Saturday, March 14, 2015


Reflections On Boston’s Cancelled VFP-Led Saint Patrick’s Peace Parade Day 2015 -

 

From The Pen Of Bart Webber

 

Frank Jackman would not be marching this year on Saint Patrick’s Day, not at all. And he was mad as hell about the matter, mad enough to call his old time high school friend from Carver, Sam Lowell, and spill his guts about it, to try to make some sense of the situation since toward the end, only a few days before he thought he would march, when things had happened quickly that forced him not to march. I knew Frank only slightly back in Carver during high school, enough to each give the other a passing nod, the “nod” signifying in that schoolboy goodnight that while the parties did not hang together everything between them was “cool” (remind me to tell you the intricacies of the “nod” sometime but today we are concern with Frank’s anguish not his coolness). I was closer to Sam back then since he had lived at the end of my street, we had hung around together during junior high before he got into the corner boy life in front of Jimmy Jack’s Diner up on Main Street near the Commons and had kept in touch since he had set up his law practice was in the old town and I had worked on the Carver Democrat for a while after college before moving on to Boston and elsewhere. He is the one who gave me the “skinny” on what the recent events Frank had spoken to him about.

The pair had gotten back in touch with each other after Frank had moved back east after many years on the West Coast and after Sam’s older son Brad had been killed in Iraq on his second tour of duty in 2005 and he had taken an interest what Frank, an active member of an anti-war veterans group, Veterans For Peace (VFP), and his comrades were up to. Sam had attended some of their activities and had previously marched in their contingent at various parades. He had again planned to do so this year before Frank called with his story. For those who failed to scan the title of this piece what Frank Jackman was not marching in and what he was mad about at the same time was that the fifth annual Veterans For Peace (VFP)-led Saint Patrick’s Peace Parade in South Boston. He had, in accordance with the publicity surrounding the event put out by VFP, expected to step off at noon on Sunday March 15th an hour before the official “private” Saint Patrick’s Parade sponsored by the Southie-centered Allied War Council (AWC) stepped off at one o’clock. A last minute decision by a federal judge though forced the peace parade to be cancelled by the VFP leadership.

(The time lag between the two events is important since by local court decree reflecting a decision on the type of parade AWC was sponsoring the two parades to be separated by one mile so as the AWC desired no one would think the two parades were in any way together. The reasons given for the peace parade cancellation for 2015, to be described in more detail below, centered on legal advice not to do so in support of a civic court action being pressed by VFP in federal court and that due to “the late in the day” timing of the results of the legal wrangling a proper parade could not be put together.)        

Frank, of course, had not been mad about not being able to march like he had been when he and Sam as kids were Boy Scouts from Troop Twelve in Carver and they were thrilled with the idea that they would go up to Boston some thirty miles away to strut their stuff. In those days back in the 1960s the parade, then sponsored in toto by the City would take place on March 17th no matter the day. (under an Evacuation Day cover, you know, commemorating the day when the American revolutionaries kick butt on the occupying British forces something every Irish person could cheer as well as the “wink, wink” real purpose of the thing which is to celebrate Irish freedom from those same Brits and also to acknowledge some tale about the wicked old saint Pat kicking snakes out of the old sod when he got his dander up). The year Troop Twelve had been invited to march since it was their turn in the rotation of troops for Boy Scout Council Six wouldn’t you know that snow postponed the event for a week and due to some unforeseen circumstances that he never fully understood Troop Ten from Plymouth went instead. He had been furious since he had cousins that he would have been strutting his stuff in front of. The next year he having found himself a girlfriend or rather she found him he had dropped out of the Scouts and that was that.               

Frank had spent the many, many years since that time going about the business of his life, some good some bad, not worrying or thinking much one way or the other about the parade, although he was always ready to sport the green come Saint Patrick’s Day wherever he was and whoever he was with and to lift a glass to the memory of the boys of Easter 1916 reciting William Butler Yeats poem of the same name to allwho would listen. One of the “some bad” parts of his life had been his service in the military during his generation’s war, the war in Vietnam, which had torn the country asunder, including in the military where those “cannon fodder” like him who were supposed to fight for who knows  what reason were half in mutiny.     

Frank always liked to make sure that everybody, including Sam with whom he had many arguments about the question and who had been 4-F (unfit for military duty) during that war due to a much operated on left arm that was about ninety percent useless, knew that while he had had some reservations about military service he had gone in with both eyes open when he received his draft notice. He also made sure everybody knew that while he was not by any means the best soldier in Vietnam he was not the worse. A few guys in his unit had even paid him the compliment that they would have not gotten out of a few messes alive in fire-fights with Charley if it had not been for his coolness under fire. So during his time of service in order to keep himself together he did not think about right or wrong on the war, on the war policy or on anything but keeping low and keeping the damn bugs and sweat off. 

After Frank had been discharged in 1971 that was a different story. Even after a few days at home in Carver hanging around with Sam and the guys was too much after all he had been through and so he pushed on up to Cambridge where he wound up meeting a young Quaker woman whom he met at an anti-war rally who helped him sort things out, helped him get over the horror of what he had seen and done in Vietnam. A little. Just then lots of other veterans were also getting “religion” about the damn war and were doing something about it, organizing themselves into Vietnam Veterans Against the War (VVAW). For the next couple of years between that fetching Quaker woman and his ex-military ant-war comrades in VVAW he felt he had washed himself clean.

