Oops, A Senior Moment-As The War Clouds Loom -Mark Twain’s “The War Prayer” (1904)

Oops, A Senior Moment-As The War Clouds Loom -Mark Twain’s “The War Prayer” (1904)

By Si Lannon

Those of us of a certain generation, let’s call it like Frank Jackman, another writer in this stable likes to call us, the “Generation of ’68,” reflecting the turmoil and turbulence of our youth, and, no, not 1868 will occasionally have what I will euphemistically call a lapse but which is more generally named a senior moment. Such an event occurred recently to my good friend known since the high school battle days in the 1960s hence also a ‘68er, Sam Lowell.

Sam, a Vietnam veteran whose experience turned him against war after what he saw, and did, in Vietnam, has one way or another been involved with some combination of veterans  to try to bring the message of peace to a sometimes deaf or indifferent world. For the past several years he had been an ardent member of a national veterans group, Veterans for Peace, if you live in big cities, or near them you might have seen their fluttering black dove emblem on white background flags in some peace parade. The organization, like most organizations, has periodic business meeting to discuss what has happened in the past period and what plans should be laid going forward.

Fair enough. However at the last monthly meeting the Recording Secretary was absent (an excused absence since he was ill) and the chairperson requested somebody to fill in and do the minutes. Since virtually nobody except a person with a great memory would want the job on a long term basis, or short, everybody in the meeting room quickly put their guilty heads down. Unfortunately Sam didn’t get his down fast enough and he was dragooned, his word, by the crafty chair since his head was up. So he did the notes as direction which he intended to clean up the next day and ask for any corrections, etc. on the group’s website. No problem there either as he got some helpful corrections and then put out a final set of minutes on the website.     

Alright that sets the stage. Now, according to Sam, one of the nice parts of the meeting agenda is near the beginning in what are called “opening words, where somebody volunteers to say a few words, read a passage, recite a poem to put things in perspective. So a fellow member, noting the gathering war clouds over issues like North Korea and Iran by the administration in Washington, thoughtfully presented Mark Twain’s The War Prayer from 1904. A very powerful and thought-provoking little piece of work. Initially Sam, realizing that the website would have many more people on it than generally attend meetings attached the piece to the end of the minutes. And that is where the senior moment comes in.

Let Sam take it from here as he sent out a separate e-mail based on his “error”:

“Here is the basis of my senior moment and see if you agree. Yesterday December 15^th I sent out the minutes from Monday’s General Meeting (which I was dragooned into producing but that did not have anything to do with the senior moment). At the end, the very end of those minutes I placed a copy of Mark Twain’s The War Prayer (1904) which our brother Dan Henry had present during the Opening Words section of the meeting.

“The senior moment? Well who the hell, including me, reads the freaking minutes much less go the bottom of the endless thing to find a gem of a poem. To rectify things I have placed Mr. Twain’s excellent take on the war clouds looming in his day here where hopefully it will be read. Thanks Dan Henry for your presentation. Later Sam Lowell Johnson.”

And here it is:

The War Prayer by Mark Twain 1904

It was a time of great and exalting excitement. The country was up in arms, the war was on, in every breast burned the holy fire of patriotism; the drums were beating, the bands playing, the toy pistols popping, the bunched firecrackers hissing and sputtering; on every hand and far down the receding and fading spreads of roofs and balconies a fluttering wilderness of flags flashed in the sun; daily the young volunteers marched down the wide avenue gay and fine in their new uniforms, the proud fathers and mothers and sisters and sweethearts cheering them with voices choked with happy emotion as they swung by; nightly the packed mass meetings listened, panting, to patriot oratory which stirred the deepest deeps of their hearts and which they interrupted at briefest intervals with cyclones of applause, the tears running down their cheeks the while; in the churches the pastors preached devotion to flag and country and invoked the God of Battles, beseeching His aid in our good cause in outpouring of fervid eloquence which moved every listener. It was indeed a glad and gracious time, and the half dozen rash spirits that ventured to disapprove of the war and cast a doubt upon its righteousness straightway got such a stern and angry warning that for their personal safety's sake they quickly shrank out of sight and offended no more in that way. Sunday morning came – next day the battalions would leave for the front; the church was filled; the volunteers were there, their faces alight with material dreams-visions of a stern advance, the gathering momentum, the rushing charge, the flashing sabers, the flight of the foe, the tumult, the enveloping smoke, the fierce pursuit, the surrender! – then home from the war, bronzed heros, welcomed, adored, submerged in golden seas of glory! With the volunteers sat their dear ones, proud, happy, and envied by the neighbors and friends who had no sons and brothers to send forth to the field of honor, there to win for the flag or, failing, die the noblest of noble deaths. The service proceeded; a war chapter from the Old Testament was read; the first prayer was said; it was followed by an organ burst that shook the building, and with one impulse the house rose, with glowing eyes and beating hearts, and poured out that tremendous invocation – "God the all-terrible! Thou who ordainest, Thunder thy clarion and lightning thy sword!" Then came the "long" prayer. None could remember the like of it for passionate pleading and moving and beautiful language. The burden of its supplication was that an ever – merciful and benignant Father of us all would watch over our noble young soldiers and aid, comfort, and encourage them in their patriotic work; bless them, shield them in His mighty hand, make them strong and confident, invincible in the bloody onset; help them to crush the foe, grant to them and to their flag and country imperishable honor and glory. An aged stranger entered and moved with slow and noiseless step up the main aisle, his eyes fixed upon the minister, his long body clothed in a robe that reached to his feet, his head bare, his white hair descending in a frothy cataract to his shoulders, his seamy face unnaturally pale, pale even to ghastliness. With all eyes following him and wondering, he made his silent way; without pausing, he ascended to the preacher's side and stood there, waiting. With shut lids the preacher, unconscious of his presence, continued his moving prayer, and at last finished it with the words, uttered in fervent appeal,"Bless our arms, grant us the victory, O Lord our God, Father and Protector of our land and flag!" The stranger touched his arm, motioned him to step aside – which the startled minister did – and took his place. During some moments he surveyed the spellbound audience with solemn eyes in which burned an uncanny light; then in a deep voice he said "I come from the Throne – bearing a message from Almighty God!" The words smote the house with a shock; if the stranger perceived it he gave no attention. "He has heard the prayer of His servant your shepherd and grant it if such shall be your desire after I, His messenger, shall have explained to you its import – that is to say, its full import. For it is like unto many of the prayers of men, in that it asks for more than he who utters it is aware of – except he pause and think. "God's servant and yours has prayed his prayer. Has he paused and taken thought? Is it one prayer? No, it is two – one uttered, the other not. Both have reached the ear of His Who hearth all supplications, the spoken and the unspoken. Ponder this – keep it in mind. If you beseech a blessing upon yourself, beware! lest without intent you invoke a curse upon a neighbor at the same time. If you pray for the blessing of rain upon your crop which needs it, by that act you are possibly praying for a curse upon some neighbor's crop which may not need rain and can be injured by it. "You have heard your servant's prayer – the uttered part of it. I am commissioned by God to put into words the other part of it – that part which the pastor, and also you in your hearts, fervently prayed silently. And ignorantly and unthinkingly? God grant that it was so! You heard these words: 'Grant us the victory, O Lord our God!' That is sufficient. The whole of the uttered prayer is compact into those pregnant words. Elaborations were not necessary. When you have prayed for victory you have prayed for many unmentioned results which follow victory – must follow it, cannot help but follow it. Upon the listening spirit of God the Father fell also the unspoken part of the prayer. He commandeth me to put it into words. Listen! "O Lord our Father, our young patriots, idols of our hearts, go forth to battle – be Thou near them! With them, in spirit, we also go forth from the sweet peace of our beloved firesides to smite the foe. O Lord our God, help us to tear their soldiers to bloody shreds with our shells; help us to cover their smiling fields with the pale forms of their patriot dead; help us to drown the thunder of the guns with the shrieks of their wounded, writhing in pain; help us to lay waste their humble homes with a hurricane of fire; help us to wring the hearts of their unoffending widows with unavailing grief; help us to turn them out roofless with their little children to wander unfriended the wastes of their desolated land in rags and hunger and thirst, sports of the sun flames of summer and the icy winds of winter, broken in spirit, worn with travail, imploring Thee for the refuge of the grave and denied it – for our sakes who adore Thee, Lord, blast their hopes, blight their lives, protract their bitter pilgrimage, make heavy their steps, water their way with their tears, stain the white snow with the blood of their wounded feet! We ask it, in the spirit of love, of Him Who is the Source of Love, and Who is ever-faithful  refuge and friend of all that are sore beset and seek His aid with humble and contrite hearts. Amen. (After a pause) “Ye have prayed it; if ye still desire it, speak! The messenger of the Most High waits.” It was believed afterward that the man was a lunatic, because there was no sense in what he said.

