Monday, May 18, 2015


As The 100th Anniversary Of The First Year Of World War I (Remember The War To End All Wars) Continues ... Some Remembrances-Musicians’ Corner




In say 1912, 1913, hell, even the beginning of 1914, the first few months anyway, before the war clouds got a full head of steam in the summer they all profusely professed their unmitigated horror at the thought of war, thought of the old way of doing business in the world. Yes the artists of every school the Cubist/Fauvists/Futurists/Constructivists, Surrealists or those who would come to speak for those movements (hell even the hide-bound Academy filled with its rules, or be damned, spoke the pious words of peace, brotherhood and the affinity of all humankind when there was sunny weather), those who saw the disjointedness of modern industrial society in its squalor, it creation of generations of short, nasty, brutish lives just like the philosophers predicted and put the pieces to paint, sculptors who put twisted pieces of metal juxtaposed to each other saw that building a mighty machine from which you had to run created many problems; writers of serious history books proving that, according to their Whiggish theory of progress,  humankind had moved beyond war as an instrument of policy and the diplomats and high and mighty would put the brakes on in time, not realizing that they were all squabbling cousins; writers of serious and not so serious novels drenched in platitudes and hidden gazebo love affairs put paid to that notion in their sweet nothing words that man and woman had too much to do, too much sex to harness to denigrate themselves by crying the warrior’s cry and by having half-virgin, neat trick, maidens strewing flowers on the bloodlust streets; musicians whose muse spoke of delicate tempos and sweet muted violin concertos, not the stress and strife of the tattoos of war marches with their tinny conceits; and poets, ah, those constricted poets who bleed the moon of its amber swearing, swearing on a stack of seven sealed bibles, that they would go to the hells before touching the hair of another man, putting another man to ground or laying their own heads down for some imperial mission.

They all professed loudly (and those few who did not profess, could not profess because they were happily getting their blood rising, kept their own consul until the summer), that come the war drums they would resist the siren call, would stick to their Whiggish, Futurist, Constructionist, Cubist worlds and blast the war-makers to hell in quotes, words, chords, clanged metal, and pretty pastels. They would stay the course. 

And then the war drums intensified, the people, their clients, patrons and buyers, cried out their lusts and they, they made of ordinary human clay as it turned out, poets, beautiful poets like Wilfred Owens who would sicken of war before he passed leaving a beautiful damnation on war, its psychoses, and broken bones and dreams, and the idiots who brought humankind to such a fate, like e. e. cummings who drove through sheer hell in those rickety ambulances floors sprayed with blood, man blood, angers, anguishes and more sets of broken bones, and broken dreams, like Rupert Brooke all manly and old school give and go, as they marched in formation leaving the ports and then mowed down like freshly mown grass in their thousands as the charge call came and they rested, a lot of them, in those freshly mown grasses, like Robert Graves all grave all sputtering in his words confused about what had happened, suppressing, always suppressing that instinct to cry out against the hatred night, like old school, old Thomas Hardy writing beautiful old English pastoral sentiments before the war and then full-blown into imperium’s service, no questions asked old England right or wrong, like old stuffed shirt himself T.S. Eliot speaking of hollow loves, hollow men, wastelands, and such in the high club rooms on the home front, and like old brother Yeats speaking of terrible beauties born in the colonies and maybe at the home front too as long as Eliot does not miss his high tea. Jesus what a blasted night that Great War time was.  

And as the war drums intensified, the people, their clients, patrons and buyers, cried out their lusts and they, they made of ordinary human clay as it turned out, artists, beautiful artists like Fernand Leger who could no longer push the envelope of representative art because it had been twisted by the rubble of war, by the crashing big guns, by the hubris of commanders and commanded and he turned to new form, tubes, cubes, prisms, anything but battered humankind in its every rusts and lusts, all bright and intersecting once he got the mustard gas out of his system, once he had done his patria duty, like speaking of mustard gas old worn out John Singer Sargent of the three name WASPs forgetting Boston Brahmin society ladies in decollage, forgetting ancient world religious murals hanging atop Boston museum and spewing trench warfare and the blind leading the blind out of no man’s land, out of the devil’s claws, like Umberto Boccioni, all swirls, curves, dashes, and dangling guns as the endless charges endlessly charge, like Gustav Klimt and his endlessly detailed gold dust opulent Asiatic dreams filled with lovely matrons and high symbolism and blessed Eve women to fill the night, Adam’s night after they fled the garden, like Joan Miro and his infernal boxes, circles, spats, eyes, dibs, dabs, vaginas, and blots forever suspended in deep space for a candid world to fret through, fret through a long career, and like poor maddened rising like a phoenix in the Spartacist uprising George Grosz puncturing the nasty bourgeoisie, the big bourgeoisie the ones with the real dough and their overfed dreams stuffed with sausage, and from the bloated military and their fat-assed generals stuff with howitzers and rocket shells, like Picasso, yeah, Picasso taking the shape out of recognized human existence and reconfiguring the forms, the mesh of form to fit the new hard order, like, Braque, if only because if you put the yolk on Picasso you have to tie him to the tether too.          

