This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. We will be reviewing books, CDs, and movies we believe everyone needs to read, hear and look at as well as making commentary from time to time. Greg Green, site manager
Okay, Okay It’s The 350th
Anniversary of Rembrandt’s (You Know The Dutch Painter With the Funny Last Name
That Nobody Remembers Anyway) So Happy, Happy Birthday Brother
By Sam Lowell
By rights fellow writer
here and budding amateur art critic (she insists I put that “amateur in) should
be all over this short piece since she is much more involved in this aspect of human
culture than I am theses days. Except Dutch painters (Flemish too or whatever they
call the Netherlands painters at the art museum near you) leave her cold, do
nothing for her despite their oversized place in the art world, at least in art
books and generic museums.
Frankly I kind of shared
her opinion about these dark color aficionados and their proper prosperous bourgeois
subjects, their families, their towns and their inclinations toward showing
family life from their home furnishings to their larder (those fish and fowl
paintings still give me the willies). Two things changed my mind. One was that after
some hiatus from museum-going I started up again and after having it up to my
neck with every possible painting of the Blessed Virgin Mary, the death of
Christ, the martyrdoms of the apostles and kindred and the whoredom of subjects
like Mary Magdalene from the Middle Ages it was like a breath of fresh air to
see even some hoary old bastard of bourgeois, his funky wife, and the general
mayhem of urban Dutch society.
The other, strangely, was
the theft many years ago of a famous Rembrandt self-portrait (among other stolen
treasures taken during that heist) at the Isabella Stuart Gardner Museum in Boston
which made me wonder why they had taken that painting. An example as shown here -a masterpiece
of composition, lighting, and warts and all approach. So Happy Birthday
Rembrandt and I hope they get that painting back to fill up that wall at the Gardner
again.
This Ain’t Your Basic
Buddy Film Is It-Actors Chad Dwayne (Matt) And Charles Dewitt (Chuck) Live And
In Color On Location In The Film Adaptation Of “Dawn Dates” (2014)
By Lincoln Lavin
Catch this action, this story
I heard from fellow new guy Rav Wilson as he learned to navigate the ropes here
and find himself a spot around the office water cooler where more hard information
is gathered than the NSA will ever uncover. We were talking about seemingly
oddball combinations of friends, buddies is the term used especially the since
childhood relationship between the very private, very proper Sam Lowell and the
runoff at the mouth and prolific swearer Seth Garth (although you should know that
both men came out of the same dust, came out of the horrible Adamsville Housing
Authority projects and survived, a close thing according to both men). I would
agree that it does seem an unlikely combination although the way they met and
bonded in fourth grade may have eased the path.
After hearing about Seth
and Sam Rav said he had a wopper of a story about how his two friends, Matt and
Chuck met to round out the various oddball ways men (women too think about Thelma
and Louise) who seem far removed from each other actually learn to like each other.
Matt, played by Chad Dwayne, maybe forty something nothing but a straight shooter
businessman processional, a high end architect, with a pregnant wife, a home
that will be paid off in a million years and a dog to keep things 1950s homey
even in the new millennium was flying from Atlanta to L.A. (figures, right) to
be there in time to see his newborn arrive on the planet. Chuck, played by the always
bonkers Charles Dewitt, plays an actor playing an actor always a tough push in
Hollywood land, is a whacko devil take the hinder post guy also looking to fly
from Atlanta after his father’s funeral.
After an initial screwup
of luggage which wouldn’t have fooled a rookie TSA agent Matt and Chuck meet,
fatefully meet on the plane jockeying for seats with the ever holy goof Chuck blathering
about terrorists and crazies, enough to draw the attention of a trigger-happy on-board
agent. This scene sets up a long drawn out love affair since both men are now “no
fly” boys. What the hell is our uptight ass Matt supposed to do to get back to
blessed home L.A. and soon to be in labor honey wife (who turned out to be not
a wife wife but one of those common law wives so in style these days). Here’s
the hook though the thing that glues these brethren together. Somehow Matt has
lost his wallet and with no dough or I.D. is forced to accept a ride from Chuck
despite serious qualms about doing so (strangely Matt’s credit cards were maxed
out so he would not have been able to use them anyway).
So our unlikely boys are
on their way making due with mal karma filling up the car. This Chuck is
something of a low grade junkie as well as holy goof so he had to stop in
Birmingham to see his fixer man. The money Chuck spent on the dope though meant
they didn’t have enough dough to hit L.A. except maybe on fumes and train smoke.
Matt decides to have that common law wife sent dough to Chuck but as expected
the whole thing gets fucked up when Chuck uses his stage name Emmett Kelly and
so no go on the dough. Things get a little worse when Matt decides that if he
is to survive the journey he better go it alone, better ditch Chuck and his mal
karma. Here’s the bitch though Chuck had his father’s ashes in a coffee can
ready to spread them over the iconic Grand Canyon and after seeinghe did not
leave the ashes with the other Chuck Mexican luggage Matt in a first sign of
the fatal weakness that will have him bleeding through all pores goes back to
the silly bastard.
