In Cambridge- The Struggle For Peace And Social Justice-November 21st

In Cambridge- The Struggle For Peace And Social Justice-November 21st   

 

When The Bourgeoisie Was In Full Flower- With The French Painter Caillebotte In Mind

When The Bourgeoisie Was In Full Flower- With The French Painter Caillebotte In Mind 

 

From The Pen Of Sam Lowell

 

Yeah, the Baron, Baron Haussmann if you need a name to go with the damage, the social damage done, had done a good job, a damn good job of breaking up beloved Paris with his squeaky clean street lines and wide boulevards. Yeah, changed the face of Paris, the Paris of squalid throw your leavings out the window and heaven help who is below, and heaven help what awful thing was thrown down to the trash-filled streets. The Paris of funny crooked cul de sac streets, which reflected the add-ons over centuries to make a great city from the piss-pot small town back in the Middle Ages when the university was the center of attraction and the good bourgeois in embryo were trying to hold off the barbarians, the wayward no account peasant drifters who snuck off the land, or tried to in order to sulk and menace in the shadows down by the Seine, the river of life and of intrigue. The Paris of the small craftsman working his trade in some lonely workshop, maybe an indentured apprentice by his side if the craft was skilled enough to warrant such service, his “home” and hearth in the back rooms where the dutiful wife and undutiful screaming children scratched out their pitiful existence. Said craftsman working furiously always brow-beaten worrying about being edged out by Monsieur So and So with plenty of capital and fifty men in his employ underselling him by virtue of economy of scale (or just plain greed at having anybody even a single slave craftsman in his “invisible hand” market place). The Paris too of the jack-roller, the pick-pocket, the wharf rats, the tavern-dwellers, the drifters, the grifters, and the midnight sifters along the shallow shadows of that same beloved Seine     

 

He, Jean Villon, was called Jean-bon out of respect for his courage under fire in the hell-hole barricade days of 1848  when he and his neighbors, all working-men, held out to the last when the vicious petty-bourgeois who would have benefited most from victory deserted the barricades and he and his took to their fallen losses and jail cells with equanimity (he and his comrades ever after called ‘48ers and no further explanation was necessary, none what-so-ever in any street or boulevard in the town). And for his general good humor when he was not talking politics or scheming the next plot that would bring on the newer world that he and his brethren were seeking. This morning he had had to laugh about the changes in the Rue Madeleine, the urine-laned street where he grew up, about the smell to high heaven of tanning chemicals, rough blacksmith coals, clothe dyes, slaughtered cattles and poultries. Laughed too that in those days, the days before the Baron got the itch (Baron dreams prodded on by ’89 dreams of san-culottes crowds demanding his head on a platter, or maybe just his head any way they could get it preferably via the people’s justice of the guillotine and more recent close calls in ‘48) none of the government’s men dared to enter those quarters even to look for the treasonous or seditious whoever was in power was always nervously pacing the floor about (it did not matter-king-premier-emperor-they all nervously paced their respective floors).

 

Yeah, back then nothing but crooked little streets leading to harmless little cafes, where he, workingman Villon held “court” with the riff-raff so-called of the old society. Calmly and cautiously quartered when no king’s men would bother to penetrate for they might not come back. Villon descended in some cousin-age degree never quite figured out back to the 15^th century from the outlaw poet mad monk bastard saint Francois Villon who wrote longing exile in his own country verse with one hand and stole whatever was not nailed down with the other a fact which Jean never tired of pointing out when back in the day, back in ‘48 on the barricades when it counted comrades would wonder whether his revolutionary energies were flagging and he would drag out his pedigree to small-mouthed scoffs and tittles.

 

Yeah, the Baron was a slick one tearing down the old quarters to let the rising petty-bourgeois have their elegant apartments tucked away from the steamy stinking markets, the riff-raff cafes, the shadow men of the Seine. Let the bourgeoisie laugh in their clubs about how the riff-raff, meaning their working-men, those who slaved for them, those they had fired for being what some wag called “master-less men” for their habit of robbing said masters whenever the shadows fell, and the once innocent peasant girls who followed in their train and cast their fate with the lot, would get a belly-full of lead from the phalanx encircling infantry the next time they tried to pull up brick number one in order to build a barricade.

 

Although for a while when Thiers, that wizened troll who never uttered anything but treacherous remarks and never stopped for one minute to give the orders to  send whatever troops against the barricades which remained loyal to keep him in power. Rammed those troops against the brave Paris communards of blessed memory back in 1871 when the frightened bourgeoisie realized that the barricades could still be constructed when the working-men rose up in righteous anger at the betrayals put upon them. (Those communards like their earlier brethren of ’48 called communards and no further explanation was necessary, none what-so-ever in any street or boulevard in the town.)

