Poets’ Corner- The Mad Hatter 15^th Century France’s Francois Villon Whether They Claim Him Or Not

 

 

 

From The Pen Of Frank Jackman

Once, a long time ago, an old communist I do not remember which version of the creed he adhered to, although he had had some impressive documented revolutionary credentials in Germany before Hitler pulled the hammer down in 1933 and he just barely got out into American exile by a very long and circuitous route, told me that as far as culture affairs, you know art, novels, music and what I want to talk about here, poetry, is basically subject to whatever personal whims a person may have on these matters. The caveat to all this is that both creators and admirers should be left to their own devises except if they are actively engaged with counter-revolutionary activity. Now that I think about it he probably got the idea from Leon Trotsky himself who wrote about such matters in the 1920s in books like  Literature and Revolution although I am sure that he did not consider himself a follower of that great revolutionary who was exiled in the late 1920s.

The point today is that if a left-wing political activist like myself, say, were very interested in the poetry of Emily Dickerson or Wallace Stevens or Thomas Mann or Edna Saint Vincent Millay then what of it. Except those kinds of poets do not “speak” to me. Poets like Allan Ginsberg burning the pages with his negro streets, his clamoring against the industrial complex, his angel hipsters, his chanting against the fate of the best minds of his generation, the gangster-poet Gregory Corso blazing the hot streets with his words and taking no prisoners, old Rimbaud with his mad ravings, Verlaine too, Genet with his black soul they “speak” to me. The troubadours, the “bad boys and girls,” the waifs, the gangsters, the drifters, grifters and midnight sifters and those who act as muses for the fallen are what makes me sit up and listen.                  

 And that brings us to Francois Villon, the “max daddy” of bad boy poets (and brigands) from the 15^th century. Strangely while I have picked up on most of my favorite poets from some academic setting I learned of Villon from two maybe unusual sources. First from the 1930s film The Petrified Forest where the Bette Davis character, Gabby, was crazy for the Villon book of poems sent from her returned to home mother in France. More importantly the poet and what he stood for was brought up in the film in conversation with Leslie Howard’s character Alan who was a Villon-like misplaced out of sorts wanderer out in the Arizona desert. The other source was a poem by Villon used as a front-piece of an article by Hunter S. Thompson who used the sentiment expressed by Villon where he considered himself a stranger in his own country (as did Thompson back in Nixon times in America).

But back to the muses, back to the gangsta muses (sorry hip-hop nation for stealing your thunder but your sing-song lyrics definitely make me think you have drawn from the same well, the same Villon well, especially guys like Biggie, Tupac, 50 cent, and Brother Cole, a brother from the same damn “sew those worn-out pants” projects neighborhood in spirit as me). Old Villon must have gotten tripped up on his DNA finding the back streets of Paris and later exile spots more attractive than the court life, the scholar’s. Trouble followed the guy wherever he moved (granted he had little room to maneuver in those days since he was a city man and not some outlaw Robin Hood working the old rural pastures and forests). His poetry speaks of drunken sots, of quick upstairs flights with besotten wenches, of tavern dark corners to plan, plan the next caper, or the next poem to explain away his life led.         

Who knows what makes a man or woman a stranger in their own land, an internal exile. Maybe like Villon it was his dismissal of the vanities of court life, the vacuity of the student life, or the lure of the outlaw life when bourgeois society (and France in the 15^th century was reaping the beggar’s banquet of bourgeois society) and it took no Karl Marx to notice that the old ways had to give way to the new city ways with their gold and death to free spirits, to those who lived outside allegiances. Maybe like Ginsberg shattered by the smoke of downtown Paterson, maybe shattered by the hysterical cries of his beloved if discarded mother, maybe shattered by the square-ness of his father-poet. Maybe like Jean bon Genet born of some ancient mix of the crime that dared not speak its name and crimes that had names. Trolling waterfronts looking for rough trade, looking for his lady of the flowers. Strangers, strangers all looking for some new Algiers, some new Casablanca, some new city a-borning.

Villon, lord of the sneak away night, besotted with six wines, drunk with the fragrance of women. Women who reek of the kingdom’s perfumes and if Hilary Mantel is to be believed over in bedeviled England all the women worked lilac and lemon tree leaves into their skin so that guys, guys like Villon ready to seek a lady’s favor could stand to be within ten feet of them. Reeking of words too, Villon reeking of words that is, quick words, words with hidden messages, words heard in taverns, on wormy mattresses, in stinking hayloft barns, unholy holy words that would make men quake if they had the sense that their God gave them as a gift (or was it the son, the damn crazed son, Jesus, called bandit), stealthily grabbing whatever was to be grabbed and the hell with the lord business. Then writing in dark dungeon nights looking for reprieves from a wretched life.

Beautiful, a beat down brother, no wonder Alan the wandering homeless out of fashion intellectual in The Petrified Forest claimed him as kindred, and why he could have walked on steamy late night New York streets and found kindred among the midnight sifters. Beat, beatified before his time probably clamoring on some woe begotten trumpet, blowing out big medieval blow notes to the hard Seine, the hard Norman shores, to all who would listen, Yeah, Saint Villon, sanctified, man of misrule, man of the hidden cloth, beat, beat about six ways to Sunday if you believe his resume, if you believe his 15^th century be-bop wail. What did Kerouac, hell, a kindred, a Breton, said-yes, moan, moan long and hard for man, and Saint Villon grant us some sign, some path that we might come to rescue you in sotted, sweated dungeons, so that you too can walk the fetid streets singing, holy, holy, holy.

What was it that his literary descendants, guys like Jack Kerouac who I swear had Villon blood in him, guys like Alan Ginsberg who sang holy, holy, holy to the new age except he cried out in vain to dreaded Molochs, called those who listened to their own drummers, listened to the winds beyond the towns, beyond the cities, listened to the forest men, the men who earlier in their lives lived in towns and cities?  Oh yeah, “holy goofs.” Not goofs like you would call some guy walking down the street looking down and he hits his head on a telephone pole because he wasn’t watching where he was going. No, our holy goof, I think Kerouac used that term to describe, or rather used that term as one of the ways to describe mad man fellow traveler Dean Moriarty, and hence the model Neal Cassady as well, to his Sal Paradise in On The Road. A guy who is for the moment, an existential be-bop guy, a guy who knows the score, knows right from wrong even, knows it better than you and me, and says “what the fuck,” says you know, I know, and so let the mystery be, let the cloistered intellectuals in their sullen monasteries poring over the number of angel that can fit on the head of a needle sulk while he worked on the angles, looked for dough, dames and dope. See, I swear Villon from his hidden grave sent down to posterity the model for the holy goof, and these other guys picked it out of the fog-bound air.          

