Friday, September 18, 2015

The Labor Party Question In The United States

The Labor Party Question In The United States- An Historical Overview-Fight For A Worker Party That Fights For A Workers Government




 

From The Pen Of Josh Breslin

Back in the early 1970s after they had worked out between themselves the rudiment of what had gone wrong with the May Day 1971 actions in Washington, D.C. Sam Eaton and Ralph Morris began some serious study of leftist literature from an earlier time, from back earlier in the century. Those May Day anti-Vietnam War actions, ill-conceived as they in the end turned out to be, centered on the proposition that if the American government would not close down the damn blood-sucking war then they, those thousands that participated in the actions, would close down the government. All Sam, Ralph and those thousands of others got for their efforts was a round-up into the bastinado. Sam had been picked off in the round-up on Pennsylvania Avenue as his group (his “affinity group” for the action) had been on their way to “capture” the White House. Ralph and his affinity group of ex-veterans and their supporters were rounded-up on Massachusetts Avenues heading toward the Pentagon (they had no plans to capture that five-sided building, at least they were unlike Sam’s group not that naïve, just surround it like had occurred in an anti-war action in 1967 which has been detailed in Norman Mailer’s prize-winning book Armies Of The Night). For a time RFK (Robert F. Kennedy) Stadium, the home of the Washington Redskins football team) had been the main holding area for those arrested and detained. The irony of being held in a stadium named after the martyred late President’s younger brother and lightening rod for almost all anti-war and “newer world” political dissent before he was assassinated in the bloody summer of 1968 and in a place where football, a sport associated in many radical minds with all that was wrong with the American system was lost on Sam and Ralph at the time and it was only later, many decades later, as they were sitting in a bar in Boston across from the JFK Federal Building on one of their periodic reunions when Ralph was in town that Sam had picked up that connection.

Sam, from Carver in Massachusetts, who had been a late convert to the anti-war movement in 1969 after his closest high school friend, Jeff Mullin, had been blown away in some jungle town in the Central Highlands was like many late converts to a cause a “true believer,” had taken part in many acts of civil disobedience at draft boards, including the one in hometown Carver, federal buildings and military bases. From an indifference, no that’s not right, from a mildly patriotic average young American citizen that you could find by the score hanging around Mom and Pop variety stores, pizza parlors, diners, and bowling alleys in the early 1960s, he had become a long-haired bearded “hippie anti-warrior.” Not too long though by the standards of “youth nation” of the day since he was running a small print shop in Carver in order to support his mother and four younger sisters after his father had passed away suddenly of a massive heart attack in 1965 which exempted him from military service. Not too short either since those “squares” were either poor bastards who got tagged by the military and had to wear their hair short an appearance which stuck out in towns like Cambridge, Ann Arbor, Berkeley and L.A. when the anti-war movement started embracing the increasingly frustrated and anti-war soldiers that  they were beginning to run across or, worse, cops before they got “hip” to the idea that guys wearing short hair, no beard, looked like they had just taken a bath, and wore plaid short-sleeved shirts and chinos might as well have a bulls-eye target on their backs surveilling the counter-cultural crowd.

Ralph, from Troy, New York, had been working in his father’s electrical shop which had major orders from General Electric the big employer in the area when he got his draft notice and had decided to enlist in order to avoid being an 11B, an infantryman, a grunt, “cannon fodder,” although he would not have known to call it that at the time, that would come later. He had expected to go into something which he knew something about in the electrical field at least that is what the recruiting sergeant in Albany had “promised” him. But in the year 1967 (and 1968 too since he had extended his tour six months to get out of the service a little early) what the military needed in Vietnam whatever else they might have needed was “cannon fodder,” guys to go out into the bushes and kill commies. Simple as that. And that was what Ralph Morris, a mildly patriotic average young American citizen, no that is not right, a very patriotic average young American citizen that you could also find by the score hanging around Mom and Pop variety stores, pizza parlors, diners, and bowling alleys in the early 1960s, did. But see he got “religion” up there in Pleiku, up there in the bush and so when he had been discharged from the Army in late 1969 he was in a rage against the machine. Sure he had gone back to the grind of his father’s electrical shop but he was out of place just then, out of sorts, needed to find an outlet for his anger at what he had done, what had happened to buddies very close to him, what buddies had done, and how the military had made them animals, nothing less. (Ralph after his father retired would take over the electric shop business on his own in 1991 and would thereafter give it to his son to take over after he retired in 2011.)

One day he had gone to Albany on a job for his father and while on State Street he had seen a group of guys in mismatched military garb marching in the streets without talking, silent which was amazing in itself from what he had previously seen of such marches and just carrying a big sign-Vietnam Veterans Against The War (VVAW) and nobody stopped them, no cops, nobody, nobody yelled “commie” either or a lot of other macho stuff that he and his hang out guys used to do in Troy when some peaceniks held peace vigils in the square. The civilian on-lookers held their tongues that day although Ralph knew that the whole area still retained a lot of residual pro-war feeling just because America was fighting somewhere for something. He parked his father’s truck and walked over to the march just to watch at first. Some guy in a tattered Marine mismatched uniform wearing Chuck Taylor sneakers in the march called out to the crowd for anybody who had served in Vietnam, served in the military to join them shouting out their military affiliation as they did so. Ralph almost automatically blurred out-“First Air Cav” and walked right into the street. There were other First Air Cav guys there that day so he was among kindred. So yeah, Ralph did a lot of actions with VVAW and with “civilian” collectives who were planning more dramatic actions. Ralph always would say later that if it hadn’t been for getting “religion” on the war issue and doing all those political actions then he would have gone crazy, would have wound up like a lot of guys he would see later at the VA, see out in the cardboard box for a home streets, and would not until this day have supported in any way he could, although lately not physically since his knee replacement, those who had the audacity to march for the “good old cause.”                          

