***Out In The 1950s Film Noir Night- Nicolas Ray’s “On Dangerous Ground”- A Review

DVD Review

On Dangerous Ground, starring Ida Lupino, Robert Ryan, Ward Bond, directed by Nicolas Ray, RKO Pictures, 1952

Sure, I have run through a ton of film noir of late good, bad, and indifferent and for lots of different reasons. In the film under review, On Dangerous Ground, you would expect that what I was looking at was an example of Nicolas Ray’s pre-Rebel Without A Cause resume. And this film is not a bad example of his directorial ability, especially his ability to frame black and white nature scenes rather starkly, but that is not why I am reviewing this film. The primary reason is one Ida Lupino. I saw her in a very B non-descript black and white film from 1942 with French star Jean Maurras and that reminded me of her great performance as Humphrey Bogart’s Roy Earle hard guy moll, or wannabe moll, in High Sierra. And so we were off to the races looking for her other work and here we are.

As for the rating part, good, bad or indifferent, remember, it is the latter. You always like a film to have certain cinematic core, a certain frame of reference, but this one just kind of gets away. That is not Ms. Lupino’s fault, or Mr. Ray’s, or for that matter Robert Ryan’s, who plays the high pressure big city cop at the center of the story. And maybe that is where it all falls down. See, Ryan, a guy who might have had early dreams of glory and kudos but they are long gone by the time he gets on screen, is waiting out his time until he gets his pension. Obviously in his chosen profession he sees nothing but bad guys, their tough dames and everything else that comes up from under the rocks. So this life steels him to any emotional commitment to see human existence as anything but short, nasty and brutish as Professor Hobbes used to say. Of course in an evolving “civilized” society one cannot be judge, jury and executioner so Ryan’s methodology for getting at the truth, the criminal truth, by beating it out of the tough guys, does not stand up to today’s Warren Court Miranda standards. So he is shipped out to the country to cool off for a while and to assist in a homicide investigation out in the wild-edged boondocks.

Bingo, primitive man meets primitive nature and one senses right away that Brother Ryan’s soul will be cleansed before we are through. But crime even hits the boonies every once in a while; here a heinous murder of an innocent young girl done by a very mentally disturbed young man. Enter, finally, Ms. Lupino as the disturbed young man’s sister, blind sister, who wants to do what’s right for brother but mostly that he not fall into the hands of the local vigilante justice that is hunting him like a dog, especially that dead girl’s father (played by Ward Bond) who swears vengeance unto death. Of course poor brother is doomed, one way or another. However during the course of the chase our cop is smitten (well, what else would it be) by Ms. Lupino’s ways of thinking and is drawn to her. The final segment of the film revolves around this unusual budding romance. Like I said, it is just a little too melodramatic to be a good noir. But don’t blame Ms. Lupino, Mr. Ryan, Mr. Ray, or even Mr. Bond for that.

***A Dream Fragment On Looking For A Few Good…Mystics -In The Matter Of Tom Wolfe’s “The Electric Kool-Aid Acid Test”

Click below to link to a Wikipedia entry for Tom Wolfe's Electric Kool-Aid Acid Test.

http://en.wikipedia.org/wiki/The_Electric_Kool-Aid_Acid_Test

Peter Paul Markin, North Adamsville Class Of 1964, comment:

Okay, blame this foam-flecked entry totally on old wanna-be “gonzo” journalist/novelist Tom Wolfe and his infernal 1960s classic countercultural expose The Electric Kool-Aid Acid Test. I’ll explain the ‘wanna-be’ part in some book review, or in some of other place where talking about and discussing the "new journalism (1960s-style, including the likes of Hunter Thompson and Joan Didion)” is called for. But, at least for now, I want to explain the why of that ‘where the blame should be placed’.

And why does Brother Wolfe (or is it really Brother Wolf?) earn this blame? Well, frankly, merely by telling this acid-etched (literally) story about the late author Ken Kesey (most famous for One Flew Over The Cuckoo’s Nest and Sometimes A Great Notion), his California-gathered (naturally, right?) tribe of Merry Pranksters, their then rural California coastal communal arrangements (or non-arrangements, or dis-arrangements, as the case may be), and their antics, including a collectively produced and massively-filmed cross-country “bus” ride “further in” that cemented their zany experiences. No kidding- you were truly either on the “bus” or off the “bus” if you got entangled with this crowd.

