In Honor Of May Day 2014-From The American Left History Blog Archives -From The May Day 2012 Organizing Archives –May Day 2013 Needs The Same Efforts Why You, Your Union, Or Your Community Organization Needs To Join The May Day 2012 General Strike In Boston-Stand Up!-Fight Back!

 

 

 

Last fall there were waves of politically-motivated repressive police attacks on, and evictions of, various Occupy camp sites throughout the country including where the movement started in Zucotti (Liberty) Park. But even before the evictions and repression escalated, questions were being asked: what is the way forward for the movement? And, from friend and foe alike, the ubiquitous what do we want. We have seen since then glimpses of organizing and action that are leading the way for the rest of us to follow: the Oakland General Strike on November 2^nd, the West Coast Port Shutdown actions of December 12^th, Occupy Foreclosures, and other actions including, most recently, renewed support for the struggles of the hard-pressed longshoremen in Longview, Washington. These actions show that, fundamentally, all of the strategic questions revolve around the question of power. The power, put simply, of the 99% vs. the power of the 1%.

Although the 99% holds enormous power -all wealth is generated, and the

current society is built and maintained through, the collective labor

(paid and unpaid) of the 99%-, we seldom exercise this vast collective power in our own interests. Too often, abetted and egged on by the 1%, we fruitlessly fight among ourselves driven by racism, patriarchy, xenophobia, occupational elitism, geographical prejudice, heterosexism, and other forms of division, oppression and prejudice.

This consciously debilitating strategy on its part is necessary, along with its control of politics, the courts, the prisons, the cops, and the military in order for the 1% to maintain control over side without worrying for a minute about their power and wealth. Their ill-gotten power is only assured by us, actively or passively, working against ourselves. Moreover many of us are not today fully aware of, nor organized to utilize, the vast collective power we have. The result is that many of us - people of color, women, GLBTQ, immigrants, those with less formal educational credentials, those in less socially respected occupations or unemployed, the homeless, and the just plain desperate- deal with double and triple forms of oppression and societal prejudice.

Currently the state of the economy has hit all of us hard, although as usual the less able to face the effects are hit the hardest like racial minorities, the elderly, the homeless and those down on their luck due to prolonged un and under- employment. In short, there are too many people out of work; wage rates have has barely kept up with rising costs or gone backwards to near historic post-World War II lows in real time terms; social services like Medicare, Medicaid and Social Security have continued to be cut; our influence on the broken, broken for us, government has eroded; and our civil liberties have been seemingly daily attacked en masse. These trends have has been going on while the elites of this country, and of the world, have captured an increasing share of wealth; have had in essence a tax holiday for the past few decades; have viciously attacked our organizations of popular defense such as our public and private unions and community organizations; and have increase their power over us through manipulating their political system even more in their favor than previously.

The way forward, as we can demonstrate by building for the May Day actions, must involve showing our popular power against that of the entrenched elite. But the form of our power, reflecting our different concepts of governing, must be different from the elite’s. Where they have created powerful capital profit driven top down organizations in order to dominate, control, exploit and oppress we must build and exercise bottom-up power in order to cooperate, liberate and collectively empower each other. We need to organize ourselves collectively and apart from these top down power relationships in our communities, schools and workplaces to fight for our interests. This must include a forthright rejection of their attempts, honed after long use, to divide and conquer in order to rule us. A rejection of racism, patriarchy, xenophobia, elitism and other forms of oppression, and, importantly, a rejection of attempts by their electoral parties, mainly the Democrats and Republicans but others as well, powerful special interest groups, and others to co-opt and control our movement.

The Occupy freedom of assembly-driven encampments initially built the mass movement and brought a global spotlight to the bedrock economic and social concerns of the 99%. They inspired many of us, including those most oppressed, provided a sense of hope and solidarity with our fellow citizens and the international 99%, and brought the question of economic justice and the problems of inequality and political voiceless-ness grudgingly back into mainstream political conversation. Moreover they highlighted the need for the creation of cultures, societies and institutions of direct democracy based on "power with"- not "power over"- each other; served as convivial spaces for sharing ideas and planning action; and in some camps, they even provided a temporary space for those who needed a home. Last fall the camp occupations served a fundamental role in the movement, but it is now time to move beyond the camp mentality and use our energies to struggle to start an offensive against the power of the 1%. On our terms.

Show Power

We demand:

*Hands Off Our Public Worker Unions! Hands Off All Our Unions!

* Put the unemployed to work! Billions for public works projects to fix America’s broken infrastructure (bridges, roads, sewer and water systems, etc.)!

*End the endless wars!

* Full citizenship rights for all those who made it here no matter how they got here!

* A drastic increase in the minimum wage and big wage increases for all workers!

* A moratorium on home foreclosures! No evictions!

* A moratorium on student loan debt! Free, quality higher education for all! Create 100, 200, many publicly-supported Harvards!

*No increases in public transportation fares! No transportation worker lay-offs! Free public transportation!

To order to flex our collective bottom up power on May 1, 2012 we will be organizinga wide-ranging series of mass collective participatory actions:

*We will be organizing within our unions- or informal workplace organizations where
there is no union - a one-day general strike.

*We will be organizing where a strike is not possible to call in sick, or take a personal day, as part of a coordinated “sick-out.”

*We will be organizing students to walk-out of their schools (or not show up in the first place), set up campus picket lines, or to rally at a central location, probably Boston Common.

*We will be calling in our communities for a mass consumer boycott, and with local business support where possible, refuse to make purchases on that day.

These actions, given the ravages of the capitalist economic system on individual lives, the continuing feelings of hopelessness felt by many, the newness of many of us to collective action, and the slender ties to past class and social struggles will, in many places, necessarily be a symbolic show of power. But let us take it as a wakeup call by a risen people.

And perhaps just as important as this year’s May Day itself , the massive organizing and outreach efforts in the months leading up to May 1st will allow us the opportunity to talk to our co-workers, families, neighbors, communities, and friends about the issues confronting us, the source of our power, the need for us to stand up to the attacks we are facing, the need to confront the various oppressions that keep most of us down in one way or another and keep all of us divided, and the need for us to stand in solidarity with each other in order to fight for our collective interests. In short, as one of the street slogans of movement says–“they say cut back, we say fight back.” We can build our collective consciousness, capacity, and confidence through this process; and come out stronger because of it.

Watch this website and other social media sites for further specific details of events and actions.

All out in Boston on May Day 2012.