That is the back story of a relationship has lasted until this day, an unlikely relationship in normal times and places but in that cauldron of the early 1970s when the young, even the not so very young, were trying to make heads or tails out of what was happening in a world they did not crate, and were not asked about there were plenty of such stories, although most did not outlast that search for the newer world when the high tide of the 1960s ebbed in the mid-1970s. Ralph had noticed while milling around the football field waiting for something to happen, waiting to be released, Sam had a VVAW button on his shirt and since he did not recognize Sam from any previous VVAW action had asked if he was a member of the organization and where. Sam told him the story of his friend Jeff Mullin and of his change of heart about the war, and about doing something about ending the damn thing. That got them talking, talking well into the first night of their captivity when they found they had many things in common coming from deeply entrenched working-class cultures. (You already know about Troy. Carver is something like the cranberry bog capital of the world even today although the large producers dominate the market unlike when Sam was a kid and the small Finnish growers dominated the market and town life. The town moreover has turned into something of a bedroom community for the high-tech industry that dots U.S. 495.) After a couple of days in the bastinado Sam and Ralph hunger, thirsty, needing a shower after suffering through the Washington humidity heard that people were finding ways of getting out to the streets through some side exits. They decided to surreptiously attempt an “escape” which proved successful and they immediately headed through a bunch of letter, number and state streets on the Washington city grid toward Connecticut Avenue heading toward Silver Springs trying to hitchhike out of the city. A couple of days later having obtained a ride through from Trenton, New Jersey to Providence, Rhode Island they headed to Sam’s mother’s place in Carver. Ralph stayed there a few days before heading back home to Troy. They had agreed that they would keep in contact and try to figure out what the hell went wrong in Washington that week. After making some connections through some radicals he knew in Cambridge to live in a commune Sam asked Ralph to come stay with him for the summer and try to figure out that gnarly problem. Ralph did, although his father was furious since he needed his help on a big GE contract for the Defense Department but Ralph was having none of that.    

So in the summer of 1971 Sam and Ralph began to read that old time literature, although Ralph admitted he was not much of a reader and some of the stuff was way over his head, Sam’s too. Mostly they read socialist and communist literature, a little of the old IWW (Wobblie) stuff since they both were enthrall to the exploits of the likes of Big Bill Haywood out West which seemed to dominate the politics of that earlier time. They had even for a time joined a loose study group sponsored by one of the myriad “red collectives” that had sprung up like weeds in the Cambridge area. Both thought it ironic at the time, and others who were questioning the direction the “movement” was heading in stated the same thing when they were in the study groups, that before that time in the heyday of their anti-war activity everybody dismissed the old white guys (a term not in common use then like now) like Marx, Lenin, Trotsky, and their progeny as irrelevant. Now everybody was glued to the books.

It was from that time that Sam and Ralph got a better appreciation of a lot of the events, places, and personalities from the old time radicals. Events like the start of May Day in 1886 as an international working class holiday which they had been clueless about despite the   May Day actions, the Russian Revolutions, the Paris Commune, the Chinese Revolutions, August 1914 as a watershed against war, the Communist International, those aforementioned radicals Marx, Lenin, Trostky, adding in Mao, Che, Fidel, Ho whose names were on everybody’s tongue (and on posters in every bedroom) even if the reason for that was not known. Most surprising of all were the American radicals like Haywood, Browder, Cannon, Foster, and others who nobody then, or almost nobody cared to know about at all.

As they learned more information about past American movements Sam, the more interested writer of such pieces began to write appreciation of past events, places and personalities. His first effort was to write something about the commemoration of the 3 Ls (Lenin, Luxemburg, and Liebknecht) started by the Communist International back in the 1920s in January 1972, the first two names that he knew from a history class in junior college and the third not at all. After that he wrote various pieces like the one below about the labor party question in the United States (leftist have always posed their positions as questions; the women question, the black question, the party question, the Russian question and so on so Sam decided to stick with the old time usage.) Here is what he had to say then which he had recently freshly updated. Sam told Ralph after he had read and asked if he was still a “true believer” said a lot of piece he would still stand by today:      

“These notes (expanded) were originally intended to be presented as The Labor Question in the United States at a forum on the question on Saturday August 4, 1972. They were updated for a study class in 2012 recently again [2015] for this space. As a number of radicals have noted, most particularly organized socialist radicals, after the dust from the fall bourgeois election settles [2014], regardless of who wins, the working class will lose. Pressure for an independent labor expression, as we head into 2016, may likely to move from its current propaganda point as part of the revolutionary program to agitation and action so learning about the past experiences in the revolutionary and radical labor movements is timely.

I had originally expected to spend most of the speech at the forum delving into the historical experiences, particularly the work of the American Communist Party and the American Socialist Workers Party with a couple of minutes “tip of the hat” to the work of radical around the Labor Party experiences of the late 1990s. However, the scope of the early work and that of those radical in the latter work could not, I felt, be done justice in one forum. Thus these notes are centered on the early historical experiences. If I get a chance, and gather enough information to do the subject justice, I will place notes for the 1990s Labor party work in this space as well.

*********

The subject today is the Labor Party Question in the United States. For starters I want to reconfigure this concept and place it in the context of the Transitional Program first promulgated by Leon Trotsky and his fellows in the Fourth International in 1938. There the labor party concept was expressed as “a workers’ party that fights for a workers’ government.” [The actual expression for advanced capitalist countries like the U.S. was for a workers and farmers government but that is hardly applicable here now, at least in the United States. Some wag at the time, some Shachtmanite wag from what I understand, noted that there were then more dentists than farmers in the United States. Wag aside that remark is a good point since today we would call for a workers and X (oppressed communities, women, etc.) government to make our programmatic point more inclusive.]

For revolutionaries these two algebraically-expressed political ideas are organically joined together. What we mean, what we translate this as, in our propaganda is a mass revolutionary labor party (think Bolsheviks first and foremost, and us) based on the trade unions (the only serious currently organized part of the working class) fighting for soviets (workers councils, factory committees, etc.) as an expression of state power. In short, the dictatorship of the proletariat, a term we do not yet use in “polite” society these days in order not to scare off the masses. And that is the nut. Those of us who stand on those intertwined revolutionary premises are few and far between today and so we need, desperately need, to have a bridge expression, and a bridge organization, the workers party, to do the day to day work of bringing masses of working people to see the need to have an independent organized expression fighting programmatically for their class interests. And we, they, need it pronto.