Oh, did I mention, as well, their deep-end “edge city” drug experiences, especially the then little known acid (LSD) trips? Those drug experiments, important as they were to the story line of the book, are, however, not what have me up in arms though. Hey, experimenting with drugs, or experimenting with sometime (sex, the karma sutra, zen, sex, abstract primitivist painting, free-form verse, sex, hitchhiking the universe, sex, etc.) was de rigueur in those halcyon days. I wouldn’t waste my breath, and your time, recounting those kinds of stories. Everybody did drugs back then, or was….un-hip. And almost no one, hip, un-hip, cloven-footed devil, or haloed angel wanted to be thought of as un-hip, un-cool.

The others, those who today claim memory loses on the subject, or some story along those lines, just lie. Or were cloistered somewhere, and such circumstances are better left untold. Or, and here is my favorite, didn’t inhale. The number of guys (and gals) who NOW say that they didn’t inhale exceeds the total youth tribe members of the 1960s, by far, especially those with wayward children of their own. Unless, of course, my numbers are off, slightly. I, in any case, need not go through that scene again. Read Wolfe’s book or watch Dennis Hopper’s Easy Rider, or ask your parents or…ouch, grandparents.

Today, however, I am excised on another point. Wolfe mentioned, repeatedly, the quasi-religious, mystical nature of the Kesey-gathered Merry Prankster tribal experience. And central to that, as to all such mystical communal experiences, is the emergence of some kind of “messiah” figure, or at least a chief mystic who guides the group’s actions, including the inevitable breakout into the real wide world when that time comes. Then, the breakout time, is when the power struggle really begins as the increased number of acolytes gather round and begin the long process of the selection of the “ins” and “outs”. To speak nothing of the very serious question of who is to “guard” the wisdom tablet (maybe, literally, a tablet in this case). Or who conducts the ceremonials to adhere the devotees. This is well-trodden ground, in any case.

And what in hell am I mad about that little quirky business for? Kesey was hardly the first guy or gal, and will hardly be the last either, to come down off the mountain to spread the “good news,” if only among the elect-at first. Hear me out though. I am sick and tired, utterly sick and tired, after a life time of listening, or really, half-listening to the latest screeds of the “god-seekers”, secular or religious. And of the side show carnival guys claiming for the umpteenth time they have the “new message” about human redemption. And of the about the 287th, or so, rendition of the story line of those who succumbed to some “conversion” religious experience. Enough, right? Well, perhaps, but what I want to blurt out is that, damn, I think Wolfe, and through him, Kesey were basically right that this was a time, the 1960s that is , when we, and I include myself in this as well, were looking for the “new messiah.”

For starters though, just in case the reader is caught up short on the term “new messiah”, forget all the rough and tumble organized traditional religious stuff. That was a non-contender, then anyway. Hell, that was what we were running away from, and running as hard as our wobbly, drug-filled heads would force our legs to take us. (The three of us who have "confessed" to such activity in those days, excuse me. I don’t know in what condition the others were in during their runs.) No, any “church” had to be in some freshly-mown meadow, or among the squirrel-infested pines, or at the edge of the earth on some place where ‘our homeland’ the ocean, the sand and our sense of the vastness of space met. And any “preacher,’ of the “good book” or, for that matter, of the virtues of demonology had to wear multi-colored, flowing home-spun robes, or some discarded army-navy store uniform, or some sheepskin vest, or maybe nothing. But, please, no collars around your neck, or ours. There were plenty of candidates looking for the job, looking to be heard, looking to be listened to and looking for those who were looking, for awhile anyway, until they ran out of steam, ran off with their sweeties, or with the cash box.