As the war petered out and as anti-war activity declined in the mid-1970s Frank drifted away from the organization and from that Quaker woman and headed west. Drifted west winding up in San Francisco, stayed in the west for many years, got married a few times, got divorced as many, had a few kids who all turned out pretty well considering, and did a lot of ad hoc anti-war and social concerns political work along the way. But Frank, as if those Vietnam days or maybe earlier his growing up poor childhood have never really receded to far from the horizon, also got caught up in some “wanting habits” (his term) addictions like drugs and con artistry along the way. I don’t know a lot of the details but some involved drug dealing connected with Mexico, some flim-flam insurance scams and a couple of swindles from what Sam who also was hazy on the same details told me Frank told him. After his last divorce in the mid-1990s he headed back East figuring a change of scenery would help.

In the fall, October Sam thinks, of 2002 Frank had been in Boston on some unrelated business on a Saturday afternoon when he heard a band playing I Ain’t Going To Study War No More, the music coming from the Boston Common. This, as it turned out, would be the first serious anti-war demonstration of a few hundred people before the war drums of the 2003 Iraq war overtook all reason (and despite all reason is still on the front-burner until this day). What drew Frank’s attention though was a cluster of about forty flags, white flags embossed with the words “Veterans For Peace” in black and a dove of peace also outlined in black on each, being carried by older guys, guys from the look of it who had served in Vietnam times, or earlier. As the march stepped off the Common to walk up Tremont Street toward the Federal Building further up the street he joined in their contingent. That was the real beginning of his story to Sam. 

Frank did not join VFP until several years later since the anti-war efforts against the Iraq war in late 2002 and early 3003 while intense before the war fell apart after the “shock and awe” campaign began in March of that year. He did however whenever he was around attend and march with the VFP. In November 2009 not having been doing much for a couple of years he received a notification by an e-mail that the VFP was attempting to march in the “official’ Veterans Day parade on the Common and he decided to join in. That day was an eye-opener, a shock in a way, since the “officials” were by might and main, mostly by having the police intercede and arrest anti-war veterans who refused to “stand-down” refused to let fellow veterans with a different message march in their precious parade. Frank and a number of others were arrested that day for disorderly conduct, were fined, and released. So maybe that, despite what Frank regarded as his start with VFP and their struggles for recognition in 2002, was really the beginning. VFP would continue without success to be part of the official Veterans Day Parade (a day by the way which they called, correctly, by its right name Armistice Day a name from the end of World War I).  

For the next year or so Frank worked closely with VFP on various projects (in the meantime he had retired and therefore had some time to spent on such work), especially in 2011 when VFP got seriously involved with the potentially exciting but short-lived Occupy movement. He had also spent a great deal of his time, still does, after he first heard about the case in September of 2010, in supporting the defense and calls for freedom for heroic Wikileaks whistle-blower Chelsea (then Bradley, having subsequently revealed that she considered herself a woman a fact that the Army has now acknowledged) Manning who the Army was keeping in solitary down at the Quantico Marine Base outside of Washington, D.C.  (In August of 2013 Manning was convicted of about twenty of the charges against her and received an outrageous thirty-five sentence now being served at Fort Leavenworth pending the appeals process). The Manning case sparked something in him since here was a soldier, a soldier in Iraq to boot, who despite all the hell that was being rained down on her from top to bottom including torture had the courage to release important information about war atrocities and  other nefarious acts of the American government in the Middle East and elsewhere. Having not done his bit when he had the chance, his chance, Frank was just trying to put paid to his own lack of courage through Chelsea.  

In the spring of 2011 the leadership of the Boston VFP decided to apply to the AWC that had been running the Saint Patrick’s Day Parade for the previous twenty or so years. That request was summarily rejected and a member of that organization was quoted at some point in the process saying that he did not want the word “veteran” and the word “peace” put together in the parade. (This AWC having solely taken over the city parade had gone all the way up to the United States Supreme Court in order to have their parade declared a private event and therefore they could invite or not invite whoever they wanted. They had started out discriminating against the GLBTQ community and had now extended it to the peace community as well.) As a result of that exclusion the VFP put out a call for all the area peace, GLBTQ groups, and social justice activists to march with them after the official parade. And those five hundred or so who heeded the call marched through South Boston that day to generally good effect.  

VFP over the next three years continued to attempt to enter the official parade, were summarily rebuffed or ignored, and each year organized the Saint Patrick’s Peace Parade that increased in size and began to look like any regular parade in Boston with floats, band, a trolley and the ubiquitous duck boat, all in the service of peace and justice. As the organization prepared for the 2015 event they took a different tack, decided not to waste any effort applying to the official parade officials, but also decided that the late afternoon in March (usually starting to march well after 3 o’clock) well after the crowds for the official parade had left and therefore were walking down sullen streets interfered with their right of effective free expression and applied to the City of Boston for a noon start time. 

That request was denied by the city and VFP thereafter filed a law suit in federal district court charging discrimination under the 1st Amendment of the U.S. Constitution and asked for injunctive relief requiring the city to grant the noon start time. A week before the parade date the federal judge turned down the request (although the legal civil case continues on). In response, as collectively agreed by the membership before the start of litigation, the failure to get the noon start time triggered the cancelling of the Peace Parade for 2015 (a stance which also dovetailed with the lawyers’ concerns about the court case adding fuel to their arguments about discrimination by the city).