As The 100th Anniversary Of The First Year Of World War I (Remember The War To End All Wars) Continues ... Some Remembrances-Musicians’ Corner

In say 1912, 1913, hell, even the beginning of 1914, the first few months anyway, before the war clouds got a full head of steam in the summer they all profusely professed their unmitigated horror at the thought of war, thought of the old way of doing business in the world. Yes the artists of every school the Cubist/Fauvists/Futurists/Constructivists, Surrealists or those who would come to speak for those movements (hell even the hide-bound Academy filled with its rules, or be damned, spoke the pious words of peace, brotherhood and the affinity of all humankind when there was sunny weather), those who saw the disjointedness of modern industrial society in its squalor, it creation of generations of short, nasty, brutish lives just like the philosophers predicted and put the pieces to paint, sculptors who put twisted pieces of metal juxtaposed to each other saw that building a mighty machine from which you had to run created many problems; writers of serious history books proving that, according to their Whiggish theory of progress,  humankind had moved beyond war as an instrument of policy and the diplomats and high and mighty would put the brakes on in time, not realizing that they were all squabbling cousins; writers of serious and not so serious novels drenched in platitudes and hidden gazebo love affairs put paid to that notion in their sweet nothing words that man and woman had too much to do, too much sex to harness to denigrate themselves by crying the warrior’s cry and by having half-virgin, neat trick, maidens strewing flowers on the bloodlust streets; musicians whose muse spoke of delicate tempos and sweet muted violin concertos, not the stress and strife of the tattoos of war marches with their tinny conceits; and poets, ah, those constricted poets who bleed the moon of its amber swearing, swearing on a stack of seven sealed bibles, that they would go to the hells before touching the hair of another man, putting another man to ground or laying their own heads down for some imperial mission.

They all professed loudly (and those few who did not profess, could not profess because they were happily getting their blood rising, kept their own consul until the summer), that come the war drums they would resist the siren call, would stick to their Whiggish, Futurist, Constructionist, Cubist worlds and blast the war-makers to hell in quotes, words, chords, clanged metal, and pretty pastels. They would stay the course. 

And then the war drums intensified, the people, their clients, patrons and buyers, cried out their lusts and they, they made of ordinary human clay as it turned out, poets, beautiful poets like Wilfred Owens who would sicken of war before he passed leaving a beautiful damnation on war, its psychoses, and broken bones and dreams, and the idiots who brought humankind to such a fate, like e. e. cummings who drove through sheer hell in those rickety ambulances floors sprayed with blood, man blood, angers, anguishes and more sets of broken bones, and broken dreams, like Rupert Brooke all manly and old school give and go, as they marched in formation leaving the ports and then mowed down like freshly mown grass in their thousands as the charge call came and they rested, a lot of them, in those freshly mown grasses, like Robert Graves all grave all sputtering in his words confused about what had happened, suppressing, always suppressing that instinct to cry out against the hatred night, like old school, old Thomas Hardy writing beautiful old English pastoral sentiments before the war and then full-blown into imperium’s service, no questions asked old England right or wrong, like old stuffed shirt himself T.S. Eliot speaking of hollow loves, hollow men, wastelands, and such in the high club rooms on the home front, and like old brother Yeats speaking of terrible beauties born in the colonies and maybe at the home front too as long as Eliot does not miss his high tea. Jesus what a blasted night that Great War time was.  

And as the war drums intensified, the people, their clients, patrons and buyers, cried out their lusts and they, they made of ordinary human clay as it turned out, artists, beautiful artists like Fernand Leger who could no longer push the envelope of representative art because it had been twisted by the rubble of war, by the crashing big guns, by the hubris of commanders and commanded and he turned to new form, tubes, cubes, prisms, anything but battered humankind in its every rusts and lusts, all bright and intersecting once he got the mustard gas out of his system, once he had done his patria duty, like speaking of mustard gas old worn out John Singer Sargent of the three name WASPs forgetting Boston Brahmin society ladies in decollage, forgetting ancient world religious murals hanging atop Boston museum and spewing trench warfare and the blind leading the blind out of no man’s land, out of the devil’s claws, like Umberto Boccioni, all swirls, curves, dashes, and dangling guns as the endless charges endlessly charge, like Gustav Klimt and his endlessly detailed gold dust opulent Asiatic dreams filled with lovely matrons and high symbolism and blessed Eve women to fill the night, Adam’s night after they fled the garden, like Joan Miro and his infernal boxes, circles, spats, eyes, dibs, dabs, vaginas, and blots forever suspended in deep space for a candid world to fret through, fret through a long career, and like poor maddened rising like a phoenix in the Spartacist uprising George Grosz puncturing the nasty bourgeoisie, the big bourgeoisie the ones with the real dough and their overfed dreams stuffed with sausage, and from the bloated military and their fat-assed generals stuff with howitzers and rocket shells, like Picasso, yeah, Picasso taking the shape out of recognized human existence and reconfiguring the forms, the mesh of form to fit the new hard order, like, Braque, if only because if you put the yolk on Picasso you have to tie him to the tether too.          

And do not forget when the war drums intensified, and the people, their clients, patrons and buyers, cried out their lusts and they, they, other creative souls made of ordinary human clay as it turned out sculptors, writers, serious and not, musicians went to the trenches to die deathless deaths in their thousands for, well, for humankind, of course, their always fate ….           

A Real 100^th Anniversary Tribute For Citizen Welles

From The Pen Of Bart Webber

Frank Jackman is a funny guy, a funny kind of writer, or as he styles himself “a guy who likes to write” since he considers his real profession to be as the owner of a small tool and die shop in Carver, his hometown although he grew up in North Adamsville up the road about twenty miles toward Boston. Frank though is like lots of writers (I will dispense with the “guy who likes to write” business as he can defend himself on that characterization) in that he likes to, or does may be a better way to put the matter, “crib” from his own work. That may be so although I swear half of writing in any case is cribbing when you are dry for material, when the pen is useless (or the word processor these days) and the other half is recycling the half dozen or so good themes you have developed until you too like the reader want to burn the buggers. But see Frank fancies himself a guy who wants to say something new with each breathe he takes, with each new sketch he produces. Lately though he had “caught” himself out though in recycling a review of the classic black and white film, Citizen Kane, written, directed, produced, and acted in by the legendary movie man Orson Welles as a contribution in honor of his 100^th birthday on May 6, 2015.      