What we were looking for, at least what I think we were looking for was someone, once the traditional politicians proved to have feet of clay, or were mired in mud and blood up to their necks, or were blown away, to lead us to the “Promised Land.” That’s right the “Promised Land,” not some old quirky, queasy, hard scrabble, no air place that we all knew, or all of us that were “hip” knew, was not where we were at then. You know sometimes it was as simple as finding someone who had an answer or two. If they had a plan, or maybe had the whole thing mapped out, so much the better. Mainly they just didn’t have to shout about it to the whole square world and bring the squares in to corner it, corral it, organize it, and make it a thing that not even your square, square parents could love.

And that, my friends, is where someone like Ken Kesey got some play, got his edge. His simple Western- bred (American Western-bred) ways, his obvious literary talents that acted as a magnet for those who saw no real difference between mad scientist Kesey and ‘mad scientist’ McMurphy (in One Flew Over The Cuckoo’s Nest), and his strong branding personality held the Prankster commune together. For a while. Until he too proved to have feet of clay, and fled. But here is the main point in the end it required just too much of a leap of faith to sail into the mystic with the mystics. For those like me, and there were many others like me, we had our mystical moment but when the deal went down we had to look elsewhere to other names to “seek the newer world.” World historic names, names like Marx, Lenin and Trotsky, no one, except, maybe, those now professed non-inhalers and vanguard neo-con cultural dead-enders, would confuse with mysticism.

From The Pen Of Peter Paul Markin- Looking For The Heart Of Saturday Night, Christ The Heart Of Any Night- The Songs of Tom Waits-Take Three

 A YouTube film clip of Tom Waits performing Looking For The Heart Of Saturday Night

 

If you, as I do, every once in a while, every once in a while when the norms of bourgeois push to get ahead and then what, push you off your sainted wheels, and get you into some angst-ridden despair about where you went off that angel-driven dream of your youth, not faded, tattered, and half- forgotten(but only half, only half, sisters and brothers, and need some solace, need to reach back to roots, reach back to the primeval forest maybe, put the headphones on some Tom Waits platter (oops, CD, YouTube selection, etc.- “platter” refers to a, ah, record, vinyl, put on a record player, hell, look it up in Wikipedia, okay).

 

If the norms of don’t rock the boat, the norms of keep your head down because you don’t want to wind up like them (and fill in the blank of the “them,” usually dark, speaking some unknown language maybe gibberish for all you know, moving furtively and stealthily against your good night) drive you crazy and you need to listen to those ancient drum beats, those primeval forest leave droppings maybe, that spoke of the better angels of your nature when those angel dreams, half-forgotten but only half remember, ruled your days. Turn up the volume another notch or two on that Tom Waits selection, maybe Jersey Girl or Brother, Can You Spare A Dime (can you?), Hold On, or Gunn Street Girl.

If you need to hear things, just to sort things out, just to recapture that angel-edge, that made you come alive, made you think about from whence you came and how a turn, a slight turn this way or that, could have landed you on the wrong side, things about boozers (and about titantic booze-crazed struggles in barroom, on beaches, in the back seats of cars, lost in the mist of time down some crazed midnight, hell, four in the morning, penniless, cab fare-less night) , losers (those who have lost their way, gotten it taken away like some maiden virginity, never had anything but lost, not those who never had a way to be lost), dopesters (inhaling, in solidarity hotel rooms among junkie brethren, down in dark alleys jack-rolling some poor stiff of his room rent for kicks, out in nighttime canyons flame blaring off the walls, the seven seas of chemical dust, mainly blotter, maybe peyote if that earth angel connection comes through, creating vision of long lost tribes trying, trying like hell, to get “connected,” connected in the campfire shadow night), hipsters (all dressed in black, mary mack dressed in black, speeding, speaking be-bop this and be-bop that to stay in fashion, hustling, always hustle, always moving), fallen sisters (sisters of mercy, sisters who need mercy, sisters who were mercifully made fallen in some mad dash night, merciful sister feed me, feed me good ), midnight sifters (lifting in no particular order hubcaps, tires, wrenches, jacks, an occasional gem, some cheap jewelry in wrong neighborhood, some paintings or whatever may be left in some sneak back alley, it is the sifting that counts), grifters (hey, buddy watch this, now you see it, now you don’t, now you don’t see your long gone John dough, and Mister three card monte long gone too ), drifters (here today gone tomorrow with or without dough, to Winnemucca, Ogden, Fresno, Frisco town, name your town, name your poison and the great big blue seas washing you clean out into the Japans ), the driftless (cramped into one room hovels, shelters, seedy rooming houses afraid to stay in-doors or to go outside, afraid of the “them” too ), and small-time grafters (the ten-percent guys, failed insurance men, repo artists, bounty hunters, press agents, personal trainers, need I go on). You know where to look, right.