A couple of days before the official parade was to start the AWC granted a gay rights organization’s application (Boston Pride) to march having previously granted the request of a group of gay veterans, OutVets to march. VFP and other peace groups were thus the only ones to have their parade rained on. Yeah, so Frank Jackman who over the previous four years had spent much time helping organize each parade, raising money, and a million other small tasks was not marching, and mad as hell about it. Do you blame him.  
All Out For The Fifth Annual Saint Patrick’s Day Peace Parade In South Boston Sunday March 15, 2015

Frank Jackman comment:
I am always happy to publicize the Veterans For Peace-led Saint Patrick’s Day Peace Parade to be held this year on March 15th. This year will mark the fifth time that organized peace activists, anti-militarists, anti-imperialist, pro-LGBTQ and other socially conscious groups, have been excluded from the main “private” parade sponsored by the Allied War Council (that name goes a long way toward explaining the exclusions of the above-mentioned groups although pro-war LGBTQ veterans from an organization called OutVets has allegedly received permission to march openly). This year will mark the fourth time I will proudly march with my fellow veterans. (I was down in front of the gates at the Marine base at Quantico in Virginia standing for freedom for heroic Wikileaks whistle -blower Chelsea Manning and so could not attend the first effort.) This event is a highlight of the ant-war calendar each year and has become something of rallying point for all those, even some pro-military types who disagree with the politics of the peace parade, to express outrage that veterans have been excluded.  
Helping me to keep focused on publicizing this event is a statement attributed to one of the Allied War Council organizers a couple of years ago:             
 “We don’t want the word peace connected with the word veteran in our parade”
Of course that remark had me seeing red and I recall that I replied- “Oh yeah, well watch this, watch what we organize that day”- Don’t make a liar out of me this year. Plan to attend this important event.
All Out For The Smedley Butler Brigade Veterans For Peace-Initiated Saint Patrick’s PEACE Parade on Sunday March 15th in South Boston

 

Boston Pride
Breaking NewsIrish and #WickedProud
Boston Pride Will March in the South Boston St. Patrick’s Day Parade on Sunday, March 15th
March 13, 2015 (Boston, MA) – Boston Pride, which will commemorate its 45th anniversary as an organization celebrating the LGBT community in June, has been accepted by the South Boston Allied War Veteran’s Council to march in the 114th annual South Boston St. Patrick’s Day Parade. The parade will take place on Sunday, March 15th.

“We are looking forward to celebrating Boston’s diversity, our veterans and the Irish heritage of so many members of our community by marching in the St. Patrick’s Day parade,” said Sylvain Bruni, president of Boston Pride. “While we recognize there is still much work to be done to protect the rights of the LGBT community both here and around the world, and to ensure everyone’s rights to express themselves and to celebrate, we are aware of how symbolically important it is for members of our community to be proudly out among their friends and neighbors as a part of this historic parade.”

"I'm thrilled that the St. Patrick's Day parade is inclusive this year, and the addition of Boston Pride to the list of participants reflects the values of the South Boston neighborhood," said Mayor Walsh. "With this year's parade, Boston is putting years of controversy behind us."

In 1995, the United States Supreme Court ruled that the organizers of the South Boston St. Patrick’s Day Parade had a constitutional right to exclude LGBT organizations and individuals from participating in the annual parade. Twenty years later, Boston Pride and the LGBT community will be marching proudly in the parade, alongside OUTVETS, a group that formed last year and represents openly gay veterans.

“We are eager to celebrate St. Patrick’s Day in the same respectful manner we ask participants to observe at the Pride Parade every year. As importantly, we are looking forward to showing our pride in an established Boston tradition and in our community by marching on Sunday, and we invite all LGBT and ally individuals to march with us,” said Bruni.

About Boston Pride

Boston Pride produces events and activities to achieve inclusivity, equality, respect, and awareness in Greater Boston and beyond. Fostering diversity, unity, visibility and dignity, we educate, communicate and advocate by building and strengthening community connections.

Kicking off June 5 through June 14, Boston Pride will host ten days of events and activities that bring people together from all walks of life to celebrate diversity. Opening with the Annual Flag Raising Ceremony at City Hall, 2015 Pride Week will also include, the first annual Gala, Pride Day at Faneuil Hall, Black Pride Cruise, AIDS Walk, Pride Diplomatic Reception, Pride Lights, Human Rights Forum, Queeraoke, Pride Night at Fenway Park, Boston Pride Festival and Parade, Pride Youth Dance, Back Bay Block Party, and JP Block Party. The theme of this year’s Pride Parade and Festival is "45th Anniversary - #WickedProud."
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All Out For The Fifth Annual Saint Patrick’s Day Peace Parade In South Boston Sunday March 15, 2015

 
 
Frank Jackman comment:

I am always happy to publicize the Veterans For Peace-led Saint Patrick’s Day Peace Parade to be held this year on March 15th. This year will mark the fifth time that organized peace activists, anti-militarists, anti-imperialist, pro-LGBTQ and other socially conscious groups, have been excluded from the main “private” parade sponsored by the Allied War Council (that name goes a long way toward explaining the exclusions of the above-mentioned groups although pro-war LGBTQ veterans from an organization called OutVets has allegedly received permission to march openly). This year will mark the fourth time I will proudly march with my fellow veterans. (I was down in front of the gates at the Marine base at Quantico in Virginia standing for freedom for heroic Wikileaks whistle -blower Chelsea Manning and so could not attend the first effort in 2011.)