Frank among his other writing venues has over the past decade or so contributed to two important blogs, important as they feed on his major interests, one the American Film blog, the other The American Folk Music blog. On that May 6^th he happened to be driving to Boston meet up with Sam Lowell, Frankie Riley, Jack Callahan and me to have our periodic get together at Jackie Brennan’s Sunshine Grille to talk over drinks and a meal old times in Carver, the crazy and weird things we did in 1960s when we all came of age, and more recently of grandkids, mortality and the increasingly nagging aches and pains we have accumulated over a lifetime of self-indulgence and living lifestyles like we would go on forever, when he heard a segment on the BBC (via National Public Radio, NPR) touting Welles’ 100^th birthday with an English  commentator who had written something like the definite biography of Brother Orson. Normally that kind of prompt would have had Frank currying for some three or four page sketch giving his take on the subject complete with some poster of one of Welles’ film efforts from Wikipedia and a film trailer via YouTube for the American Film blog. But as he confessed to us in a subsequent meeting the next week he had “mailed it in.” He had taken an adoring review from 2011 of Citizen Kane, grabbed a Wikipedia poster of the film, a YouTube movie trailer from and copied and pasted the BBC interview and called it a day. His excuse-pressing work on a small novella that had been stalling in his brain and which was starting to jell.

As Frank explained it to us he still felt queasy about the matter. After all how much of a sweat does one have to work up (or did he when he first wrote the piece in 2011 as he mentioned) for a film that has been on everybody and their uncle and aunt’s best world films list for decades. That day we also talked over our various takes on other Welles’ works and that nagging feeling we all had that as good as Citizen Kane was some of his other works were also worthy of mention as was his larger than life character and the consensus fact that he never reached his full potential due his own hubris, Hollywood’s own hubris and the alignment of the stars (that last opinion from Frankie Riley, always dependable for such remarks going back down to his days when we first met him at Myles Standish Junior High.               

A couple of days after that last conversation I started thinking that Welles’ really should have had a more thoughtful current contribution to his centenary. More thoughtful because he really did loom as a large figure in cinematic history, although his best work of writing, directing, acting and producing for film really had been done before any of us had come appreciate his work, or even had seen any of his films. Most of us, except Frankie who had seen Citizen Kane with his mother at the retro-rerun Strand Theater over in Plymouth when he was young, had only seen his work on television or wherever the Brattle Theater in Harvard Square had one of its periodic revivals of his works. So I decided to write a little sketch to do a certain justice to the man’s work.

Of course it is easy to give all the accolades Kane deserves from the great starting and finishing idea that holds the audience’s attention riveted to solving the mystery of the source of the last utterance of the fading Kane to the meaning of a man’s life, powerful or not, to the editing which gave the film it easy tempo, to the great shadowy black and white photography which had an almost painterly quality in spots, to the seamlessness of the ensemble cast who worked with Welles on that film and earlier and later works, to the acting of the moody, morose, at odds with himself role of Kane Welles played.

The beauty of the story line, the rags to riches to an unquiet deathbed line grasping at some youthful innocence is almost universal. Frankie told us that he had learned this from his Irish mother’s reaction to the film when she told him coming out of the theater that we all have some such ancient thoughts from childhood which we hold onto after all the failures and fissions of teenage and adulthood have faded from view that holds us in their thrall for whatever reason. Frankie mentioned that he still dreamed on nights when he went sleepless or tossed over about a May basket given to him by his third grade teacher, Miss Winot, whom he had a “crush” on if such a thing was possible for somebody so young and he would probably utter her name at his last gasp if he had the consciousness to do so. The rest of us had our jaws open at that and although we all probably later thought some Frankie type thoughts nobody else at that gathering mentioned any childhood bonded associations. Mrs. Riley also had told Frankie that she sympathized with Kane’s attempts to keep his dirty line private, a very Irish take on the man and something we all knew from ancient grandmother wisdom passed down in the old neighborhood in Carver.

But enough of Kane because I want to speak blasphemously here and mention that Welles’ role in Kane was not his best film performance, not by a long shot since, he was really playing a variation on his own self-image, playing to his own youthful vanities and hubris. Where Welles really did some acting was on lesser known films like the role he played as the fall guy Irish Blackie to scheming murderous Rita Hayworth’s in The Lady From Shang-hia, a film that in not talked about much but is underrated in his oeuvre, especially that famous mirror smashing scene at the end. Not enough credit has been given to his masterful white man in black face role in a film adaptation of Shakespeare’s Othello and as the comic/tragic figure of Falstaff in another Shakespeare adaptation. Maybe the best performance he ever gave was as the purely evil but also purely venal and banal small border town police captain in Touch Of Evil. That last role just over a decade or so after Kane has Welles with the jowly look of evil which brought that out the in larger than life character of Welles, this time with what seemed like marbles in his mouth voice better than any other film. Welles had his problems with the studio system of his day, had problems with the cookie-cutter system of keeping everything outside of approved controversy out of films, which meant that for a major director his produced only about a dozen films. But with that small body of work, those seminal roles, that larger than life character, and that unforgettable voice, a voice that stirred millions on the radio in the 1930s in his rendition of H.G. Well’s War Of the Worlds, Welles deserves to be remembered on his 100^th birthday. Greetings.       

A Real 100^th Anniversary Tribute For Citizen Welles

From The Pen Of Bart Webber

Frank Jackman is a funny guy, a funny kind of writer, or as he styles himself “a guy who likes to write” since he considers his real profession to be as the owner of a small tool and die shop in Carver, his hometown although he grew up in North Adamsville up the road about twenty miles toward Boston. Frank though is like lots of writers (I will dispense with the “guy who likes to write” business as he can defend himself on that characterization) in that he likes to, or does may be a better way to put the matter, “crib” from his own work. That may be so although I swear half of writing in any case is cribbing when you are dry for material, when the pen is useless (or the word processor these days) and the other half is recycling the half dozen or so good themes you have developed until you too like the reader want to burn the buggers. But see Frank fancies himself a guy who wants to say something new with each breathe he takes, with each new sketch he produces. Lately though he had “caught” himself out though in recycling a review of the classic black and white film, Citizen Kane, written, directed, produced, and acted in by the legendary movie man Orson Welles as a contribution in honor of his 100^th birthday on May 6, 2015.      

Frank among his other writing venues has over the past decade or so contributed to two important blogs, important as they feed on his major interests, one the American Film blog, the other The American Folk Music blog. On that May 6^th he happened to be driving to Boston meet up with Sam Lowell, Frankie Riley, Jack Callahan and me to have our periodic get together at Jackie Brennan’s Sunshine Grille to talk over drinks and a meal old times in Carver, the crazy and weird things we did in 1960s when we all came of age, and more recently of grandkids, mortality and the increasingly nagging aches and pains we have accumulated over a lifetime of self-indulgence and living lifestyles like we would go on forever, when he heard a segment on the BBC (via National Public Radio, NPR) touting Welles’ 100^th birthday with an English  commentator who had written something like the definite biography of Brother Orson. Normally that kind of prompt would have had Frank currying for some three or four page sketch giving his take on the subject complete with some poster of one of Welles’ film efforts from Wikipedia and a film trailer via YouTube for the American Film blog. But as he confessed to us in a subsequent meeting the next week he had “mailed it in.” He had taken an adoring review from 2011 of Citizen Kane, grabbed a Wikipedia poster of the film, a YouTube movie trailer from and copied and pasted the BBC interview and called it a day. His excuse-pressing work on a small novella that had been stalling in his brain and which was starting to jell.

