with trains. My grandparents lived close to a commuter rail that before my teenage years went out of service, due to the decline of ridership as the goal of two (or three) car garages gripped the American imagination in an age when gas was cheap and plentiful. In my teens though, many a time I walked those then abandoned tracks to take the short route to the center of town. I can still picture that scene now trying to hit my stride on each tie. As an adult I have frequently ridden the rails, including a cross-country trip that actually converted me to the virtues of air travel on longer trips.

Of course, my ‘adventures’ riding the rails is quite different than that the one looked at in the American Experience documentary about a very, very common way for the youth of America to travel in the Depression-ridden 1930’s, the youth of my parents’ generation. My own experiences were usually merely as a paying passenger, although when down on my luck I rolled onto a couple of moving trains. An experience not for the faint-hearted, for sure. But this was mainly slumming. Their experiences were anything but. The only common thread between them and me was the desire expressed by many interviewees to not be HERE but to be THERE. I spent a whole youth running to THERE. But enough of this- let Utah tell his story about the realities, not the romance of the rails.

Guest Commentary

Starlight On The Rails- Utah Phillips

This comes from reading Thomas Wolfe. He had a very deep understanding of the music in language. Every now and then he wrote something that stuck in my ear and would practically demand to be made into a song.

I think that if you talk to railroad bums, or any kind of bum, you'll see that what affects them the most is homelessness, not necessarily rootlessness. Traveling is all right if you have a place to go from and a place to go to. It's when you don't have any place that it becomes more difficult. There's nothing you can count on in the world, except yourself. And if you're an old blown bum, you can't even do that very well. I guess this is a home song as much as anything else.

We walked along a road in Cumberland and stooped, because the sky hung down so low; and when we ran away from London, we went by little rivers in a land just big enough. And nowhere that we went was far: the earth and the sky were close and near. And the old hunger returned - the terrible and obscure hunger that haunts and hurts Americans, and makes us exiles at home and strangers wherever we go.

Oh, I will go up and down the country and back and forth across the country. I will go out West where the states are square. I will go to Boise and Helena, Albuquerque and the two Dakotas and all the unknown places. Say brother, have you heard the roar of the fast express? Have you seen starlight on the rails?

STARLIGHT ON THE RAILS
(Bruce Phillips)


I can hear the whistle blowing
High and lonesome as can be
Outside the rain is softly falling
Tonight its falling just for me

Looking back along the road I've traveled
The miles can tell a million tales
Each year is like some rolling freight train
And cold as starlight on the rails

I think about a wife and family
My home and all the things it means
The black smoke trailing out behind me
Is like a string of broken dreams

A man who lives out on the highway
Is like a clock that can't tell time
A man who spends his life just rambling
Is like a song without a rhyme


Daddy What's A Train

Most everybody who knows me knows that I'm a train nut. In Dayton, Ohio, when I was 12 years old during the Second World War, there was a railroad that went close by Greenmont Village. A bunch of the kids and I built a fort out of old railroad ties, half dug in the ground and half above the ground. We let a bum sleep in there one night - I think he was the first railroad bum I remember meeting - came back the next day and it had been burned down. He'd evidently set it on fire or started it accidentally.

Playing around in that fort we'd see the big steam engines run by. The engineers would wave, and the parlor shack back in the crummy - that's the brakeman who stays in the caboose - would wave, too. Put your ear down on the rail and you could hear the trains coming. We'd play games on the ties and swing ourselves on the rails. Also we'd pick up a lot of coal to take home. I understand that during the Depression a lot of families kept their homes warm by going out along the right of way and picking up coal that had fallen out of the coal tenders.
This song is written for my little boy Duncan. His grandfather, Raymond P. Jensen, was a railroad man for over 40 years on the Union Pacific, working as an inspector. There's a lot of railroading in Duncan's family, but he hasn't ridden trains very much.



(sung to chorus tune)
When I was just a boy living by the track
Us kids'd gather up the coal in a great big gunny sack,
And then we'd hear the warning sound as the train pulled into view
And the engineer would smile and wave as she went rolling through;

(spoken)
She blew so loud and clear
That we covered up our ears
And counted cars as high as we could go.
I can almost hear the steam
And the big old drivers scream
With a sound my little boy will never know.