Sweet word man Villon articulate in a hoary dark world when gangster warlord and unsavory princes vied with each for land, for wealth, for some fair maiden’s favors. And let’s not beat about the bush it wasn’t for some silly scarf just off the boats from faraway China or the Japan Seas but for a tussle in some off-hand hayloft, some milady’s boudoir, some back room tavern straw bed. Read what you want into that but some buck jack was taking his right of first night, well, before the first night. But heroic buck jacks sometimes could speak no lady’s words, could not utter the thoughts in an otherwise black heart and so old Villon had a space to breath, had words to tell of loves truths, or what milady would go to the downy billows for. And for his services for he was a man of the city, a man of the back alleys, a man who consorted with the rabble, a con man and a wordsmith in his own right and so every once in a while a bored milady would stop her quilling, stop her needlepoint and show the old curmudgeon her downy billows for just one word of the night, for the sound of those moans that no child should know before his or her time.    

Of course a guy who liked to walk on the wild side, who was organically incapable of saying a straight thing if for no other reason than self-preservation would have many a back room tavern wench taking him around the world (yes, they, the wenches, and their procurers, knew all about “taking a guy around the world” like that little sexual trick was invented by Master and Johnson or something). And on a normal night, maybe after stealing some gold from a merchant’s back room, maybe pilfering some goods just off the boat from the Japan seas, maybe after waylaying some drunken sot for his ready bag of cash that would be good enough, would sate his sexual desire. But once every dark moonless night, maybe feeling a little put upon by his wretched place in the world he would seek the high life, “go uptown” as they said in their own way among the brotherhood.

And here is how it was done. A great and gratifying scam. Some poor high life guy who made his dough off the Japan seas or something like that had a lady love who could not be moved except by words, words of love. And he from rough usage spoke only in twaddle. No sale. So sweet boy Villon to the rescue. Pretty words at a dime a throw. A few ducats. But get this that poor roughly used guy would have old boy Villon prate the words to his love to his love. And sometimes, sometimes when there was a dark, moonless, night maybe a little sweaty milady would close her virginal eyes and act the backroom tavern wench and take old brother Villon around the world. See she knew such arts too. And that roughly sued sot would never be the wiser. Oh sweet boy Villon teach your arts.        

When you mess with women though, mess in the bedroom anyway, some paid for bedroom, and it was not you paying the freight, whether it was Eve in the garden, hell, maybe before when two primates started doing the courtly dance or today with some Evita trying to avoid getting your toes stepped on by some fast moving female you have to be prepared to take the gaff. Be prepared to find that the end could only lead one way, and it was not in favor of Villon and his progeny. So, Eve, Helen, Mary, the Pea, some sweetie, whoever was ready to throw you to the wolves once they were done with you. Or maybe throw you to the wolves even if they were not done with you just for practice. Ah, love, love divine, love in the back alleys, love in that scented boudoir but love nevertheless. Except when you mess with another man’s woman, go against some broken code, and this too has been going on since the garden, maybe before, maybe in some half-remembered tussle in the savannah where the winner dragged the queen of Sheba, his queen of Sheba anyway by the hair and took her by main force you must take the gaff as well and be prepared to run after the rut. Whether she liked it or not. But still playing with kingly woman is always a dicey thing and so Villon, Adam, Markin, whoever is now out begging for alms, for his life for the chance once more to get at that jasmine scent that maddens his mind, keeps his thoughts clouded, disturbs his sleep and makes him ask the question-what the fuck- or whatever old Villon term used with his corner boys to signify defeat. And proclaim that defeat in sweet saucy words to a candid world.        

 

 

Yes, wanderers, waifs, strangers in a strange land, sneak thieves in the milady’s heart heated night, those are the poets I want to read and listen to. And what of it.        

     

 

Le Testament: Ballade Des Dames Du Temps Jadis

 

Tell me where, or in what country

Is Flora, the lovely Roman,

Archipiades or Thaïs,

Who was her nearest cousin,

Echo answering, at clap of hand,

Over the river, and the meadow,

Whose beauty was more than human?

Oh, where is last year’s snow?

 

Where is that wise girl Eloise,

For whom was gelded, to his great shame,

Peter Abelard, at Saint Denis,

For love of her enduring pain,

And where now is that queen again,

Who commanded them to throw

Buridan in a sack, in the Seine?

Oh, where is last year’s snow?

 

Queen Blanche of the Siren’s voice

White as a swan, and Alice, say,

Bertha Big-Foot and Beatrice,

Arembourg, ruler of Maine,

Or Jeanne d’Arc of Lorraine,

The English burned at Rouen? Oh,

Where are they Virgin, you who reign?

Oh, where is last year’s snow?

 

Prince, don’t ask of me again

Where they are, this year or no,

I have only this last refrain:

Oh, where is last year’s snow?

Note: Dante Gabriel Rossetti took Archipiades to be Hipparchia (see Diogenes Laertius, Lives of the Philosophers, Book VI 96-98) who loved Crates the Theban Cynic philosopher (368/5-288/5BC) and of whom various tales are told suggesting her beauty, and independence of mind. This would make her an exact or close contemporary of Thais, beautiful Athenian courtesan and mistress of Alexander the Great (356-323BC). Villon presumably means that they were ‘near cousins’ in spirit.

As The 100th Anniversary Of The First Year Of World War I (Remember The War To End All Wars) Continues ... Some Remembrances-Poet’s Corner  

O GLORIOUS FRANCE


You have become a forge of snow-white fire,
A crucible of molten steel, O France!
Your sons are stars who cluster to a dawn
And fade in light for you, O glorious France!
They pass through meteor changes with a song
Which to all islands and all continents
Says life is neither comfort, wealth, nor fame,
Nor quiet hearthstones, friendship, wife nor child,
Nor love, nor youth's delight, nor manhood's power,
Nor many days spent in a chosen work,
Nor honored merit, nor the patterned theme
Of daily labor, nor the crowns nor wreaths
Of seventy years.