If you need to be refreshed on the subject of hoboes, bums, tramps (and remind me sometime to draw the distinction, the very real and acknowledged distinction between those three afore –mentioned classes of brethren out in the railroad jungles in some Los Angeles ravine, some Gallup trestle, some Hoboken broken down pier, the fallen (fallen outside the gates of Eden, or, hell, inside too), those who want to fall (and let god figure out who made who fall, okay), Spanish Johnnies (slicked back black hair, tee shirt, shiv, cigarette butt hanging from a parted lip, belt buckle ready for action, leering, leering at that girl over there, maybe your girl but watch out for that shiv, the bastard), stale cigarette butts (from Spanish Johnnie and all the johnnies, Camels, Luckies, no filters, no way), whiskey-soaked barroom floors (and whiskey-soaked drunks to mop the damn place up, for drinks and donuts, maybe just for the drinks), loners (jesus, books could be written on that subject so let’s just pass by), the lonely (ditto loners), sad sacks (kindred, one hundred times kindred to the loners and the lonely), the sad (encompassing all of the above) and others at the margins of society, the whole fellahin world, then Tom Waits is your stop.

Tom Waits is, frankly, an acquired taste, but one well worth acquiring as he storms heaven in words, in thought-out words to express the pain and anguish of modern living, yes, modern living, looking for busted black-hearted angels, for girls with Monroe hips getting kicked out of proper small town hells and left for dead with cigar wrapping rings, for the desperate out in forsaken woods who need to hold to something, and for all the misbegotten.

Tom Waits gives voice in song, a big task, to the kind of characters that peopled Nelson Algren’s novels (The Last Carousel, Neon Wilderness, Walk on the Wild Side, and The Man with the Golden Arm). In short, the people who do not make revolutions, those revolutions we keep hearing and reading about, far from it, but those who surely, and desperately could use one. If, additionally, you need a primordial voice and occasional dissonant instrumentation to round out the picture go no further. Finally, if you need someone who “feels your pain” for his characters you are home. Keep looking for the heart of Saturday night, Brother, keep looking.

"America, Where Are You Now...."- Stepphenwolf's The Monster-Take Two

A YouTube Film Clip Of Stepphenwolf Performing Monster. Ah, Those Were The Days

Commentary/CD REVIEW

Steppenwolf: 16 Greatest Hits, Steppenwolf, Digital Sound, 1990

America where are you now?

Don't you care about your sons and daughters?

Don't you know we need you now

We can't fight alone against the monster

The heavy rock band Steppenwolf, one of many that was thrown up by the musical counter-culture of the mid to late 1960's was a cut above and apart from some of the others due to their scorching lyrics provided mainly, but not solely, by gravelly-voiced lead singer John Kay. Some bands played, consciously played, to the “drop out” notion of times, drop out of rat-race bourgeois society and it money imperative, its white picket fence with little e white house visions (from when many of the young, the post-World War II baby-boomer young, now sadly older), drop out and create a niche somewhere, some physical somewhere perhaps but certainly some other mental somewhere and the music reflected that disenchantment, Much of which was ephemeral, merely background music, and has not survived (except in lonely YouTube cyberspace). Others, flash pan “music is the revolution,” period exclamation point, end of conversation bands assumed a few pithy lyrics would carry the day and dirty old bourgeois society would run and hide in horror leaving the field open, open for, uh, us. That music too, except for gens like The Ballad Of Easy Rider, is safely ensconced in vast cyberspace.