But those days were long gone now. The Baron had won, had won his victory over the riff-raff and Jean-bon Villon knew it would be a long time before the blood of the communards dried.

 

Now the picture before Villon as he walked along Rue Madeline a place foreign to his eyes this rainy Sunday morning is that of prosperous petty bourgeois walking under the shadows of their handsome umbrellas along the well-trodden brick-laid slippery street taking in the sullen airs of the day. Each pair, male and female from a rough look at the scene, in their own world heading perhaps to some café breakfast (under awnings this morning) maybe going to the gardens up the road. Villon, the old revolutionary, looking down and noticing that every spattered brick had been inlaid (although that never stopped them from tearing them up in the old days), noticed that  as one wag put it that now the streets were big enough for all of Paris without regard to class to walk and fete wherever they cared to. Here is the waggish joke though, except for some ragman with his cur of a dog his sort were nary to be seen on these wet streets and intersections. Yeah, the Baron did his work well.      

    

In Boston- Smedley Butler Brigade-Veterans For Peace Fundraiser- November 18th

In Boston- Smedley Butler Brigade-Veterans For Peace Fundraiser- November 18th

***I Hear The Voice Of My Arky Angel-Once Again-With Angel Iris Dement In Mind

***I Hear The Voice Of My Arky Angel-Once Again-With Angel Iris Dement In Mind

 

From The Pen Of Frank Jackman  

 

SWEET FORGIVENESS (Iris DeMent)

(c) 1992 Songs of Iris/Forerunner Music, Inc. ASCAP

Sweet forgiveness, that's what you give to me

when you hold me close and you say "That's all over"

You don't go looking back,

you don't hold the cards to stack,

you mean what you say.

Sweet forgiveness, you help me see

I'm not near as bad as I sometimes appear to be

When you hold me close and say

"That's all over, and I still love you"

There's no way that I could make up for those angry words I said

Sometimes it gets to hurting and the pain goes to my head

Sweet forgiveness, dear God above

I say we all deserve a taste of this kind of love

Someone who'll hold our hand,

and whisper "I understand, and I still love you"

AFTER YOU'RE GONE (Iris DeMent)

(c) 1992 Songs of Iris/Forerunner Music, Inc. ASCAP

There'll be laughter even after you're gone

I'll find reasons to face that empty dawn

'cause I've memorized each line in your face

and not even death can ever erase the story they tell to me

I'll miss you, oh how I'll miss you

I'll dream of you and I'll cry a million tears

but the sorrow will pass and the one thing that will last

is the love that you've given to me

There'll be laughter even after you're gone

I'll find reason and I'll face that empty dawn

'cause I've memorized each line in your face

and not even death could ever erase the story they tell to me

Every once in a while I have to tussle, go one on one with the angels, or a single angel is maybe a better way to put it. No, not the heavenly ones or the ones who burden your shoulders when you have a troubled heart but every once in a while I need a shot of my Arky angel, Iris Dement. Now while I don’t want to get into a dissertation about the thing, you know, that old medieval Thomist argument about how many angels can fit on the end of a needle or get into playing sides in the struggle between pliant god-like angels and defiant devil-like angels in the battles in the heavens over who would rule the universe that the great revolutionary English poet from the time of the 17^th century  English revolution of blessed memory, John Milton, when he got seriously exercised over that notion in Paradise Lost I do believe we our faced, vocally faced with someone who could go mano y mano with whoever wants to enter into the lists against her.

Yes, and I know too that that “angel,” earthly material five feet plus of flesh and bone angel thing has been played out much too much in the world music scene, the popular music scene, you know rock and roll in the old days and now mainly hip-hop. You could hardly live a 1950s childhood extending into a 1960 coming of age teenage-hood  without being bombarded by every kind of angel every time you put your quarter in the jukebox especially if the other hand attached to that quarter, as it usually was your everlovin’ dreamy date who just had to hear you compare her to the Earth Angel of the then currently popular song. On a more sober note when some poor by the midnight telephone (now cellphone, okay Smartphone) girl was beside herself when her Johnny did not call at nine like he said he would and she wanted to deny reality, a reality pointed out to her by her best friend one Monday morning before talkfest that her Johnny Angel just couldn’t keep one girl happy but had to play the field (including an almost successful run at that best girlfriend).  Going to the distaff side (nice old-fashioned word, right) some honkey-tonk angel who was lured into the night life, who went back to the wild side of life where the wine and liquor flowed and she was just waiting there to be anybody’s darling who would eventually be done in by her own her own hubris, Hank’s morbid angel of death that seemed to hover over his every move until the big crash out, until the lights flickered out.