                  These are not all of life,
O France, whose sons amid the rolling thunder
Of cannon stand in trenches where the dead
Clog the ensanguined ice. But life to these
Prophetic and enraptured souls is vision,
And the keen ecstasy of fated strife,
And divination of the loss as gain,
And reading mysteries with brightened eyes
In fiery shock and dazzling pain before
The orient splendour of the face of Death,
As a great light beside a shadowy sea;
And in a high will's strenuous exercise,
Where the warmed spirit finds its fullest strength
And is no more afraid, and in the stroke
Of azure lightning when the hidden essence
And shifting meaning of man's spiritual worth
And mystical significance in time
Are instantly distilled to one clear drop
Which mirrors earth and heaven.

                   This is life
Flaming to heaven in a minute's span
When the breath of battle blows the smouldering spark.
And across these seas
We who cry Peace and treasure life and cling
To cities, happiness, or daily toil
For daily bread, or trail the long routine
Of seventy years, taste not the terrible wine
Whereof you drink, who drain and toss the cup
Empty and ringing by the finished feast;
Or have it shaken from your hand by sight
Of God against the olive woods.

As Joan of Arc amid the apple trees
With sacred joy first heard the voices, then
Obeying plunged at Orleans in a field
Of spears and lived her dream and died in fire,
Thou, France, hast heard the voices and hast lived
The dream and known the meaning of the dream,
And read its riddle: how the soul of man
May to one greatest purpose make itself
A lens of clearness, how it loves the cup
Of deepest truth, and how its bitterest gall
Turns sweet to soul's surrender.

                    And you say:
Take days for repetition, stretch your hands
For mocked renewal of familiar things:
The beaten path, the chair beside the window,
The crowded street, the task, the accustomed sleep,
And waking to the task, or many springs
Of lifted cloud, blue water, flowering fields--
The prison-house grows close no less, the feast
A place of memory sick for senses dulled
Down to the dusty end where pitiful Time
Grown weary cries Enough!

_Edgar Lee Masters_

On The 155^th Anniversary Of The Heroic Captain John Brown-Led Fight For Black Liberation At Harper’s Ferry-Josh Breslin’s Dream    

 

From The Pen Of Frank Jackman

 

I remember a few years ago my friend and I, Josh Breslin, from the old working- class neighborhoods of North Adamsville, a town south of Boston, were discussing the historical events that helped form our political understandings back in the early 1960 since we were, and are, both political men driven by historical examples as much as by the minutia of organizing principles. And while we have diverged on many of the influences since then as we have a fair degree of differences on the way to change the world and what agencies can do that (basically working within the current political system or moving over to the base of society and organizing from the ground up within or outside of the system depending on circumstance) we both agreed whole-heartedly that one of our early heroes was old Captain John Brown and his heroic efforts with his small integrated band of men at Harper’s Ferry down in what is now West Virginia but the just Virginia, a slave-holders stronghold. As we discussed the matter more fully we found we were hard pressed to explain what first captured our attention and agreed that then would have not had the political sense then to call Brown’s actions heroic although we both understood that what he did was necessary.

 

See, coming up in a mainly Irish working-class neighborhood we were always aware, made particularly aware by grandfathers who had kindred over there in those days, of that heroic struggle in Easter 1916 that was the precursor to the long sought national liberation of Ireland from the bloody British. So when we first studied, or heard about John Brown we instinctively saw that same kind of struggle. Both of us also agreed that we had had back then very strong feelings about the wrongness of slavery, a wretched system going back to Pharaoh’s time if not before, although Josh was more ambivalent about the fate of black people after Civil War freedom than I was since there was in his household a stronger current of anti-black feeling around the civil rights work down south in those days than in mine. (Strangely my father, who was nothing but a corn liquor, fast car, ex-coal miner good old boy from down in Kentucky was more sympathetic to that struggle that Josh’s Irish grandfather whom Josh could never get to call black people anything better than “nigras.” At least we got my father to say “Negro.” Jesus.)                

 

A couple of week after that conversation Josh called me up from California one night where he was attending a professional conference near San Jose and told me that he forgot to tell me about what he called a “dream” he had had as a kid concerning his admiration for John Brown. Of course that “dream” stuff was just Josh’s way of saying that he had sketched out a few thoughts that he wanted to share with me (and which will undoubtedly find their into a commentary  or review or something because very little of Josh’s “dream” stuff fails to go to ink or cyberspace). Some of it is now hazy in my mind since the hour was late here in the East, and some of it probably was really based on stuff we had learned later about the Brown expedition like how Boston Brahmins and high abolitionists like George Stearns secretly funded the operation or Brown’s attempts to get Fredrick Douglass and Harriet Tubman on board (neither name which we would have known very much about then), and some of the stuff was probably a little goofy since it involved Josh in some hero worship. Since he will inevitably write something on his own he can make any corrections to what I put down here himself. Know this though whenever I hear the name John Brown mentioned lately I think about Josh’s telephone call and about how the “old man” has held our esteem for so long. Here is what I jotted down, edited of course, after that conversation:   

 

From fairly early in my youth I knew the name John Brown and was swept up by the romance surrounding his exploits at Harper’s Ferry. I would say that was in about the sixth grade when I went to the library and read about Abraham Lincoln before he became president and how he didn’t like what John Brown did because he knew that that action was going to drive the South crazy and upset the delicate balance that was holding the Union together. Frank though thinks it was the seventh grade when we were learning about the slavery issues as part of the 100^th anniversary of the start of the American Civil War and his name came up as a “wild man” out of some Jehovah Calvinist burning bush dream who was single-handedly trying to abolish slavery with that uprising. Was ready to “light the spark” to put out the terrible scourge of slavery in the land with some spilled blood. That slavery business, if you can believe this really bothered both of us, especially when we went to a museum that showed the treatment of slaves and the implements used to enforce that condition down South. And I remember one time going to the Museum of Fine Arts and saw how old Pharaoh used his slaves to build those damn pyramids to immortalize himself. Yeah, the hell with slavery, any kind.   