That program, the program that we as revolutionaries would fight for, would, as it evolved, center on demands, yes, demands, that would go from day to day needs to the struggle for state power. Today focusing on massive job programs at union wages and benefits to get people back to work, workers control of production as a way to spread the available work around, the historic slogan of 30 for 40, nationalization of the banks and other financial institutions under workers control, a home foreclosure moratorium, and debt for homeowners and students. Obviously more demands come to mind but those listed are sufficient to show our direction.

Now there have historically been many efforts to create a mass workers party in the United States going all the way back to the 1830s with the Workingmen’s Party based in New York City. Later efforts, after the Civil War, mainly, when classic capitalism began to become the driving economic norm, included the famous Terence Powderly-led Knights of Labor, including (segregated black locals), a National Negro Union, and various European social-democratic off -shoots (including pro-Marxist formations). All those had flaws, some serious like being pro-capitalist, merely reformist, and the like (sound familiar?) and reflected the birth pangs of the organized labor movement rather than serious predecessors.

Things got serious around the turn of the century (oops, turn of the 20th century) when the “age of the robber barons” declared unequivocally that class warfare between labor and capital was the norm in American society (if not expressed that way in “polite” society). This was the period of the rise the Debsian-inspired party of the whole class, the American Socialist Party. More importantly, if contradictorily, emerging from a segment of that organization, the Industrial Workers of the World (IWW, Wobblies) was, to my mind the first serious revolutionary labor organization (party/union?) that we could look to as fighting a class struggle fight for working class interests. Everyone should read the Preamble to the IWW Constitution of 1905 (look it up on Wikipedia or the IWW website) to see what I mean. It still retains its stirring revolutionary fervor today.

The most unambiguous work of creating a mass labor party that we could recognize though really came with the fight of the American Communist Party (which had been formed by the sections, the revolutionary-inclined sections, of the American Socialist Party that split off in the great revolutionary/reformist division after the success of the Bolshevik Revolution in Russia in 1917) in the 1920s to form one based on the trade unions (mainly in the Midwest, and mainly in Chicago with the John Fitzgerald –led AFL). That effort was stillborn, stillborn because the non-communist labor leaders who had the numbers, the locals, and, ah, the dough wanted a farmer-labor party, a two class party to cushion them against radical solutions (breaking from the bourgeois parties and electoralism). Only the timely intervention of the Communist International saved the day from a major blunder (Go to the James P. Cannon Internet Archives for more, much more on this movement, He, and his factional allies including one William Z. Foster, later the titular head of the Communist Party, were in the thick of things to his later red-faced chagrin).

Moving forward, the American Communist Party at the height of the Great Depression (the one in the 1930s, that one, not the one we are in now) created the American Labor Party (along with the American Socialist party and other pro-Democratic Party labor skates) which had a mass base in places like New York and the Midwest. The problem though was this organization was, mainly, a left-handed way to get votes for Roosevelt from class conscious socialist-minded workers who balked at a direct vote for Roosevelt. (Sound familiar, again?) And that, before the Labor Party movement of the 1990s, is pretty much, except a few odd local attempts here and there by leftist groups, some sincere, some not, was probably the last major effort to form any kind of independent labor political organization. (The American Communist Party after 1936, except 1940, and even that is up for questioning, would thereafter not dream of seriously organizing such a party. For them the Democratic Party was more than adequate, thank you. Later the Socialist Workers Party essentially took the same stance.)

So much then for the historical aspects of the workers party question. The real question, the real lessons, for revolutionaries posed by all of this is something that was pointed out by James P. Cannon in the late 1930s and early 1940s (and before him Leon Trotsky). Can revolutionaries in the United States recruit masses of working people to a revolutionary labor party (us, again) today (and again think Bolshevik)? To pose the question is to give the answer (an old lawyer’s trick, by the way).

America today, no. Russia in 1917, yes. Germany in 1921, yes. Same place 1923, yes. Spain in 1936 (really from 1934 on), yes. America in the 1930s, probably not (even with no Stalinist ALP siphoning). France 1968, yes. Greece (or Spain) today, yes. So it is all a question of concrete circumstances. That is what Cannon (and before him Trotsky) was arguing about. If you can recruit to the revolutionary labor party that is the main ticket. We, even in America, are not historically pre-determined to go the old time British Labor Party route as an exclusive way to create a mass- based political labor organization. If we are not able to recruit directly then you have to look at some way station effort. That is why in his 1940 documents (which can also be found at the Cannon Internet Archives as well) Cannon stressed that the SWP should where possible (mainly New York) work in the Stalinist-controlled (heaven forbid, cried the Shachtmanites) American Labor Party. That was where masses of organized trade union workers were.

Now I don’t know, and probably nobody else does either, if and when, the American working class is going to come out of its slumber. Some of us thought that Occupy might be a catalyst for that. That has turned out to be patently false as far as the working class goes. So we have to expect that maybe some middle level labor organizers or local union officials feeling pressure from the ranks may begin to call for a labor party. That, as the 1990s Socialist Alternative Labor Party archives indicates, is about what happened when those efforts started.

[A reference back to the American Communist Party’s work in the 1920s may be informative here. As mentioned above there was some confusion, no, a lot of confusion back then about building a labor party base on workers and farmers, a two -class party. While the demands of both groups may in some cases overlap farmers, except for farm hands, are small capitalists on the land. We need a program for such potential allies, petty bourgeois allies, but their demands are subordinate to labor’s in a workers’ party program. Fast forward to today and it is entirely possible, especially in light of the recent Occupy experiences that some vague popular frontist trans-class movement might develop like the Labor Non-Partisan League that the labor skates put forward in the 1930s as a catch basin for all kinds of political tendencies. We, of course, would work in such formations fighting for a revolutionary perspective but this is not what we advocate for now.]