There’s my favorite, no question, though showing just how recklessly secular the angel angle could spin on a platter, no question, Teen Angel. And this will put paid to the notion that the teens in those days were any smarter in going about the business of being a teenager than today’s crop. Let me give few details and if you don’t believe me then just God Google the lyrics and be done with it. Some, I don’t know how else to say it although I will give advanced apologies to the rest of women-kind, some maybe sixteen year old bimbo of unknown intelligence but you decide and of unknown looks whose boyfriend’s car got stuck on a railroad track one Friday date night after a full course down at the local beach, the boyfriend got her out safely and yet she went running back, running back to get his two-bit class ring, a ring that he had probably given to half the girls in school before her, and did not come out alive. Of course the guy was broken up about it, probably personally wrote the words to the song for the guy who sang the song for all I know but let’s leave it at this since I don’t like to speak unkindly of the dead, even the reckless dead, RIP, sister, RIP.

 

So that off my chest.  No, that fleet of angle-tipped songs are strictly from nowhere, I will take my sensible Arky angel, take her with a little sinning on the side if you can believe there is any autobiographical edge to some of the songs she sings, take her with a little forlorn lilt in her voice, take her since she has seen the seedy side of life. Seen “from hunger” days and heart hurts. Yeah, that is how I like my angels. Alive as hell and well.                 

Every once in a while when I am blue, not a Billie Holiday blue, the blues down in the depths when you have to just hear her, flower in hair, maybe junked up, maybe clean, hell, it did not matter, when she hit her stride, and she “spoke” you out of your miseries, but maybe just a passing blue I needed to hear a voice that if there was an angel heaven voice Iris would be the one I would want to hear.    

I first heard Iris DeMent doing a cover of a folksinger-songwriter Greg Brown’s tribute to Jimmy Rodgers, the old time Texas yodeler discovered around same time as the original Carter Family in the late 1920s out in some Podunk town in Tennessee in the late 1920s when the new-fangled radio and the upstart small independent record companies were desperate for roots music to feed their various clienteles whatever soap, flour, detergent, deodorant their hungry advertisers had to sell, on his tribute album, Driftless. I then looked for her solo albums and for the most part was blown away by the power of Iris’ voice, her piano accompaniment and her lyrics (which are contained in the liner notes of her various albums, read them, please). It is hard to type her style. Is it folk? Is it Country Pop? Is it semi-torch songstress? Well, whatever it maybe that Arky angel is a listening treat, especially if you are in a sentimental mood.

Naturally when I find some talent that “speaks” to me I grab everything they sing, write, paint, or act I can find. In Iris’ case there is not a lot of recorded work, with the recent addition of Sing The Delta just four albums although she had done many back-ups or harmonies with other artists most notably John Prine. Still what has been recorded blew me away (and will blow you away), especially as an old Vietnam War era veteran her There is a Wall in Washington about the guys who found themselves on the Vietnam Memorial without asking knowing what the hell they were fighting for in that hellish war, probably one of the best anti-war songs you will ever hear. That memorial containing names very close to me, to my heart and I shed a tear each time I even go near the memorial when I am in D.C. It is fairly easy to write a Give Peace a Chance or Where Have All the Flowers Gone? sings-song type of anti-war song. It is another to capture the pathos of what happened to too many families when we were unable to stop that war.

The streets of my old-time growing up neighborhood are filled with memories of guys I knew, guys who didn’t make it back, guys who couldn’t adjust coming back to the “real world” and wound up in flop houses, half-way houses, and along railroad “jungle” camps and also guys who could not get over their not going into the service, in retrospect, to experience the decisive event of our generation, the generation of ‘68.

Other songs that have drawn my attention like When My Morning Comes hit home with all the baggage working class kids have about their inferiority when they screw up in this world. Walking Home Alone evokes all the humor, bathos, pathos and sheer exhilaration of saying one was able to survive, and not badly, after growing up poor, Arky poor amid the riches of America. (That may be the “connection” as I grew up through my father coal country Hazard, Kentucky poor.)  

Frankly, and I admit this publicly in this space, I love Ms. Iris Dement. Not personally, of course, but through her voice, her lyrics and her musical presence. This “confession” may seem rather startling coming from a guy who in this space is as likely here to go on and on about Bolsheviks, ‘Che’, Leon Trotsky, high communist theory and the like. Especially, as well given Iris’ seemingly simple quasi- religious themes and commitment to paying homage to her rural background in song. All such discrepancies though go out the window here. Why?