I think I am right thought about when I first heard about the “old man” because I know I loved Lincoln, loved to read about him, loved that back then we celebrated his birthday, February 12^th, and we got the day off from school. Loved that Lincoln was basically forced at the governmental level to implement Brown’s program to root out slavery once the deal went down and he was merciless about its extermination once he got “religion” on the matter. Of course neither I nor Frank would have articulated our thoughts that way then but we knew “Massa Lincoln” was on the right side of the angels in his work as much as he hated to burn down the South in the process. But there was no other way to get the damn issue resolved and I think that is what he learned from the Captain whether he gave credit to the man or not. By the way this I do know that while we celebrated Lincoln’s birthday in the North as the great emancipator and Union-saver Frank once told me a story about one of his cousins down south and how when he mentioned that he had Lincoln’s birthday off that cousin said “we don’t celebrate that man’s birthday down here,’’ in such a way that Frank began to understand that maybe the Civil War was not over. That some people had not gotten the word)   

I knew other stuff back then too which added to my feel for the Brown legend. For example, I knew that the great anthem of the Civil War -The Battle Hymn of the Republic- had a prior existence as John Brown’s Body, a tribute to John Brown and that Union soldiers marched to that song as they bravely headed south. Funny but back then I was totally unaware of the role of the Massachusetts 54^th Regiment, the first black regiment raised although with white officers when Father Abraham gave the word, whose survivors and replacements marched into Charleston, South Carolina, the heart and soul of the Confederacy, after the bloody Civil War to the tune of John Brown’s Body. That must have been a righteous day. Not so righteous though and reflecting a very narrow view of history that we were taught back then kind of fudging the very serious differences back in Civil War times even in high abolitionist Boston was not knowing thing number one about Augustus Saint-Gauden’s commemorative frieze honoring the men of the 54^th right across from the State House which I passed frequently when I went on to Boston Common.

I was then, however, other than aware of the general narrative of Brown’s exploits and a couple of songs and poems neither familiar with the import of his exploits for the black liberation struggle nor knew much about the specifics of the politics of the various tendencies in the ante bellum struggle against slavery of which he represented the extreme activist left-wing. I certainly knew nothing then of Brown’s (and his sons) prior military exploits in the Kansas ‘proxy’ wars against the expansion of slavery. Later study filled in some of those gaps and has only strengthened my strong bond with his memory. Know this, as I reach the age at which John Brown was executed I still retain my youthful admiration for him. In the context of the turmoil of the times he was the most courageous and audacious revolutionary in the struggle for the abolition of slavery in America. Some 150 years after his death I am proud to stand in the tradition of John Brown. [And I am too, brother!-Frank]

If one understands the ongoing nature, from his early youth, of John Brown’s commitment to the active struggle against slavery, the scourge of the American Republic in the first half of the 19th century, one can only conclude that he was indeed a man on a mission. As various biographies point out Brown took every opportunity to fight against slavery including early service as an agent of the Underground Railroad spiriting escaped slaves northward, participation as an extreme radical in all the key anti-slavery propaganda battles of the time as well as challenging other anti-slavery elements to be more militant and in the 1850’s, arms in hand, fighting in the ‘proxy’ wars in Kansas and, of course, the culmination of his life- the raid on Harper’s Ferry. Those exploits alone render absurd a very convenient myth by those who supported slavery or turned a blind eye to it and their latter-day apologists for the institution about his so-called ‘madness’. This is a political man and to these eyes a very worthy one.

For those who like their political heroes ‘pure’, frankly, it is better to look elsewhere than the life of John Brown. Like them without warts and with a discernible thrust from early adulthood that leads to some heroic action. His personal and family life as a failed rural capitalist would hardly lead one to think that this man was to become a key historical figure in any struggle, much less the great struggle against slavery. Some of his actions in Kansas (concerning allegations of the murder of some pro-slavery elements under his direction) have also clouded his image. However if one looks at Kansas as the start of the Civil War then all the horrible possibilities under the heat of battle mitigate some of that incident although not excusing it anymore that we would today with American soldiers in places like Afghanistan and Iraq busting down doors and shooting first. However, when the deal went down in the late 1850’s and it was apparent for all to see that there was no other way to end slavery than a fight to the death-John Brown rose to the occasion. And did not cry about it. And did not expect others to cry about it. Call him a ‘monomaniac’ if you like but even a slight acquaintance with great historical figures shows that they all have this ‘disease’- that is why they make the history books. No, the ‘madness’ argument will not do.

Whether or not John Brown knew that his military strategy for the Harper’s Ferry raid would, in the short term, be defeated is a matter of dispute. Reams of paper have been spent proving the military foolhardiness of his scheme at Harper’s Ferry. Brown’s plan, however, was essentially a combination of slave revolt modeled after the Maroon experiences in Haiti, Nat Turner’s earlier Virginia slave rebellion and rural guerilla warfare of the ‘third world’ type that we have become more familiar with since that time. 150 years later this strategy does not look so foolhardy in an America of the 1850’s that had no real standing army, fairly weak lines of communications, virtually uninhabited mountains to flee to and the North at their backs. The execution of the plan is another matter. Brown seemingly made about every mistake in the book in that regard. However, this is missing the essential political point that militant action not continuing parliamentary maneuvering advocated by other abolitionists had become necessary. A few more fighting abolitionists, including Frederick Douglass, and better propaganda work among freedman with connections to the plantations would not have hurt the chances for success at Harper’s Ferry.

What is not in dispute is that Brown considered himself a true Calvinist “avenging angel” in the struggle against slavery and more importantly acted on that belief. (Strange, or maybe not so strange now, both Frank and I who grew up upright Roman Catholics gravitated toward those photographs of Brown with his long unkempt beard as some latter day Jehovah and I remember Frank had a photo on the wall in his room with just such a photograph from I think a detail of the big mural in the State House in Kansas.) In short Brown   was committed to bring justice to the black masses. This is why his exploits and memory stay alive after over 150 years. It is possible that if Brown did not have this, by 19th century standards as well as our own, old-fashioned Calvinist sense of pre-determination that he would not have been capable of militant action. Certainly other anti-slavery elements never came close to his militancy, including the key Transcendentalist movement led by Emerson and Thoreau and the Concord ‘crowd’ who supported Brown and kept his memory alive in hard times. In their eyes he had the heroic manner of the Old Testament prophet. This old time prophet animating spirit is not one that animates modern revolutionaries and so it is hard to understand today the depths of his religious convictions on his actions but they were understood, if not fully appreciated, by others in those days. It is better today to look at Brown more politically through his hero (and mine, as well) Oliver Cromwell-a combination of Calvinist avenger and militant warrior. Yes, I can get behind that picture of him.