Steppenwolf was different. Not all the lyrics worked, then or now. Not all the words are now some forty plus years later memorable. After all every song is written with current audience in mind, and notions of immortality for most songs are displaced. Certainly some of the less political lyrics seem entirely forgettable. As does some of the heavy decibel rock sound that seems to wander at times like, as was the case more often than not, and more often that we, deep in some a then hermetic drug thrall, would have acknowledged, or worried about. But know this- when you think today about trying to escape from the rat race of daily living then you have an enduring anthem Born To Be Wildthat still stirs the young (and not so young). If Bob Dylan's Like A Rolling Stone was one musical pillar of the youth revolt of the 1960's then Born To Be Wild was the other.

And if you needed (or need) a quick history lesson about the nature of American society in the 1960's, what it was doing to its young, where it had been and where it was heading (and seemingly still is as we finish up the Afghan wars and the war signals for intervention into Syria and Iran, or both are beating the war drums fiercely) then the trilogy under the title "The Monster" (the chorus which I have posted above and lyrics below) said it all.

Then there were songs like The Pusher Man a song that could be usefully used as an argument in favor of decriminalization of drugs today and get our people the hell out of jail and moving on with their lives and other then more topical songs like Draft Resister to fill out the album. The group did not have the staying power of others like The Rolling Stones but if you want to know, approximately, what it was like for rock groups to seriously put rock and roll and a hard political edge together give a listen.

Words and music by John Kay, Jerry Edmonton, Nick St. Nicholas and Larry Byrom

(Monster)

Once the religious, the hunted and weary

Chasing the promise of freedom and hope

Came to this country to build a new vision

Far from the reaches of kingdom and pope

Like good Christians, some would burn the witches

Later some got slaves to gather riches

But still from near and far to seek America

They came by thousands to court the wild

And she just patiently smiled and bore a child

To be their spirit and guiding light

And once the ties with the crown had been broken

Westward in saddle and wagon it went

And 'til the railroad linked ocean to ocean

Many the lives which had come to an end

While we bullied, stole and bought our a homeland

We began the slaughter of the red man

But still from near and far to seek America

They came by thousands to court the wild

And she just patiently smiled and bore a child

To be their spirit and guiding light

The blue and grey they stomped it

They kicked it just like a dog

And when the war over

They stuffed it just like a hog

And though the past has it's share of injustice

Kind was the spirit in many a way

But it's protectors and friends have been sleeping

Now it's a monster and will not obey

(Suicide)

The spirit was freedom and justice

And it's keepers seem generous and kind

It's leaders were supposed to serve the country

But now they won't pay it no mind

'Cause the people grew fat and got lazy

And now their vote is a meaningless joke

They babble about law and order

But it's all just an echo of what they've been told

Yeah, there's a monster on the loose

It's got our heads into a noose

And it just sits there watchin'

Our cities have turned into jungles

And corruption is stranglin' the land

The police force is watching the people

And the people just can't understand

We don't know how to mind our own business

'Cause the whole worlds got to be just like us

Now we are fighting a war over there

No matter who's the winner

We can't pay the cost

'Cause there's a monster on the loose

It's got our heads into a noose

And it just sits there watching

(America)

America where are you now?

Don't you care about your sons and daughters?

Don't you know we need you now

We can't fight alone against the monster

© Copyright MCA Music (BMI)
All rights for the USA controlled and administered by
MCA Corporation of America, INC

--Used with permission--

Born To Be Wild

Words and music by Mars Bonfire

Get your motor runnin'

Head out on the highway

Lookin' for adventure

And whatever comes our way

Yeah Darlin' go make it happen

Take the world in a love embrace

Fire all of your guns at once

And explode into space

I like smoke and lightning

Heavy metal thunder

Racin' with the wind

And the feelin' that I'm under

Yeah Darlin' go make it happen

Take the world in a love embrace

Fire all of your guns at once

And explode into space

Like a true nature's child

We were born, born to be wild

We can climb so high

I never wanna die

Born to be wild

Born to be wild

© MCA Music (BMI)
All rights for the USA controlled and administered by
MCA Corporation of America, INC

--Used with permission--

THE PUSHER

From the 1968 release "Steppenwolf"

Words and music by Hoyt Axton

You know I've smoked a lot of grass

O' Lord, I've popped a lot of pills

But I never touched nothin'