I guess the times have changed and kids are different now;
Some don't even seem to know that milk comes from a cow.
My little boy can tell the names of all the baseball stars
And I remember how we memorized the names on railroad cars -


The Wabash and TP
Lackawanna and IC
Nickel Plate and the good old Santa Fe;
Names out of the past
And I know they're fading fast
Every time I hear my little boy say.

Well, we climbed into the car and drove down into town
Right up to the depot house but no one was around.
We searched the yard together for something I could show
But I knew there hadn't been a train for a dozen years or so.

All the things I did
When I was just a kid-
How far away the memories appear,
And it's plain enough to see
They mean a lot to me
'Cause my ambition was to be an engineer.

Copyright ©1973, 2000 Bruce Phillips

For The Late Rosalie Sorrels-Our Mother, The Mountain- The Traditional Mountain Music Of Jean Ritchie

For The Late Rosalie Sorrels-Our Mother, The Mountain- The Traditional Mountain Music Of Jean Ritchie



If I Could Be The Rain I Would Be Rosalie Sorrels-The Legendary Folksinger-Songwriter Has Her Last Go Round At 83

By Music Critic Bart Webber

Back the day, back in the emerging folk minute of the 1960s that guys like Sam Lowell, Si Lannon, Josh Breslin, the late Peter Paul Markin and others were deeply immersed in all roads seemed to lead to Harvard Square with the big names, some small too which one time I made the subject of a series, or rather two series entitled respectively Not Bob Dylan and Not Joan Baez about those who for whatever reason did not make the show over the long haul, passing through the Club 47 Mecca and later the Café Nana and Club Blue, the Village down in NYC, North Beach out in San Francisco, and maybe Old Town in Chicago. Those are the places where names like Baez, Dylan, Paxton, Ochs, Collins and a whole crew of younger folksingers, some who made it like Tom Rush and Joni Mitchell and others like Eric Saint Jean and Minnie Murphy who didn’t, like  who all sat at the feet of guys like Woody Guthrie and Pete Seeger got their first taste of the fresh breeze of the folk minute, that expression courtesy of the late Markin, who was among the first around to sample the breeze.

(I should tell you here in parentheses so you will keep it to yourselves that the former three mentioned above never got over that folk minute since they will still tell a tale or two about the times, about how Dave Van Ronk came in all drunk one night at the Café Nana and still blew everybody away, about catching Paxton changing out of his Army uniform when he was stationed down at Fort Dix  right before a performance at the Gaslight, about walking down the street Cambridge with Tom Rush just after he put out No Regrets/Rockport Sunday, and about affairs with certain up and coming female folkies like the previously mentioned Minnie Murphy at the Club Nana when that was the spot of spots. Strictly aficionado stuff if you dare go anywhere within ten miles of the subject with any of them -I will take my chances here because this notice, this passing of legendary Rosalie Sorrels a decade after her dear friend Utah Phillips is important.)

Those urban locales were certainly the high white note spots but there was another important strand that hovered around Saratoga Springs in upstate New York, up around Skidmore and some of the other upstate colleges. That was Caffe Lena’s, run by the late Lena Spenser, a true folk legend and a folkie character in her own right, where some of those names played previously mentioned but also where some upstarts from the West got a chance to play the small crowds who gathered at that famed (and still existing) coffeehouse. Upstarts like the late Bruce “Utah” Phillips (although he could call several places home Utah was key to what he would sing about and rounded out his personality). And out of Idaho one Rosalie Sorrels who just joined her long-time friend Utah in that last go-round at the age of 83.