Earlier this year AFL-CIO President Trumka [2012]made noises about labor “going its own way.” I guess he had had too much to drink at the Democratic National Committee meeting the night before, or something. So we should be cautious, but we should be ready. While at the moment tactics like a great regroupment of left forces, a united front with labor militants, or entry in other labor organizations for the purpose of pushing the workers party are premature we should be ready.

And that last sentence brings up my final point, another point courtesy of Jim Cannon. He made a big point in the 1940s documents about the various kinds of political activities that small revolutionary propaganda groups or individuals (us, yet again) can participate in (and actually large socialist organizations too before taking state power). He lumped propaganda, agitation, and action together. For us today we have our propaganda points “a workers’ party that fights for a workers (and X, okay) government.” In the future, if things head our way, we will “united front” the labor skates to death agitating for the need for an independent labor expression. But we will really be speaking over their heads to their memberships (and other working class formations, if any, as well). Then we will take action to create that damn party, fighting to make it a revolutionary instrument. Enough said.

I Did It My Way-With Bob Dylan’s Shadows In The Night In Mind

I Did It My Way-With Bob Dylan’s Shadows In The Night In Mind



 

 

 

 


Recently I did a review of Bob Dylan’s latest CD brought out in 2014, Shadows In The Night, a tribute to the king of Tin Pan Alley songwriter fest Frank Sinatra. In that review I noted that such an effort was bound to happen if Dylan lived long enough. Going back to the Great Depression/World War II period that our parents, we the baby-boomers parents slogged through for musical inspiration. Going back to something, some place that when were young and immortal, young and thinking that what we had created would last forever we would have, rightly, dismissed out of hand. And since Dylan has lived long enough, long enough to go back to some bygones roots  here we are talking about something that let us say in 1970 I would have dismissed as impossible, dismissed as the delusional ravings of somebody like my brother who hated almost everything about the counter-cultural movement of the 1960s, had been ready to spill blood it seemed to cut off the heads of anybody who wanted to breathe a new fresh breath not tinged with our parents’ worn out ways of doing business in civil society.

Strange as it may seem to a generation, the generation of ’68, today’s AARP generation, okay, baby-boomers who came of age with the clarion call put forth musically by Bob Dylan and others to dramatically break with the music of our parents’ pasts, the music that got them through the Great Depression and slogging through World War II, he has put out an album featuring the work of Mr. Frank Sinatra the king of that era in many our parents’ households. The music of the Broadway shows, Tin Pan Alley, Cole Porter/Irving Berlin/ the Gershwins/Jerome Kern, have I mssed anybody of important, probably, probably missed some of those Rogers and Hart Broadway show tunes teams, and so on. That proposition though, at least as it pertains to Bob Dylan as an individual, seems less strange if you are not totally mired in the Bob Dylan protest minute of the early 1960s when he, whether he wanted that designation or not, was the “voice of a generation,” catching the new breeze a lot of us felt coming through the land. (In the end he did not want it, did not want to be the voice of a generation, although he liked and wanted to be king of the hill in the music department of that generation, no question. Wanted too to be the king hell troubadour entertaining the world for as long as he drew breathe and he has accomplished that.)

What Dylan has been about for the greater part of his career has been as an entertainer, a guy who sings his songs to the crowd and hopes they share his feelings for his songs. As he is quoted as saying in a recent AARP magazine article connected with the release of his Frank Sinatra tribute what he hoped was that like Frank he sang to, not at, his audience. Just like Frank did when he was in high tide around the 1940s and 1950s. That sensibility is emphatically not what the folk protest music ethos was about but rather about stirring up the troops, stirring up the latter day Gideon’s army to go smite the dragon. Dylan early on came close, then drew back, and it is hard to think of anybody from our generation except maybe Joan Baez and Phil Ochs who wrote and sang to move people from point A to point B in the social struggles of the times.

What Dylan has also been about through it all has been a deep and abiding respect for the American songbook that he began to gather in his mind early on (look on YouTube to a clip from Don’t Look Back where he is up in some European hotel room with Joan Baez and Bob Neuwirth singing Hank Williams ballads or stuff from the Basement tapes where he runs the table on a few earlier genres). In the old days that was looking for roots, roots music from the mountains, the desolate oceans, the slave quarters, along the rivers and Dylan’s hero then was Woody Guthrie. But the American songbook is a “big tent” operation and the Tin Pan Alley that he broke from when he became his own songwriter is an important part of the overall tradition and now he has added his hero Frank Sinatra to his version of the songbook.

I may long for the old protest songs, the songs that stirred my blood to push on with the political struggles of the time like With God On Our Side which pushed me into the ranks of the Quakers, shakers, and little old ladies and men in tennis sneakers in the fight for nuclear disarmament, songs from the album pictured above, you know Blowin’ In The Wind which fit perfectly with the sense that something, something undefinable, something new as in the air in the early 1960s and The Times Are A Changin’ stuff like that, the roots music and not just Woody but Hank (including an incredible version of You Win Again, Tex-Mex (working later with George  Sahms of the Sir George Quintet, the Carters, the odd and unusual like the magic lyric play in Desolation Row, his cover of Charley Patton’s Highwater Rising or his cover of a song Lonnie Johnson made famous, Tomorrow Night, but Dylan has sought to entertain and there is room in his tent for the king of Tin Pan Alley (as Billie Holiday was the queen). Having heard Dylan live and in concert over the past several years with his grating lost voice (for me it was always about the lyrics not the voice although in looking at old tapes from the Newport Folk Festival on YouTube his voice was actually far better then than I would have given him credit for) I do wonder though how much production was needed to get the wrinkles out of that voice to sing as smoothly as the “Chairman of the boards,” to run the pauses and the hushed tones Frank knew how to do to keep his audience in his clutches. What goes around comes around.             