That my spirit could kill

You know, I've seen a lot of people walkin' 'round

With tombstones in their eyes

But the pusher don't care

Ah, if you live or if you die

God damn, The Pusher

God damn, I say The Pusher

I said God damn, God damn The Pusher man

You know the dealer, the dealer is a man

With the love grass in his hand

Oh but the pusher is a monster

Good God, he's not a natural man

The dealer for a nickel

Lord, will sell you lots of sweet dreams

Ah, but the pusher ruin your body

Lord, he'll leave your, he'll leave your mind to scream

God damn, The Pusher

God damn, God damn the Pusher

I said God damn, God, God damn The Pusher man

Well, now if I were the president of this land

You know, I'd declare total war on The Pusher man

I'd cut him if he stands, and I'd shoot him if he'd run

Yes I'd kill him with my Bible and my razor and my gun

God damn The Pusher

Gad damn The Pusher

I said God damn, God damn The Pusher man

© Irving Music Inc. (BMI)

--Used with permission--

 

As The Class Struggle Heats Up And We Take Arrests-Some Important Information From The American Civil Liberties Union

Click below to link to an American Civil Liberties Union (ACLU)-Massachusetts website for additional information and links to other chapters.

http://aclum.org/

 Markin comment:

I have crossed swords with the ACLU over their defense of "free speech" for fascists and other issues but this information is very useful as we take more arrests in our current struggles. And as the class struggle heats up and more occasions for arrest occur. We are not constrained by legalism, the ACLU's or anybody else's, in our actions, obviously, but we had better, collectively, be prepared on all fronts otherwise we will be picked off one by one.

*********

WHAT TO DO IF YOU'RE STOPPED BY POLICE, IMMIGRATION AGENTS OR THE FBI

We rely on the police to keep us safe and treat us all fairly, regardless of race, ethnicity, national origin or religion. This card provides tips for interacting with police and understanding your rights. <br />

Note: Some state laws may vary. Separate rules apply at checkpoints and when entering the U.S. (including at airports).

YOUR RIGHTS

- You have the right to remain silent. If you wish to exercise that right, say so out loud.

- You have the right to refuse to consent to a search of yourself, your car or your home.

- If you are not under arrest, you have the right to calmly leave.

- You have the right to a lawyer if you are arrested. Ask for one immediately.

- Regardless of your immigration or citizenship status, you have constitutional rights.

YOUR RESPONSIBILITIES

- Do stay calm and be polite.

- Do not interfere with or obstruct the police.

- Do not lie or give false documents.

- Do prepare yourself and your family in case you are arrested.

- Do remember the details of the encounter.

Do file a written complaint or call your local ACLU if you feel your rights have been violated.

IF YOU ARE STOPPED FOR QUESTIONING

Stay calm. Don't run. Don't argue, resist or obstruct the police, even if you are innocent or police are violating your rights. Keep your hands where police can see them.

Ask if you are free to leave. If the officer says yes, calmly and silently walk away. If you are under arrest, you have a right to know why. <br />

You have the right to remain silent and cannot be punished for refusing to answer questions. If you wish to remain silent, tell the officer out loud. <br >

In some states, you must give your name if asked to identify yourself. <br />

You do not have to consent to a search of yourself or your belongings, but police may "pat down" your clothing if they suspect a weapon. You should not physically resist, but you have the right to refuse consent for any further search. If you do consent, it can affect you later in court.

IF YOU ARE STOPPED IN YOUR CAR

Stop the car in a safe place as quickly as possible. Turn off the car, turn on the internal light, open the window part way and place your hands on the wheel.

Upon request, show police your driver's license, registration and proof of insurance.