And do not forget when the war drums intensified, and the people, their clients, patrons and buyers, cried out their lusts and they, they, other creative souls made of ordinary human clay as it turned out sculptors, writers, serious and not, musicians went to the trenches to die deathless deaths in their thousands for, well, for humankind, of course, their always fate ….           

Chuck Willis---C.C. Rider


Boston-Park Street Station Weekly Vigil-May 30th-Five Years In Jail Is Enough, More Than Enough- President Obama Pardon Chelsea Manning Now!

C_Manning_Finish (1)

 

Boston vigil details:

1:00-2:00 PM Saturday, May 30, 2015
Park Street Station Entrance on the Boston Common

Chelsea Manning’s Five Years Of Confinement

Taken into Army MP custody on May 27, 2010 and later held for months under torturous conditions at the Quantico Marine Base in Virginia Chelsea Manning was tried and sentenced in a military court-martial at Fort Meade in Maryland to 35 years in August 2013 for releasing many military secrets through Wikileaks about U.S. crimes in the wars in Iraq and Afghanistan among other revelations. If this sentence stands she will be out in 2045. We cannot let this happen– we have to get her out! Join us on May 30th and encourage others to attend. Sign the on-line petition for a presidential pardon from President Barack Obama at the Chelsea Manning Support Network website- http://www.chelseamanning.org/. We will not leave our sister behind.  

Why Don't You Do Right (original) - Lil Green 1941.wmv


Victoria Spivey & Lonnie Johnson - Dope Head Blues (1927)


I Did It My Way-With Bob Dylan’s Shadows In The Night In Mind



 

 

 

 


Recently I did a review of Bob Dylan’s latest CD brought out in 2014, Shadows In The Night, a tribute to the king of Tin Pan Alley songwriter fest Frank Sinatra. In that review I noted that such an effort was bound to happen if Dylan lived long enough. Going back to the Great Depression/World War II period that our parents, we the baby-boomers parents slogged through for musical inspiration. Going back to something, some place that when were young and immortal, young and thinking that what we had created would last forever we would have, rightly, dismissed out of hand. And since Dylan has lived long enough, long enough to go back to some bygones roots  here we are talking about something that let us say in 1970 I would have dismissed as impossible, dismissed as the delusional ravings of somebody like my brother who hated almost everything about the counter-cultural movement of the 1960s, had been ready to spill blood it seemed to cut off the heads of anybody who wanted to breathe a new fresh breath not tinged with our parents’ worn out ways of doing business in civil society.

Strange as it may seem to a generation, the generation of ’68, today’s AARP generation, okay, baby-boomers who came of age with the clarion call put forth musically by Bob Dylan and others to dramatically break with the music of our parents’ pasts, the music that got them through the Great Depression and slogging through World War II, he has put out an album featuring the work of Mr. Frank Sinatra the king of that era in many our parents’ households. The music of the Broadway shows, Tin Pan Alley, Cole Porter/Irving Berlin/ the Gershwins/Jerome Kern, have I mssed anybody of important, probably, probably missed some of those Rogers and Hart Broadway show tunes teams, and so on. That proposition though, at least as it pertains to Bob Dylan as an individual, seems less strange if you are not totally mired in the Bob Dylan protest minute of the early 1960s when he, whether he wanted that designation or not, was the “voice of a generation,” catching the new breeze a lot of us felt coming through the land. (In the end he did not want it, did not want to be the voice of a generation, although he liked and wanted to be king of the hill in the music department of that generation, no question. Wanted too to be the king hell troubadour entertaining the world for as long as he drew breathe and he has accomplished that.)

What Dylan has been about for the greater part of his career has been as an entertainer, a guy who sings his songs to the crowd and hopes they share his feelings for his songs. As he is quoted as saying in a recent AARP magazine article connected with the release of his Frank Sinatra tribute what he hoped was that like Frank he sang to, not at, his audience. Just like Frank did when he was in high tide around the 1940s and 1950s. That sensibility is emphatically not what the folk protest music ethos was about but rather about stirring up the troops, stirring up the latter day Gideon’s army to go smite the dragon. Dylan early on came close, then drew back, and it is hard to think of anybody from our generation except maybe Joan Baez and Phil Ochs who wrote and sang to move people from point A to point B in the social struggles of the times.