Well, for one, this old radical got a lump in his throat the first time he heard her voice. Okay, that happens sometimes-once- but why did he have the same reaction on the fifth and twelfth hearings? Explain that. I can easily enough. If, on the very, very remotest chance, there is a heaven then I know one of the choir members. Enough said. By the way give a listen to Out Of The Fire and Mornin’ Glory. Then you too will be in love with Ms. Iris Dement.

Iris, here is my proposal, once again. (I have made the offer in other spaces reviewing her work more seriously.) If you get tired of fishing up in the U.P., or wherever, with Mr. Greg Brown, get bored with his endless twaddle about old Iowa farms and buxom aunts, about the trials and tribulations of Billy from the hills, or going on and on about Grandma's fruit cellar just whistle. Better yet just yodel like you did on Jimmie Rodgers Going Home on that Driftless CD. Okay.

 

Homeland” TV show highlights “I’m Chelsea Manning” sign

Homeland” TV show highlights “I’m Chelsea Manning” sign

November 6, 2015
The most recent episode of the Showtime series “Homeland” (season 5, episode 5) features a Internet freedom themed protest scene, with a prominently placed, “I’m Chelsea Manning” sign. The series is definitely racist, but it’s cool to see support for Chelsea reflected in even made-for-TV protests. Additionally, this current season’s opening credits includes an image of a Chelsea Manning / Edward Snowden support rally in held in Berlin a couple of years ago (the black/white image at the bottom).

Free Chelsea Manning-Chelsea’s statement for Aaron Swatz Day

Chelsea’s statement for Aaron Swatz Day

November 9, 2015
Chelsea Manning prepared the following special statement for Aaron Swartz Day 2015. It was delivered in San Francisco, CA on Saturday, November 7th as part of an Aaron Swartz Day celebration.
2015.11.07
Statement for Aaron Swartz Day and International Hackathon-2015
The Human Element – International Aaron Swartz Day Hackathon

Hello Everyone,
First, I’d like to apologize for the awkwardness of this written medium. I would love to speak in person – as well as attend and contribute to – events like these, but certain circumstances are complicating my ability to travel and communicate in any fashion recognizable to most of us in the 21st century.
In fact – seeing that this is a technology event – l’d like to talk about the incredible ubiquity and access that society now has to highly connected information technology devices. It seems to me, at least, that as we enter the era of ubiquitous computing, the so called “Internet of Things” – with cell phones hugging against our hips, laptops and tablets in everyone’s bag, and toasters that have the uncanny ability to sort our music libraries in the wrong way and have uncomfortable conversations with our grumpy selves in the morning – we have begun to blur the lines within our Human society in unexpected and even exciting ways.
Looking at the rapid advances in our social and political sphere in the information era – such as the cultural progress queer and trans movements have started to make – the relationships between such things as gender and sexuality, between art and work, between gender and work, and between sexuality and art, have blurred in incredible ways. Now there are elements and ideas which seem to implement the concepts of “transhumanism,” and its becoming normal for more and more people who anticipate – as well as fear – the economic, information, and technological “singularity” at the supposed end of our exponential graphs in our own lifetimes.
But, consider the paradox that technology has provided for us. We seem more diverse and open as a society, but isn’t it also the case that we are more homogenous and insecure than we ever have been in the last century or so? You might try and tell me something like – “Well, today’s tools provide us with the ability to be more independent from the control of our governments and corporations than ever before.” But, I ask, do they really? I don’t think very many people in here are convinced that technology is a purely liberating tool, as we are now seeing that it can also be used to censor, to control, to monitor, to anticipate, to imprison, and sometimes even kill.
I am arguing that we can be independent and liberated as a society even without advanced technology. It seems that some people today even find their independence by embracing the Luddite philosophy – ditching their cell phones for the weekends, or avoiding the Internet at certain times of the day or week. But, I hope you don’t think that you have to run to the hills of Montana and live in a cabin for years on end – that seems a little disproportionate, haha.
Today, as is obvious in some of the headlines that we see online – we are in a constant technological arms race, and I think that it’s important to realize that we are always only a single breakthrough away from making the methods of network obfuscation and encryption pointless or unusable. While I agree that it’s unlikely, it certainly is well within the realm of possibility that we might wake up tomorrow morning – or, if we’re really honest, tomorrow afternoon for some of us – and find out that some truly brilliant or devious mathematician or mathematicians have solved the Riemann Hypothesis, throwing entire regions of our encryption arsenal into turmoil. Or, we might wake up and find out that a six, eight, or even ten qubit quantum computer with near perfect error correction has been built, effectively accomplishing the same thing.
The point I’m trying to make here is that – and it is sometimes hard for those of us in the tech community to accept – that our technology can only take us so far on its own. Rather, it is the Human element that is so important, and unfortunately very easy to forget.
As most of us are acutely aware, our software can be written to accomplish a task that, in the right hands, solves incredible problems, creates miracles, eliminates boundaries, and saves lives. Think about, for instance, the entertainment provided by streaming videos and video games, the real-time artificial intelligence applications that are used in automated cars, manufacturing plants, and medical equipment, or the so called “big data” platforms being applied for Internet search, marketing, political campaigning, and healthcare.
Yet, that very same software with a few minor tweaks can, in the wrong hands, cause immense problems, create nightmares, raise insurmountable boundaries, and destroy and even end lives. Think about how the same technology used in streaming video, video games, real-time command and controls, and artificial intelligence, can also be used in unmanned aircraft armed with missiles to wreak havoc on barely discernible people hundreds or thousands of miles away. Think about the statistical “nudges” in big data algorithms that create gender, racial, ethnic, gender identity, sexual orientation, religious, political and other biases across large swaths of the online population. Also, think about the intensifying polarization and heavy focus on precision targeting on “swing voters” in the political realm. Real people in real places in real time are affected – sometimes on an immense scale.
Software is only a tool. Technology is only a toolbox. It’s what we create our software for, what we intend to use it for, and who we allow to use it, and how much, that really count.
I now believe that today’s coders and engineers have an extra “hat” that we have to wear on top of the colorful spectrum of hats we already have – namely, the technology ethicist and moralist hat. Whether we’re amateurs or professionals, and despite whether we want to or not, it has now become another duty that we have. I only hope that the majority of us can figure out and fully understand what that is going to entail as we approach the edge of our graphs. In fact, Human lives and the future of Humanity may depend on it.
Thank you for your time everyone, and good luck in your endeavors. I would especially like to thank Lisa Rein for her lovely letter last month inviting me to speak before you all. It was an incredibly warm and heartfelt letter that made my day a little brighter.
Good night, everyone.
CHELSEA E. MANNING