This event is a highlight of the anti-war calendar along with Armistice Day and Remembrance Day each year and has become something of rallying point for all those, even some pro-military types who disagree with the politics of the peace parade, to express outrage that veterans have been excluded. The choice of a day which honors Saint Patrick, fabled in Irish/Keltic legend as a man of peace, seems a particularly appropriate day to show our “colors” against the backdrop of the “official” parade’s emphasis on displaying every piece of military equipment and personnel it can get its hands on within a hundred miles of South Boston. The choice of the luck of the Irish shamrock shown above as the symbol for the peace parade, and way to make some money to defray costs, also contributed to the spirit of the message at last year’s peace parade.     

Helping me to keep focused on publicizing this event is a statement attributed to one of the Allied War Council organizers a couple of years ago:             

 “We don’t want the word peace connected with the word veteran in our parade”

Of course that remark had me seeing red and I recall that I replied- “Oh yeah, well watch this, watch what we organize that day”- Don’t make a liar out of me this year. Plan to attend this important event if you are anywhere near Boston that day.

All Out For The Smedley Butler Brigade Veterans For Peace-Initiated Saint Patrick’s PEACE Parade on Sunday March 15th in South Boston
 
 


As The 100th Anniversary Of The First Year Of World War I (Remember The War To End All Wars) Continues ... Some Remembrances-Writers’ Corner  

In say 1912, 1913, hell, even the beginning of 1914, the first few months anyway, before the war clouds got a full head of steam in the summer they all profusely professed their unmitigated horror at the thought of war, thought of the old way of doing business in the world. Yes the artists of every school the Cubist/Fauvists/Futurists/Constructivists, Surrealists or those who would come to speak for those movements (hell even the Academy spoke the pious words when there was sunny weather), those who saw the disjointedness of modern industrial society and put the pieces to paint, sculptors who put twisted pieces of metal juxtaposed to each other saw that building a mighty machine from which you had to run created many problems; writers of serious history books proving that, according to their Whiggish theory of progress,  humankind had moved beyond war as an instrument of policy and the diplomats and high and mighty would put the brakes on in time, not realizing that they were all squabbling cousins; writers of serious and not so serious novels drenched in platitudes and hidden gazebo love affairs put paid to that notion in their sweet nothing words that man and woman had too much to do, too much sex to harness to denigrate themselves by crying the warrior’s cry and by having half-virgin, neat trick, maidens strewing flowers on the bloodlust streets; musicians whose muse spoke of delicate tempos and sweet muted violin concertos, not the stress and strife of the tattoos of war marches with their tinny conceits; and poets, ah, those constricted poets who bleed the moon of its amber swearing, swearing on a stack of seven sealed bibles, that they would go to the hells before touching the hair of another man, putting another man to ground or lying their own heads down for some imperial mission. They all professed loudly (and those few who did not profess, could not profess because they were happily getting their blood rising, kept their own consul until the summer), that come the war drums they would resist the siren call, would stick to their Whiggish, Futurist, Constructionist, Cubist worlds and blast the war-makers to hell in quotes, words, chords, clanged metal, and pretty pastels. They would stay the course.  

And then the war drums intensified, the people, their clients, patrons and buyers, cried out their lusts and they, they made of ordinary human clay as it turned out, poets, beautiful poets like Wilfred Owens who would sicken of war before he passed leaving a beautiful damnation on war, its psychoses, and broken bones and dreams, and the idiots who brought humankind to such a fate, like e. e. cummings who drove through sheer hell in those rickety ambulances floors sprayed with blood, man blood, angers, anguishes and more sets of broken bones, and broken dreams, like Rupert Brooke all manly and old school give and go, as the marched in formation leaving the ports and then mowed down like freshly mown grass in their thousands as the charge call came and they rested, a lot of them, in those freshly mown grasses, like Robert Graves all grave all sputtering in his words confused about what had happened, suppressing, always suppressing that instinct to cry out against the hatred night, like old school, old Thomas Hardy writing beautiful old English pastoral sentiments before the war and then full-blown into imperium’s service, no questions asked old England right or wrong, like old stuffed shirt himself T.S. Eliot speaking of hollow loves, hollow men, wastelands, and such in the high club rooms on the home front, and like old brother Yeats speaking of terrible beauties born in the colonies and maybe at the home front too as long as Eliot does not miss hi shigh tea. Jesus what a blasted nigh that Great War time was.   