What Dylan has also been about through it all has been a deep and abiding respect for the American songbook that he began to gather in his mind early on (look on YouTube to a clip from Don’t Look Back where he is up in some European hotel room with Joan Baez and Bob Neuwirth singing Hank Williams ballads or stuff from the Basement tapes where he runs the table on a few earlier genres). In the old days that was looking for roots, roots music from the mountains, the desolate oceans, the slave quarters, along the rivers and Dylan’s hero then was Woody Guthrie. But the American songbook is a “big tent” operation and the Tin Pan Alley that he broke from when he became his own songwriter is an important part of the overall tradition and now he has added his hero Frank Sinatra to his version of the songbook.

I may long for the old protest songs, the songs that stirred my blood to push on with the political struggles of the time like With God On Our Side which pushed me into the ranks of the Quakers, shakers, and little old ladies and men in tennis sneakers in the fight for nuclear disarmament, songs from the album pictured above, you know Blowin’ In The Wind which fit perfectly with the sense that something, something undefinable, something new as in the air in the early 1960s and The Times Are A Changin’ stuff like that, the roots music and not just Woody but Hank (including an incredible version of You Win Again, Tex-Mex (working later with George  Sahms of the Sir George Quintet, the Carters, the odd and unusual like the magic lyric play in Desolation Row, his cover of Charley Patton’s Highwater Rising or his cover of a song Lonnie Johnson made famous, Tomorrow Night, but Dylan has sought to entertain and there is room in his tent for the king of Tin Pan Alley (as Billie Holiday was the queen). Having heard Dylan live and in concert over the past several years with his grating lost voice (for me it was always about the lyrics not the voice although in looking at old tapes from the Newport Folk Festival on YouTube his voice was actually far better then than I would have given him credit for) I do wonder though how much production was needed to get the wrinkles out of that voice to sing as smoothly as the “Chairman of the boards,” to run the pauses and the hushed tones Frank knew how to do to keep his audience in his clutches. What goes around comes around.             

The Latest From The United National Anti-War Coalition (UNAC) Website- Immediate, Unconditional Withdrawal Of All U.S./Allied Troops, Mercenaries, Contractors, Etc. From Afghanistan! -Hands Off Syria! No New War In Iraq- Stop The Bombings-Stop The Arms Shipments To The Kurds And Shia-Stay Out Of The Civil War! No Intervention In Ukraine! Defend The Palestinians! No U.S. Aid To Israel! No One Penny, Not One Person For Obama’s War Machine!
 


Click below for link to the United National Anti-War Coalition (UNAC) website for more information about various anti-war, anti-imperialist, anti-capitalist actions around the country.


Markin comment: 
 
A while back, maybe last year as things seemed to be winding down in the Middle East, or at least the American presence was scheduled to decrease in places like Afghanistan and Iraq, and before  Ukraine, Syria, Gaza and a number of other flash points erupted I mentioned that every once in a while it is necessary, if for no other reason than to proclaim from the public square that we are alive, and fighting, to show “the colors,” our anti-war colors. I also mentioned at the time that while endless marches are not going to end any war the imperialists decide to provoke the street opposition to the war in what appeared then to be the fading American presence in Afghanistan or whatever else the Obama/Kerry cabal has lined up for the military to do in the Middle East, Ukraine or the China seas as well as protests against other imperialist adventures had been under the radar of late.

Over the summer there had been a small uptick in street protest over the Zionist massacre in Gaza (a situation now in “cease-fire” mode but who knows how long that will last) and the threat of yet a third American war in Iraq with the increasing bombing campaign and escalating troop levels now expanded to Syria. Although not nearly enough. As I mentioned at that earlier time it is time, way beyond time, for anti-warriors, even his liberal backers, to get back where we belong on the streets in the struggle against Nobel Peace Prize winner Obama’s seemingly endless wars. And his surreptitious “drone strategy” to "sanitize" war when he is not very publicly busy revving up the bombers and fighter jets in Iraq, Syria and wherever else he feels needs the soft touch of American “shock and awe, part two.”

The UNAC for a while now, particularly since the collapse of the mass peace movement that hit the streets for a few minutes before the second Iraq war in 2003, appears to be the umbrella clearing house these days for many anti-war, anti-drone, anti-imperialist and anti-capitalist actions. Not all the demands of this coalition are ones that I would raise, or support but the key ones of late are enough to take to the streets. More than enough to whet the appetite of even the most jaded anti-warrior.