There of course will be
several mishaps more along the way starting with Chuck doing a dead drop junkie
fall while driving crashing the car and leaving them to the devises of an old friend
of Matt’s in Dallas who bails them out with dough and his automobile. Forward. Or
maybe southward as geographically-challenged Chuck drives them into Mexico with
his fistful of dope in a plastic bag and a safe stop in some sullen bastinado.
Thankfully Chuck was high as a kite when he decided to spring the detained Matt
from the Federales giving him a kudo on the road to buddy-hood. Carless in Tucson
they take the train as far as the Grand Canyon so Chuck can fling ashes in the
fetid airs of our lady of the canyon.
From there Chuck starved to
get to his L.A fixer man steals a truck to finish the ride. Finish it except
for two dramatic things that seal the deal of their friendship-Matt’s honey calls
saying get home quick she is in labor and Chuck seeing that the Western truck had
a gun in it shoots Matt allegedly by mistake leaving him bleeding to death but intrepid
to get to that hospital. No sweat in the end and the last I heard Matt, Chuck, that
common law wife and that illegitimate child were living under the same roof with
Matt busting out new concrete modern building designs and Chuck getting some
bite player work in Hollywood.
Yeah, everybody agreed
Matt and Chuck had something weirder than Sam and Seth ever could have from down
in the mud or not.
As the region’s only true Labor Day festival, 35th Annual Bread & Roses Heritage Festival is an open-air arts and music festival honoring Lawrence, Massachusetts’ multi-cultural roots and rich labor history while commemorating the most significant event in Lawrence history: the 1912 Bread and Roses Strike. A day of activism and family fun, the Festival boasts 3 stages of socially conscious performances, an array of family activities, rows of community vendors, historical trolley and walking tours, culturally diverse food offerings, educational presentations and more!
Monday, September 2, 2019 starting at 11:30 AM : Bread and Puppet at 4:20
With Sanders and Warren Surging, Is Wall Street's 2020 Nightmare Coming True?
For plutocrats, this summer has gotten a bit scary. Two feared candidates are rising. Trusted candidates are underperforming. The 2020 presidential election could turn out to be a real-life horror movie: A Nightmare on Wall Street. “Wall Street executives who want Trump out,” Politico reported in January, “list a consistent roster of appealing nominees that includes former Vice President Joe Biden and Sens. Cory Booker of New Jersey, Kirsten Gillibrand of New York and Kamala Harris of California.” But seven months later, those “appealing nominees” don’t seem appealing to a lot of voters. Biden’s frontrunner status is looking shaky, while other Wall Street favorites no longer inspire investor confidence: Harris is stuck in single digits, Booker is several points below her, and Gillibrand just dropped out of the race. More
THE OLIGARCH THREAT
In both Britain and America, there exists a class of billionaires who seek to become oligarchs and a corresponding class of government officials who want to become billionaires. Since 2008, when the financial markets’ development of complex and ill-regulated derivatives led to a credit crisis and crash that erased huge sums from the fortunes of the global ultra-rich—with Western tycoons like Rupert Murdoch and Sheldon Adelson, and Russian oligarchs like Oleg Deripaska among the biggest losers—the world’s billionaires have been moving away from a commitment to free markets. Learning from the banking bailouts and the socialization of moral hazard, they have instead embraced an ambition to build lasting monopolies that enjoy both official and unofficial forms of state support. More
Our Revolution is fighting back against those with a financial interest in blocking open discussion on the climate crisis. Since we are a grassroots organization, we need your support to fight back and win. Rush a donation now →
The DNC, at the request of a senior Joe Biden advisor, rejected a debate on the climate crisis.
The climate crisis represents an existential threat to the future of humanity. That’s why it’s so important that we stand together and deliver a unified message that it is unacceptable for the DNC to place the interests of the Biden campaign and corporate donors above the environmental safety of the only planet we have.
Our Revolution groups are doing that critical work on the ground every day, but since we can't rely on big money, we need to ask for your help.
The DNC’s treacherous decision underscores why the grassroots work that Our Revolution groups are doing in the face of the climate crisis is so critical. We are building a movement powerful enough to force politicians to respond to the interests of the American people.
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On The 50th Anniversary Of The Summer Of Love, 1967-“The Monterey Pops Festival” (1968) –A Documentary
DVD Review
By Associate Film Editor Alden Riley
The Monterey Pops Festival-1967, starring Janis Joplin, Jefferson Airplane, The Mamas and the Papas, Ravi Shankar, and the usual suspects from the 1960s acid rock circuit on the West Coast, produced by D.A. Pennebaker, 1968
I don’t mean to grouse every time I get an assignment from my boss, from film editor Sandy Salmon, but I think I have grounds to do so here. I only mentioned in passing in reading a recent review Sandy did of a 2015 biopic of Janis Joplin, Janis Joplin: Little Girl Blue, one of the icons of the 1960s and of the Summer of Love, 1967 which he and his old-time film critic friend Sam Lowell have gone into overdrive over that I had never heard of her and was not familiar with her work. That faux pas on my part got me this netherworld assignment to watch and review the DVD under review, The Monterey Pops Festival of 1967, the very first one, the three day affair, which has also (back in mid-June) celebrated its 50th anniversary. Sandy’s idea was, I think, that once I heard and saw her and the other top West Coast groups from his generation that I would go out and buy a tie-dye shirt or look for the nearest commune or something.
