The 50th Anniversary Of The Summer Of Love-Before The Gonzo Wave Receded- The Life and Work Of Hunter Thompson- A Second Look
DVD REVIEW
Buy The Ticket, Take The Ride, Indeed
Buy The Ticket, Take The Ride: The Life And Times Of Doctor Hunter Thompson, Hunter Thompson and various commentators, 2007
Since Doctor Hunter S. Thompson’s death by suicide and the extravaganza of the funereal flight of his ashes at Woody Creek in 2005 there has been a veritable avalanche of documentaries, books and other forms of tribute by his friends, like Ralph Steadman and Johnny Depp, his associates, like Jann Wanner and David Brinkley, and others. Whatever other intention each tribute may have they all have in common a desire to influence that crucial “first draft of history” in order to assure Thompson’s place in the pantheon of 20th century American letters. There is no question that Thompson belongs there and furthermore no question that his work will be read even by future digitally-centered 'cyberspace' generations (who will, I am sure, get a kick out of that old mojo wire of his as we did in our time on discovering something like an old antique crank-up telephone). What is at question is the extent that each tribute, including this 2007 documentary, adds or detracts from that commemoration.
As I have mentioned elsewhere in this space on the subject of albums of musical tributes to legendary folk, rock and blues stars not all such efforts are create equally. Nor, in the case of Thompson, do such tributes all cover the same ground (although on such a narrow subject as the hey day of Hunter Thompson’s best work there is bound to be, and is, overlap). In the very recent past I have reviewed another Thompson documentary tribute- “Gonzo: The Life And Work Of Dr. Hunter S. Thompson”- that concentrated on his rising career as a hip 1960’s journalist and political commentator. The center of that piece was Thompson’s journalistic efforts in the period from the mid-1960’s, including the personally decisive 1968 Chicago Democratic Convention, to the rise of Jimmy Carter’s presidential candidacy in the mid-1970’s.
The current film tends to concentrate more on Thompson’s emergence as an icon at a later period and on the effect that two films about him- “Where The Buffalo Roam” and “Fear And Loathing In Las Vegas” contributed to that status. Moreover, unlike “Gonzo” that was filled with commentary by more political types, like former presidential candidates George McGovern and Gary Hart, or on the evolution of his journalism by the likes of his "Rolling Stone” boss Jann Wanner and the writer Tom Wolfe (of “Electric Kool-Aid Acid Test” fame) this work features more Hollywood film-types like Thompson friends Sean Penn, Johnny Depp and John Cusack. I, thus, give the edge to “Gonzo” as the more important and informative film because, in the final analysis Thompson’s legacy for future generations will be those many, many printed words that keep us going on many a hard night out on the edge.
Finally, I would make this comment that I have made in “Gonzo” and in reviews of some of Hunter’s books.
“Generally the most the trenchant social criticism, commentary and analysis complete with a prescriptive social program ripe for implementation has been done by thinkers and writers who work outside the realm of bourgeois society, notably socialists and other progressive thinkers. Bourgeois society rarely allows itself, in self defense, to be skewered by trenchant criticism from within. This is particularly true when it comes from a known dope fiend, gun freak and all-around lifestyle addict like the late, lamented Dr. Hunter S. Thompson. Nevertheless, although he was far from any thought of a socialist solution and would reject such a designation we could travel part of the way with him. We saw him as a kindred spirit. He was not one of us- but he was one of us. All honor to him for pushing the envelope of journalism in new directions and for his pinpricks at the hypocrisy of bourgeois society. Such men are dangerous.”
Hunter, I hope that you find the Brown Buffalo wherever you are. Damn, the 2008 campaign, despite the hoopla, was boring without your knife even if at the end it was not as sharp as in the old days. Watch this DVD. And then “buy the ticket, take the ride” and read his books.
Zack James’ comment June, 2017:
Sometimes you just have to follow the bouncing ball like in those old time sing along cartoons they used to have back in say the 1950s,the time I remember them from, on Saturday afternoon matinees at the old now long gone Stand Theater in my growing up town of North Adamsville. Follow me for a minute here I won’t be long. Earlier this spring my oldest brother, Alex, took attended a conference in San Francisco which he has done periodically for years. While there he noticed an advertisement on a bus for something called the Summer of Love Experience at the de Young Museum in Golden Gate Park. That ad immediately caught his attention he had been out there that year and had participated in those events at the urging of his friend Peter Paul Markin who was something of a holy goof (a Jack Kerouac term of art), a low rent prophet, and a street criminal all in one. When Alex got back to the East after having attended the exhibition he got in contact with me to help him, and the still standing corner boys who also had gone out West at Markin’s urging to put together a tribute booklet honoring Markin and the whole experience.