As Frank explained it to us he still felt queasy about the matter. After all how much of a sweat does one have to work up (or did he when he first wrote the piece in 2011 as he mentioned) for a film that has been on everybody and their uncle and aunt’s best world films list for decades. That day we also talked over our various takes on other Welles’ works and that nagging feeling we all had that as good as Citizen Kane was some of his other works were also worthy of mention as was his larger than life character and the consensus fact that he never reached his full potential due his own hubris, Hollywood’s own hubris and the alignment of the stars (that last opinion from Frankie Riley, always dependable for such remarks going back down to his days when we first met him at Myles Standish Junior High.               

A couple of days after that last conversation I started thinking that Welles’ really should have had a more thoughtful current contribution to his centenary. More thoughtful because he really did loom as a large figure in cinematic history, although his best work of writing, directing, acting and producing for film really had been done before any of us had come appreciate his work, or even had seen any of his films. Most of us, except Frankie who had seen Citizen Kane with his mother at the retro-rerun Strand Theater over in Plymouth when he was young, had only seen his work on television or wherever the Brattle Theater in Harvard Square had one of its periodic revivals of his works. So I decided to write a little sketch to do a certain justice to the man’s work.

Of course it is easy to give all the accolades Kane deserves from the great starting and finishing idea that holds the audience’s attention riveted to solving the mystery of the source of the last utterance of the fading Kane to the meaning of a man’s life, powerful or not, to the editing which gave the film it easy tempo, to the great shadowy black and white photography which had an almost painterly quality in spots, to the seamlessness of the ensemble cast who worked with Welles on that film and earlier and later works, to the acting of the moody, morose, at odds with himself role of Kane Welles played.

The beauty of the story line, the rags to riches to an unquiet deathbed line grasping at some youthful innocence is almost universal. Frankie told us that he had learned this from his Irish mother’s reaction to the film when she told him coming out of the theater that we all have some such ancient thoughts from childhood which we hold onto after all the failures and fissions of teenage and adulthood have faded from view that holds us in their thrall for whatever reason. Frankie mentioned that he still dreamed on nights when he went sleepless or tossed over about a May basket given to him by his third grade teacher, Miss Winot, whom he had a “crush” on if such a thing was possible for somebody so young and he would probably utter her name at his last gasp if he had the consciousness to do so. The rest of us had our jaws open at that and although we all probably later thought some Frankie type thoughts nobody else at that gathering mentioned any childhood bonded associations. Mrs. Riley also had told Frankie that she sympathized with Kane’s attempts to keep his dirty line private, a very Irish take on the man and something we all knew from ancient grandmother wisdom passed down in the old neighborhood in Carver.

But enough of Kane because I want to speak blasphemously here and mention that Welles’ role in Kane was not his best film performance, not by a long shot since, he was really playing a variation on his own self-image, playing to his own youthful vanities and hubris. Where Welles really did some acting was on lesser known films like the role he played as the fall guy Irish Blackie to scheming murderous Rita Hayworth’s in The Lady From Shang-hia, a film that in not talked about much but is underrated in his oeuvre, especially that famous mirror smashing scene at the end. Not enough credit has been given to his masterful white man in black face role in a film adaptation of Shakespeare’s Othello and as the comic/tragic figure of Falstaff in another Shakespeare adaptation. Maybe the best performance he ever gave was as the purely evil but also purely venal and banal small border town police captain in Touch Of Evil. That last role just over a decade or so after Kane has Welles with the jowly look of evil which brought that out the in larger than life character of Welles, this time with what seemed like marbles in his mouth voice better than any other film. Welles had his problems with the studio system of his day, had problems with the cookie-cutter system of keeping everything outside of approved controversy out of films, which meant that for a major director his produced only about a dozen films. But with that small body of work, those seminal roles, that larger than life character, and that unforgettable voice, a voice that stirred millions on the radio in the 1930s in his rendition of H.G. Well’s War Of the Worlds, Welles deserves to be remembered on his 100^th birthday. Greetings.       

Free Chelsea Manning-President Obama Pardon Chelsea Now! 

 

 

Support "Courage To Resist"-The Organization Supporting Military Resisters And Chelsea Manning 

 



Frank Jackman comment on Courage To Resist and military resisters: 

I have always admired military resisters having, frankly, done my time in the military, Vietnam Era time, without any serious reflection about the military, my role in the military, or what was just and unjust about that war until after I got out. After I got out, began to see thing through the fog of war and got serious “religion” on the questions of war and peace from several sources. At first working with the Cambridge Quakers who I had noticed around the fringes of anti-war GI work in the early 1970s when there was a serious basis for doing such work as the American army one way or another was half in mutiny toward the end of American involvement in that war. And a serious need as guys, guys who get their “religion” in the service needed civilian help to survive the military maze that they were trying to fight. This connection with the Quakers had been made shortly after I got out of the service when my doubts crept in about what I had done in the service, and why I had let myself be drafted when I had expressed serious anti-war doubts before induction about what the American government was doing in Vietnam to its own soldiers. But, more importantly, and this was the real beginning of wisdom and something I am keenly aware every time the American government ratchets up the war hysteria for its latest adventure, to the Vietnamese who to paraphrase the great boxer Mohammed Ali (then Cassius Clay) had never done anything to me, never posed any threat to me and mine. But as much as I admired the Quakers and their simple peace witness, occasionally attended their service and briefly had a Quaker girlfriend, I was always a little jumpy around them, my problem not theirs, since their brand of conscientious objection to all wars was much broader than my belief in just and unjust wars.

Later I worked with a couple of anti-war collectives that concentrated on anti-war GI work among active GIs through the vehicle of coffeehouses located near Fort Devens in Massachusetts and Fort Dix down in New Jersey. That work while satisfying and rewarding by actually working with guys who knew the score, knew the score from the inside, and had plenty to tell, especially those who had gotten “religion” under fire was short-lived once American on the ground involvement in Vietnam was minimalized and the horrific draft was abolished as a means of grabbing “cannon fodder” for the damn war. Once the threat of being sent to Vietnam diminished the soldiers drifted off and the anti-war cadre that held things together as well.