Sandy mentioned that the guy who put the documentary together about the two day concert was the very same guy who trailed after Bob Dylan in his classic Don’t Look Back (which I also haven’t seen but I will charge an unfair labor practice if he attempts to get me to watch and review that one since one thing I do know is that Bob Dylan couldn’t and can’t now sing whatever merits he has as a songwriter and part-time “voice” of his generation or whatever it was that Time magazine dubbed him back in the ancient folk times). Whatever merits the subject matter of this documentary has it certainly is not in the almost amateurish production values here especially in light of the huge technological advances that have been made which makes this documentary seen like one of those old silent movie flicks in comparison. Grainy, swirly footage, seemingly random and inchoate views (or non-views) of the acts on stage and some odd-ball sound effects (or non-sound effects) which I am sure Sandy and his crowd will glower over as efforts to “go back to nature” from a simpler time when everybody was looking intently at their electronic devises of choice.
I will pass over the performances some of which were very good including Ms. Joplin’s break-out performance with her band Big Brother and the Holding Company on the old blues classic Piece Of My Heart. If she had that much energy consumption on one song I don’t know how she would have gotten through a full set never mind a whole concert but maybe the drugs really did help keep her going. Same goes for Jefferson Airplane with demonic Grace Slick and Marty Balin on High Flying Bird and the great harmonics of the Mamas and Papas (someone said they were “spot on” meaning very in tune) that came through even in this primitive production. But what was that all about with the Who leader smashing and Jimi Hendrix burning up perfectly good electric guitars on stage. I don’t get it and I don’t want to ask Sandy, and definitely not Sam Lowell who was actually out in San Francisco in 1967 although I am not sure he attended the festival, because I don’t want a two hour lecture about creative rock and roll and stage presence-thank you very much.
Here is the funny thing though since this was a billed as a Pops Festival the guy who stole the show (the shown part since I understand that several big-time performers wound up on the cutting room floor (which are shown in a separate disc in the three disc collection as “outtakes”-the other disc Jimi Hendrix and Otis Redding’s performances which I did not have time to view and in the case of Hendrix did want to after seeing that maniacal burning in the main frame) was Ravi Shankar who played the sitar hardly a new instrument and a did a rif that was probably about five hundred years old. The crowd loved it, hell, I loved it although it was perhaps a shade too long given the eighty minute length of the film.
What really interested me and which Sandy will probably give me an earful about were the close-up shots of the attendees, of the audience, of the mostly young audience in their best “hippie” garb some of it which looked very cool even now. Porkpie hats, old-time Victorian dresses, World War II G.I. surplus stuff like that. Funny though and maybe Sandy will think the same thing when he watches the DVD or maybe re-watches most of the audience looked like they had done some serious weed or some drug before they got to the concert (or maybe at it although it didn’t seem like I saw a lot of smoke, weed smoke although a fair amount of cigarette smoke when that was cool. Some of the young women then, women who today would be my grandmother’s age certainly looked foxy. I wonder if anybody who watched the film today and who had been there then would be shocked by the footage of them in their “to be young was very heaven days”. I wonder if Sandy would think the same think thing or dismiss my observation and go back into his ecstatic dream world with Sam yakking about the days when men and women played rock and roll for keeps and everybody listened with baited breathe.
On The 50th Anniversary Of The Passing Of The “King Of The Beats” -Ti Jean Kerouac-A Series Of Appreciations-
By Contributing Editor Allan Jackson
For Ti Jean Kerouac On The 50th Anniversary Of His Death And The “Assistant King Of The Beats” Allan Ginsberg-Hard Rain’s A Going To Fall With Kudos To Bob Dylan “King Of The Folkies"
By Lance Lawrence
[In the interest of today’s endless pursue of transparency which in many cases covers up the real deal with a few fake pieces of fluff admit that I knew Jack Kerouac’s daughter, his now late daughter whom he never recognized for whatever cramped reason and which took its toll on her with an also early death, met out in Todo el Mundo south of Big Sur off the famous Pacific Coast Highway. I also knew Allan Ginsburg in his om-ish days when we fired up more than one blunt (marijuana cigarette for those who are clueless or use another term for the stick) to see what we could see out in the National Mall and later Greenwich Village night.