After completing that project, or maybe while completing it I kept on thinking about the late Hunter S. Thompson who at one time was the driving force behind gonzo journalism and had before his suicide about a decade ago been something of a muse to me. At first my thoughts were about how Thompson would have taken the exhibition at the de Young since a lot of what he wrote about in the 1960s and 1970s was where the various counter-cultural trends were, or were not, going. But then as the current national political situation in America in the Trump Age has turned to crap, to craziness and straight out weirdness I began to think about how Thompson would have handled the 24/7/365 craziness these days since he had been an unremitting searing critic of another President of the United States who also had low-life instincts, one Richard Milhous Nixon.
The intertwining of the two stands came to head recently over the fired FBI director James Comey hearings where he essentially said that the emperor had no clothes. So I have been inserting various Thompson-like comments in an occasional series I am running in various on-line publications-Even The President Of The United States Sometimes Must Have To Stand Naked-Tales From The White House Bunker. And will continue to overlap the two-Summer of Love and Age of Trump for as long as it seems relevant. So there you are caught up. Ifs not then I have included hopefully for the last time the latest cross-over Thompson idea.
************
Zack James comment, Summer of 2017
Maybe it says something about the times we live in, or maybe in this instance happenstance or, hell maybe something in the water but certain things sort of dovetail every now and again. I initially started this commentary segment after having written a longest piece for my brother and his friends as part of a small tribute booklet they were putting together about my and their takes on the Summer of Love, 1967. That event that my brother, Alex, had been knee deep in had always interested me from afar since I was way too young to have appreciated what was happening in San Francisco in those Wild West days. What got him motivated to do the booklet had been an exhibit at the de Young Art Museum in Golden Gate Park where they were celebrating the 50th anniversary of the events of that summer with a look at the music, fashion, photography and exquisite poster art which was created then just as vivid advertising for concerts and “happenings” but which now is legitimate artful expression.
That project subsequently got me started thinking about the late Hunter Thompson, Doctor Gonzo, the driving force behind a new way of looking at and presenting journalism which was really much closer to the nub of what real reporting was about. Initially I was interested in some of Thompson’s reportage on what was what in San Francisco as he touched the elbows of those times having spent a fair amount of time working on his seminal book on the Hell’s Angels while all hell was breaking out in Frisco town. Delved into with all hands and legs the high points and the low, the ebb which he located somewhere between the Chicago Democratic Convention fiasco of the summer of 1968 and the hellish Rollins Stones Altamont concert of 1969.
Here is what is important today though, about how the dots get connected out of seemingly random occurrences. Hunter Thompson also made his mark as a searing no holds barred mano y mano reporter of the rise and fall, of the worthy demise of one Richard Milhous Nixon at one time President of the United States and a common low-life criminal of ill-repute. Needless to say today, the summer of 2107, in the age of one Donald Trump, another President of the United States and common low-life criminal begs the obvious question of what the sorely missed Doctor Gonzo would have made of the whole process of the self-destruction of another American presidency, or a damn good run at self-destruction. So today and maybe occasionally in the future there will be some intertwining of commentary about events fifty years ago and today. Below to catch readers up to speed is the most recent “homage” to Hunter Thompson. And you too I hope will ask the pertinent question. Hunter where are you when we need, desperately need, you.
*******
Zack James comment, Summer of 2017
You know it is in a way too bad that “Doctor Gonzo”-Hunter S Thompson, the late legendary journalist who broke the back, hell broke the neck, legs, arms of so-called objective journalism in a drug-blazed frenzy back in the 1970s when he “walked with the king”’ is not with us in these times. (Walking with the king not about walking with any king or Doctor King but being so high on drugs, your choice, that commin clay experiences fall by the way side. In the times of this 50th anniversary commemoration of the Summer of Love, 1967 which he worked the edges of while he was doing research (live and in your face research by the way) on the notorious West Coast-based Hell’s Angels. His “hook” through Ken Kesey and the Merry Pranksters down in Kesey’s place in La Honda where many an “acid test” took place, where many walked with the king, if you prefer, and where for a time the Angels, Hunter in tow, were welcomed. He had been there in the high tide, when it looked like we had the night-takers on the run and later as well when he saw the ebb tide of the 1960s coming a year or so later although that did not stop him from developing the quintessential “gonzo” journalism fine-tuned with plenty of dope for which he would become famous before the end, before he took his aging life and left Johnny Depp and company to fling his ashes over this good green planet. He would have “dug” the exhibition, maybe smoked a joint for old times’ sake (oh no, no that is not done in proper society, in high art society these days) at the de Young Museum at the Golden Gate Park highlighting the events of the period showing until August 20th of this year.