In The Twilight Of The Folk Minute- Peter Seeger And Arlo Guthrie In Concert In The Late 1980s

In The Twilight Of The Folk Minute- Peter Seeger And Arlo Guthrie In Concert In The Late 1980s

By Johnny Blade

“Jesus, they charged me fourteen dollars each for these tickets to see Pete Seeger and Arlo Guthrie. Remember Laura about ten or fifteen years ago when we saw Pete for five bucks each at the Café Nana over in Harvard Square (and the price of an expresso coffee for two people and maybe a shared piece of carrot cake since they had been on a date, a cheap date when he didn’t have much cash and at a time when the guy was expected to pay, no “dutch treat,” no Laura dutch treat expected anyway especially on a heavy date, and that one had been when he was intrigued by her early on) and around that same time, that same Spring of 1973, Arlo gave a free concert out on Concord Common,” said Sam Lowell to his date Laura Peters and the couple they were standing in line with, Patrick Darling and Julia James, in front of Symphony Hall in Boston waiting for the doors to open for the concert that evening. This would be the first time Pete and Arlo had appeared together since Newport a number of years back and the first time this foresome  had seen either of them in a good number of years since Pete had gone to upstate New York and had been spending more time making the rivers and forests up there green again than performing and Arlo was nursing something out in Stockbridge. “Maybe, Alice,” Patrick said and everybody laughed at that inside joke. 

Sam continued along that line of his about “the back in the days” for a while, with the three who were also something of folk aficionados well after the heyday of that music in what Sam called the “1960s folk minute” nodding their heads in agreement saying “things sure were cheaper then and people, folkies for sure, did their gigs for the love of it as much as for the money, maybe more so. Did it, what did Dave Van Ronk call it then, oh yeah, for the “basket,” for from hunger walking around money to keep the wolves from the doors. For a room to play out whatever saga drove them to places like the Village, Harvard Square, North Beach and their itch to make a niche in the booming folk world where everything seemed possible and if you had any kind of voice to the left of Dylan’s and Van Ronk’s, could play three chords on a guitar (or a la Pete work a banjo, a mando, or some other stringed instrument), and write of love, sorrow, some dastardly death deed, or on some pressing issue of the day.”

After being silent for a moment Sam got a smile on his face and said “On that three chord playing thing I remember Geoff Muldaur from the Kweskin Jug Band, a guy who knew the American folk songbook as well as anybody then, worked at learning it too, as did Kweskin, learned even that Harry Smith anthology stuff which meant you had to be serious, saying that if you could play three chords you were sure to draw a crowd, a girl crowd around you, if you knew four or five that  meant you were a serious folkie and you could even get a date from among that crowd, and if you knew ten or twelve you could have whatever you wanted. I don’t know if that is true since I never got beyond the three chord thing but no question that was a way to attract women, especially at parties.” Laura, never one to leave something unsaid when Sam left her an opening said in reply “I didn’t even have to play three chords on a guitar, couldn’t then and I can’t now, although as Sam knows I play a mean kazoo, but all I had to do was start singing some Joan Baez or Judie Collins cover and with my long black hair ironing board straight like Joan’s I had all the boy come around and I will leave it to your imaginations about the whatever I wanted part.” They all laughed although Sam’s face reddened a bit at the thought of her crowded with guys although he had not known her back then but only later in the early 1970s.                     

Those reference got Julia thinking back the early 1960s when she and Sam went “dutch treat” to see Dave Van Ronk at the Club Blue. (Sam and Julia were thus by definition not on a heavy date, neither had been intrigued by the other but folk music was their bond and despite persistent Julia BU dorm roommate rumors what with Sam hanging around all the time had never been lovers). She mentioned that to Sam as they waited to see if he remembered and while he thought he remembered he was not sure. He asked Julie, “Was that the night he played that haunting version of Fair and Tender Ladies with Eric Von Schmidt backing him up on the banjo?” Julie had replied yes and that she too had never forgotten that song and how the house which usually had a certain amount of chatter going on even when someone was performing had been dead silent once he started singing.