This piece first appeared in Poetry Today shortly after Allan Ginsburg’s Father Death death and caused a great deal of confusion among the readers, a younger group according to the demographics provided to me by the advertising department when I was trying to figure out where the thing got lost in the fog. Some readers thought because I mentioned the word “cat” I was paying homage to T.S. Eliot generally recognized in pre-Beat times as the ultimate modernist poet. That reference actually referred to “hep cats” as in a slang expression from the 1940s and 1950s before Beat went into high gear not a cat. Some readers, and I really was scratching my head over this one since this was published in a poetry magazine for aficionados and not for some dinky survey freshman college English class, that because I mentioned the word “homosexual” and some jargon associated with that sexual orientation when everybody was “in the closet” except maybe Allan Ginsburg thought I was referring W.H. Auden. Jesus, Auden, a great poet no question if not a brave one slinking off to America when things got too hot in his beloved England in September 1939 and a self-confessed homosexual in the days when that was dangerous to declare in late Victorian public morality England especially after what happened to Oscar Wilde when they pulled down the hammer was hardly the only homosexual possibility despite his game of claiming every good-looking guy for what he called the Homintern. Frankly I didn’t personally think anybody even read him anymore once the Beats be-bopped.
There were a few others who were presented as the person I was championing. James Lawson because some of his exploits were similar to the ones I described but those events were hardly rare in the burned over 1950s down in the mud of society. Jack Weir because of some West Coast references. Jeffery Stein, the poet of the new age shtetl because of the dope. All wrong. That poet had a name an honored name Allan Ginsburg who howled in the night at the oddness and injustice of the world after saying Kaddish to his mother’s memory and not be confused with this bag of bones rough crowd who refused to learn from the silly bastard. This piece was, is for ALLAN GINSBURG who wrote for Carl Solomon in his hours of sorrow just before he went under the knife and I for him when he went under the ground. Lance Lawrence]
***********
I have seen the best poet of the generation before mine declare that he had seen that the best minds of his generation had turned to mush, turned out in the barren wilderness from which no one returned except for quick stays in safe haven mental asylums. Saw the same Negro streets he saw around Blue Hill Avenue and Dudley Street blank and wasted in the sweated fetid humid Thunderbird-lushed night (and every hobo, vagrant, escapee, drifter and grafter yelling out in unison ‘what is the word-Thunderbird-what is the price forty twice” and ready to jackroll some senior citizen lady for the price-ready to commit mayhem at Park Street subway stations for their “boy,” to be tamped by girl but I will be discrete since the Feds might raid the place sometime looking for the ghost of Trigger Burke who eluded them for a very long time. Thought that those angel-headed hipsters, those hep cats hanging around Times, Lafayette, Dupont, Harvard squares) crying in pools of blood coming out of the wolves-stained sewers around the black corner would never stop bleating for their liquor, stop until they got popular and headed for the sallow lights of Harvard Square where they hustled young college students, young impressionable college students whose parents had had their best minds wasted in the turbid streets of south Long Island (not the West Egg of Gatsby’s dream of conquering everything in sight like any other poor-boy arriviste with too much money and not enough imagination and not East Egg of the fervid elites but anytown, Levitttown of those who would escape to Boston or Wisconsin to face the angel of death up front and say no go, pass, under luminous moons which light up sparks and say to that candid world which could have given a fuck hard times please come again no more.
I have seen frosted lemon trees jammed against the ferrous night, the night of silly foolish childhood dreams and misunderstanding about the world, the world that that poet spoke of in a teenage dream of indefinite duration about who was to have who was to have not once those minds were de-melted and made hip to the tragedies of life, the close call with the mental house that awaits us all.
By Lance Lawrence
Sometimes you just cannot win. Sometimes you just let it pass and other times as now anything less than incarceration or the bastinado will not permit me to say some words on a subject that I care about. Attentive readers of Growing Up Absurd In The 1950s or its sister publication where such material is something like syndicated know that I, and most of the older writers here and for that matter other publications who grew up in the 1950s have some relationship to “the Beats” to Jack Kerouac and Allan Ginsberg above but lesser lights stationed in North Beach, San Francisco and Greenwich Village, New York City and other sullen outposts. Know that although we were way too young or too interested in our generation’s salvation-rock and roll music-to be washed clean by the Beats that by some process of osmosis we picked up some of the ideas, words, be-bop, lust, homosexual slang, road terminology. Courtesy of Jack Kerouac and the crowd whether he accepted the honorific “King of the Beats” or like Bob Dylan dubbed by the mass media always looking for a hook “King of the Folkies” for the next generation, the folkie-hippie counterculture abdicated.
Personally, and I have the scars and restless writerly nights to prove it, I was very second-wave influenced by Kerouac and not only by his most famous book, bible really when the time for such things was ripe, On The Road. Maybe less that books like Big Sur which got me to Todo el Mundo just south of Big Sur and some wild escapades and near fatal escapes toked to the gills on weed or whatever came through the very open door. Influences which have made it natural to recount some of those adventures in print of one sort or another. Natural as well this 50th anniversary year since Jack Kerouac’s death in 1969 to make a big deal out of that milestone. To write some fresh material as below or to republish some older material. And not just memories of Kerouac’s influence but what I called in one article the “assistant king of the beats” Allan Ginsburg.