And as we hit the fall anti-war trail:

As Obama, His House And Senate Allies, His “Coalition Of The Willing”    Beat The War Drums-Again- Stop The Escalations-No New U.S. War In Iraq- No Intervention In Syria! Immediate Withdrawal Of All U.S. Troops And Mercenaries!  Stop The U.S. And Allied Bombings! –Stop The Arms Shipments …

Frank Jackman comment:

As the Nobel Peace Prize Winner, U.S. President Barack Obama, abetted by the usual suspects in the House and Senate as well as internationally, orders more air bombing strikes in the north and in Syria,  sends more “advisers” to “protect” American outposts in Iraq, and sends arms shipments to the Kurds, supplies arms to the moderate Syrian opposition if it can be found to give weapons to, guys who served in the American military during the Vietnam War and who, like me, belatedly, got “religion” on the war issue as a kneejerk way to resolve the conflicts in this wicked old world might very well be excused for disbelief when the White House keeps pounding out the propaganda that these actions are limited when all signs point to the slippery slope of escalation. And all the time saying the familiar (Vietnam era familiar updated for the present)-“we seek no wider war”-meaning no American combat troops. Well if you start bombing places back to the Stone Age, cannot rely on the Iraqi troops who have already shown what they are made of and cannot rely on a now non-existent “Syrian Free Army” which you are willing to get whatever they want and will still come up short what do you think the next step will be? Now not every event in history gets exactly repeated but given the recent United States Government’s history in Iraq those old time vets might be on to something. In any case dust off the old banners, placards, and buttons and get your voices in shape- just in case. No New War In Iraq –Stop The Bombings- No Intervention In Syria! 
***
Here is something to think about:  

Workers and the oppressed have no interest in a victory by one combatant or the other in the reactionary Sunni-Shi’ite civil war. However, the international working class definitely has a side in opposing imperialist intervention in Iraq and demanding the immediate withdrawal of all U.S. troops and mercenaries. It is U.S. imperialism that constitutes the greatest danger to the world’s working people and downtrodden. 
 
Immediate, Unconditional Withdrawal Of All U.S./Allied Troops, Mercenaries, Contractors, Etc. From Afghanistan! Hands Off Syria! No New War In Iraq- Stop The Bombings-Stop The Arms Shipments To The Kurds And Shia-Stay Out Of The Civil War! No Intervention In Ukraine! Defend The Palestinians! No U.S. Aid To Israel! Not One Penny, Not One Person For Obama’s War Machine!

BostonUNAC.org | 781-285-8622 | BostonUNAC(S)gmail.com
   
 ***
The Blues Aint Nothing But Lucille On Your Mind- With The Late B.B. King’s Lucille In Mind 


 


 



 





Here is the drill. I started out life listening to singer like Frank Sinatra, Bing Crosby (and his brother Bob), Miss Patti Page, Miss Rosemary Clooney, Miss Peggy Lee, the Andrew, McGuire, Dooley sisters, and all the big swing bands from the 1940s like Harry James, Tommy Dorsey (and his brother Jimmy who had his own band) as background music on the family radio in the 1950s which my mother had always during the day to get her workaday daytime household world and on Saturday night when my father joined in. Joined in so they could listen to Bill Marlin on local radio station WJDA and his Memory Lane show from seven to eleven where they could listen to the music that got them (and their generation) through the “from hunger” times of the 1930s Great Depression and then when they slogged through (either in some watery European theater or Pacific one take your pick) or anxiously waited at home for the other shoe to drop during World War II. I am not saying that they should not have had their memory music after all of that but frankly that stuff then (and now although less so) made me grind my teeth. But I was a captive audience then and so to this day I can sing off Rum and Coca Cola, Don’t Sit Under The Apple Tree (the Glenn Miller version not the Andrew Sister) and Vera Lynn’s White Cliffs of Dover from memory. But that was not my music, okay. 


Then of course since we are speaking about the 1950s came the great musical break-out, the age of classic rock and roll which I “dug” seriously dug to the point of dreaming my own jailbreak dreams about rock futures (and girls) but that Elvis-etched time too was just a bit soon for me to be able to unlike my older brother, Prescott, call that the music that I came of age to. Although the echoes of that time still run through my mind and I can quote chapter and verse One Night With You (Elvis version, including the salacious One Night Of Sin original), Sweet Little Sixteen (Chuck Berry, of course), Let’s Have A Party ( the much underrated  Wanda Jackson), Be-Bop-a-Lula (Gene Vincent in the great one hit wonder night but what a hit), Bo Diddley (Bo, of course), Peggy Sue (Buddy Holly) and a whole bunch more.   