Chelsea’s statement is available under a Creative Commons Attribution-ShareAlike 2.0 Generic License (CC BY-SA 2.0)

On Passing Left-Wing Political “Wisdom” To The Next Generation

On Passing Left-Wing Political “Wisdom” To The Next Generation

    

From The Pen Of Frank Jackman

One of the worst excesses, and there were many although made mostly from ignorance and immaturity and were moreover minuscule compared to the conscious policies of those in power who we were opposing, that we who came of political age in the 1960s were culpable of was our sense that we had to reinvent the wheel of left-wing political struggle. Mostly a very conscious denial and rejection of those thinkers, cadre and organizations who had come before us and whom were disqualified from the discourse by having been worn out, old-timey, or just ideas and methods that we had not thought of and therefore irrelevant. The expression “throwing out the baby with the bath water” may seem a cliché but serves a purpose here. Most of the time back then until fairly late, maybe too late when the tide had begun to ebb toward the end of the 1960s and the then current and fashionable anticommunist theories proved to be ridiculously inadequate, we turned our noses up at Marxism, and at Marxist-Leninist ways of organizing the struggle against the American beast.

I can remember more than a few times when somebody identified him or herself as a Marxist that I and the others in the room would groan audibly. Occasionally, as well, taking part in some of the shouting down exercises when the political disputes became heated. Part of the problem was that those who organizationally claimed to be Marxists-the Communist Party and Socialist Workers Party and to some extent the Progressive Labor Party were following political lines that were far to the right (right being relative here in the context of the left-wing movement in this country) of the politics of those who considered themselves radical and revolutionary youth. Those two organizations then far too eager to traffic with what we called respectable bourgeois forces who were part of the problem since they helped control the governmental apparatus. (I won’t even mention the moribund Socialist/Social Democratic organizations that only old laborites and “old ladies in tennis sneakers,” although that might be a slander against those nice do-gooder ladies, followed as the expression went at the time.) I know, and I know that many others at the time,  had no time for a look at the history books, had nothing but a conscious disregard for the lessons of history, good and bad, that we thought was irrelevant in seeking to build the “newer world.” (Strangely, later after all our empirical experiment proved futile and counter-productive, quoting, quoting loudly and vehemently  from this or that book, by this or that thinker, this or that revolutionary or radical became the rage. Ah, the excesses of youth.)               

So it is always a good thing when somebody comes by and says as part of the reason that he is looking at something like the very mixed early history of the American Communist Party (after the two previously separate communist organizations merged when the serious differences were ironed out in the early 1920s), as here in the book under review, that he is doing so to embrace the legacy of the past of the left-wing movement. If not back then in the 1960s then now as a new wind, maybe a new movement is beginning to take shape after decades of defeats and disaffection, that is a very important reason to take a look at the early history of the American Communist movement. Look back at a time when a generation, or the best part of a generation, at least three generations removed from today‘s young militants tried to bring off a working class revolution in this country under the beacon of the October Revolution in Russia.