That is where the sometimes you can’t win comes in and the have to “speak to the issue” rears its head as well. Recently both to acknowledge the 50th anniversary of Kerouac’s passing and to honor Allan Ginsburg’s as well I had an article Hard Rain’s A Going To Fall originally published in Poetry Today in 1997 republished in several publications under the title For Ti Jean Kerouac On The 50th Anniversary Of His Death And The “Assistant King Of The Beats” Allan Ginsberg-Hard Rain’s A Going To Fall With Kudos To Bob Dylan “King Of The Folkies."
In a new introduction to the piece I mentioned that in the interest of today’s endless pursue of transparency which in many cases covers up the real deal with a few fake pieces of fluff admitted that I knew Jack Kerouac’s daughter, his now late daughter whom he never recognized for whatever cramped reason and which took its toll on her with an also early death, met out in Todo el Mundo south of Big Sur off the famous Pacific Coast Highway. Those were the fast and loose days when everybody wanted to be out somewhere around Big Sur and one day I happened to be in The Lost Way restaurant (now still open under another name serving wholesome food unlike the burgers and fries and beer that sustained us then) and somebody mentioned that Jack’s daughter, unacknowledged daughter as I said, Jan was sitting a few tables away having as I learned later from her had just come from Pfeiffer Beach which played a role in a few of Jacks’ books. One thing led to another and we wound up taking Jan with us to our digs (house) in Todo el Mundo several miles away.
That simple fact has now led in 2019 to some fool, a fool with a name very familiar in the age of the Internet of Anonymous, to assume without proof that Jan and I, or Jan and somebody in the house were having an affair, and most probably me. The only “proof” given, maybe asserted is better was that a guy by the name of Johnny Spain told him that he had been there at our house when Jan came tumbling and that we had a party for about four days when booze, sex, and drugs flowed freely. I knew Johnny Spain back in those days so that part is real. He was on the run from the coppers for either drug possession or for assault I forget which since we had a few such characters some our way and as we were not fond of the coppers then, maybe not now either we gave him shelter. Johnny probably saw many things as he imbibed in whatever was around the place, but he would not have seen me hanging with Jan. Simple reason: one Carol Riley forever known as Butterfly Swirl in those times when many of us, including me the Duke of Earl (yes from the 1950s hit single), were carrying monikers to reflect our new-found freedoms was slumming from her perfect wave boyfriend existence down in Carlsbad in the days before young women took to the surf themselves and had come north to see what was happening. Butterfly was very possessive which I didn’t mind but would have ditched me and/or has it out with Jan if we had been having an affair. End of story, well, not quite the end Butterfly returned to Carol and her perfect wave surfer before long after finding out “what was what.”
This is really where my real ire is hanging though. In that same introduction I mentioned that I also knew Allan Ginsburg in his om-ish days long before he became a professor when we fired up more than one blunt (marijuana cigarette for those who are clueless or use another term for the stick) to see what we could see out in the D.C. National Mall and later Greenwich Village night. Like I said that piece which formed the basis for republication first appeared in Poetry Today shortly after Allan Ginsburg’s Father Death death and caused a great deal of confusion among the readers. I gave a few examples of what went awry in the responses. Some readers thought because I mentioned the word “cat” I was paying homage to T.S. Eliot generally recognized in pre-Beat times as the ultimate modernist poet. That reference actually referred to “hep cats” as in a slang expression from the 1940s and 1950s before Beat went into high gear not a cat. In any case there was no way the staid and high Victorian sensibilities Eliot would know anything about the bohemia of his day except maybe knowing some bonkers Bloomsbury cadre. One would be totally remiss to call him the max daddy of anything as I did in my homage.
Some readers, and I really was scratching my head over this one since this was published in a poetry magazine for aficionados and not for some dinky survey freshman college English class, that because I mentioned the word “homosexual” and some jargon associated with that sexual orientation when everybody was “in the closet” except maybe Allan Ginsburg thought I was referring W.H. Auden. Jesus, Auden, a great poet no question if not a brave one slinking off to America when things got too hot in his beloved England in September 1939 and a self-confessed homosexual in the days when that was dangerous to declare in late Victorian public morality England especially after what happened to Oscar Wilde when they pulled down the hammer was hardly the only homosexual possibility despite his game of claiming every good-looking guy for what he called the Homintern. Frankly I didn’t personally think anybody even read him anymore once the Beats be-bopped.