The music that I can really call my own is the stuff from the folk minute of the 1960s which dovetailed with my coming of chronological, political and social age (that last in the sense of recognizing, if not always acting on, the fact that there were others, kindred, out there beside myself filled with angst, alienation and good will to seek solidarity with which I did not connect with until later after getting out of my dinky hometown of Carver and off into the big cities and campus towns where just at that moment there were kindred by the thousands with the same maladies and same desire to turn  the world upside down). You know the mountain tunes of the first generation of the Carter Family coming out of Clinch Mountain, Buell Kazell (from Harry Smith Anthology of American Folk Music times), Jimmy Rodgers the Texas yodeler who found fame at the same time as the Carters in old Podunk Bristol, Tennessee, the old country Child ballads (Northwest Europe old country collected by Child in Cambridge in the 1850s and taken up in that town again one hundred years later in some kind of act historical affinity), the blue grass music (which grabbed me by the throat when Everett Lally, a college friend and member of the famed Lally Brothers blue grass band let me in on his treasure trove of music from that genre), and the protest songs, songs against the madnesses of the times, nuclear war, brushfire war in places like Vietnam, against Mister James Crows midnight ways, against the barbaric death penalty, against a lot of what songwriter Malvina Reynolds called the ticky-tack little box existences we were slated for by the likes of Bob Dylan, Joan Baez, Tom Paxton, Dave Von Ronk and Phil Ochs. The latter songs being what drove a lot of my interest once I connected their work with the Harvard Square coffeehouse scene (and the adjacent hanging out at the Hayes-Bickford Cafeteria which I have written plenty about elsewhere where I hung on poverty nights, meaning many nights).


 


A lot of the drive toward folk music was to get out from under the anti-rock and rock musical counter-revolution that I kept hearing on my transistor radio during that early 1960s period with pretty boy singers and vapid young female-driven female singer stuff. (Of course being nothing but one of those alienated teenagers whom the high-brow sociologists were fretting about like we were what ailed the candid world I would not have characterized that trend that way it would take a few decades to see what was what then the music just gave me a a headache). Also to seek out roots music that I kept hearing in the coffeehouses and on the radio once I found a station (accidently) which featured such music and got intrigued by the sounds. Part of that search, a big search over the long haul, was to get deeply immersed in the blues, mainly at first country blues and later the city, you know, Chicago blues. Those country guys though intrigued me once they were “discovered” down south in little towns plying away in the fields or some such work and were brought up to Newport to enflame a new generation of aficionados. The likes of Son House the mad man preacher-sinner man, Skip James with that falsetto voice singing out about how he would rather be the devil than to be that woman’s man, Bukka White (sweating blood and  salt on that National Steel on Aberdeen Mississippi Woman and Panama Limited of course Creole Belle candy man Mississippi John Hurt.


But those guys basically stayed in the South went about their local business and vanished from big view until they were “discovered” by folk aficionados who headed south looking for, well, looking for roots, looking for something to hang onto  and it took a younger generation like Howlin’ Wolf, Muddy Waters, and the guy whose photograph graces this sketch, B.B. King, to move north, to follow the northern star to the big industrial cities (with a stop at Memphis going up river) to put some electric juice in those old guitars and chase my blues away just by playing like they too had made their own pacts with the devil. And made a lot of angst and alienation just a shade more bearable.  Praise be.
From The Archives of Veterans For Peace- The Fight Against Police Brutality  


 

From The Archives Of The United National Anti-War Coalition (UNAC)-Statement On Baltimore 2015 

 

In Boston -Report Back from WILPF's 100th Anniversary Meetings in the Hague




REPORT BACK FROM WILPF’S 100TH ANNIVERSARY MEETINGS & CELEBRATIONS IN THE HAGUE
The Oldest Women’s Peace Organization Looks to the Future
 
WHEN: Thursday May 21, 6:30 – 9:00 pm
6:30 pm – mingling and light refreshments
7:15 pm Program
 
WHERE: The Walker Center - 171 Grove St (Parking Lot side), Auburndale, Newton, MA 02466
(directions on their web site http://walkerctr.org/directions )
ON PUBLIC TRANSIT: Green Line (D branch) to Riverside Station, take left out of Station to Grove Street. It is a 10 minute walk to the Walker Center at the Intersection of Hancock and Grove Streets.
Women from our local branch and Wellesley College students attended the events in late April, thanks in part to the contributions several of you made through our February 25th fundraiser featuring Jane Addams biographer Louise W. Knight. We scheduled this report back with the students' availability in mind – they have been in finals and a number of them will be graduating this semester. We hope you can join us!
 
EVERYBODY IS WELCOME!
RSVP suggested, not required
For Questions or to RSVP: 617-244-8054 (Joan Ecklein)
or 617-512-5136 (cell phone) or email claireg53@gmail.com (Claire Gosselin)

Sunday, May 17, 2015

In Honor Of May Day 2015-From The American Left History Blog Archives -From The May Day 2012 Organizing Archives –May Day 2013 Needs The Same Efforts

 

Boston's International Workers Day 2013



BMDC International Workers Day Rally
Wednesday, May 1, 2013 at Boston City Hall
Gather at 2PM - Rally at 2:30PM
(Court St. & Cambridge St.)
T stops Government Center (Blue line, Green line)

To download flyer click here. (Please print double-sided)

Other May Day events:

Revere - @ City Hall - gather at 3:pmbegin marching at 3:30 (to Chelsea)
Everett - @ City Hall - gather at 3:pm begin marching at 3:30 (to Chelsea)
Chelsea - @ City Hall - rally a 3:pm (wait for above feeder marches to arrive) will begin marching at 4:30 (to East Boston)
East Boston - @ Central Square - (welcome marchers) Rally at 5:pm

BMDC will join the rally in East Boston immediately following Boston City Hall rally

Supporters: ANSWER Coalition, Boston Anti Authoritarian Movement, Boston Rosa Parks Human Rights Day Committee, Greater Boston Stop the Wars Coalition, Harvard No-Layoffs Campaign, Industrial Workers of the World, Latinos for Social Change, Mass Global Action, Sacco & Vanzetti Commemoration Society, Socialist Alternative, Socialist Party of Boston, Socialist Workers Party, Student Labor Action Movement, USW Local 8751 - Boston School Bus Drivers Union, Worcester Immigrant Coalition, National Immigrant Solidarity Network, Democracy Center - Cambridge, Cambridge, Cambridge/Somerville/Arlington United for Justice with Peace, International Socialist Organization, Community Church of Boston


******* Why You, Your Union, Or Your Community Organization Needs To Join The May Day 2012 Actions -This Is Class War-We Say No More-Defend Our Unions! - Defend The Working Class-Take The Offensive!-Stand Up!-Fight Back!

http://www.bostonmayday.org

Click on the headline to link to the <i>Boston May Day Coalition</i> website to find out about actions planned in the Greater Boston area. Google May Day and your city for actions in other locales.

Markin comment:

We know that we are only at the very start of an upsurge in the labor movement as witness the stellar exemplary actions by the West Coast activists back on December 12, 2011and the subsequent defense of the longshoremen’s union at Longview, Washington beating back the anti-union drives by the bosses there. As I have pointed out in remarks previously made as part of the Boston solidarity rally with the West Coast Port Shutdown on December 12th this is the way forward as we struggle against the ruling class for a very different, more equitable society.

Not everything has gone as well, or as well-attended, as expected including at our rally in solidarity in Boston on that afternoon of December 12th but we are still exhibiting growing pains in the struggle against the bosses, including plenty of illusions or misunderstandings by many newly radicalized militants about who our friends, and our enemies, are. Some of that will get sorted out in the future as we get a better grip of the importance of the labor movement to winning victories in our overall social struggles. May Day can be the start of that new offensive in order to gain our demands

******

An Injury To One Is An Injury To All!-Defend The Labor Movement And Its Allies! Defend All Those Who Defend The Labor Movement! Defend All May Day Protesters Everywhere!

******

<b>Fight-Don’t Starve-We Created The Wealth, Let's Take It Back! Labor And The Oppressed Must Rule!</b>

*******

Why You, Your Union, Or Your Community Organization Needs To Join The May Day 2012 Actions-Stand Up!-Fight Back!

Wage cuts, long work hours, steep consumer price rises, unemployment, small or no pensions, little or no paid vacation time, plenty of poor and inadequate housing, homelessness, and wide-spread sicknesses as a result of a poor medical system or no health insurance. Sound familiar? Words, perhaps, taken from today’s global headlines? Well, yes. But these were also the similar conditions that faced our forebears in America back in the 1880s when the vicious ruling class was called, and rightly so, “the robber barons,”and threatened, as one of their kind stated in a fit of candor, “to hire one half of the working class to kill the other half,” so that they could maintain their luxury in peace. That too has not changed.

What did change then is that our forebears fought back, fought back long and hard, starting with the fight connected with the Haymarket Martyrs in 1886 for the eight-hour day symbolized each year by a May Day celebration of working class power. We need to reassert that claim. This May Day let us revive that tradition as we individually act around our separate grievances and strike, strike like the furies, collectively against the robber barons of the 21st century.

No question over the past several years (really decades but it is just more public and in our face now) American working people has taken it on the chin, taken it on the chin in every possible way. Starting with massive job losses, heavy job losses in the service and manufacturing sectors (and jobs that are not coming back except as “race to the bottom” low wage, two-tier jobs dividing younger workers from older workers), paying for the seemingly never-ending bail–out of banks, other financial institutions and corporations “too big to fail,” home foreclosures and those “under water,”effective tax increases (since the rich refuse to pay, we pay), mountains of consumer debt for everything from modern necessities to just daily get-bys, and college student loan debt as a lifetime deadweight around the neck of the kids there is little to glow about in the harsh light of the “American Dream”.

Add to that the double (and triple) troubles facing immigrants, racial and ethnic minorities, and women and the grievances voiced in the Declaration of Independence seem like just so much whining. In short, it is not secret that working people have faced, are facing and, apparently, will continue to face an erosion of their material well-being for the foreseeable future something not seen by most people since the 1930s Great Depression, the time of our grandparents (or, for some of us, great-grandparents).