He Saw Starlight On The Rails-With The Irascible Bruce “Utah” Phillips in Mind

He Saw Starlight On The Rails-With The Irascible Bruce “Utah” Phillips in Mind
 
 

From The Pen Of Bart Webber

Jack Dawson was not sure when he had heard that the old long-bearded son of a bitch anarchist hell of a songwriter, hell of a story-teller Bruce “Utah” Phillips caught the westbound freight, caught that freight around 2007 he found out later a couple of years after he too had come off the bum this time wife problems, divorce wife problems (that westbound freight by the way an expression from the hobo road to signify that a fellow traveler hobo, tramp, bum it did not matter then the distinctions that had seemed so important in the little class department when they were alive had passed on, had had his fill of train smoke and dreams and was ready  to face whatever there was to face up in hobo heaven, no, the big rock candy mountain that some old geezer had written on some hard ass night when dreams were all he had to keep him company). That “Utah” moniker not taken by happenstance since Phillips struggled through the wilds of Utah on his long journey, played with a group called the Utah Valley boys, put up with, got through a million pound of Mormon craziness and, frankly, wrote an extraordinary number of songs in his career by etching through the lore as he found it from all kinds of Mormon sources, including some of those latter day saints.

For those who do not know the language of the road, not the young and carefree road taken for a couple of months during summer vacation or even a Neal Cassady and Jack Kerouac-type more serious expedition under the influence of On The Road (what other travelogue of sorts would get the blood flowing to head out into the vast American night) and then back to the grind but the serious hobo “jungle” road like Jack had been on for several years before he sobered up after he came back from ‘Nam, came back all twisted and turned when he got discharged from the Army back in 1971 and could not adjust to the “real world” of his Carver upbringing in the East and had wound up drifting, drifting out to the West, hitting California and when that didn’t work out sort of ambled back east on the slow freight route through Utah taking the westbound freight meant for him originally passing to the great beyond, passing to a better place, passing to hard rock candy mountain in some versions here on earth before Black River Shorty clued me in.

Of course everybody thinks that if you wind up in Utah the whole thing is Mormon, and a lot of it is, no question, but when Jack hit Salt Lake City he had run into a guy singing in a park. A guy singing folk music stuff, labor songs, tarvelling blues stuff, the staple of the genre, that he had remembered that Sam Lowell from Carver High, from the same class as him, had been crazy for back in the days when he would take his date and Jack and his date over to Harvard Square and they would listen to guys like that guy in the park singing in coffeehouses. Jack had not been crazy about the music then and some of the stuff the guy was singing seemed odd too but back then it either amounted to a cheap date, or the girl actually like the stuff and so he went along with it.

So Jack, nothing better to do, sat in front of guy and listened. Listened more intently when the guy, who turned out to be Utah (who was using the moniker “Pirate Angel” then, as Jack was using Daddy Two Cents  reflecting his financial condition or close to it, monikers a good thing on the road just in case the law, bill-collectors or ex-wives were trying to reach you and you do not want to reached), told the few bums, tramps and hoboes who were the natural residents of the park that if they wanted to get sober, if they wanted to turn things around a little that they were welcome, no questions asked, at the Joe Hill House. (No questions asked was right but everybody was expected to at least not tear the place up, which some nevertheless tried to do. That Joe Hill by the way was an old time immigrant anarchist who did something to rile the Latter Day Saints up because they through he before a firing squad with no questions asked. Joe got the last line though, got it for eternity-“Don’t mourn (his death), organize!”                   

Jack, not knowing anybody, not being sober much, and maybe just a tad nostalgic for the old days when hearing bits of folk music was the least of his worries, went up to Utah and said he would appreciate the stay. And that was that. Although not quite “that was that” since Jack knew nothing about the guys who ran the place, didn’t know who Joe Hill was until later (although he suspected after he found out that Joe Hill had been a IWW organizer [Wobblie, Industrial Worker of the World] framed and executed in that very state of Utah that his old friend the later Peter Paul Markin who lived to have that kind of information in his head would have known). See this Joe Hill House unlike the Sallies (Salvation Army) where he would hustle a few days of peace was run by this Catholic Worker guy, Ammon Hennessey, who Utah told Jack had both sobered him up and made him some kind of anarchist although Jack was fuzzy on what that was all about. So Jack for about the tenth time tried to sober up, liquor sober up this time out in the great desert (later it would be drugs, mainly cocaine which almost ripped his nose off he was so into it that he needed sobering up from). And it took, took for a while.        

 

Whatever had been eating at Jack kept fighting a battle inside of him and after a few months he was back on the bottle. But during that time at the Joe Hill House he got close to Utah, as close as he had gotten to anybody since ‘Nam, since his friendship with Jeff Crawford from up in Podunk Maine who saved his ass, and that of a couple of other guys in a nasty fire-fight when Charley (G.I. slang for the Viet Cong originally said in contempt but as the war dragged on in half-hearted admiration) decided he did indeed own the night in his own country. Got as close as he had to his corner boys like Sam Lowell from hometown Carver. Learned a lot about the lure of the road, of drink and drugs, of tough times (Utah had been in Korea) and he had felt bad after he fell off the wagon. But that was the way it was. 

Several years later after getting washed clean from liquor and drugs, at a time when Jack started to see that he needed to get back into the real world if he did not want to wind up like his last travelling companion, Denver Shorty, whom he found face down one morning on the banks of the Charles River in Cambridge and had abandoned his body fast in order not to face the police report, he noticed that Utah was playing in a coffeehouse in Cambridge, a place called Passim’s which he found out had been taken over from the Club 47 where Sam had taken Jack a few times. So Jack and his new wife (his and her second marriages) stepped down into the cellar coffeehouse to listen up. As Jack waited in the rest room area a door opened from the other side across the narrow passageway and who came out but Utah. As Jack started to grab his attention Utah blurred out “Daddy Two Cent, how the hell are you?” and talked for a few minutes. Later that night after the show they talked some more in the empty club before Utah said he had to leave to head back to Saratoga Springs in New York where he was to play at the Café Lena the next night.         