Club Blue had been located in that same Harvard Square that Sam had mentioned earlier and along with the Café Nana, which was something of a hot spot once Dylan, Baez, Tom Rush and the members of the Kweskin band started hanging out there, and about five or six other coffeehouses all within a few blocks of each other (one down on Arrow Street was down in the sub-basement and Sam swore that Dylan must have written Subterranean Homesick Blues there). Coffeehouses then where you could, for a dollar or two, see Bob, Joan, Eric (Von Schmidt), Tom (Rush), Phil (Ochs) and lots of lean and hungry performers working for that “basket” Sam had mentioned earlier passed among the patrons and be glad, at least according to Van Ronk when she had asked him about the “take” during one intermission, to get twenty bucks for your efforts that night.

That was the night during that same intermission Dave also told her that while the folk breeze was driving things his way just then and people were hungry to hear anything that was not what he called “bubble gum” music like you heard on AM radio that had not been the case when he started out in the Village in the 1950s when he worked “sweeping out” clubs for a couple of dollars. That sweeping out was not with a broom, no way, Dave had said with that sardonic wit of his that such work was beneath the “dignity” of a professional musician but the way folk singers were used to empty the house between shows. In the “beat”1950s with Kerouac, Cassady, Ginsberg, and their comrades (Dave’s word reflecting his left-wing attachments) making everybody crazy for poetry, big be-bop poetry backed up by big be-bop jazz the coffeehouses played to that clientele and on weekends or in the summer people would be waiting in fairly long lines to get in. So what Dave (and Happy Traum and a couple of other singers that she could not remember) did was after the readings were done and people were still lingering over their expressos he would get up on the makeshift stage and begin singing some old sea chanty or some slavery day freedom song in that raspy, gravelly voice of his which would sent the customers out the door. And if they didn’t go then he was out the door. Tough times, tough times indeed.             

Coffeehouses too where for the price of a cup of coffee, maybe a pastry, shared, you could wallow in the fluff of the folk minute that swept America, maybe the world, and hear the music that was the leading edge then toward that new breeze that everybody that Julie and Sam knew was bound to come what with all the things going on in the world. Black civil rights, mainly down in the police state South, nuclear disarmament, the Pill to open up sexual possibilities previously too dangerous or forbidden, and music too, not just the folk music that she had been addicted to but something coming from England paying tribute to old-time blues with a rock upbeat that was now a standard part of the folk scene ever since they “discovered” blues guys like Mississippi John Hurt, Son House, Bukka White, and Skip James. All the mix to turn the world upside down. All of which as well was grist to the mill for the budding folk troubadours to write songs about.

Julie made her companions laugh as they stood there starting to get a little impatient since the doors to the concert hall were supposed to open at seven and here it was almost seven fifteen (Sam had fumed, as he always did when he had to wait for anything, a relic of his Army days during the Vietnam War when everything had been “hurry up and wait”). She had mentioned that back then, back in those college days when guys like Sam did not have a lot of money, if worse came to worse and you had no money like happened one time with a guy, a budding folkie poet, Jack Dawson, she had a date with you could always go to the Hayes-Bickford in the Square (the other H-Bs in other locations around Boston were strictly “no-go” places where people actually just went to eat the steamed to death food and drink the weak-kneed coffee). As long as you were not rowdy like the whiskey drunks rambling on and on asking for cigarettes and getting testy if you did not have one for the simple reason that you did not smoke (almost everybody did then including Sam although usually not with her and definitely not in the dorm), winos who smelled like piss and vomit and not having bathed in a while, panhandlers (looking you dead in the eye defying you to not give them something, money or a cigarette but something) and hoboes (the quiet ones of that crowd  who somebody had told her were royalty in the misfit, outcast world and thus would not ask for dough or smokes) who drifted through there you could watch the scene for free. On any given night, maybe around midnight, on weekends later when the bars closed later you could hear some next best thing guy in full flannel shirt, denim jeans, maybe some kind of vest for protection against the cold but with a hungry look on his face or a gal with the de riguer long-ironed hair, some peasant blouse belying her leafy suburban roots, some boots or sandals depending on the weathers singing low some tune they wrote or reciting to their own vocal beat some poem. As Julie finished her thought some guy who looked like an usher in some foreign castle opened the concert hall doors and the four aficionados scampered in to find their seats.                 