By all accounts Brown and his small integrated band of brothers fought bravely and coolly against great odds. Ten of Brown's men were killed including two of his sons. Five were captured, tried and executed, including Brown.  He prophetic words upon the scaffold about purging the evil of slavery in blood proved too true. But that demeanor in the face of defeat was very appealing to me back then.  I have learned since that these results, the imprisonments or executions are almost inevitable when one takes up a revolutionary struggle against the old order if one is not victorious. One need only think of, for example, the fate of the defenders of the Paris Commune in 1871 when that experience was crushed in blood after heroic resistance. One can fault Brown on this or that tactical maneuver. Nevertheless he and the others bore themselves bravely in defeat. As we are all too painfully familiar with now there are defeats of the oppressed that lead nowhere. One thinks of the defeat of the German Revolution in the 1920’s. There other defeats that galvanize others into action. This is how Brown’s actions should be measured by history.

Militarily defeated at Harpers Ferry, Brown's political mission to destroy slavery by force of arms nevertheless continued to galvanize important elements in the North at the expense of the pacifistic non-resistant Garrisonian political program for struggle against slavery. Many writers on Brown who reduce his actions to that of a ‘madman’ still cannot believe that his road proved more appropriate to end slavery than either non-resistance or gradualism. That alone makes short shrift of such theories. Historians and others have also misinterpreted later events such as the Bolshevik strategy that led to Russian Revolution in October 1917. More recently, we saw this same incomprehension concerning the victory of the Vietnamese against overwhelming American military superiority. Needless to say, all these events continue to be revised by some historians to take the sting out of there proper political implications.

From a modern prospective Brown’s strategy for black liberation, even if the abolitionist goal he aspired to was immediately successful reached the outer limits within the confines of capitalism. Brown’s actions were meant to make black people free. Beyond that goal he had no program except the Chatham Charter which seems to have replicated the American constitution but with racial and gender equality as a cornerstone. Unfortunately the Civil War did not provide fundamental economic and political freedom. Moreover, the Civil War, the defeat of Radical Reconstruction, the reign of ‘Jim Crow’ and the subsequent waves of black migration to the cities changed the character of black oppression in the U.S. from Brown’s time. Nevertheless, we can stand proudly in the revolutionary tradition of John Brown, and of his friend Frederick Douglass.

I used to fervently believe that if Douglass had come on board as Brown had urged the chances for success would have been greater, at least more blacks (mostly free blacks and not plantation blacks for obvious reasons) and more radical whites who could have been mobilized as a result of all of the events of the 1850s especially the struggle against the Fugitive Slave Act and the struggle against the imposition of slavery in Kansas. Now I am not so sure that Douglass’ acceptance would have qualitatively changed the outcome. He went on to do yeoman’s work during the Civil War articulating the left black perspective and organizing those black regiments that shifted the outcome of the war at a decisive point. In any case honor the memory of old Captain John Brown and his heroic band at Harper’s Ferry.         

 

The Promise of a Socialist Society

(Quote of the Week)

Workers Vanguard No. 1025	31 May 2013

TROTSKY

LENIN

The Promise of a Socialist Society

(Quote of the Week)

In the selection below, Friedrich Engels makes plain how proletarian revolution opens the road to an emancipated future in which the productive powers of humanity are unleashed for the benefit of all mankind.

Their political and intellectual bankruptcy is scarcely any longer a secret to the bourgeoisie themselves. Their economic bankruptcy recurs regularly every ten years. In every crisis, society is suffocated beneath the weight of its own productive forces and products, which it cannot use, and stands helpless face to face with the absurd contradiction that the producers have nothing to consume, because consumers are wanting. The expansive force of the means of production bursts the bonds that the capitalist mode of production had imposed upon them.

Their deliverance from these bonds is the one precondition for an unbroken, constantly accelerated development of the productive forces, and therewith for a practically unlimited increase of production itself....

With the seizing of the means of production by society, production of commodities is done away with, and, simultaneously, the mastery of the product over the producer. Anarchy in social production is replaced by systematic, definite organisation. The struggle for individual existence disappears.... Man’s own social organisation, hitherto confronting him as a necessity imposed by nature and history, now becomes the result of his own free action. The extraneous objective forces that have hitherto governed history pass under the control of man himself. Only from that time will man himself, with full consciousness, make his own history—only from that time will the social causes set in movement by him have, in the main and in a constantly growing measure, the results intended by him. It is humanity’s leap from the kingdom of necessity to the kingdom of freedom.

To accomplish this act of universal emancipation is the historical mission of the modern proletariat. To thoroughly comprehend the historical conditions and thus the very nature of this act, to impart to the now oppressed class a full knowledge of the conditions and of the meaning of the momentous act it is called upon to accomplish, this is the task of the theoretical expression of the proletarian movement, scientific socialism.

—Friedrich Engels, Anti-Dühring (1878)

 

As Isaac Deutscher said in his speech “On Socialist Man” (1966):

“We do not maintain that socialism is going to solve all predicaments of the human race. We are struggling in the first instance with the predicaments that are of man’s making and that man can resolve. May I remind you that Trotsky, for instance, speaks of three basic tragedies—hunger, sex and death—besetting man. Hunger is the enemy that Marxism and the modern labour movement have taken on.... Yes, socialist man will still be pursued by sex and death; but we are convinced that he will be better equipped than we are to cope even with these.” 

Emblazon on our red banner-Labor and the oppressed must rule!

 

 

The Latest From The Partisan Defense Committee Website- 

 

James P.Cannon (center)-Founding leader of The International Labor Defense- a model for labor defense work in the 1920s and 1930s.

Click below to link to the Partisan Defense Committee website.

http://www.partisandefense.org/

Reposted from the American Left History blog, dated December 1, 2010.