There were a few others who were presented as the person I was championing. James Lawson because some of his exploits were similar to the ones I described but those events were hardly rare in the burned over 1950s down in the mud of society. The flight from downtrodden home life made worse by plodding square parents whose dreams for their off-spring were life-deadening civil servant jobs although admittedly a step up from the dregs down at the working poor base of society. Jack Weir because of some West Coast references, the usual suspects North Beach, Big Sur, Todo el Mundo (where Allan Ginsburg never went or never went while I was there, Fillmore Street dreams and drugs, the inevitable Golden Gate reference. Jeffery Stein, the poet of the new age shtetl because of the dope and self-identification with the downtrodden and the caged inmates at the mental hospitals which he frequented more times than he liked to admit.
All wrong. That poet had a name an honored name Allan Ginsburg who howled in the night at the oddness and injustice of the world after saying Kaddish to his mother’s memory and not be confused with this bag of bones rough crowd readership who refused to learn from the silly bastard. This piece was, is for ALLAN GINSBURG who wrote for Carl Solomon in his hours of sorrow just before he went under the knife and I for him, for Allan the sad day when he went under the ground.
That all was twenty some years ago and while those readers responses were stone-cold crazy they at least had the virtue of ignorance since I did not mention the name Allan Ginsburg in the title nor in the piece. Frankly I did not think I had to do so. What, however, is to be made of readers in 2019 who I assume had read my introduction and its named poet in bold print who still believe that I am referring to some other poet, some of them pretty obscure and old school which makes me think these readers were maybe college freshman survey course takers. I won’t go through them all since unlike 1997 where one actually had to write and mail with proper postage whatever was on their minds today they can just flail away and done so many more responses showed up at my in-box.
Here are today’s scratching my head entries. What Sam Lowell a fellow writer here has seen it all in his forty plus years as a film critic calls trolls since they are tied to alternate facts and more importantly whatever they have on their minds, if that is what they have. Maybe they just don’t read introductions or are among the dwindling few who still take umbrage that someone would tout the virtuous of long-time known homosexual when everybody else has moved on, has bought into a very sensible idea that it is nobody else’s business who you love-and now wed. So a few of the rabid went along that line but rather than grab onto Ginsburg have assumed that I was writing about Walt Whitman, since I mentioned the grand civil war and the fate of boys and men including a semi-erotic paean to Abe Lincoln. Of course they got that wrong since Whitman’s ode to Lincoln Oh Captain, My Captain is one of the few truly chaste and un-coded poems he wrote. But that is a classic example of this troll contingent’s faking reality to suit some odd-ball political agenda from we should all run like hell.
It only got worse after Greg Green, site manager for the on-line publications here who in the old hard copy days would have been called the editor, started publishing some of the e-mails which only fueled the flames. Declared open season on reason until on advice of wise Sam Lowell mentioned above who chairs the Editorial Board that sits to clamp down on an editor’s more off-the-wall decisions. To continue a vague off-hand reference to the various Eggs off Long Island Sound got one F. Scott Fitzgerald the brass ring mainly so that Jay Gatsby could be extolled as the upwardly mobile paragon of American virtue for a new century (that is exactly what was said if you can believe that since in the unlamented Jazz Age except for the jazz Jay got himself shot and dumped in some coal bin.) A couple more to make my point since I suddenly realized that to even present these holy goofs, an expression learned at the feet of one Jack Kerouac who had I believe more talented types in mind, but the expression just popped out at me. Yeats, Yeats of all poets drew some fan-dom based on talk of Irish girls losing their virtues in sullen Cape Cod gin mills. How that goes with muse Maude Gonne escapes me. Finally, and at least this person had some literary sense he thought because I mentioned Time Square hipsters, drifters and grifters waking up in sullen midnight sweats looking for some savior not the Lord fixer man to get them well and ready to do an occasional soft-core armed robbery or jack-roll (I was impressed with the sue of that term since nobody uses that expression for a very old trick of taking a slender club or maybe a roll of fisted quarters and bopping some drunk or old lady for their ready cash I was speaking of one Gregory Corso the bandit-poet. Sorry I was reaching for the big Howl and Kaddish master and beautiful lumpen dream Corso was a secondary player back in those long-gone daddy days. Enough. Lance Lawrence]
[Back in 2007 and then in 2017 when we commemorated the 50th and 60th anniversaries respectively of the publication of Jack Kerouac’s landmark travel book of a different kind On The Road which ignited a generation maybe two to “hit the road” I was the site manager, then called general editor, a throw-back from the times when American Left History was a hard copy publication. At those times I had been re-reading a series of Ti Jean’s books after senior writer Sam Lowell had pointed out to me that the previous years had been the 50th and 60th anniversaries respectively of fellow Jack “beat” brother Allan Ginsberg’s landmark poem (really screed) Howl which for a while took poetry into a different direction which we had neglected to commemorate (and which we did belatedly). Now Sam has again reminded that we have come to a certain commemoration date, the 50th anniversary of the death of Jack Kerouac and we are again in need of evaluation, no, re-evaluating the place of his work, his place as “king of the beats” whether than title fits or not and his place in the sun.