And do not forget when the war drums intensified, and the people, their clients, patrons and buyers, cried out their lusts and they, they, other creative souls made of ordinary human clay as it turned out artists, sculptors, writers, serious and not, musicians went to the trenches to die deathless deaths in their thousands for, well, for humankind, of course, their always fate ….            
Some Desperate Glory: The World War I Diary of a British Officer, 1917
Excerpt from "Publishers Weekly:"

"This stark WWI diary by a 19-year-old subaltern in the British army begins with an account of his eager departure for the western front, and ends eight months later with an awesome description of the battle of Ypres in which most of his company died. A snobbish, inept and generally insufferable youngster when he joined the frontline regime
...more
Hardcover, First American Edition, 232 pages
Published May 1988 by Henry Holt & Company (first published 1981)
Veterans for Peace cancels annual Saint Patrick's Peace Parade after judge's initial ruling allows City to deny noon start time on March 15

ACLU lawsuit on behalf of VFP will continue to challenge City's 11-month delay in acting on permit application, and favoritism for South Boston Allied War Veterans parade, which excludes most LGBT and veterans' peace groups.

 

FOR IMMEDIATE RELEASE
Monday, March 9, 2015

 

CONTACT:
Christopher Ott, communications director, 617-482-3170 x322, cott@aclum.org
Patrick Scanlon, Veterans for Peace, 978-590-4248, Vets4PeaceChapter9@gmail.com

 

 

BOSTON -- The Massachusetts chapter of Veterans for Peace (VFP) today announced the cancellation this year of its annual St. Patrick's Day Peace Parade, which had been scheduled for noon on March 15. The cancellation follows a lengthy delay by the City of Bostonwhich for nearly a year refused to respond to VFP's permit application. It also follows a federal court ruling in VFP's lawsuit brought by the American Civil Liberties Union of Massachusetts against the City, issued on the evening of Friday, March 6, which declined to order the City to issue VFP a permit for noon. The ruling leaves in place the City's decision to favor the parade run by the South Boston Allied War Veterans Council, which traditionally begins at 1pm and has excluded gay organizations, Veterans for Peace, and other peace organizations.

 

The ruling also allows the City to continue its past practice of relegating the Veterans for Peace Chapter 9, Smedley D. Butler Brigade parade to a late start on a winter afternoon. In reaching that decision, Judge Leo Sorokin concluded that, at this stage of the litigation, VFP could not show a First Amendment violation "at this time." But Judge Sorokin recognized that between March 2014, when VFP filed its permit application, and February 2015, when VFP filed suit, City officials did not "respond to the VFP regarding its permit application" and did not "respond in any way to the various inquiries made by [VFP's] counsel regarding the permit."

 

Patrick Scanlon, the coordinator of the Smedley D. Butler Brigade of VFP, issued this statement:

 

"Veterans For Peace sadly and reluctantly has concluded that it will be necessary to cancel this year's Saint Patrick's Peace Parade. Having sought a permit for a noon start time and asked other participants to join us then, we were faced with the daunting task of rescheduling and re-organizing at the last minute when the City notified us we would again have to start in the late afternoon. Even after the federal court refused to overturn the City's decision, we had hoped we would be able to go forward, but too many of those who had expected to march in the Peace Parade could not join us later in the day, making it impossible to bring together a strong and effective counter-statement to the parade organized by the South Boston Allied War Veterans Council (AWVC).

 

"As veterans of the U.S. Military, many decorated in war, we are very disappointed and appalled by the treatment we have received this year by the City of Boston. We have a simple message of peace, equality and social justice, in contrast to the other parade that has a militaristic and exclusionary message. Yet our message is once again prohibited on the streets of South Boston during the Saint Patrick's Day celebrations. Putting us one mile behind the other parade again would have resulted in our military veterans walking in the late afternoon when most spectators have left the area.

 

"We as veterans are tired of the deplorable treatment we have experienced over the past five years. We are proud soldiers, sailors and airmen and we will not be denigrated, marginalized and treated with total disrespect. We, who have served this country, have seen first-hand the horrors of war and now work for peace and the peaceful resolution of conflict, are ostracized by the City of Boston and the AWVC excluding these messages on the streets of Boston. The City of Boston and the AWVC should be ashamed of themselves. We are not going away. To paraphrase General Douglas McArthur's pronouncement in 1941, 'Keep the flag flying, we will be back.'"

 

Sarah Wunsch, deputy legal director for the ACLU of Massachusetts, expressed disappointment with the City's treatment of the St. Patrick's Peace Parade and noted that the lawsuit against the City will continue. "The Veterans for Peace organization has First Amendment rights to be heard and seen by those who gather in South Boston to celebrate St. Patrick's Day, and we hope those rights will be vindicated as the case goes forward."

 

VFP Smedley D. Butler Brigade is a chapter of the national VFP. Founded in 1985, Veterans for Peace is a national organization of men and women of all eras and duty stations, including from World War II, the Korean, Vietnam, Gulf, Iraq, and Afghanistan wars, as well as other conflicts. Veterans for Peace works to expose the true costs of war and to support veterans and civilian victims. For more information, go to www.smedleyvfp.org

 

For more information about the lawsuit, go to:

https://www.aclum.org/news_2.12.15

 

For more information about the ACLU of Massachusetts, go to:

https://aclum.org


***Songs To While Away The Class Struggle By-The Doors

 

 
Peter Paul Markin comment September 2014:

A while back, maybe a half a decade ago now, I started a series in this space that I presented under the headline Songs To While Away The Class Struggle By where I posted some songs, you know, The Internationale, Which Side Are You On?, Viva La Quince Brigada, Solidarity Forever and others like Deportee, Where Have All The Flowers Gone, Blowin’ In The Wind, This Land Is Your Land  while not as directly political had their hearts in the right place, that I thought would help get us through the “dog days” of the struggle for our socialist future. Those “dog days” in America anyway, depending on what leftist political perspective drove your imagination could have gone back as far as the late 1960s and early 1970s when all things were possible and the smell of revolution could be whiffed in the air for a while before we were defeated, or maybe later when all abandoned hope for the least bit of social justice in the lean, vicious, downtrodden Reagan years of unblessed memory or later still around the time of the great world- historic defeats of the international working class in East Europe and the former Soviet Union which left us with an unmatched arrogant unipolar imperialist world. That one pole being the United States, the “heart of the beast” from which we work. Whatever your personal benchmark they were nevertheless if you had the least bit of political savvy clearly dog days.        

I began posting these songs at a time, 2009, when it was touch and go whether there would be some kind of massive uprising against the economic royalists (later chastised under the popular sobriquet “the one-percent”) who had just dealt the world a blow to the head through their economic machinations in what is now called the Great Recession of 2008. Subsequently, while there were momentary uprisings, the Arab Spring which got its start in Tunisia and Egypt and enflamed most of the Middle East one way or another, here in America the defensive uprising of the public workers in Wisconsin and later the quick-moving although ephemeral Occupy movement, and the uprisings in Greek, Spain and elsewhere in Europe in response to the “belt-tightening" demanded by international financial institutions to name a few, the response from the American and world working classes has for lots of reasons if anything further entrenched those interests.

So as the “dog days” continue I have resumed the series. I do not vouch for the political thrust of the songs selected; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this kind of formation would mean political death for any serious revolutionary upheaval and would not be acceptable for our political prospects, it will suffice for our purposes here. I like to invite others to make additional comments on certain pivotal songs, groups and artists and here is one by my old friend Josh Breslin, whom I met out in California during the heyday of the summer of love 1967, that reflects those many possibilities to “turn the world upside down” back in the 1960s and early 1970s before the “night of the long knives” set in:

WE WANT THE WORLD AND WE WANT IT NOW!

From The Pen Of Joshua Lawrence Breslin


My old friend from the summer of love 1967 days, Peter Paul Markin, always used to make a point then of answering, or rather arguing which tells a lot about the kind of guy he was when he got his political hind legs up with anybody who tried to tell him back in the day that “music is the revolution.”  Strangely when I first met him in San Francisco that summer you would have been hard-pressed to tell him that was not the case but after a few hits on the head by the coppers, a tour of duty in the military at the height of the Vietnam War, and what was happening to other political types trying to change the world for the better like the Black Panthers he got “religion,” or at least he got that music as the agency of social change idea out of his head.  Me, well, I was (and am not) as political as Markin so that I neither got drowned in the counter-culture where music was a central cementing act, nor did I  have anything that happened subsequently that would have given me Markin’s epiphany.

I would listen half-attentively (a condition aided by being “stoned” a lot of the time) when such conversations erupted and Markin drilled his position. That position meaning, of course that contrary to the proponents (including many mutual friends who acted out on that idea and got burned by the flame, some dropping out, some going back to academia, some left by the wayside and who are maybe still wandering) that eight or ten Give Peace A Chance, Kumbaya, Woodstock songs would not do the trick, would not change this nasty, brutish, old short-life world into the garden, into some pre-lapsian Eden. Meaning that the gathering of youth nation unto itself out in places like Woodstock, Golden Gate Park, Monterrey, hell, the Boston Common, or even once word trickled down the way the word has always trickled down to the sticks once the next new thing gets a workout, Olde Saco Park, in the town up in Maine where I grew up would not feed on itself and grow to such a critical mass that the quite nameable enemies of goodness, kindness starting with one Lyndon Johnson and one Richard M. Nixon and working down to the go-fers and hangers-on, and leave us alone would sulk off somewhere, defeated or at least defanged.

Many a night, many a dope-blistered night before some seawall ocean front Pacific Coast campfire I would listen to Markin blast forth against that stuff, against that silliness. As for me, I was too “into the moment,” too into finding weed, hemp, mary jane and too into finding some fetching women to share it with to get caught up in some nebulous ideological struggle. It was only later, after the music died, after rock and roll turned in on itself, turned into some exotic fad of the exiles on Main Street that I began to think through the implications of what Markin, and the guys on the other side, were arguing about.

Now it makes perfect sense that music, or any mere cultural expression standing alone, would be unable to carry enough weight to turn us back to the garden (I won’t use that “pre-lapsarian’ again to avoid showing my, and Markin’s, high Roman Catholic up-bringing and muddy what I want to say which is quite secular). I guess that I would err on the side of the “angels” and at least wish that we could have carried the day against the monsters of the American imperium we confronted back in the day. (Although I had a draft deferment due to a serious physical condition, not helped by the “street” dope I was consuming by the way, I supported, and something vehemently and with some sense of organization, a lot of the political stuff Markin was knee deep into, especially Panther defense when we lived in Oakland and all hell was raining down on the brothers and sisters.)                  