What really drove the issue of military resistance home to me though, what caused some red-faced shame was something that I did not find out about until well after my own military service was over. A few years later when I went back to my hometown on some family-related business I found out after meeting him on the street coming out of a local supermarket that my best friend from high school, Sean Kiley, had been a military resister, had refused to go to Vietnam, and had served about two years in various Army stockades for his efforts. Had done his “duty” as he saw it. Had earned his “anti-war” colors the hard way.    

See Sean like me, like a lot of working-class kids from places like our hometown, Gloversville, up in Massachusetts, maybe had a few doubts about the war but had no way to figure out what to do and let himself be drafted for that very reason. What would a small town boy whose citizens supported the Vietnam War long after it made even a smidgen of sense, whose own parents were fervent “hawks,” whose older brother had won the DSC in Vietnam, and whose contemporaries including me did their service without a public murmur know of how to maneuver against the American military monster machine. But what Sean saw early on, from about day three of basis training, told him he had made a big error, that his grandmother who grew up in Boston and had been an old Dorothy Day Catholic Worker supporter had been right that there was no right reason for him to be in that war. And so when he could, after receiving orders for Vietnam, he refused to go (I will tell you more of the details some time when I ask him some questions about events that I have forgotten) and did his time in the military that way.          

Sean’s story, and in a sense my belated story, are enough reasons to support Courage to Resist since, unfortunately, there are today very few organizations dedicated to providing informational, legal, and social support for the military resisters of the heinous onslaughts in Iraq and Afghanistan. The organization needs the help of every ex-soldier who got “religion,” of every anti-war activist, and of every honest citizen who realizes, now more than ever, that the short way to end the endless wars of this generation is to get to the soldiers, get to the cadre on the ground fighting the damn wars. Enough said.     

President Obama Pardon Chelsea Manning Now!-The Struggle Continues ….We Will Not Leave Our Sister Behind

 

From The Pen Of Frank Jackman

 

A while back, maybe a year or so ago, I was asked by a fellow member of Veterans For Peace at a monthly meeting about the status of the case of Chelsea Manning since he knew that I had been seriously involved with publicizing her case and he had not heard much about the case since she had been convicted in August 2013 (on some twenty counts including several Espionage Act counts) and sentenced by Judge Lind to thirty-five years imprisonment to be served at Fort Leavenworth in Kansas. That had also been the time immediately after the sentencing when Private Manning announced to the world her true sexual identity and turned from Bradley to Chelsea.

I responded to my fellow member that, as usual in such super-charged cases involving political prisoners, once the media glare of the trial and sentencing is over the case usually fell by the wayside into the media vacuum while the appellate process proceed on over the next several years. At that point I informed him of the details that I did know to that point. Chelsea immediately after sentencing had been put in the normal isolation before being put in with the general population at Fort Leavenworth. She seemed to be adjusting according to her lawyer to the pall of prison life as best she could. Later she had gone to a Kansas civil court to have her name changed from Bradley to Chelsea Elizabeth which the judge granted although the Army for a period insisted that mail be sent to her under her former male Bradley name. Her request for hormone therapies to help reflect her real sexual identity had either been denied or the process stonewalled despite the Army’s own medical and psychiatric personnel stating in court that she was entitled to such measures. At the beginning of 2014 the Commanding General of the Military District of Washington, General Buchanan, who had the authority to grant clemency on the sentence part of the case, despite the unusual severity of the sentence, had denied Chelsea any relief from the onerous sentence imposed by Judge Lind. Locally on Veterans Day 2013 we honored Chelsea at the annual VFP Armistice Day program and in December 2013 held a stand-out celebrating Chelsea’s birthday (as we did in December 2014).  Most important of the information I gave my fellow VFPer was that Chelsea’s case going forward to the Army appellate process was being handled by nationally renowned lawyer Nancy Hollander and her associate Vincent Ward. Thus the case was in the long drawn out legal phase that does not generally get much coverage except by those interested in the case like well-known Vietnam era Pentagon Papers whistle-blower Daniel Ellsberg, various progressive groups which either nominated or rewarded her with their prizes, and the organization that has steadfastly continued to handle her case’s publicity and raising financial aid for her appeal, Courage to Resist (an organization dedicated to publicizing the cases of other military resisters as well.   

At last month’s meeting (February 2015) that same VFPer asked me if it was true that as he had heard the Army, or the Department of Defense, had ordered Chelsea’s hormone therapy treatments to begin. I informed him after a long battle, including an ACLU suit ordering such relief, that information was true and she had started her treatments a month previously. I also informed him that the Army had thus far refused her request to have an appropriate length woman’s hair-do. On the legal front the case was still be reviewed for issues to be presented which could overturn the lower court decision in the Army Court Of Appeals by the lawyers and the actual writing of the appeal was upcoming. A seemingly small but very important victory on that front was that after the seemingly inevitable stonewalling on every issue the Army had agreed to use feminine or neutral pronoun in any documentation. They had last June also been successful in avoiding the attempt by the Department of Defense to place Chelsea in a civil facility as they tried to foist their “problem” elsewhere.

On the political front Chelsea continued to receive awards, and after a fierce battle in 2013 was finally in 2014 made an honorary grand marshal of the very important GLBTQ Pride Parade in San Francisco. Recently she has been given status as a contributor to the Guardian newspaper, a newspaper that was central to the fight by fellow whistle-blower Edward Snowden, where her first contribution was a very appropriate piece on what the fate of the notorious CIA torturers should be, having face such torture down in Quantico added to the poignancy of that suggestion.  Locally over the past year we have marched for Chelsea in the Boston Gay Pride Parade, commemorated her fourth year in prison last May with a vigil, honored her again on Armistice Day, celebrated her 27^th birthday in December with a rally, and continue to urge one and all to sign the on-line Amnesty International petition asking President Obama to grant an immediate pardon as well as asking that those with the means sent financial contributions to Courage To Resist to help with her legal expenses.