Of course on those prior occasions I could assign whatever I wanted to whomever I wanted since I was the person who was handing out the assignments. Now after a prolonged internal fight in which I was deposed and sent into “exile” I am back but solely as a contributing editor, not as the person handing out assignments. That task is now in the capable hands of one Greg Green whom I knew over at American Film Gazette many years ago and had brought over a couple of years ago to run the day to day operation here. Greg and I have had our ups and downs especially after I was in desperate straits when I was sent into exile and had no current source of income and had to depend “on the kindnesses of strangers.” But that is past and since I was instrumental in the previous commemorations Greg decided that I should as with a couple of other major projects that I have done since my return oversee the Kerouac death watch this year.
Needless to say, since this dark cloud anniversary is upon us I have to do a new introduction, a setting of the tone. One thing that I was not able to do when I was overseeing the previous commemorations was to write about something that has haunted me for a long time-how different Jack’s experiences were from those of my parents, from any Acre neighborhood parents despite some very strong similarities between the way he grew up and the way they did. In short they were near contemporaries having all been born and raised in the 1920s and forward. Nevertheless they could not have been more different in their lifestyles and life dreams. It would take their son, and their son’s generation to at least momentarily connect with the older man and what he brought to the table. Maybe the link between “beat” and “hippie” was tenuous, but it was there, and is there fifty years after his passing to the unsettled grave. That will be the thread that runs through this new series. Adieu, Ti Jean.
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Jack fifty tears, fifty years gone in some bastard grave in holy, holy, holy Edson Merrimack River ground busted asunder by holy goofs looking for timely relics, looking for that one word which would spring them into some pantheon, some parity with the king (we will not even mention that other king that animated our dreams for we now speak of parent, parent of class of ’68 dream. Funny non-Catholic ground Lowell given his deep sea dive to right his ship around the beatitudes that the class of ’68 left in the shade if you wished to know. Mere turning in her old Quebec come down to the textile mills from desolate turn of the century farms which gave to the bloody English overlords, another common sticking point against heathen English overrunning the small patch farms with enclosures and encumbered debts devotion grave, with the times out of sorts the young passing before ancient hatreds mother. Not a stranger come the end on Hard Rock Mountain and no place but some stinking trailer benny and that fucking crucifix that never helped anybody that far gone into the haze.
Not strange for assuredly lapsed Catholic cum Buddha swings devotee coming out of Desolation Mountain, Dharma bum frills and assorted other spiritual trips, (won’t even think about that black boy, and he was just a boy, who against some grandmother dreads blew the high white note out to the China Seas, via, well, via Frisco Bay drove the writing, the what, the unvarnished truth until it drove him into the ground. That and those endless whiskeys and cheap Thunderbird wines when dimes were scarce a few times down on his luck cadging wino bottles from buying for underaged kids, with his bottle the kicker and what the hell if he didn’t go it, didn’t get his some sterno junkie would dip into Salvation Army surplus and the thirst was great. Not “his” thirst but “the” thirst and don’t mix the two up buddy as he told that straggly bearded kid, some hippie bastard from Omaha clueless about the decadent night which lie ahead, the compromises too.
Strangely bisected, fuck finally my real point (another luxury of not having to be general editor with parsing and editing to make “nice” for the academic journals which thrive, which throttle on Jack’s sputum and can get down in the mud with the real critics like Artie Shaw and Bugs Malone and not worry about half-ablaze in the head, half fire in the head Patti Griffin called it once), through my own parents too who had no idea of hip, no idea of “beat,” except maybe mother in beatitude but that is a different story, a story about common roots high holy day Catholic stuff. Another common point, emerged in veiled tears, speaking of tears, to rear their ugly heads come feast days. (Wondering if her, their fairy sons would see the light, would submit to the calling that every grandmother hoped without saying leaving it to transient daughters to do their own parsing. Father no hipster born to the hills and hollows which hallowed by memory played no part in big boom beat-beat time coming out of World War II like houses on fire. No speedy cross-country by 1947 Hudson (hell no car a public transportation might as well say welfare crude bum and fuck that is all a guy like that deserved.) With big ideas of shaking things up, making merry with the always with us squares and other geometric forms. Jesus the worst part knowing that they knew not of square or any other geometric dreams. Too bad, too bad when they chance came around and the call went out looking for junkie hipsters, con men and queers hanging around public toilets on Seventh Avenue in New York City.