That was the last time that Jack saw Utah in person although he would keep up with his career as it moved along. Bought some records, later tapes, still later CDs just to help the brother out. In the age of the Internet he would sent occasional messages and Utah would reply. Then he heard Utah had taken very ill, heart trouble like he said long ago in the blaze of some midnight fire, would finally get the best of him. And then somewhat belatedly Jack found that Utah had passed on. The guy of all the guys he knew on the troubled hobo “jungle” road who knew what “starlight on the rails” meant to the wanderers he sang for had cashed his ticket. RIP, brother.

Honk Parade In Somerville, Ma


About

What is the HONK! Festival?

An awesome annual 3-day free festival bringing brass bands from all over the United States and the world to Somerville for a celebration of music, community and activism. Organized entirely by volunteers and now in its 10th year, the festival kicks off on Friday night with a lantern parade in Davis Square neighborhoods and a band showcase at Johnny D’s. On Saturday more than 25 bands take over Davis Square for a giant music and dance party. On Sunday, local community groups, artists, and activists working for a variety of progressive causes — economic justice, protecting the environment, world peace, an end to racism — join the brass bands to make a spectacular parade from Davis Square to Harvard Square along Mass Avenue. Other HONK! Fest activities include a Day of Action, when bands convene to play on behalf of a cause, and roundtable discussions for participating musicians and organizers of other HONK! festivals around the country to gather and share experiences.  HONK! in Somerville has inspired festivals near – Providence, Brooklyn, Seattle, Austin, Detroit, and far – Australia and Brazil.
Boston Magazine recognized HONK! with a “2015 Best of Boston” award, writing “The music pounds in your chest. The activism moves your soul.” Please join us for our 10th anniversary celebration, and consider supporting the festival by volunteering, housing visiting musicians, or making a donation!

What is HONK!?

Throughout the country and across the globe, a new type of street band movement is emerging — outrageous and inclusive, brass and brash, percussive and persuasive — reclaiming public space with a sound that is in your face and out of this world. Called everything from “avant-oompah!” to a “brassroots revolution,” these bands draw inspiration from sources as diverse as Klezmer, Balkan and Romani music, Brazilian Samba, Afrobeat and Highlife, Punk, Funk, and Hip Hop, as well as the New Orleans second line tradition, and deliver it with all the passion and spirit of Mardi Gras and Carnival.
Acoustic and mobile, these bands play at street level, usually for free, with no stages to elevate them above the crowd and no sound systems or speaker columns to separate performers from participants. These bands don’t just play for the people; they play among the people and invite them to join the fun. They are active, activist, and deeply engaged in their communities, at times alongside unions and grassroots groups in outright political protest, or in some form of community-building activity, routinely performing and conducting workshops for educational and social service organizations of all kinds.
At full power, these bands create an irresistible spectacle of creative movement and sonic self-expression directed at making the world a better place. This is the movement we call HONK!


Who is HONK!?

Since its founding, more than 50 bands have attended the HONK! Festival. You can see a full listing here! The all-volunteer organizing committee has been changing and growing since the festival began, benefiting from the talents and enthusiasm of many friends and colleagues. Right now, it is made up of John Bell, David Blank-Edelman, Trudi Cohen, Ken Field, Reebee Garofalo, Harris Gruman, Sara Honeywell, Maury Martin, Charlo Maurer, Cecily Miller, Deidra Montgomery, Eric Sutman, Renee Sutman, and Joanna Vouriotis.
But The HONK! Festival isn’t just the organizers and the musicians. It’s a grassroots, non-profit event made possible by the financial and in-kind support of a thousand local residents and businesses. For the duration of the Festival, more than 500 musicians will be housed by generous neighbors and friends and many local restaurants will generously provide food for the performers and volunteers. Scores of community members have donated hours of labor to make HONK! possible. Most significantly, none of the bands will be earning any money for the festival, and most will have only some of their travel expenses covered. The bands are inspired to travel great distances, at great personal expense, to joyously celebrate our hard work to reclaim public space—the world over—for all people. The bands long to connect in honor of our struggles for justice. We hope you will come, to connect and celebrate with us, and further the cause of freedom, justice and collective emancipation.


What is an Activist Band?

By describing HONK! bands as activist, we are referring to bands which are socially engaged — some in direct action and outright political protest, others in community building, be it performing for social justice or community-based organizations or conducting workshops in the public schools. Further, by performing at street level, usually for free, without sound amplification and with very little distance between artist and audience, HONK! bands create a participatory spectacle to reclaim public space in ways that place them at the heart of activist politics.

 

Writing The Veterans Of War Blues Away



       Home from Vietnam, a mother greets her son at Logan Airport. 

 

Wanted for website and possible anthology, short essay responses to  "Thank you for your service." Guidelines at Medic in the Green Time.com. Click on Submissions. Examples on website. Click on Post War, click on Five Easy Words.                 
Send questions to silverspartan@gmail

Support The Florida Farmerworkers-Viva La Huega!

CIW list header
Watch out, Wendy’s! 100+ Encuentro participants, farmworkers protest for Fair Food…
Encuentro_2015_Wendys_Publix_0824_sm
CIW members, students:  “Maybe Wendy’s will continue to refuse to be a part of the Program today — but every day, there are more and more of us, and someday, Wendy’s will sign…”
This past weekend, after months of planning and preparation, the Student / Farmworker Alliance hosted the 11th annual Encuentro in Immokalee, where students and young people from around the country gathered for a weekend to lay out a year’s worth plans for the Campaign for Fair Food.  Of course, being members of the Fair Food Nation, the weekend’s participants also worked in a bit of action amidst all the conversation!
Energized from two days of workshops, strategic planning, and learning about the Fair Food Program and the road ahead for the CIW, the scores of Encuentro participants visiting Immokalee were ready to hit the streets by late Saturday afternoon for a dual Publix-Wendy’s protest in Naples.  Today, we wanted to share a report from the inspiring weekend protest — which, to be sure, was only a taste of the season ahead for Publix, Wendy’s, Kroger and any other major food retailer still turning it back on the Fair Food Program.
Carrying signs still glittering with fresh paint, over 100 students, farmworkers and their families poured onto the sidewalk in front of Publix on the highly-trafficked U.S. 41 in Naples…
Encuentro_2015_Wendys_Publix_0732_sm
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Coalition of Immokalee Workers • PO Box 603, Immokalee, FL 34143 • (239) 657-8311 • workers@ciw-online.org
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Writing The Veterans Of War Blues Away