After I got home that night of the meeting I began thinking that a lot has happened over the past year and one half in the Chelsea Manning case and that I should made what I know more generally available to more than my local VFPers. Just one more example of our fervent belief that as we have said all along we will not leave our sister behind…              

 

Jefferson Airplane - The Ballad of You & Me & Pooneil

Jefferson Airplane - Wooden Ships

Taking The “A” Train-With Jazzman Duke Ellington

 

 

 

From The Pen Of Bart Webber

There was King Oliver, there was Count (Basie), there was Earl (“Fatah” Hines), there was Marquis Dubois and, of course, there was the Duke, Duke Ellington. The old time jazz guys, the guys who came of jazz age out of the blues mostly, were fond of playing the royalty game (and within jazz if not out in Mister James Crow’s Southern world where a lot of them hailed from, as did their blues brothers, they were royalty, worthy royalty and more royalty worthy than those to the manor born. But the Duke is a special case, a special case of the old time jazz guys since he laid down some very, very sweet high notes in a long career (help lyrically by Billy Strayhorn especially), brought a ton of guys (Ben Webster, Johnny Hodges to name just two) along to wail the night away. If he was not the father of be-bop for that would be a little off-key then he had been the step-father of those cool post-World War II 1950s guys who blew so cool, so Charley, so Dizzy, so Monkish, searching for their own high white notes blowing out into some foggy bay, some sultry Harlem River drift night, some Frisco blow it out to the Japan seas. And so you could see the progression when the “beat” brothers (and they were mostly brethren) put their words to paper, put their words to sound they floated out on that dank Harlem River and Frisco bay Japan seas in their own high white note fashion. Listen to Allen howl, Gregory Corso machine gun his verse, Gary Snyder Zen away, Lawrence Ferlingetti screed along and see if you don’t hear echoes of Duke’s tone poems to stand your hair on edge.                         

Yeah, sure, the guy who hipped me to jazz way back when, back in Harvard Square coffeehouse days like he did with a few other corner boys like Jack Dawson, Sam Lowell said that I had come late to an appreciation of jazz, had got my dander up messing around with the great rock and roll jail break-out and subsequently the long gone daddy folk minute and so those be-bop cats that animated his young interests didn’t hit me until much later. Later when a max daddy like the Duke was already blowing big fluffy notes in the great beyond. But when I did “dig” Duke like with a lot of things that I get the flame over I grab whatever I can. Early, late, good, bad, indifference since not every creative artist run the “A” train all the time. So  I know that the Duke was crazy great when he had Ben and Johnny and the boys blowing stuff , maybe Ivy Anderson singing a low sway in the early 1940s when everybody needed a little something to get them through, a little sublime music to go with the rough slogging through sloppy roads. Needed too to blast off with some jitter-buggery on the dance floor when the liberty ships came in or the boys were on weekend passes. That is classic Duke.

I want to step back a minute though and go back to the beginning, Duke’s beginnings in the F. Scott Fitzgerald’s Jazz Age uptown Harlem Saturday night at the Cotton Club.  And as the album cover says (see above) playing “jungle music” for the Mayfair swells. Jungle music meaning not the great American indigenous music that jazz contributed to the world songbook but another variation of Mister’s taking his pleasures wherever he wanted, when he wanted and so Duke got clowned, there is no other way to put it. But all those Mayfair swells turned to sawdust before long and to clay whereas the Duke (and the boys, I know, I know) played the universe clean-out. Proof, laughing proof, listen to that famous “come-back” album composed of Duke standards that brought the house down, had the usually staid 1954 Newport Jazz Festival crowd up and dancing, and murmuring, no, moaning  for more. Yeah, that’s the high white note, brother, that is…. the hippety-hop hh…high white note.

The Blues Aint Nothing But Lucille On Your Mind- With B.B. King’s Lucille In Mind 

 

 

 

Here is the drill. I started out life listening to singer like Frank Sinatra, Bing Crosby (and his brother Bob), Miss Patti Page, Miss Rosemary Clooney, Miss Peggy Lee, the Andrew, McGuire, Dooley sisters, and all the big swing bands from the 1940s like Harry James, Tommy Dorsey (and his brother Jimmy who had his own band) as background music on the family radio in the 1950s which my mother had always during the day to get her workaday daytime household world and on Saturday night when my father joined in. Joined in so they could listen to Bill Marlin on local radio station WJDA and his Memory Lane show from seven to eleven where they could listen to the music that got them (and their generation) through the “from hunger” times of the 1930s Great Depression and then when they slogged through (either in some watery European theater or Pacific one take your pick) or anxiously waited at home for the other shoe to drop during World War II. I am not saying that they should not have had their memory music after all of that but frankly that stuff then (and now although less so) made me grind my teeth. But I was a captive audience then and so to this day I can sing off Rum and Coca Cola, Don’t Sit Under The Apple Tree (the Glenn Miller version not the Andrew Sister) and Vera Lynn’s White Cliffs of Dover from memory. But that was not my music, okay. 

Then of course since we are speaking about the 1950s came the great musical break-out, the age of classic rock and roll which I “dug” seriously dug to the point of dreaming my own jailbreak dreams about rock futures (and girls) but that Elvis-etched time too was just a bit soon for me to be able to unlike my older brother, Prescott, call that the music that I came of age to. Although the echoes of that time still run through my mind and I can quote chapter and verse One Night With You (Elvis version, including the salacious One Night Of Sin original), Sweet Little Sixteen (Chuck Berry, of course), Let’s Have A Party ( the much underrated  Wanda Jackson), Be-Bop-a-Lula (Gene Vincent in the great one hit wonder night but what a hit), Bo Diddley (Bo, of course), Peggy Sue (Buddy Holly) and a whole bunch more.   

The music that I can really call my own is the stuff from the folk minute of the 1960s which dovetailed with my coming of chronological, political and social age (that last in the sense of recognizing, if not always acting on, the fact that there were others, kindred, out there beside myself filled with angst, alienation and good will to seek solidarity with which I did not connect with until later after getting out of my dinky hometown of Carver and off into the big cities and campus towns where just at that moment there were kindred by the thousands with the same maladies and same desire to turn  the world upside down). You know the mountain tunes of the first generation of the Carter Family coming out of Clinch Mountain, Buell Kazell (from Harry Smith Anthology of American Folk Music times), Jimmy Rodgers the Texas yodeler who found fame at the same time as the Carters in old Podunk Bristol, Tennessee, the old country Child ballads (Northwest Europe old country collected by Child in Cambridge in the 1850s and taken up in that town again one hundred years later in some kind of act historical affinity), the blue grass music (which grabbed me by the throat when Everett Lally, a college friend and member of the famed Lally Brothers blue grass band let me in on his treasure trove of music from that genre), and the protest songs, songs against the madnesses of the times, nuclear war, brushfire war in places like Vietnam, against Mister James Crows midnight ways, against the barbaric death penalty, against a lot of what songwriter Malvina Reynolds called the ticky-tack little box existences we were slated for by the likes of Bob Dylan, Joan Baez, Tom Paxton, Dave Von Ronk and Phil Ochs. The latter songs being what drove a lot of my interest once I connected their work with the Harvard Square coffeehouse scene (and the adjacent hanging out at the Hayes-Bickford Cafeteria which I have written plenty about elsewhere where I hung on poverty nights, meaning many nights).