Additionally any book like The First Ten Years Of American Communism that features the role of James P. Cannon, who in his time had the desire and the capacity to lead such a revolution, is onto something important because he is one of the few figures who was able to try to build the communist movement through the good offices of the Communist International when that organization was in the business of “fomenting” revolution and to break with the CI when it lost its moorings under Stalin (and a few others, mainly his henchmen in the end) when it became an adjunct of Soviet foreign policy. This book, and the books cited in the article by Theodore Draper and others, including the key letters by Cannon to Draper in the 1950s, is an important addition to those who want to carry on that early tradition and know what it was like when men and women fought for revolution for real. I am not sure we of the older generation would have been able to learn anything from such a book but today’s left-wing militants surely can.       

 

Looking For The Heart Of Saturday Night, Christ The Heart Of Any Night-Elegy For Tom Waits

Looking For The Heart Of Saturday Night, Christ The Heart Of Any Night-Elegy For Tom Waits

From The Pen Of The Late Peter Paul Markin (who fell by the wayside, fell to his notorious monstrous “wanting habits” accumulated since childhood looking too hard, looking to hard in the wrong places, looking for his own heart of Saturday night-RIP, Brother-RIP     

 

If you, as I do, every once in a while, every once in a while when the norms of today’s bourgeois-driven push, you know grab goods, grab the dough, grab every cheap-jack convenience like it was God’s own gold, grab some shelter from the storm, the storm that these days comes down like a hard rain falling, to get ahead in this wicked old world have to step back and take stock, maybe listen to some words of wisdom, or words that help explain how you got into that mess then you have come to the right address.

Okay, okay on that bourgeois-driven today thing once I describe what was involved maybe it didn’t just start of late. Maybe the whole ill-starred rising went back to the time when this continent was, just like F. Scott Fitzgerald said way back in the 1920s when he made up the Jazz Age and reeled back in dismay, just a fresh green breast of land eyed by some hungry sailors. Going back to Calvinist Puritan avenging angels times with John Winthrop and the Mayflower boys and their city on the hill but you best ask Max Weber about that since he tried to hook these world-wise and world weary boys no longer worrying about novenas and indulgences against some netherworld to the wheel of the capitalist profit. Profit (grab the dough, grab the goods, grab stuff cheap) for you at the expense of me system with the new dispensation coming out like hellfire from Geneva and points east and west. The eternal story of the short end of the stick if you aren’t ready for sociological treatises and rely on guys like Tom Waits to wordsmith the lyrics to set you right about what is wrong. But you get the point.

If all that to-ing and fro-ing (nice touch, right) leaves you wondering where you fell off the edge, that edge city (edge city where you danced around with all the conventions of the days, danced around the get ahead world, grab the dough, grab the goods, grab stuff cheap,  with blinkers on) where big cloud outrageous youthful dreams were dreamt and you took risks, damn did you take risks, thought nothing of that fact either, landed on your ass more than a few times but just picked yourself up and dusted your knees off and done stick around and listen up. Yeah, so if you are wondering,  have been pushed off your saintly wheels, yeah, pushed off your sainted wheels, and gotten yourself  into some angst-ridden despair about where you went off that angel-driven dream of your youth, now faded, tattered, and half- forgotten(but only half, only half, the wisp of the dream, the eternal peace dream, the figuring out how to contain that fire, that wanting habits fire in your belly dream sisters and brothers), and need some solace (need some way to stop the fret counting the coffee cups that while away your life). Need to reach back to roots, reach back to roots that the 1950s golden age of America, the vanilla red scare Cold War night that kicked the ass out of all the old to make us crave sameness, head down, run for cover, in order to forget about those old immigrant customs, made us forget those simple country blues, old country flames, Appalachia mountain breeze coming through the hills and hollows songs, lonely midnight by the fire cowboy ballads, Tex-Mex big ass brass sympatico squeezes, Irish desperate struggles against John Bull  sorrows and cautionary tale Child ballads, or Cajun Saturday night stewed drunks that made the people feel good times), reach back to the primeval forest maybe, put the headphones on some Tom Waits platter (oops, CD, YouTube selection, etc.- “platter” refers to a, ah, record, vinyl, put on a record player, hell, look it up in Wikipedia, okay) and remember what it was like when men and women sang just to sing the truth of what they saw and heard.