Better yet he would have had this Trump thug bizarre weirdness wrapped up and bleeding from all pores just like he regaled us with the tales from the White House bunker back in the days when Trump’s kindred one Richard Milhous Nixon, President of the United States and common criminal was running the same low rent trip before he was run out of town by his own like some rabid rat. He would have gone crazy seeing all the crew deserting the sinking U.S.S. Trump with guys like fired FBI Director Comey going to Capitol Hill and saying out loud the emperor has no clothes and would not know the truth if it grabbed him by the throat. Every day would be a feast day. But perhaps the road to truth these days, in the days of “alternate facts” and assorted other bullshit would have been bumpier than in those more “civilized” times when simple burglaries and silly tape-recorders ruled the roost. Hunter did not make the Nixon “hit list” (to his everlasting regret for which he could hardly hold his head up in public) but these days he surely would find himself in the top echelon. Maybe too though with these thugs who like their forbears would stop at nothing he might have found himself in some back alley bleeding from all pores. Hunter Thompson wherever you are –help. Selah. Enough said-for now
DVD REVIEW
Buy The Ticket, Take The Ride, Indeed
Buy The Ticket, Take The Ride: The Life And Times Of Doctor Hunter Thompson, Hunter Thompson and various commentators, 2007
Since Doctor Hunter S. Thompson’s death by suicide and the extravaganza of the funereal flight of his ashes at Woody Creek in 2005 there has been a veritable avalanche of documentaries, books and other forms of tribute by his friends, like Ralph Steadman and Johnny Depp, his associates, like Jann Wanner and David Brinkley, and others. Whatever other intention each tribute may have they all have in common a desire to influence that crucial “first draft of history” in order to assure Thompson’s place in the pantheon of 20th century American letters. There is no question that Thompson belongs there and furthermore no question that his work will be read even by future digitally-centered 'cyberspace' generations (who will, I am sure, get a kick out of that old mojo wire of his as we did in our time on discovering something like an old antique crank-up telephone). What is at question is the extent that each tribute, including this 2007 documentary, adds or detracts from that commemoration.
As I have mentioned elsewhere in this space on the subject of albums of musical tributes to legendary folk, rock and blues stars not all such efforts are create equally. Nor, in the case of Thompson, do such tributes all cover the same ground (although on such a narrow subject as the hey day of Hunter Thompson’s best work there is bound to be, and is, overlap). In the very recent past I have reviewed another Thompson documentary tribute- “Gonzo: The Life And Work Of Dr. Hunter S. Thompson”- that concentrated on his rising career as a hip 1960’s journalist and political commentator. The center of that piece was Thompson’s journalistic efforts in the period from the mid-1960’s, including the personally decisive 1968 Chicago Democratic Convention, to the rise of Jimmy Carter’s presidential candidacy in the mid-1970’s.
The current film tends to concentrate more on Thompson’s emergence as an icon at a later period and on the effect that two films about him- “Where The Buffalo Roam” and “Fear And Loathing In Las Vegas” contributed to that status. Moreover, unlike “Gonzo” that was filled with commentary by more political types, like former presidential candidates George McGovern and Gary Hart, or on the evolution of his journalism by the likes of his "Rolling Stone” boss Jann Wanner and the writer Tom Wolfe (of “Electric Kool-Aid Acid Test” fame) this work features more Hollywood film-types like Thompson friends Sean Penn, Johnny Depp and John Cusack. I, thus, give the edge to “Gonzo” as the more important and informative film because, in the final analysis Thompson’s legacy for future generations will be those many, many printed words that keep us going on many a hard night out on the edge.
Finally, I would make this comment that I have made in “Gonzo” and in reviews of some of Hunter’s books.
“Generally the most the trenchant social criticism, commentary and analysis complete with a prescriptive social program ripe for implementation has been done by thinkers and writers who work outside the realm of bourgeois society, notably socialists and other progressive thinkers. Bourgeois society rarely allows itself, in self defense, to be skewered by trenchant criticism from within. This is particularly true when it comes from a known dope fiend, gun freak and all-around lifestyle addict like the late, lamented Dr. Hunter S. Thompson. Nevertheless, although he was far from any thought of a socialist solution and would reject such a designation we could travel part of the way with him. We saw him as a kindred spirit. He was not one of us- but he was one of us. All honor to him for pushing the envelope of journalism in new directions and for his pinpricks at the hypocrisy of bourgeois society. Such men are dangerous.”
Hunter, I hope that you find the Brown Buffalo wherever you are. Damn, the 2008 campaign, despite the hoopla, was boring without your knife even if at the end it was not as sharp as in the old days. Watch this DVD. And then “buy the ticket, take the ride” and read his books.
No comments:
Post a Comment