Thinking about what a big deal was made of such arguments recently (arguments carried deep into the night, deep in smoke dream nights, and sometimes as the blue–pink dawn came rising up to smite our dreams) I thought back to my own musical appreciations. In my jaded youth (if one could be jaded in Podunk Olde Saco, although more than one parent and more than one teacher called me “beatnik” back then whatever that meant to them) I developed an ear for roots music, whether I was conscious of that fact or not. Perhaps it was some off-shoot DNA thing since my people on my mother’s side (nee LeBlanc) were French-Canadian which had a deep folk heritage both up north and here although such music was not played in the house, a house like a lot of other ethnics where in the 1950s everybody wanted to be vanilla American (Markin mentioned that same thing about his Irish-etched parents). So it initially started as a reaction to my parents’ music, the music that got them through the Great Depression of the 1930s and later waiting for other shoe to drop (either in Normandy where my father first went to Europe under some very trying conditions or at home waiting in Olde Saco), and that became a habit, a wafting through the radio of my childhood home habit. You know who I mean Frank (Sinatra for the heathens), Harry James, the Andrews Sisters, Peggy Lee, Doris Day and the like. Or, maybe, and this is something that I have come closer to believing was the catalyst along with the DNA stuff I already mentioned, my father’s very real roots in the Saturday night mountain barn dance, fiddles blazing, music of his growing up poor down in Appalachia. (Again such music except every once in a while Hank Williams who I didn’t know about at the time was not played in the house either. Too “square” I guess.) 

The origin of my immersion into roots music first centered on the blues, country and city with the likes of Son House(and that raspy, boozy country voice on Death Letter Blues), Skip James ( I went nuts over that voice first heard after he had been “discovered” at the Newport Folk Festival I think in 1963 when he sang I’d Rather Be The Devil Than Be That Woman’s Man on the radio after I had just broken up with some devil woman, read girl), Mississippi John Hurt (that clear guitar, simple lyrics on Creole Belle), Muddy Waters (yes, Mannish-Boy ), Howlin’ Wolf ( I again went nuts when I heard his righteous Little Red Rooster  although I had heard the Stones version first, a version originally banned on Boston radio if you can believe that ) and Elmore James ( his Dust My Broom version of the old Robert Johnson tune I used to argue was the “beginning” of rock and roll to anybody who would listen). Then early rock and roll, you know the rockabillies and R&B crowd, Elvis (stuff like One Night With You, Jailhouse Rock and the like before he died in about 1958 or whatever happened to him when he started making stupid movies that mocked his great talent making him look foolish and which various girlfriends of the time forced me to go see at the old Majestic Theater in downtown Olde Saco), Jerry Lee (his High School Confidential, the film song, with him flailing away at the piano in the back of a flat-bed truck blew me away  although the film was a bust, as was the girl I saw it with), Chuck (yeah, when he declared to a candid  world that while we all gave due homage to classical music in school Mister Beethoven and his brethren better move on over with Roll Over Beethoven), Roy (Roy the boy with that big falsetto voice crooning out Running Scared, whoa), Big Joe (and that Shake, Rattle and Roll which I at one point also argued was the “beginning” of rock and roll, okay, I liked to argue those fine points)   and Ike Turner (who I ultimately settled on with his Rocket 88 as that mythical beginning of rock and roll). Then later, with the folk revival of the early 1960’s, the folk music minute before the British invasion took a lot of the air out of that kind of music, especially the protest to high heaven sort, Bob Dylan (even a so-so political guy like me, maybe less than so-so then before all hell broke loose and we had to choose sides loved Blowin’ in the Wind), Dave Von Ronk (and that raspy old voice, although he was not that old then sing Fair And Tender Ladies  one of the first folk songs I remember hearing) Joan Baez (and that long ironed-hair singing that big soprano on those Child ballads), etc.

I am, and have always been a city boy, and an Eastern city boy at that. Meaning rootless or not meaningfully or consciously rooted in any of the niches mentioned above. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. Cajun, Tex-Mex, old time dust bowl ballads a la Woody Guthrie, cowboy stuff with the likes of Bob Wills and Milton Brown, Carter Family-etched mountain music (paying final conscious tribute to the mountain DNA in my bones) and so on.

All those genres are easily classified as roots music but I recall one time driving Markin crazy, driving him to closet me with the “music is the revolution” heads he fretfully argued against when I mentioned in passing that The Doors, then in their high holy mantra shamanic phase with The End and When The Music’s Over epitomized roots music. That hurt me to the quick, a momentary hurt then, but thinking about it more recently Markin was totally off base in his remarks.

The Doors are roots music? Well, yes, in the sense that one of the branches of rock and roll derived from early rhythm and blues and in the special case of Jim Morrison, leader of The Doors, the attempt to musically explore the shamanic elements in the Western American Native- American culture that drove the beat of many of his trance-like songs like The End. More than one rock critic, professional rock critic, has argued that on their good nights when the dope and booze were flowing, Morrison was in high trance, and they were fired up The Doors were the best rock and roll band ever created. Those critics will get no argument here, and it is not a far stretch to classify their efforts as in the great American roots tradition.  I argued then and will argue here almost fifty years later when that original statement of mine was more prophetic The Doors put together all the stuff rock critics in one hundred years will be dusting off when they want to examine what it was like when men (and women, think Bonnie Raitt, Wanda Jackson, et. al) played rock and roll, played the people’s music, played to respond to a deep-seeded need of the people before them, for keeps.