If the norms of don’t rock the boat (not in these uncertain times like any times in human existence were certain, damn, there was always something scary coming up from the first man-eating beast to the human race-eating nuclear bombs), the norms of keep your head down (that’s right brother, that’s right sister keep looking down, no left or rights for your placid world), keeping your head down being an art form now with appropriate ritual (that ritual looking more and more like the firing squad that took old Juan Romero’s life when he did bad those days out in Utah country), and excuses, because, well, because you don’t want to wind up like them (and fill in the blank of the “them,” usually dark, very dark like some deathless, starless night disturbing your sleep, begging, I swear, begging you to put that gun in full view on the table, speaking some unknown language, maybe A-rab or I-talian, maybe gibberish for all you know, moving furtively and stealthily against your good night) drive you crazy and you need, desperately need, to listen to those ancient drum beats, those primeval forest leave droppings maybe, that old time embedded DNA coda long lost to, oh yes, civilization, to some civilizing mission (think of that Mayflower gang and that fresh green breast of land  that drove them cross-eyed and inflamed or ask Max Weber, he footnoted the whole thing, put paid to any idea of otherworldly virtue), that spoke of the better angels of your nature when those angel dreams, half-forgotten but only half remember, ruled your days. Turn up the volume up another notch or two on that Tom Waits selection, maybe Jersey Girl or Brother, Can You Spare A Dime (can you?), Hold On, or Gunn Street Girl.

If you need to hear things, just to sort things out, just to recapture that angel-edge, recapture the time when you did no fear, you and everybody else’s sisters and brothers, that thing you build and from which you now should run, recapture that child-like wonder that made you come alive, made you think about from whence you came and how a turn, a slight turn this way or that, could have landed you on the wrong side of the fence. And I have the list of brothers and sisters who took that wrong road, like that time Jack from Carver wound up face down in some dusty back road arroyo down Sonora way when the deal went bust or when she, maybe a little kinky for all I know, decided that she would try a needle and a spoon, I swear, or she swore just for kicks and she wound up in Madame LaRue’s whorehouse working that bed to perdition. Hey, sweet dreams baby I tried to tell you when you play with fire watch out.

So if you need to sort things out about boozers (and about titanic booze-crazed struggles in barrooms, on beaches, in the back seats of cars, lost in the mist of time down some crazed midnight, hell, four in the morning, penniless, cab fare-less night), losers (those who have lost their way, those who gotten it taken away from them like some maiden virginity, those who just didn’t get it frankly in this fast old world taken in by some grifter’s bluster), those who never had anything but lost next to their names, those who never had a way to be lost, dopesters inhaling sweet dream snow in solitary hotel rooms among junkie brethren, gathering a needle and spoon in some subterranean dank cellar, down in dark alleys jack-rolling some poor drunk stiff out of his room rent for kicks (how uncool to drink low-shelf whiskeys or rotgut wines hell the guy deserved to be rolled, should feel lucky he got away with just a flipped wallet), out in nighttime canyons flame blaring off the walls, the seven seas of chemical dust, mainly blotter, maybe peyote (the sweet dreams of ten million years of ghost warriors working the layered canyon walls flickering against the campfire flames and the sight of two modern warriors shirtless, sweaty, in a trance, high as kites, dancing by themselves like whirling dervishes   ready to do justice for the white man's greed until the flames flickered out and they fell in a heap exhausted) if that earth angel connection comes through (Aunt Sally, always, some Aunt Sally coming up the stairs to ease the pain, to make one feel, no, not feel, better than any AMA doctor without a prescription pad), creating visions of long lost tribes trying, trying like hell, to get “connected,” connected in the campfire shadow night, hipsters all dressed in black, mary mack dressed in black, speeding, speaking be-bop this and be-bop that to stay in fashion, hustling, always hustle, maybe pimping some street urchin, maybe cracking some guy’s head to create a “new world order” of the malignant, always moving, fallen sisters (sisters of mercy, sisters who need mercy, sisters who were mercifully made fallen in some mad dash night, merciful sister feed me, feed me good), midnight sifters (lifting in no particular order hubcaps, tires, wrenches, jacks, an occasional gem, some cheap jewelry in wrong neighborhoods, some paintings or whatever is not saleable left in some sneak back alley, it is the sifting that counts), grifters (hey, buddy watch this, now you see it, now you don’t, now you don’t see your long gone John dough, and Mister three card Monte long gone too ), drifters (here today gone tomorrow with or without dough, to Winnemucca, Ogden, Fresno, Frisco town, name your town, name your poison and the great big blue seas washing you clean out into the Japan seas), the drift-less (cramped into one room hovels, shelters, seedy rooming houses, hell, call them flop houses, afraid to stay in-doors or to go outside, afraid of the “them” too, afraid to be washed clean, angel clean), and small-time grafters (the ten-percent guys, failed insurance men, repo artists, bounty hunters, press agents, personal trainers, need I go on). You know where to look, right.