Markin comment:

I like to think of myself as a fervent supporter of the Partisan Defense Committee, an organization committed to social and political defense cases and causes in the interests of the international working class. And an organization committed, at this time of the year, to raising funds to support the class-war prisoners’ stipend program through the annual Holiday Appeal drive. Unfortunately having to raise these funds in support of political prisoners for many years now, too many years, as the American and international capitalist class and their hangers-on have declared relentless war, recently a very one-sided war, against those who would cry out against the monster. Attempting to silence voices from zealous lawyers, articulate death row prisoners, anti-fascist street fighters to black liberation fighters who ended up on the wrong side of a cop and state vendetta and anti-imperialist fighters who took Che’s admonition to wage battle inside the “belly of the beast” seriously. Others, other militant fighters as well, too numerous to mention here but remembered.

Normally I do not need any prompting in the matter. This year, however, in light of the addition of Attorney Lynne Stewart* (yes, I know, she has been disbarred but that does not make her less of a people’s attorney in my eyes) to the stipend program, I read the 25th Anniversary Appeal article in Workers Vanguard No. 969 where I was startled to note how many of the names, organizations, and political philosophies mentioned there hark back to my own radical coming of age, and the need for class-struggle defense of all our political prisoners in the late 1960s (although I may not have used that exact term at the time).

That recognition included names like black liberation fighter George Jackson, present class-war prisoner Hugo Pinell’s San Quentin Six comrade; the Black Panthersin their better days, the days when the American state really was out to kill or detain every last supporter, and in the days when we needed, desperately needed, to fight for their defense in places from Oakland to New Haven,  as represented by two of the Omaha Three (Poindexter and wa Langa), in their better days; the struggle, the fierce struggle, against the death penalty as represented in Mumia’s case today; the Ohio 7 and the Weather Underground who, rightly or wrongly, were committed to building a second front against American imperialism, and who most of the left, the respectable left, abandoned; and, of course, Leonard Peltier and the Native American struggles from Pine Ridge to the Southwest. It has been a long time and victories few. I could go on but you get the point.

That point also includes the hard fact that we have paid a high price, a very high price, for not winning back in the late 1960s and early 1970s when we last had this capitalist imperialist society on the ropes. Maybe it was political immaturity, maybe it was cranky theory, maybe it was elitism, hell, maybe it was just old-fashioned hubris but we let them off the hook. And have had to fight forty years of rear-guard “culture wars” since just to keep from falling further behind.

And the class-war prisoners, our class-war prisoners, have had to face their “justice” and their prisons. Many, too many for most of that time. That lesson should be etched in the memory of every pro-working class militant today. And this, as well, as a quick glance at the news these days should make every liberation fighter realize; the difference between being on one side of that prison wall and the other is a very close thing when the bourgeois decides to pull the hammer down. The support of class-war prisoners is thus not charity, as International Labor Defense founder James P. Cannon noted back in the 1920s, but a duty of those fighters outside the walls. Today I do my duty, and gladly. I urge others to do the same now at the holidays and throughout the year. The class-war prisoners must not stand alone. 

Toya C.  "Why I Joined Socialist Alternative" Get a subcription to Socialist Alternative newspaper! SUBSCRIBE TODAY! $25 a year - Regular Subscription $50 a year - Solidarity Subscription CONTACT US: (910) 639-3948 Boston@SocialistAlternative.org www.socialistalternative.org www.socialistworld.net Stand Up for Abortion Rights in Ireland Boston Solidarity Rally  Tuesday, October 28th 12:00 PM at the Irish Consulate 535 Boylston St On October 28th, there will be protests at Irish embassies & consulates around the world calling for a referendum to Repeal the 8th Amendment, Ireland's constitutional abortion ban. This day will mark the second anniversary of the death of Savita Halappanavar - victim of Ireland's backward abortion laws. Two years later, despite huge desire for change from below, we've seen no progress.  Please join this International Day of Action - we need to exert huge pressure on the Irish Government and we need your help to force change. This Government must grant the right to a referendum, as per the wishes of the majority of the population in Ireland. It's especially important to make it out to not only show our solidarity from around the world, but also to show the politicians in the US that we won't stand for more attacks on womens' rights! Join Socialist Alternative and others at this important solidarity rally and picket! RSVP on Facebook!

The Immigration “Crisis": Has US Foreign Policy Created It? What Can We Do About It?

When: Tuesday, November 11, 2014, 7:00 pm to 9:00 pm
Where: encuentro 5 • 9 Hamilton Place • Park St T • Boston

A forum cosponsored by United for Justice with Peace and Massachusetts Trust Act Coalition

• What is the "border crisis" and how does it affect Massachusetts?
• What are political and social consequences of terms such as  "illegal aliens"
• How has US foreign policy contributed to the problem?
• How are local communities confronting the criminalization of immigration polices, and helping recently arrived refugees?

Prof. Aviva Chomsky will provide historical context on the creation of the so-called “illegal immigrant” in the US. She will discuss the effects of military aid that the US poured into Guatemala, El Salvador and Honduras in the 1980s that helped create a violently enforced inequality leading to the problems today. Prof. Chomsky is coordinator of Latin American studies at Salem State University and author of Undocumented: How Immigration Become Illegal (2014).

Gabriel Camacho is the Immigration Programs Coordinator for the American Friends Service Committee. Locally the AFSC is on the Steering Committee of the Massachusetts Trust Act Coalition. With the protracted death of "immigration reform" at the federal level, and President Obama's repeated delays on executive action, Gabe will speak on conditions facing newly arrived refugee families and how local communities are confronting these issues.

United for Justice with Peace

(617) 383-4857

www.justicewithpeace.org

info@justicewithpeace.org  

 

United for Justice with Peace is a coalition of peace and justice organizations and community peace groups in the Greater Boston region. The UJP Coalition, formed after September 11th, seeks global peace through social and economic justice. Help us continue to do this critical work! Make a donation to UJP today.
info@justicewithpeace.org	617-383-4857	www.justicewithpeace.org

Poets’ Corner- The Mad Hatter 15^th Century France’s Francois Villon Whether They Claim Him Or Not

From The Pen Of Frank Jackman

Once, a long time ago, an old communist I do not remember which version of the creed he adhered to, although he had had some impressive documented revolutionary credentials in Germany before Hitler pulled the hammer down in 1933 and he just barely got out into American exile by a very long and circuitous route, told me that as far as culture affairs, you know art, novels, music and what I want to talk about here, poetry, is basically subject to whatever personal whims a person may have on these matters. The caveat to all this is that both creators and admirers should be left to their own devises except if they are actively engaged with counter-revolutionary activity. Now that I think about it he probably got the idea from Leon Trotsky himself who wrote about such matters in the 1920s in books like  Literature and Revolution although I am sure that he did not consider himself a follower of that great revolutionary who was exiled in the late 1920s.