Yeah, came barreling like seven demons out there in the West, not the West Coast west that is a different proposition. The West I am talking about is where what the novelist Thomas Wolfe called the place where the states were square and you had better be as well if you didn’t want to starve or be found in some empty arroyo un-mourned and unloved. A tough life when the original pioneers drifted westward from Eastern nowhere looking for that pot of gold or at least some fresh air and a new start away from crowded cities and sweet breathe vices. A tough life worthy of song and homage. Tough going too for guys like Joe Hill who tried to organize the working people against the sweated robber barons of his day (they are still with us as we are all now very painfully and maybe more vicious than their in your face forbear)Struggles, fierce down at the bone struggles also worthy of song and homage. Tough too when your people landed in rugged beautiful two-hearted river Idaho, tried to make a go of it in Boise, maybe stopped short in Helena but you get the drift. A different place and a different type of subject matter for your themes than lost loves and longings.  

Rosalie Sorrels could write those songs as well, as well as anybody but she was as interested in the social struggles of her time (one of the links that united her with Utah) and gave no quarter when she turned the screw on a lyric. The last time I saw Rosalie perform in person was back in 2002 when she performed at the majestic Saunders Theater at Harvard University out in Cambridge America at what was billed as her last go-round, her hanging up her shoes from the dusty travel road. (That theater complex contained within the Memorial Hall dedicated to the memory of the gallants from the college who laid down their heads in that great civil war that sundered the country. The Harvards did themselves proud at collectively laying down their heads at seemingly every key battle that I am aware of when I look up at the names and places. A deep pride runs through me at those moments)

Rosalie Sorrels as one would expect on such an occasion was on fire that night except the then recent death of another folk legend, Dave Von Ronk, who was supposed to be on the bill (and who was replaced by David Bromberg who did a great job banging out the blues unto the heavens) cast a pall over the proceedings. I will always remember the crystal clarity and irony of her cover of her classic Old Devil Time that night -yeah, give me one more chance, one more breathe. But I will always think of If I Could Be The Rain and thoughst of washing herself down to the sea whenever I hear her name. RIP Rosalie Sorrels 



CD REVIEW

Mountain Hearth And Home, Jean Ritchie, Rhino Handmade, 2004

The last time that the name of traditional mountain folk singer Jean Ritchie was mentioned in this space was as part of the lineup in Rosalie Sorrel’s last concert at Harvard University that spawned a CD, “The Last Go-Round”. At that concert she, as usual, she performed, accompanied by her sweet dulcimer, the mountain music particularly the music that she learned in the mountains of Eastern Kentucky and that she has been associated with going back at least to the early 1960’s. Here, in the CD under review, “Mountain Hearth and Home”, we get a wide range of those traditional mountain songs from those parts that provide something for every palate.

The songs, simple songs of the mountains that befit a simple folk with simple lyrics, chords and instrumentation representing what was at hand, many of which have their genesis back in the hills of Scotland and Ireland, never fail to evoke a primordial response in this listener. The songs speak of the longings created by those isolated spaces; and, occasionally of those almost eternal thoughts of love, love thwarted, love gone wrong or love disappearing without a trace. Or songs of the hard life of the mountains whether it is the hard scrabble to make a life from the rocky farmland that will not give forth without great struggle or of the mines, the coal mines that in an earlier time (and that are making a comeback now) represented a key energy source for a growing industrial society. Many a tale here centers on the trails and tribulations of the weary, worked out mines and miners. Add in some country lullabies, some religiously- oriented songs representing the fundamental Protestant ethic that drove these people and some Saturday dancing and drinking songs and you have a pretty good feel for the range of experience out there in the hills, hollows and ravines of Eastern Kentucky.

Several time over the past year or so I have mentioned, as part of my remembrances of my youth and of my political and familial background, that my father was a coal miner and the son of a coal miner in the hills of Hazard, Kentucky (a town mentioned in a couple of the songs here) in the heart of Appalachia. I have also mentioned that he was a child of the Great Depression and of World War II. He often joked that in a choice between digging the coal and taking his chances in war he much preferred the latter. Thus, it was no accident that when war came he volunteered for the Marines and, as fate would have it despite a hard, hard life after the war, he never looked back to the mines or the hills. Still this music flowed in his veins, and, I guess, flows in mine.

My Boy Willie

Traditional

Notes: This song has the exact same tunes as the song "The Butcher Boy" and is of a similar theme.