That is this condition will continue unless we take some lessons from those same 1930s and struggle, struggle like demons, against the ruling class that seems to have all the card decks stacked against us. Struggle like they did in places like Minneapolis, San Francisco, Toledo, Flint, and Detroit. Those labor-centered struggles demonstrated the social power of working people to hit the “economic royalists” (the name coined for the ruling class of that day by their front-man Franklin Delano Roosevelt, FDR) to shut the bosses down where it hurts- in their pocketbooks and property.

The bosses will let us rant all day, will gladly take (and throw away) all our petitions, will let us use their “free-speech” parks (up to a point as we have found out via the Occupy movement), and curse them to eternity as long as we don’t touch their production, “perks,” and profits. Moreover an inspired fight like the actions proposed for this May Day 2012 can help new generations of working people, organized, unorganized, unemployed, homeless, houseless, and just plain desperate, help themselves to get out from under. All Out On May Day 2012.

Show Power

We demand:

*Hands Off Our Public Worker Unions! Hands Off All Our Unions!

* Give the unemployed work! Billions for public works projects to fix America’s broken infrastructure (bridges, roads, sewer and water systems, etc.)!

*End the endless wars- <b>Troops And Mercenaries Out Of Afghanistan (and Iraq)!-U.S Hands Off Iran! Hands Off The World!

* Full citizenship rights for all those who made it here no matter how they got here!

* A drastic increase in the minimum wage and big wage increases for all workers!

* A moratorium on home foreclosures! No evictions!

* A moratorium on student loan debt! Free, quality higher education for all! Create 100, 200, many publicly-supported Harvards!

*No increases in public transportation fares! No transportation worker lay-offs! For free quality public transportation!

To order to flex our collective bottom up power on May 1, 2012 we will be organizing a wide-ranging series of mass collective participatory actions:

*We will be organizing within our unions- or informal workplace organizations where there is no union - a one-day general strike.

*We will be organizing, where a strike is not possible, to call in sick, or take a personal day, as part of a coordinated “sick-out”.

*We will be organizing students from kindergarten to graduate school and the off-hand left-wing think tank to walk-out of their schools (or not show up in the first place), set up campus picket lines, or to rally at a central location.

*We will be calling in our communities for a mass consumer boycott, and with local business support where possible, refuse to make purchases on that day.

Guest Commentary from the IWW (Industrial Workers Of The World, Wobblies) website http://www.iww.org/en/culture/official/preamble.shtml

Agree or disagree with the Wobblies and their political concepts for winning the class struggle but read their very early statement about the nature of class warfare. “Big Bill” Haywood and his crowd got it right then and have useful words to say to us now. Read on.

Preamble to the IWW Constitution (1905)

Posted Sun, 05/01/2005 - 8:34am by IWW.org Editor

The working class and the employing class have nothing in common. There can be no peace so long as hunger and want are found among millions of the working people and the few, who make up the employing class, have all the good things of life.

Between these two classes a struggle must go on until the workers of the world organize as a class, take possession of the means of production, abolish the wage system, and live in harmony with the Earth.

We find that the centering of the management of industries into fewer and fewer hands makes the trade unions unable to cope with the ever growing power of the employing class. The trade unions foster a state of affairs which allows one set of workers to be pitted against another set of workers in the same industry, thereby helping defeat one another in wage wars. Moreover, the trade unions aid the employing class to mislead the workers into the belief that the working class have interests in common with their employers.

These conditions can be changed and the interest of the working class upheld only by an organization formed in such a way that all its members in any one industry, or in all industries if necessary, cease work whenever a strike or lockout is on in any department thereof, thus making an injury to one an injury to all.

Instead of the conservative motto, "A fair day's wage for a fair day's work," we must inscribe on our banner the revolutionary watchword, "Abolition of the wage system."

It is the historic mission of the working class to do away with capitalism. The army of production must be organized, not only for everyday struggle with capitalists, but also to carry on production when capitalism shall have been overthrown. By organizing industrially we are forming the structure of the new society within the shell of the old.

Watch this website and other social media sites for further specific details of events and actions.

All out on May Day 2012.