 

A lot of the drive toward folk music was to get out from under the anti-rock and rock musical counter-revolution that I kept hearing on my transistor radio during that early 1960s period with pretty boy singers and vapid young female-driven female singer stuff. (Of course being nothing but one of those alienated teenagers whom the high-brow sociologists were fretting about like we were what ailed the candid world I would not have characterized that trend that way it would take a few decades to see what was what then the music just gave me a a headache). Also to seek out roots music that I kept hearing in the coffeehouses and on the radio once I found a station (accidently) which featured such music and got intrigued by the sounds. Part of that search, a big search over the long haul, was to get deeply immersed in the blues, mainly at first country blues and later the city, you know, Chicago blues. Those country guys though intrigued me once they were “discovered” down south in little towns plying away in the fields or some such work and were brought up to Newport to enflame a new generation of aficionados. The likes of Son House the mad man preacher-sinner man, Skip James with that falsetto voice singing out about how he would rather be the devil than to be that woman’s man, Bukka White (sweating blood and  salt on that National Steel on Aberdeen Mississippi Woman and Panama Limited of course Creole Belle candy man Mississippi John Hurt.

But those guys basically stayed in the South went about their local business and vanished from big view until they were “discovered” by folk aficionados who headed south looking for, well, looking for roots, looking for something to hang onto  and it took a younger generation like Howlin’ Wolf, Muddy Waters, and the guy whose photograph graces this sketch, B.B. King, to move north, to follow the northern star to the big industrial cities (with a stop at Memphis going up river) to put some electric juice in those old guitars and chase my blues away just by playing like they too had made their own pacts with the devil. And made a lot of angst and alienation just a shade more bearable.  Praise be.

In Honor Of May Day 2015-From The American Left History Blog Archives -From The May Day 2012 Organizing Archives –May Day 2013 Needs The Same Efforts

 

 

From #Ur-Occupied Boston (#Ur-Tomemonos Boston)-This Is Class War-We Say No More-Defend Our Unions! - Defend The Boston Commune! Take The Offensive!- Why You, Your Union , Or Your Community Organization Needs To Join The May Day 2012 General Strike In Boston-Stand Up!-Fight Back!

 

http://www.bostonmayday.org

 

Click on the headline to link to the <i>Boston May Day Coalition</i> website to find out about actions planned in the Greater Boston area. Google May Day and your city for actions in other locales. 

 

Markin comment:

 

We know that we are only at the very start of an upsurge in the labor movement as witness the stellar exemplary actions by the West Coast activists back on December 12, 2011and the subsequent defense of the longshoremen’s  union  at Longview, Washington and the beating back of  the anti-union drives by the bosses there. As I have pointed out in remarks previously made  as part of the Boston solidarity rally with the West Coast Port Shutdown on December 12th this is the way forward as we struggle against the ruling class for a very different, more equitable society.

 

Not everything has gone as well, or as well-attended, as expected including at our rally in solidarity in Boston on the afternoon of December 12th but we are still exhibiting growing pains in the struggle against the bosses, including plenty of illusions or misunderstandings by many newly radicalized militants about who our friends, and our enemies, are. Some of that will get sorted out in the future as we get a better grip of the importance of the labor movement in winning victories in our overall social struggles. May Day can be the start of that new offensive in order to gain our demands

******

An Injury To One Is An Injury To All!-Defend The Labor Movement And Its Allies! Defend All Those Who Defend The Labor Movement! Defend All May Day Protesters Everywhere!

*******

Fight-Don’t Starve-We Created The Wealth, Let's Take It Back! Labor And The Oppressed Must Rule!

*******

OB Endorses Call for General Strike Call-Labor And Its Allies Should As Well

 

January 8th, 2012 • mhacker •

 

The following proposal was passed by the General Assembly on Jan 7, 2012:

 

Occupy Boston supports the call for an international General Strike on May 1, 2012, for immigrant rights, environmental sustainability, a moratorium on foreclosures, an end to the wars, and jobs for all. We recognize housing, education, health care, LGBT rights and racial equality as human rights; and thus call for the building of a broad coalition that will ensure and promote a democratic standard of living for all peoples.

***********

Why You, Your Union, Or Your Community Organization Needs To Join The May Day 2012 Actions-Stand Up!-Fight Back!

 

Wage cuts, long work hours, steep consumer price rises, unemployment, small or no pensions, little or no paid vacation time, plenty of poor and inadequate housing, homelessness, and wide-spread sicknesses as a result of a poor medical system or no health insurance. Sound familiar? Words, perhaps, taken from today’s global headlines? Well, yes. But these were also the similar conditions that faced our forebears in America back in the 1880s when the vicious ruling class was called, and rightly so, “the robber barons,” and threatened, as one of their kind stated in a fit of candor, “to hire one half of the working class to kill the other half,” so that they could maintain their luxury in peace. That too has not changed.

 

What did change then is that our forebears fought back, fought back long and hard, starting with the fight for the eight-hour day symbolized each year by a May Day celebration of working class power. We need to reassert that claim. This May Day let us revive that tradition as we individually act around our separate grievances and strike, strike like the furies, collectively against the robber barons of the 21st century.

 

No question over the past several years (really decades but it is just more public and in our face now) American working people has taken it on the chin, taken it on the chin in every possible way. Starting with massive job losses, heavy job losses in the service and manufacturing sectors (and jobs that are not coming back except as “race to the bottom” low wage, two-tier jobs dividing younger workers from older workers), paying for the seemingly never-ending bail–out of banks, other financial institutions and corporations “too big to fail,” home foreclosures and those “under water,” effective tax increases (since the rich refuse to pay, we pay), mountains of consumer debt for everything from modern necessities to just daily get-bys, and college student loan debt as a lifetime deadweight around the neck of the kids there is little to glow about in the harsh light of the “American Dream”.

 

Add to that the double (and triple) troubles facing immigrants, racial and ethnic minorities, and women and the grievances voiced in the Declaration of Independence seem like just so much whining. In short, it is not secret that working people have faced, are facing and, apparently, will continue to face an erosion of their material well-being for the foreseeable future something not seen by most people since the 1930s Great Depression, the time of our grandparents (or, ouch for some of us, great-grandparents).

 

That is this condition will continue unless we take some lessons from those same 1930s and struggle, struggle like demons, against the ruling class that seems to have all the card decks stacked against us. Struggle like they did in places like Minneapolis, San Francisco, Toledo, Flint, and Detroit. Those labor-centered struggles demonstrated the social power of working people to hit the “economic royalists” (the name coined for the ruling class of that day by their front man Franklin Delano Roosevelt, FDR) to shut the bosses down where it hurts- in their pocketbooks and property.