William Joiner Institute for the Study of War and Social Consequences

Veterans Writing Workshop, Fall 2015

Veterans Writing Workshop, Fall 2015
October 15 @ 10:00 am - 12:00 pm
Recurring Event (See all)

"Why Write? To Better Understand the World
and the People Who Live in It" - Brian Turner, Iraq Veteran and Poet
Veterans Writing Workshop, Fall 2015, Starts Oct. 1.

The Inner Voice and the Outer World
The Veterans Writing Workshop helps people get started or move forward on their own writing projects. Veterans from all wars and disaster relief, and family members are invited to participate. The workshop takes place at the Veterans Center, 12 Emerson Avenue in Gloucester, on Thursdays from 10 - 12 p.m. beginning October 1 and ending November 12. Class size is limited to 12 writers.

From Week to Week

Writing is the goal. This workshop fosters a regular writing practice in a comfortable atmosphere with a spirit of openness and receptivity. The creative process is different for everyone and like a river, it changes. You will have the opportunity to share your work and enjoy the writing of others. Writers will receive individual attention through weekly written comments and personal conferences. Brief excerpts from relevant readings in prose and poetry will be shared.

The workshop should strengthen your confidence as a writer, and as a critical thinker and editor of your own work. Past participants in the workshop have recognized progress in their writing and take pride in seeing the work of the mind unfold on the page.

Dorothy Shubow Nelson, M.A. English, workshop facilitator and teacher, offers guidance and direction. Formerly Senior Lecturer in English at UMass Boston, she has taught writing and literature for over 25 years. Her poems, reviews and other writings have appeared in various publications. Her book of poems, The Dream of the Sea, was published in 2008. She participates annually with the Joiner Institute for the Study of War and Social Consequences and serves as an Advisor to the Gloucester Writers Center.
"Somewhere along here I first became conscious of the feeling...
that comes when you first notice your life turning into a story."
- from A River Runs Through It by Norman Maclean.

Register with Lucia Amero at the Gloucester Office of Veterans Services 12 Emerson Avenue. Call 978-281-9740. This workshop is supported by the Gloucester Office of Veterans Services and the Gloucester Writers Center. There is no charge for this workshop.
For more information contact: Dorothy.Nelson@umb.edu

Details 
Date: 
October 15 
Time: 
10:00 am - 12:00 pm



 

Forward email



This email was sent to deh43@comcast.net by joinerinstitute@umb.edu |  

William Joiner Center | The University of Massachusetts Boston | 100 Morrissey Blvd. | Boston | MA | 02125


International Peace Day-Sunday September 20, 2015







www.veteransforpeace.org

 
 

VFP Advisory Board Member Ralph Nader and Long-Time Peace Activist Cindy Sheehan
will be among the many Occupy Peace speakers in Kingston, NY


The Sept. 20 rally will offer visions from its notable speakers of some of the steps needed to understand what a state of peace, rather than a state of war, may look and feel like. And the rally will feature local musical groups known for their originality and inclusiveness, to provide Occupy Peace with a rollicking soundtrack.

Visit the website for more information on the event.







Veterans For Peace, 1404 North Broadway, St. Louis, MO 63102, 314-725-6005
www.veteransforpeace.org
Veterans For Peace appreciates your generous donations.

We also encourage you to join our ranks.

 







 

Thursday, September 17, 2015

Got Them Down-Hearted Blues-With The Empress Of The Blues Bessie Smith In Mind

Got Them Down-Hearted Blues-With The Empress Of The Blues Bessie Smith In Mind  




From The Pen Of Sam Eaton


Sure 1920s guys, gals too, black guys, black gals on Mister’s 28,000 acres of the best bottomland in Mississippi or some such number, had plenty to have the blues about (and maybe some woe begotten poor white trash but this is about the blues, the musical blues and not some general social issues so those “no account” whites don’t play here, actually whites in general until the music heads north in a generation and the “white negro” hipsters (to use big daddy Norman Mailer’s term), “beats (to use Jack Kerouac term hustled from some dead-pan beat down hustler named Huncke via John Clellon Holmes for Christ sake),” folkies (to use the Lomaxes’, father and son, expression), college students (to use oh I don’t know the Department of Education’s expression), and assorted others (junkies, grifters, midnight sifters, drifters on the wing, winos trying to sober up, good time prostitutes) decided that that beat in their heads had Mother Africa who spawned us all had to be investigated but all that indeed was later). Especially had the blues about how Mister and his Mister James Crow laws fitted him, Mister, and his just fine at the expense of those black guys, their women and their righteous children (righteous when they, his children and their children smote the dragon come freedom summer times but that is a story for their generations to tell I want to talk about the great-grand pa’s and ma’s and their doings).

How Mister James Crow said every day of the week, even the Lord’s Day, Sunday that if you were black, get back, if you were right you were alright and proved it by separate this and separate that, keeping his street clear of stray “negros,” yeah, with small “n” if he was being kind that day, another today socially not acceptable expression if not, telling the brethren to go here, not go there, look this way but not that (and by all means not his peeking womenfolk), walk there but not here, or face nooses and slugs for his troubles. So yeah the blues almost cried out to be the order of things. Working all day for chump change in Mister’s fields or worse share-cropper-ing and having Mister take the better portion and leaving the leavings he didn’t want, meaning what he couldn’t sell to his profit as the rest.