If an officer or immigration agent asks to look inside your car, you can refuse to consent to the search. But if police believe your car contains evidence of a crime, your car can be searched without your consent. <br />

Both drivers and passengers have the right to remain silent. If you are a passenger, you can ask if you are free to leave. If the officer says yes, sit silently or calmly leave. Even if the officer says no, you have the right to remain silent. <br />

IF YOU ARE QUESTIONED ABOUT YOUR IMMIGRATION STATUS

You have the right to remain silent and do not have to discuss your immigration or citizenship status with police, immigration agents or any other officials. You do not have to answer questions about where you were born, whether you are a U.S. citizen, or how you entered the country. <br />

(Separate rules apply at international borders and airports, and for individuals on certain nonimmigrant visas, including tourists and business travelers.) <br />

If you are not a U.S. citizen and an immigration agent requests your immigration papers, you must show them if you have them with you. If you are over 18, carry your immigration documents with you at all times. If you do not have immigration papers, say you want to remain silent. <br />

Do not lie about your citizenship status or provide fake documents. <br />

IF THE POLICE OR IMMIGRATION AGENTS COME TO YOUR HOME

If the police or immigration agents come to your home, you do not have to let them in unless they have certain kinds of warrants. <br />

Ask the officer to slip the warrant under the door or hold it up to the window so you can inspect it. A search warrant allows police to enter the address listed on the warrant, but officers can only search the areas and for the items listed. An arrest warrant allows police to enter the home of the person listed on the warrant if they believe the person is inside. A warrant of removal/deportation (ICE warrant) does not allow officers to enter a home without consent. <br />

Even if officers have a warrant, you have the right to remain silent. If you choose to speak to the officers, step outside and close the door. <br />

IF YOU ARE CONTACTED BY THE FBI

If an FBI agent comes to your home or workplace, you do not have to answer any questions. Tell the agent you want to speak to a lawyer first. <br If you are asked to meet with FBI agents for an interview, you have the right to say you do not want to be interviewed. If you agree to an interview, have a lawyer present. You do not have to answer any questions you feel uncomfortable answering, and can say that you will only answer questions on a specific topic. <br />

IF YOU ARE ARRESTED

Do not resist arrest, even if you believe the arrest is unfair. </b>Say you wish to remain silent and ask for a lawyer immediately. Don't give any explanations or excuses. If you can't pay for a lawyer, you have the right to a free one. Don't say anything, sign anything or make any decisions without a lawyer. <br />

You have the right to make a local phone call. The police cannot listen if you call a lawyer. <br />

Prepare yourself and your family in case you are arrested. Memorize the phone numbers of your family and your lawyer. Make emergency plans if you have children or take medication.< br />

Special considerations for non-citizens:< /b><br />

- Ask your lawyer about the effect of a criminal conviction or plea on your immigration status. <br />

- Don't discuss your immigration status with anyone but your lawyer. <br />

- While you are in jail, an immigration agent may visit you. Do not answer questions or sign anything before talking to a lawyer. <br />

- Read all papers fully. If you do not understand or cannot read the papers, tell the officer you need an interpreter. <br />

IF YOU ARE TAKEN INTO IMMIGRATION (OR "ICE") CUSTODY

You have the right to a lawyer, but the government does not have to provide one for you. If you do not have a lawyer, ask for a list of free or low-cost legal services. <br />

You have the right to contact your consulate or have an officer inform the consulate of your arrest. <br />

Tell the ICE agent you wish to remain silent. Do not discuss your immigration status with anyone but your lawyer. <br />

Do not sign anything, such as a voluntary departure or stipulated removal, without talking to a lawyer. If you sign, you may be giving up your opportunity to try to stay in the U.S.< br />

Remember your immigration number ("A" number) and give it to your family. It will help family members locate you. <br />

Keep a copy of your immigration documents with someone you trust. <br />

</b><br />

<br /> IF YOU FEEL YOUR RIGHTS HAVE BEEN VIOLATED

<b>Remember: police misconduct cannot be challenged on the street. Don't physically resist officers or threaten to file a complaint.

Write down everything you remember, including officers' badge and patrol car numbers, which agency the officers were from, and any other details. Get contact information for witnesses. If you are injured, take photographs of your injuries (but seek medical attention first). <br />

File a written complaint with the agency's internal affairs division or civilian complaint board. In most cases, you can file a complaint anonymously if you wish. <br />

Call your local ACLU or visit www.aclu.org/profiling. <br />

This information is not intended as legal advice. <br />

This brochure is available in English and Spanish / Esta tarjeta tambián se puede obtener en inglés y español. <br />

Produced by the American Civil Liberties Union 6/2010