So where does Jim Morrison fit in an icon of the 1960s if he was not some new age latter day cultural Lenin/Trotsky. Some icon that Markin could have latched onto.  Jim was part of the trinity, the “J” trinity for the superstitious – Morrison, Janis Joplin, and Jimi Hendrix who lived fast, lived way too fast, and died young, way too young. The slogan of the day (or hour) – “Drugs, sex, and rock and roll.” And we liked that idea however you wanted to mix it up. Then.

Their deaths were part of the price we felt we had to pay if we were going to be free. And be creative. Even the most political among us, including Markin in his higher moments (you figure out what that “higher,” means since you are bright people) felt those cultural winds blowing across the continent and counted those who espoused this alternative vision as part of the chosen. The righteous headed to the “promise land.” Unfortunately those who believed that we could have a far-reaching positive cultural change via music or “dropping out” without a huge societal political change proved to be wrong long ago. But, these were still our people.

Know this as well if you are keeping score. Whatever excesses were committed by our generation and there were many, many made by the generation that came of political and cultural age in the early 1960s, the generation I call the generation of ’68 to signify its important and decisive year internationally, were mainly made out of ignorance and foolishness. Our opponents, exemplified by outlaw big cowboy President Lyndon B. Johnson and one weaselly Richard Milhous Nixon, President of the United States and common criminal, and their minions like J. Edgar Hoover, Mayor Richard Daley and Hubert Humphrey spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, the minorities in this country, and anyone else who got in their way. Forty plus years of “cultural wars” in revenge by their protégés, hangers-on and now their descendants has been a heavy price to pay for our youthful errors. And Markin would surely endorse this sentiment. Enough.

Friday, March 13, 2015

When The Fight To Turn The World Upside Down Was In Full Flower- With The Doors The Unknown Soldier In Mind

 
 
Wait until the war is over
And we're both a little older
The unknown soldier
Breakfast where the news is read
Television children fed
Unborn living, living, dead
Bullet strikes the helmet's head


And it's all over
For the unknown soldier
It's all over
For the unknown soldier


Hut, hut, hut ho hee up
Hut, hut, hut ho hee up
Hut, hut, hut ho hee up


Comp'nee, halt
Present, arms

Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier


Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head


And, it's all over
The war is over
It's all over
War is over


Well, all over, baby
All over, baby
Oh, over, yeah
All over, baby
Ooh, ha, ha, all over
All over, baby
Oh, woah, yeah, all over
All over, heh

Add song meaning
Songwriters
Robbie Krieger;John Densmore;Jim Morrison;Ray Manzarek


From The Pen of Frank Jackman

There was no seamless thread that wrapped the 1960s up tightly. A thousand things, or it seemed like a thousand things, came together in pretty rapid succession to draw down in flames, for a while anyway although none of us though it would on be for only a while just as we thought that we would live forever, or at least fast, the dread red scare Cold War freezes of our childhood. But you could traces things a little, make your own “live free” categories of the events that chipped away the ice of those dark nights.

Start in with the mid-1950s if you like with the heat of the black struggle for some semblance of civil liberties down south (and some sense for equality up north), the first break-out of music with the crowning of rock and roll as the wave of the future (black rhythm and blues, scat, rockabilly mixed all stirred up), the “discovery” of teen alienation and angst exemplified by movie star James Dean, who lived fast, and died fast a metaphor that would work its way through youth culture over the next generation. An odd-ball mix right there. Then start to throw in the struggles against the old authority, the old certitudes that had calmed our parents’ lives in places like Frisco town where they practically ran the red-baiters in the HUAC out of town, but of course the biggest event that opened the doors for liberals, radicals, hell even thoughtful conservatives was the sweet breeze coming down the road from Boston with the election of Jack Kennedy.     

That event opened up a new psyche, that it was okay to question authority, whatever the limitations and shortness of the Camelot times with the struggles against some hoary things like segregation, the dead penalty, nuclear proliferation, the unevenness of life which would get propelled later in the decade with fight for women’s liberation, gay liberation, and the fight against the draft, the damn war in Vietnam that drove a nail into the heart of the generation. There were more things, cultural things and experimentations with new lifestyles that all got a fair workout during this period as well.     

Plenty of us in retrospective would weigh the various combinations of events differently in figuring out how the uprising started just as plenty of us have our specific dates for when the tide began to ebb, when the mean-spirited and authoritarian began their successful counter-offensive that we still live with for not taking the omens more seriously.

And then we have the photograph that graces this short screed. This photograph is almost impossible to imagine without some combination of that hell broth mix stirred up in the 1960s. Three self-assured women comfortable with the loose and individualistic fashion statements of the day from floppy hats to bare legs, bare legs that would have shocked a mother. Uncomfortable about the damn Vietnam war that was eating up boyfriends, brothers, just friends at a heavy rate and they unlike their mothers who came through World War II waiting patiently and patriotically for their military heroes to come home, come home in one piece, have a very different sense of the heroic. A sense of the heroic going back to ancient times when one group of women demanded that their men come home on their shields if they had to rather than speak of defeat and others providing a distant echo for these three women pictured here who refused their soldier boys any favors if they went off to war. More, much more of the latter, please.