Yeah, so there is no way that black guys could not have had the blues back then except some old nappy Tom who didn’t get the word but they were far fewer than you think the others just fumed at who knows what psychic costs (now too but that in dealt with by the step-child of the blues, maybe second step-child via in your face if there is space hip-hop nations, the angry ones who put words to the rages of the modern “post racial” American society that somebody jerked them around with lately). Hey and to Mister’s miseries, very real, very scary when the nightriders came, woman trouble (maybe at night the worse kind of trouble if Mister wasn’t in your face with her where you been, do this, do that, put it right here, put it right there), trouble with Sheriff Law (stay off the sidewalks, keep your head down, stay down in the bottom lands or else) and trouble with Long Skinny Jones if you mess with his woman, get your own (or face his razor and gun down on Black Mountain).

Plenty of stuff to sing about come Saturday night after dark at Smilin’ Billy’s juke joint complete with his home-made brew, freshly batched, which insured that everybody would be at Preacher Jack’s  Sunday service to have their sins, lusts, greeds, avarices, covets, swaggers, cuts, from the night before (or maybe just minutes before) washed clean under the threat of damnation and worse, worse for listening to the “devil’s music” (funny because come the white rock and roll teen explosion a generation Mister, some Mister, said that too was the devil’s music which confused those clean cut angelic angst-filled teens although not enough to stop listening to Satan and his siren song) by a guy like Charley Patton, Son House (who had the worst of both worlds being a sinner, loving his whiskey more than somewhat which Howlin’ Wolf took him to task for down in Newport one year in the early 1960s at a jam session, and a preacher man), Lucky Quick, Sleepy John, Robert J, and lots of hungry boys who wanted to get the hell out from under Mister and his Mister James Crow laws by singing the blues and making them go away.          

That’s the guys, black guys and they had a moment, a country blues moment back in the 1920s and early 1930s when guys, white guys usually as far as I know, from small label record companies like Paramount, RCA, the radio company looking to feed the hours on their stations with stuff people would listen to (could listen to in short wave times and hence regional roots work). They were agents who were parlaying two ideas together getting black people, black people with enough money  (and maybe a few white hipsters, Village, North Beach, Old Town denizens tired of the same old, same old if they were around and if they were called that before the big 1950s “beat” thing), buy, in this case, “race records,” that they might have heard on that self-same radio, nice economics, scoured the South looking for talent and found plenty in the Delta (and on the white side of that same coin plenty in the Southern hill-billy mountains, and hills and hollows too).

But those black blues brothers were not what drove the race label action back then since the rural poor had no money for radios or records for the most part and it was the black women singers who got the better play, although they if you look at individual cases suffered under the same Mister James Crow ethos that the black guys did. There they were though singing barrelhouse was what it was called mostly, stuff with plenty of double meanings about sex and about come hither availability and too about the code that all Southern blacks lived under. And the subjects. Well, the subjects reflected those of the black guys in reverse, two-timing guys, guys who would cut their women up as soon as look at them, down-hearted stuff when some Jimmy took off with his other best girl leaving her flat-footed, the sins of alcohol and drugs (listen to Victoria Spivey sometime on sister cocaine and any number of Smiths on gin), losing your man to you best friend, some sound advice too like Sippy Wallace’s don’t advertise your man, and some bad advice about cutting up your no good man and taking the big step-off that awaited you, it is all there to be listened to.   

And the queen, the self-anointed queen, no, better you stay with the flow of her moniker, the empress, of barrelhouse blues was Bessie Smith, who sold more records than anybody else if nothing else. But there is more since she left a treasure trove of songs, well over two hundred before her untimely early death in the mid-1930s (untimely in the Mister James Crow South after an car accident and they would not admit an empress for chrissakes into a nearby white hospital, yes, rage, rage against the nigh unto the nth generation-black lives matter).

Guys, sophisticated guys, city guys, black guys mainly, guys like Fletcher Henderson, Tin Pan Alley kind of guys in places like high holy Harlem and Memphis, Saint Louis would write stuff for her, big fat sexy high white note sax and chilly dog trombone players would back her up and that was that. Sure Memphis Minnie could wag the dog’s tail with her lyrics about every kind of working guy taking care of her need (and you know she needed a little sugar in her bowl just like Bessie and a million, million other women, and a quick listen to any of a dozen such songs will tell you what that need was or you can figure it out and if you can’t you had better move on, the various other Smiths could talk about down-hearted stuff, about the devil’s music get the best of them, Sippy Wallace could talk about no good men, Ivy Stone could speak about being turned out in the streets to “work” the streets when some guy left town, address unknown, and Victoria Spivey could speak to the addictions that brought a good girl down but Bessie could run it all. From down-hearted blues, killing her sorrows with that flask of gin, working down to bed-bug flop houses, thoughts of killing that no good bastard who left her high and dry, seeing a good Hustlin’ Dan man off to the great yonder after losing that bout with TB coughing, blowing high and heavy in the thick of the Jazz Age with the prince of wails, looking for a little sugar in her bowl, and every conceivable way to speak of personal sorrows.

Let me leave it like this for now with two big ideas. First if you have a chance go on YouTube and listen and watch while she struts her stuff on Saint Louis Woman all pain, pathos and indignity as he good man throws her over for, well, the next best thing. That will tell you why in her day she was the Empress. The other is this-if you have deep down sorrows, some man or woman left you high and dry, maybe you need a fixer man for what ails you, you have deep-dyed blues that won’t quite unless you have your medicine then you have to dust off your Billie Holiday records and get well. But if the world just has you by the tail for a moment, or things just went awry but maybe you can see the like of day then grab the old Bessie Vanguard Record or later Columbia Record multiple albums (four double record sets from beginning to end) and just start playing you won’t want to turn the thing off once Bessie gets under your skin. That’s what I did more than once when I was down on my luck living in flea-bitten rooming house in a cold-water flat with me and my bed, bureau, desk and chair and a battered old RCA record player and just let it wail, let the fellow stew-ball tenants usually behind on their rents anyway howl against the night. Bessie was on the square.