If you need to be refreshed on the subject of hoboes, bums, tramps (and remind me sometime to draw the distinction, the very real and acknowledged distinction between those three afore–mentioned classes of brethren once told to me by a forlorn grand master hobo, a guy down on his luck moving downward to bum), out in the railroad jungles in some Los Angeles ravine, some Gallup, New Mexico Southern Pacific  trestle (the old SP the only way to travel out west if you want to get west), some Hoboken broken down pier (ha, shades of the last page of Jack Kerouac’s classic), the fallen (fallen outside the gates of Eden, or, hell, inside too), those who want to fall (and let god figure out who made who fall, okay), Spanish Johnnies (slicked back black hair, tee shirt, shiv, cigarette butt hanging from a parted lip, belt buckle ready for action, leering, leering at that girl over there, some gringa for a change of pace, maybe your girl but watch out for that shiv, the bastard), stale cigarette butts (from Spanish Johnnie and all the johnnies, Camels, Luckies, no filters, no way), whiskey-soaked barroom floors (and whiskey-soaked drunks to mop the damn place up, for drinks and donuts, maybe just for the drinks), loners (jesus, books, big academic books with great pedigrees could be written on that subject so let’s just let that one pass by), the lonely (ditto loners), sad sacks (kindred, one hundred times kindred to the loners and the lonely but not worthy of study, big book academic study anyway), the sad (encompassing all of the above) and others at the margins of society, the whole fellahin world (the big mass of world sweated field braceros, sharecroppers, landless peasants and now cold-water flat urban dwellers fresh from the played out land, or taken land) then Tom Waits is your stop.

Tom Waits is, frankly, an acquired taste, one listen will not do, one song will not do, but listen to a whole record (CD okay) and you won’t want to turn the thing off, high praise in anyone’s book, so a taste well worth acquiring as he storms heaven in words, in thought-out words, in cribbed, cramped, crumbled words, to express the pain, angst and anguish of modern living, yes, modern living.

See he ain’t looking for all haloed saints out there, some Saint Jerome spreading the word out to the desert tribes, out on the American mean streets he has pawed around the edges, maybe doesn’t believe in saints for all I know, but is out looking for busted black-hearted angels all dressed in some slinky silk thing to make a man, a high-shelf whiskey man having hustled some dough better left unexplained that night going off his moorings feeding her drinks and she a liquor sponge (who left him short one night in some unnamed, maybe nameless, gin mill when she split, after she split her take with the bartender who watered her drinks, hell, the thing was sweet all she needed to do when he leaned into her was grab his sorry ass and get the damn wallet). Looking too, a child of the pin-up playboy 1950s, for girls with Monroe hips (hips swaying wickedly in the dead air night, and enflaming desire, hell lust, getting kicked out of proper small town hells by descendants of those aforementioned Mayflower boys for promising the world for one forbidden night), got real, and got left for dead with cigar wrapping rings. Yeah, looking for the desperate out there who went off the righteous path and wound up too young face down in some forsaken woods who said she needed to hold on to something, and for all the misbegotten. 

 

Tom Waits gives voice in song, a big task, to the kind of characters that peopled Nelson Algren’s novels (The Last Carousel, Neon Wilderness, Walk on the Wild Side, and The Man with the Golden Arm). The, frankly, white trash Okie/Arkie Dove Linkhorns and Frankie Machines of the world who had to keep moving just for the sake of moving something in the DNA driving that whirlwind, genetically broken before they begin, broken before they hit these shores (their forbears thrown out of Europe for venal crimes and lusts, pig-stealing, deer-pouching, working the commons without a license, highwaymen, ancient jack-rollers, the flotsam and jetsam of the old world, damn them, the master-less men and women, ask old Max about them too), having been chased out, cast out of Europe, or some such place. In short, the people who do not make revolutions, those revolutions we keep hearing and reading about, far from it, the wretched of the earth and their kin, the ones who the old blessed Paris communards were thinking of when they hanged a sign saying “Death to Thieves” from the Hotel de Ville balcony, but those who surely, and desperately could use one. If you want to hear about those desperate brethren then here is your stop as well.

If, additionally, you need a primordial grizzled gravelly voice to attune your ear to the scratchy earth and some occasional dissonant instrumentation to round out the picture go no further. Hey, let’s leave it at this- if you need someone who “feels your pain” for his characters you are home. Keep looking for the heart of Saturday night, Brother, keep looking.