It was early, early in the spring
my boy Willie went to serve the king
And all that vexed him and grieved his mind
was the leaving of his dear girl behind.

Oh father dear build me a boat
that on the ocean I might float
And hail the ships as they pass by
for to inquire of my sailor boy.

She had not sailed long in the deep
when a fine ship's crew she chanced to meet
And of the captain she inquired to
"Does my boy Willie sail on board with you?"

"What sort of a lad is your Willie fair?
What sort of clothes does your Willie wear?"
"He wears a coat of royal blue,
and you'll surely know him for his heart is true".

"If that's your Willie he is not here.
Your Willie's drowned as you did fear.
'Twas at yonder green island as we passed by,
it was there we lost a fine sailor boy".

Go dig my grave long wide and deep,
put a marble stone at my head and feet.
And in the middle, a turtle dove.
So the whole world knows that I died of love.

"The L & N Don't Stop Here Anymore"

When I was a curly headed baby
My daddy sat me down on his knee
He said, "son, go to school and get your letters,
Don't you be a dusty coal miner, boy, like me."

[Chorus:]
I was born and raised at the mouth of hazard hollow
The coal cars rolled and rumbled past my door
But now they stand in a rusty row all empty
Because the l & n don't stop here anymore

I used to think my daddy was a black man
With script enough to buy the company store
But now he goes to town with empty pockets
And his face is white as a February snow

[Chorus]

I never thought I'd learn to love the coal dust
I never thought I'd pray to hear that whistle roar
Oh, god, I wish the grass would turn to money
And those green backs would fill my pockets once more

[Chorus]

Last night I dreamed I went down to the office
To get my pay like a had done before
But them ol' kudzu vines were coverin' the door
And there were leaves and grass growin' right up through the floor

[Chorus]


Come All Ye Fair And Tender Ladies

Come all ye fair and tender ladies
Take warning how you court your men
They're like a star on a summer morning
They first appear and then they're gone

They'll tell to you some loving story
And they'll make you think that they love you well
And away they'll go and court some other
And leave you there in grief to dwell

I wish I was on some tall mountain
Where the ivy rocks were black as ink
I'd write a letter to my false true lover
Whose cheeks are like the morning pink

I wish I was a little sparrow
And I had wings to fly so high
I'd fly to the arms of my false true lover
And when he'd ask, I would deny

Oh love is handsome, love is charming
And love is pretty while it's new
But love grows cold as love grows older
And fades away like morning dew

"BLACK IS THE COLOUR"

Black is the colour of my true love's hair
Her lips are like some roses fair
She's the sweetest face and the gentlest hands
I love the ground wheron she stands

I love my love and well she knows
I love the ground whereon she goes
But some times I whish the day will come
That she and I will be as one

Black is the colour of my true love's hair
Her lips are like some roses fair
She's the sweetest face and the gentlest hands
I love the ground wheron she stands

I walk to the Clyde for to mourn and weep
But satisfied I never can sleep
I'll write her a letter, just a few short lines
And suffer death ten thousand times

Black is the colour of my true love's hair
Her lips are like some roses fair
She's the sweetest face and the gentlest hands
I love the ground wheron she stands

Blue Diamond Mines

I remember the ways in the bygone days
when we was all in our prime
When us and John L. we give the old man hell
down in the Blue Diamond Mine

Well the whistle would blow 'for the rooster crow
full two hours before daylight
When a man done his best and earned his good rest
at seven dollars a night

In the mines in the mines
in the Blue Diamond Mines
I worked my life away
In the mines in the mines
In the Blue Diamond Mines
I fall on my knees and pray.

You old black gold you've taken my lung
your dust has darkened my home
And now I am old and you've turned your back
where else can an old miner go


Well it's Algomer Block and Big Leather Woods
now its Blue Diamond too
The bits are all closed get another job
what else can an old miner do?


Now the union is dead and they shake their heads
well mining has had it's day
But they're stripping off my mountain top
and they pay me eight dollars a day


Now you might get a little poke of welfare meal
get a little poke of welfare flour
But I tell you right now your won't qualify
'till you work for a quarter an hour.