 

 

 

As The 100th Anniversary Of The First Year Of World War I (Remember The War To End All Wars) Continues ... Some Remembrances-Musicians’ Corner




In say 1912, 1913, hell, even the beginning of 1914, the first few months anyway, before the war clouds got a full head of steam in the summer they all profusely professed their unmitigated horror at the thought of war, thought of the old way of doing business in the world. Yes the artists of every school the Cubist/Fauvists/Futurists/Constructivists, Surrealists or those who would come to speak for those movements (hell even the hide-bound Academy filled with its rules, or be damned, spoke the pious words of peace, brotherhood and the affinity of all humankind when there was sunny weather), those who saw the disjointedness of modern industrial society in its squalor, it creation of generations of short, nasty, brutish lives just like the philosophers predicted and put the pieces to paint, sculptors who put twisted pieces of metal juxtaposed to each other saw that building a mighty machine from which you had to run created many problems; writers of serious history books proving that, according to their Whiggish theory of progress,  humankind had moved beyond war as an instrument of policy and the diplomats and high and mighty would put the brakes on in time, not realizing that they were all squabbling cousins; writers of serious and not so serious novels drenched in platitudes and hidden gazebo love affairs put paid to that notion in their sweet nothing words that man and woman had too much to do, too much sex to harness to denigrate themselves by crying the warrior’s cry and by having half-virgin, neat trick, maidens strewing flowers on the bloodlust streets; musicians whose muse spoke of delicate tempos and sweet muted violin concertos, not the stress and strife of the tattoos of war marches with their tinny conceits; and poets, ah, those constricted poets who bleed the moon of its amber swearing, swearing on a stack of seven sealed bibles, that they would go to the hells before touching the hair of another man, putting another man to ground or laying their own heads down for some imperial mission.

They all professed loudly (and those few who did not profess, could not profess because they were happily getting their blood rising, kept their own consul until the summer), that come the war drums they would resist the siren call, would stick to their Whiggish, Futurist, Constructionist, Cubist worlds and blast the war-makers to hell in quotes, words, chords, clanged metal, and pretty pastels. They would stay the course. 

And then the war drums intensified, the people, their clients, patrons and buyers, cried out their lusts and they, they made of ordinary human clay as it turned out, poets, beautiful poets like Wilfred Owens who would sicken of war before he passed leaving a beautiful damnation on war, its psychoses, and broken bones and dreams, and the idiots who brought humankind to such a fate, like e. e. cummings who drove through sheer hell in those rickety ambulances floors sprayed with blood, man blood, angers, anguishes and more sets of broken bones, and broken dreams, like Rupert Brooke all manly and old school give and go, as they marched in formation leaving the ports and then mowed down like freshly mown grass in their thousands as the charge call came and they rested, a lot of them, in those freshly mown grasses, like Robert Graves all grave all sputtering in his words confused about what had happened, suppressing, always suppressing that instinct to cry out against the hatred night, like old school, old Thomas Hardy writing beautiful old English pastoral sentiments before the war and then full-blown into imperium’s service, no questions asked old England right or wrong, like old stuffed shirt himself T.S. Eliot speaking of hollow loves, hollow men, wastelands, and such in the high club rooms on the home front, and like old brother Yeats speaking of terrible beauties born in the colonies and maybe at the home front too as long as Eliot does not miss his high tea. Jesus what a blasted night that Great War time was.  

And as the war drums intensified, the people, their clients, patrons and buyers, cried out their lusts and they, they made of ordinary human clay as it turned out, artists, beautiful artists like Fernand Leger who could no longer push the envelope of representative art because it had been twisted by the rubble of war, by the crashing big guns, by the hubris of commanders and commanded and he turned to new form, tubes, cubes, prisms, anything but battered humankind in its every rusts and lusts, all bright and intersecting once he got the mustard gas out of his system, once he had done his patria duty, like speaking of mustard gas old worn out John Singer Sargent of the three name WASPs forgetting Boston Brahmin society ladies in decollage, forgetting ancient world religious murals hanging atop Boston museum and spewing trench warfare and the blind leading the blind out of no man’s land, out of the devil’s claws, like Umberto Boccioni, all swirls, curves, dashes, and dangling guns as the endless charges endlessly charge, like Gustav Klimt and his endlessly detailed gold dust opulent Asiatic dreams filled with lovely matrons and high symbolism and blessed Eve women to fill the night, Adam’s night after they fled the garden, like Joan Miro and his infernal boxes, circles, spats, eyes, dibs, dabs, vaginas, and blots forever suspended in deep space for a candid world to fret through, fret through a long career, and like poor maddened rising like a phoenix in the Spartacist uprising George Grosz puncturing the nasty bourgeoisie, the big bourgeoisie the ones with the real dough and their overfed dreams stuffed with sausage, and from the bloated military and their fat-assed generals stuff with howitzers and rocket shells, like Picasso, yeah, Picasso taking the shape out of recognized human existence and reconfiguring the forms, the mesh of form to fit the new hard order, like, Braque, if only because if you put the yolk on Picasso you have to tie him to the tether too.          

And do not forget when the war drums intensified, and the people, their clients, patrons and buyers, cried out their lusts and they, they, other creative souls made of ordinary human clay as it turned out sculptors, writers, serious and not, musicians went to the trenches to die deathless deaths in their thousands for, well, for humankind, of course, their always fate ….