The point today is that if a left-wing political activist like myself, say, were very interested in the poetry of Emily Dickerson or Wallace Stevens or Thomas Mann or Edna Saint Vincent Millay then what of it. Except those kinds of poets do not “speak” to me. Poets like Allan Ginsberg burning the pages with his negro streets, his clamoring against the industrial complex, his angel hipsters, his chanting against the fate of the best minds of his generation, the gangster-poet Gregory Corso blazing the hot streets with his words and taking no prisoners, old Rimbaud with his mad ravings, Verlaine too, Genet with his black soul they “speak” to me. The troubadours, the “bad boys and girls,” the waifs, the gangsters, the drifters, grifters and midnight sifters and those who act as muses for the fallen are what makes me sit up and listen.                  

 And that brings us to Francois Villon, the “max daddy” of bad boy poets (and brigands) from the 15^th century. Strangely while I have picked up on most of my favorite poets from some academic setting I learned of Villon from two maybe unusual sources. First from the 1930s film The Petrified Forest where the Bette Davis character, Gabby, was crazy for the Villon book of poems sent from her returned to home mother in France. More importantly the poet and what he stood for was brought up in the film in conversation with Leslie Howard’s character Alan who was a Villon-like misplaced out of sorts wanderer out in the Arizona desert. The other source was a poem by Villon used as a front-piece of an article by Hunter S. Thompson who used the sentiment expressed by Villon where he considered himself a stranger in his own country (as did Thompson back in Nixon times in America).

But back to the muses, back to the gangsta muses (sorry hip-hop nation for stealing your thunder but your sing-song lyrics definitely make me think you have drawn from the same well, the same Villon well, especially guys like Biggie, Tupac, 50 cent, and Brother Cole, a brother from the same damn “sew those worn-out pants” projects neighborhood in spirit as me). Old Villon must have gotten tripped up on his DNA finding the back streets of Paris and later exile spots more attractive than the court life, the scholar’s. Trouble followed the guy wherever he moved (granted he had little room to maneuver in those days since he was a city man and not some outlaw Robin Hood working the old rural pastures and forests). His poetry speaks of drunken sots, of quick upstairs flights with besotten wenches, of tavern dark corners to plan, plan the next caper, or the next poem to explain away his life led.         

Who knows what makes a man or woman a stranger in their own land, an internal exile. Maybe like Villon it was his dismissal of the vanities of court life, the vacuity of the student life, or the lure of the outlaw life when bourgeois society (and France in the 15^th century was reaping the beggar’s banquet of bourgeois society) and it took no Karl Marx to notice that the old ways had to give way to the new city ways with their gold and death to free spirits, to those who lived outside allegiances. Maybe like Ginsberg shattered by the smoke of downtown Paterson, maybe shattered by the hysterical cries of his beloved if discarded mother, maybe shattered by the square-ness of his father-poet. Maybe like Jean bon Genet born of some ancient mix of the crime that dared not speak its name and crimes that had names. Trolling waterfronts looking for rough trade, looking for his lady of the flowers. Strangers, strangers all looking for some new Algiers, some new Casablanca, some new city a-borning.

Villon, lord of the sneak away night, besotted with six wines, drunk with the fragrance of women. Women who reek of the kingdom’s perfumes and if Hilary Mantel is to be believed over in bedeviled England all the women worked lilac and lemon tree leaves into their skin so that guys, guys like Villon ready to seek a lady’s favor could stand to be within ten feet of them. Reeking of words too, Villon reeking of words that is, quick words, words with hidden messages, words heard in taverns, on wormy mattresses, in stinking hayloft barns, unholy holy words that would make men quake if they had the sense that their God gave them as a gift (or was it the son, the damn crazed son, Jesus, called bandit), stealthily grabbing whatever was to be grabbed and the hell with the lord business. Then writing in dark dungeon nights looking for reprieves from a wretched life.

Beautiful, a beat down brother, no wonder Alan the wandering homeless out of fashion intellectual in The Petrified Forest claimed him as kindred, and why he could have walked on steamy late night New York streets and found kindred among the midnight sifters. Beat, beatified before his time probably clamoring on some woe begotten trumpet, blowing out big medieval blow notes to the hard Seine, the hard Norman shores, to all who would listen, Yeah, Saint Villon, sanctified, man of misrule, man of the hidden cloth, beat, beat about six ways to Sunday if you believe his resume, if you believe his 15^th century be-bop wail. What did Kerouac, hell, a kindred, a Breton, said-yes, moan, moan long and hard for man, and Saint Villon grant us some sign, some path that we might come to rescue you in sotted, sweated dungeons, so that you too can walk the fetid streets singing, holy, holy, holy.

What was it that his literary descendants, guys like Jack Kerouac who I swear had Villon blood in him, guys like Alan Ginsberg who sang holy, holy, holy to the new age except he cried out in vain to dreaded Molochs, called those who listened to their own drummers, listened to the winds beyond the towns, beyond the cities, listened to the forest men, the men who earlier in their lives lived in towns and cities?  Oh yeah, “holy goofs.” Not goofs like you would call some guy walking down the street looking down and he hits his head on a telephone pole because he wasn’t watching where he was going. No, our holy goof, I think Kerouac used that term to describe, or rather used that term as one of the ways to describe mad man fellow traveler Dean Moriarty, and hence the model Neal Cassady as well, to his Sal Paradise in On The Road. A guy who is for the moment, an existential be-bop guy, a guy who knows the score, knows right from wrong even, knows it better than you and me, and says “what the fuck,” says you know, I know, and so let the mystery be, let the cloistered intellectuals in their sullen monasteries poring over the number of angel that can fit on the head of a needle sulk while he worked on the angles, looked for dough, dames and dope. See, I swear Villon from his hidden grave sent down to posterity the model for the holy goof, and these other guys picked it out of the fog-bound air.          