…As they walked down the step of Symphony Hall having watched Pete work his banjo magic, work the string of his own Woody-inspired songs like Golden Thread and of covers from the big sky American songbook and Arlo wowed with his City of New Orleans and some of his father’s stuff (no Alice’s Restaurant that night he was saving that for Thanksgiving he said) Sam told his companions, “that fourteen dollars each for tickets was a steal for such performances, especially in that acoustically fantastic hall” and told his three friends that he would stand for coffees at the Blue Parrot over in Harvard Square if they liked. “And maybe share some pastry too.”     

When The Bad Guys Come You Want Sean Connery On The Case -Once Against The Bad Guys Fall Into The Abyss-Sean Connery’s “Presidio” (1988)-A Film Review

When The Bad Guys Come You Want Sean Connery On The Case -Once Against The Bad Guys Fall Into The Abyss-Sean Connery’s “Presidio” (1988)-A Film Review

DVD Review

By Leslie Dumont

   

Presidio, starring Sean Connery, Mark Harmon, 1988

Every since he was 007 James Bond the one man spy ring to save the crumbling British Empire, worth saving or not, Sean Connery has seemingly never given a bad performance. That is the case here with Presidio. Maybe it is Sean’s ruggedly handsome no nonsense looks and his bravado manner but as long as he has played the avenging angel of John Milton’s poetry or some such classic of the Greek or English literary canon he can’t go wrong. In street language he puts the hurt, the big step off on the bad guys. No questions asked, no quarter given.

Of course now, in 2018, the Presidio which brought either terror to young Army recruits when it was a point of debarkation for the hellish war in Vietnam or delight to be on the Pacific West Coast, to be in sunny and thoughtful California if you drew an assignment there, the place is mainly shut up against the Golden Gate Bridge except the golf course which devotee Si Lannon of this publication says is a bear to play (and maybe why avid golfer Connery took the role, just a thought). Of course as well a military installation close by the city streets of San Francisco is going to have some jurisdiction problems if some crime spills out from the fort to those mean streets.

That is the underlying tension between Provost Marshall, the sheriff, chief of police, in military speak played by Connery and one wild boy ex-Army MP, played by Mark Harmon, who was then working for the SF Police Department. A murder, a vicious no hold barred murder if there is any other kind, occurred on the fort and the villains fled to the streets of Frisco town after a wild chase. The murder victim a female MP who was doing her job checking out some suspicious activity at the Officers’ Club. For that she got wasted and for that our man Sean will go to the ends of the earth to find the killers.   

The big problem is why the killers were in the OC anyway, since apparently nothing was taken, nothing that seemed to be out of place. That will be the puzzle both Sean and Mark have to solve. Solved despite a serious disagreement about Mark’s budding affair with Sean’s wayward daughter who has had the angst of every military brat, civilian too come to think of it in trying to find her own identity against that titanic father force. That Mark had problems with the old man while he was an MP adds fuel to the fire.

In the end as expected the case will be solved. As it turned out the deal going down was not the drugs from Asia that I thought at first might be the reason the fort was being used as a transit point to bring the stuff into the country but diamonds, tons of them from the look of things. The cartel dragged down a few soldiers in its wake including a decorated sergeant who got caught in the middle for some problem he had over in Vietnam in the old days. Yeah, watch out bad guys when one Sean Connery comes on the screen your days are numbered.

The Old Days In Gay “Closeted, Hell, Entombed ” Hollywood-With a New Book About AIDS Victim Hollywood 1950s He-Man Icon Rock Hudson-Even His Name Dripped Masculinity In Some Quarters In Mind

The Old Days In Gay “Closeted, Hell, Entombed ” Hollywood-With a New Book About AIDS Victim Hollywood 1950s He-Man Icon Rock Hudson-Even His Name Dripped Masculinity In Some Quarters In Mind 

By Seth Garth

Here is a link to a Terry Gross Fresh Air show on NPR about a book about the life and times of 1950s movie icon Rock Hudson by Mark Griffin All That Heaven Allows which forms the backdrop to this commentary:

https://www.npr.org/programs/fresh-air/2018/12/05/673714293/fresh-air-for-dec-5-2018-rock-hudsons-double-life

I suppose I am the one person of the old-time working poor Acre neighborhood of North Adamsville corner boys who should do this commentary on 1950s and before “gay” Hollywood through a book reviewed on NPR about the life and times of masculine icon Rock Hudson who dramatic announcement in the 1980s that he had AIDS brought new light (and more research money) on the disease because of his standing in the Hollywood firmament. I don’t usually put much stock in coincidences although they certainly exist so but I find it ironic that at nearly the same time I was listening to this Fresh Air  with Terry Gross interview that Allan Jackson was maybe three doors away from me writing his defense of himself against all kind of false accusations after he had been purged from his site manager’s job at this publication, including that he was the M.C. of a drag queen club out in San Francisco.      