 

The bosses will let us rant all day, will gladly take (and throw away) all our petitions, will let us use their “free-speech” parks (up to a point as we have found out via the Occupy movement), and curse them to eternity as long as we don’t touch their production, “perks,” and profits. Moreover an inspired fight like the actions proposed for this May Day 2012 can help new generations of working people, organized, unorganized, unemployed, homeless, houseless, and just plain desperate, help themselves to get out from under. All Out On May Day 2012.

 

Show Power

 

We demand:

 

*Hands Off Our Public Worker Unions! Hands Off All Our Unions!

 

* Give the unemployed work! Billions for public works projects to fix America’s broken infrastructure (bridges, roads, sewer and water systems, etc.)!

 

Guest Commentary

 

From The Transitional Program Of The Leon Trotsky-Led Fourth International In 1938-Sliding Scale of Wages and Sliding Scale of Hours

 

Under the conditions of disintegrating capitalism, the masses continue to live the meagerized life of the oppressed, threatened now more than at any other time with the danger of being cast into the pit of pauperism. They must defend their mouthful of bread, if they cannot increase or better it. There is neither the need nor the opportunity to enumerate here those separate, partial demands which time and again arise on the basis of concrete circumstances – national, local, trade union. But two basic economic afflictions, in which is summarized the increasing absurdity of the capitalist system, that is, unemployment and high prices, demand generalized slogans and methods of struggle.

 

The Fourth International declares uncompromising war on the politics of the capitalists which, to a considerable degree, like the politics of their agents, the reformists, aims to place the whole burden of militarism, the crisis, the disorganization of the monetary system and all other scourges stemming from capitalism’s death agony upon the backs of the toilers. The Fourth International demands employment and decent living conditions for all.

 

Neither monetary inflation nor stabilization can serve as slogans for the proletariat because these are but two ends of the same stick. Against a bounding rise in prices, which with the approach of war will assume an ever more unbridled character, one can fight only under the slogan of a sliding scale of wages. This means that collective agreements should assure an automatic rise in wages in relation to the increase in price of consumer goods.

 

Under the menace of its own disintegration, the proletariat cannot permit the transformation of an increasing section of the workers into chronically unemployed paupers, living off the slops of a crumbling society. The right to employment is the only serious right left to the worker in a society based upon exploitation. This right today is left to the worker in a society based upon exploitation. This right today is being shorn from him at every step. Against unemployment, “structural” as well as “conjunctural,” the time is ripe to advance along with the slogan of public works, the slogan of a sliding scale of working hours. Trade unions and other mass organizations should bind the workers and the unemployed together in the solidarity of mutual responsibility. On this basis all the work on hand would then be divided among all existing workers in accordance with how the extent of the working week is defined. The average wage of every worker remains the same as it was under the old working week. Wages, under a strictly guaranteed minimum, would follow the movement of prices. It is impossible to accept any other program for the present catastrophic period.

 

Property owners and their lawyers will prove the “unrealizability” of these demands. Smaller, especially ruined capitalists, in addition will refer to their account ledgers. The workers categorically denounce such conclusions and references. The question is not one of a “normal” collision between opposing material interests. The question is one of guarding the proletariat from decay, demoralization and ruin. The question is one of life or death of the only creative and progressive class, and by that token of the future of mankind. If capitalism is incapable of satisfying the demands inevitably arising from the calamities generated by itself, then let it perish. “Realizability” or “unrealizability” is in the given instance a question of the relationship of forces, which can be decided only by the struggle. By means of this struggle, no matter what immediate practical successes may be, the workers will best come to understand the necessity of liquidating capitalist slavery.

 

*End the endless wars- Troops And Mercenaries Out Of Afghanistan (and Iraq)!-U.S Hands Off Iran! Hands Off The World!

 

* Full citizenship rights for all those who made it here no matter how they got here!

 

* A drastic increase in the minimum wage and big wage increases for all workers!

 

* A moratorium on home foreclosures! No evictions!

 

* A moratorium on student loan debt! Free, quality higher education for all! Create 100, 200, many publicly-supported Harvards!

 

*No increases in public transportation fares! No transportation worker lay-offs! Free quality public transportation!

 

To order to flex our collective bottom up power on May 1, 2012 we will be organizing a wide-ranging series of mass collective participatory actions:

 

*We will be organizing within our unions- or informal workplace organizations where there is no union - a one-day general strike.

 

*We will be organizing, where a strike is not possible, to call in sick, or take a personal day, as part of a coordinated “sick-out”.

 

*We will be organizing students from kindergarten to graduate school and the off-hand think tank to walk-out of their schools (or not show up in the first place), set up campus picket lines, or to rally at a central location, probably Boston Common.

 

*We will be calling in our communities for a mass consumer boycott, and with local business support where possible, refuse to make purchases on that day.

 

Guest Commentary from the IWW (Industrial Workers Of The World, Wobblies) website http://www.iww.org/en/culture/official/preamble.shtml

 

Agree or disagree with the Wobblies and their political concepts for class struggle but read their very early statement about the nature of class warfare. “Big Bill” Haywood and his crowd got it right then and have useful words to say now. Read on.

 

Preamble to the IWW Constitution  (1905)

 

Posted Sun, 05/01/2005 - 8:34am by IWW.org Editor

 

The working class and the employing class have nothing in common. There can be no peace so long as hunger and want are found among millions of the working people and the few, who make up the employing class, have all the good things of life.

 

Between these two classes a struggle must go on until the workers of the world organize as a class, take possession of the means of production, abolish the wage system, and live in harmony with the Earth.

 

We find that the centering of the management of industries into fewer and fewer hands makes the trade unions unable to cope with the ever growing power of the employing class. The trade unions foster a state of affairs which allows one set of workers to be pitted against another set of workers in the same industry, thereby helping defeat one another in wage wars. Moreover, the trade unions aid the employing class to mislead the workers into the belief that the working class has interests in common with their employers.

 

These conditions can be changed and the interest of the working class upheld only by an organization formed in such a way that all its members in any one industry, or in all industries if necessary, cease work whenever a strike or lockout is on in any department thereof, thus making an injury to one an injury to all.

 

Instead of the conservative motto, "A fair day's wage for a fair day's work," we must inscribe on our banner the revolutionary watchword, "Abolition of the wage system."

 

It is the historic mission of the working class to do away with capitalism. The army of production must be organized, not only for everyday struggle with capitalists, but also to carry on production when capitalism shall have been overthrown. By organizing industrially we are forming the structure of the new society within the shell of the old.

 

Watch this website and other social media sites for further specific details of events and actions.

 

All out on May Day 2012.