Sweet word man Villon articulate in a hoary dark world when gangster warlord and unsavory princes vied with each for land, for wealth, for some fair maiden’s favors. And let’s not beat about the bush it wasn’t for some silly scarf just off the boats from faraway China or the Japan Seas but for a tussle in some off-hand hayloft, some milady’s boudoir, some back room tavern straw bed. Read what you want into that but some buck jack was taking his right of first night, well, before the first night. But heroic buck jacks sometimes could speak no lady’s words, could not utter the thoughts in an otherwise black heart and so old Villon had a space to breath, had words to tell of loves truths, or what milady would go to the downy billows for. And for his services for he was a man of the city, a man of the back alleys, a man who consorted with the rabble, a con man and a wordsmith in his own right and so every once in a while a bored milady would stop her quilling, stop her needlepoint and show the old curmudgeon her downy billows for just one word of the night, for the sound of those moans that no child should know before his or her time.    

Of course a guy who liked to walk on the wild side, who was organically incapable of saying a straight thing if for no other reason than self-preservation would have many a back room tavern wench taking him around the world (yes, they, the wenches, and their procurers, knew all about “taking a guy around the world” like that little sexual trick was invented by Master and Johnson or something). And on a normal night, maybe after stealing some gold from a merchant’s back room, maybe pilfering some goods just off the boat from the Japan seas, maybe after waylaying some drunken sot for his ready bag of cash that would be good enough, would sate his sexual desire. But once every dark moonless night, maybe feeling a little put upon by his wretched place in the world he would seek the high life, “go uptown” as they said in their own way among the brotherhood.

And here is how it was done. A great and gratifying scam. Some poor high life guy who made his dough off the Japan seas or something like that had a lady love who could not be moved except by words, words of love. And he from rough usage spoke only in twaddle. No sale. So sweet boy Villon to the rescue. Pretty words at a dime a throw. A few ducats. But get this that poor roughly used guy would have old boy Villon prate the words to his love to his love. And sometimes, sometimes when there was a dark, moonless, night maybe a little sweaty milady would close her virginal eyes and act the backroom tavern wench and take old brother Villon around the world. See she knew such arts too. And that roughly sued sot would never be the wiser. Oh sweet boy Villon teach your arts.        

Yes, wanderers, waifs, strangers in a strange land, sneak thieves in the milady’s heart heated night, those are the poets I want to read and listen to. And what of it.        

     
Le Testament: Ballade: A S’amye

 

F alse beauty that costs me so dear,

R ough indeed, a hypocrite sweetness,

A mor, like iron on the teeth and harder,

N amed only to achieve my sure distress,

C harm that’s murderous, poor heart’s death,

O covert pride that sends men to ruin,

I mplacable eyes, won’t true redress

S uccour a poor man, without crushing?

 

M uch better elsewhere to search for

A id: it would have been more to my honour:

R etreat I must, and fly with dishonour,

T hough none else then would have cast a lure.

H elp me, help me, you greater and lesser!

E nd then? With not even one blow landing?

Or will Pity, in line with all I ask here,

Succour a poor man, without crushing?

 

That time will come that will surely wither

Your bright flower, it will wilt and yellow,

Then if I can grin, I’ll call on laughter,

But, yet, that would be foolish though:

You’ll be pale and ugly: and I’ll be old,

Drink deep then, while the stream’s still flowing:

And don’t bring trouble on all men so,

Succour a poor man, without crushing.

 

Amorous Prince, the greatest lover,

I want no evil that’s of your doing,

But, by God, all noble hearts must offer

To succour a poor man, without crushing.

 

 

God orders me to plough, and sow again:

Even for this end are we come together.

Princess, listen to this I now maintain:

That my heart and yours will not dissever:

So much I presume of you, and claim:

Even for this end are we come together.

Exclusive new clip, Oscar buzz, more… Let’s check in on “Food Chains” one month out from Nov. 21 national release! Film industry starting to take notice as Indiewire, Awards Circuit run stories on “Food Chains” ahead of its Thanksgiving release! The theatrical release of a feature film on the Campaign for Fair Food has always seemed, quite honestly, a little surreal, but as we reach the one month mark in the countdown to its November 21st release, it’s becoming more real by the day. Above is an exclusive clip shared with the online industry blog Indiewire for a quick story on the film, presented with this introduction: With all things “organic,” “artisanal,” and “locally sourced” being among the food trends of the past several years, it can be very easy to forget about the human cost of the “farm-to-table” approach. For all the advances made as such, the food industry is still far behind the times when it comes to the conditions of farm workers, and the upcoming documentary “Food Chains” aims to shine a light on those concerns. Directed by Sanjay Rawal, the film chronicles the modern day farm workers rights movement, taking us into the lives of the people who pick our food and get it on a truck long before it arrives on shelves or is ready to be ordered in restaurants. In this exclusive clip, we see quite clearly the conditions many farmworkers live in, the long hours they work to support their families, and the sacrifices endured to make ends meet... Don't miss the exclusive Food Chains clip -- and some exciting buzz about the Oscars -- over at the CIW website!

Occupy Boston Announcement-Harvard University

Dear All,

This Thursday evening at 7:30 pm, Harvard University workers will participate in a panel discussion on discrimination in employment at the world's richest university. You're invited! Hear from workers who perform such essential tasks as delivering mail, serving students food, and maintaining Harvard's properties, and who have been disciplined and/or terminated for discriminatory reasons. The event is being organized by a coalition of students and workers at Harvard, who are deeply disturbed by consistent and credible reports of discrimination on the basis of race, gender, country of origin, sexual preference and ability. Such discrimination not only harms the workers who are directly affected, but also creates an unsafe environment for all workers, students, and members of the wider community. Learn how you can help hold Harvard accountable for the treatment of those who make the university function. The discussion will take place at the Democracy Center, 45 Mount Auburn Street in Cambridge (steps from the Harvard Square Red Line MBTA station). The Facebook event is here. Please forward this message as widely as possible.

In Solidarity,

Geoff