As Allan subsequently detailed that false accusation, that slander and libel whether it was actionable in a court of law by some of the ”victors” in his ouster was purposefully put on as fact, really alternate fact, when he had wound up in San Francisco visiting his, our old friend and corner boy from highs school days Timmy Riley, now known far and wide in the world of “drag queens” as Miss Judy Garland and the proprietor of the so-called notorious KitKat Club which has since become a major tourist attraction in that city.  

What has come out only recently (although I and a couple of others who had put some money up knew what the situation was) is that Allan after Timmy had flee North Adamsville when he “came out” to his parents who would subsequently disown him and a few friends, a few corner boys remained in North Adamsville after high school scorned him to go to gay and drag queen friendlier San Francisco in the post-Stonewall period had loaned, had given Timmy the money to buy and refurbish the run-down KitKat Club in North Beach. (Although everybody in Frisco knows him as Miss Judy Garland we all still call him Timmy so let me stick with that name.) So, yes, Alan was staying with his old friend, and mine too, at one of Timmy’s apartments above the club which he also owned trying to jump start his life. So much for unverified “facts.”   

Allan mentioned in his introductory piece to a series on Jack Kerouac the 50^th anniversary of whose death will be commemorated in 2019 that when we were corner boys, when we were hanging around Tonio’s Pizza Parlor in the early 1960s we would mercilessly gay-bait anybody who seemed the least bit, well, faggy, light on their feet, homo all the terms of approbation used at the time for gay-bashing. And here is what may startle the unwary reader Timmy Riley, football playing, rugged, pretty handsome and girl attractive was the leader of the pack. Moreover we did not, and I speak of this as both Allan and Timmy have with eternal shame, just talk the talk but would go down to Provincetown in high which we knew was “queer heaven” and not just gay-bash some poor unsuspecting guy but “lead” on to get somebody out in back of some bar and beat the shit out of the guy. And again Timmy would be in the lead. We were shocked, shocked to the core when we heard from Sonny Lewis that Timmy had “come out” had started painting his fingernails, and they had beaten him up one of the main reasons Timmy fled the town.   

What does all of this about an old gay and drag queen (they are not both the same, okay) corner boy from working class North Adamsville have to do with a famous movie star from our times like Rock Hudson. Well everything since, as the book and a documentary point out, Rock and a number of other he-man role male movie stars like Guy Madison, Rory Calhoun, and famously Tab Hunter had to stay deep, deep in the closet to maintain their livelihoods. To keep up the illusion, the movie theater illusion that every female movie-goer (and who knows now when you think about the matter some male movie-goers) that they could grab the guy for a boyfriend. Such was, and is, the Hollywood dream factory. Despite the fact that like the revelations long known in Hollywood about the “casting couch” culture which, male or female, depending on the predilections of the man in power, helped get you up the food chain the “gay community,” who was gay, who was sitting out in Malibu with a bunch of men, good looking athletic men without women.        

I am not sure how much trouble Rock got into, or avoided in having his male companionship and his affairs, before his public announcement of his AIDS condition (in those days a sentence of death) and the how and when he knew that he preferred men to women but we saw Rock, maybe not as the coolest guy around, maybe guys like Steve McQueen and Paul Newman were more our models of manliness, as a serious masculine figure especially when he was not doing that silly romantic comedy stuff that none of us could relate to. What I do know, do know from talking with both Timmy and Allan over the years that Timmy, and I assume Rock, paid a terrible psychic price for having to stay in the closet. Worse having to hide who they were, are against guys like the North Adamsville corner boys who were quick with fists and not understanding. So this does not do justice to the subject but RIP, Rock Hudson, RIP   

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars

From The Veterans For Peace- The Twelve Days Of......The Struggle Against The Endless American Wars