No Dean Moriarty, hell call a thing by its right name, no Max Fame, no Allan Ginsberg, no Kenneth Rexforth, no Hank James, or his brother William speaking in tongues trying to figure what a guy named Freud meant when he wanted to go where his mother lived, after killing cosmic fathers and brothers, no Gregory Corso, no John three names somebody a throwback to ancient Boston Brahmin bouts with legitimacy speaking of bastards, trace the genealogy back to Mayfair swells days, nothing for the bastard who is bothering one Laura Perkins who I have been sweet on for an eternity but who only has eyes for Sam Lowell about her sexy takes on serious 19th century artist who were as capable of going down into the mud, blowing some high white note out in the Japan seas for a change. Above all no Neal Cassidy, no fake Dean Moriarty to skirt the libel laws with wives and mistresses searching for vagrant unknown fathers in some dusty coal bins but a poor old good old boy and maybe in another time said Dean, Adonis Dean against Father Sheik, would have wandered out in the cowboy West night looking for drunken fathers with hip-ness but that was not the play, not at all. Father Sheik coming like a bat out of hell from those hazardous coal bins looking to break the eternal hills and hollows existence that plagued his fathers since the time the first clan were cast out of England for stealing pigs or consorting with them in any case with not unfamiliar family refrain of “leave, or the gallows,” such were the tempers of the times.
And Father Sheik, hell, Adonis Dean too, with no way out except that passport via some Nippon adventure over Pearl always Pearl nothing else needed and he off to Pacific battles and raiments. Jack to the North Seas and merchant marine bunks with odd-ball seasick sailors (and me wondering whether having looked of late at YouTube should attribute my borrowed words but the hell with it plenty of seasick sailors had nothing to do with YouTube or song lyrics). And forsaken Dean too young to know the face of battles hung up in reformatory secret vices which an earlier generation (and later ones too) would “dare not speak their names” (Catamite, Sodomite, homosexual, pug ugly, suck-head, your call.) How quaint.
Two years and two places do make a different no Bette Davis eyes in the hills and hollows but Jack-induced Merrimack adventures of boys seeking pleasures in riverside woods and hamming it up for all the world to see. If only the old man could have written out his dreams, if he could have written out anything. Jack to the library born to take his fill of whatever classics that river textile town had to offer and whiskey you’re the devil which should have given even a blinded son something to think about with dear Jack fifty years dead and the old man still trembling in his teeth. My God.
But he never made, he the old man never made New York ever as far as I could tell, knew none but obvious landmarks like tall Empire State Building or Lady Liberty. Mother Jacked on some Cape Cod Canal cutaway small steamer to the Big Apple (not Big Apple then but who knows) and Automats, evoking Laura’s Edward Hopper sad-assed dreams of a guy who couldn’t even draw smiling faces and hence the queen of 20th century angst and alienation and five cent ferry rides to Staten Island. The Village, okay for me to call it Village as I was a denizen once for Jack too might as well have been on some planet’s moon for all she knew-him too, too rich for his blood but Jack’s meat, no problem. Even if strangely Times Square hipsters, grifters, drifters and Howard Johnson hot dog eaters were mixed into the new wave, then new wave against Big Band Duke, Artie, Lionel jazz boys coming up with their sullen lipped riffs to spring a new alienated be-bop on the square world. Jack knew square, knew father square, knew mother, Mere, square in large letters of unrequited love but shook it off long enough to cross the great desert America giving Lady Liberty the boot, the un-shod sole, or maybe taking a cue from Jack book lamming it out on Bear Mountain just for the hell of it. But this old mother, not Mere mother, never knew, never had an idea of even in her big Catholic, Irish Catholic dream of meeting the boy next door and finding steady white-collar civil servant heaven. Jesus is that what she was about when the deal went down and Jack split for Ohio with two bucks and six bologna sandwiches stale well before Toledo believe me I know.
Life took a different tact though she never found that clever test-worthy boy next door (he was some greaser with a big hog of a bike which would have inflamed Dean, would have gotten his wanting habits on and maybe a run to the Coast). So she having had her fill of Coney Island dreams and Automat five cent pies took a chance on the Sheik (strange on looking at Jack photographs how sheik-like our boy was and father too like some lost tribe members) found guarding the country’s defense not far from her home but he of Pacific wars, many with manly Marines. Jack flopped the Navy but did dangerous merchant marine runs out in the North Atlantic, out to the Murmansk seas (that makes three China and Japan alongside) not honored even in Washington until much later down in front of Arlington National bravos resting places. And a not so funny twist of sagging fate brought her dish loads of kids and some undefined alienation from which she was excluded, and he too by association. They didn’t prosper far from it but they also didn’t have that run, no, those runs, to the West looking for lost fathers, looking for the Adonis of the West to shake up his love. Could two worlds be any more different and only about say forty miles apart. That not a question but maybe a quiet condemnation for some woe-begotten life of quiet desperation, her mantra for all the good it did her.
It would take a son, some son, some great girth of sons and daughters to jailbreak, to Jack their ways out of that parent, remember their parents’ contemporary, that snare set for those who didn’t get to Times Square, didn’t get to the Village but stuck it out in Hoboken, Elko, Oceanside. It would take some unsettled sense that all was not right with the world, that too many kids were stuck with Modesto hot-rod dreams, Hell’s Angels angers, Louisville thwarts, and many La Jolla searches for perfect waves to jumpstart what Jack, and not just Jack but he is fifty tears, fifty years gone. Oh, what might have been.
